https://wiki.animationmaster.com/api.php?action=feedcontributions&feedformat=atom&user=MartinAnimation Master Wiki - User contributions [en]2026-04-30T03:04:48ZUser contributionsMediaWiki 1.32.0https://wiki.animationmaster.com/index.php?title=Martin_Hash&diff=2043Martin Hash2008-08-18T23:04:22Z<p>Martin: </p>
<hr />
<div>[[Image:Av-166.jpg]]<br />
<br />
Name: Martin Hash<br />
<br />
Location: Vancouver, <span class="caps">WA </span>(USA)<br />
<br />
[http://www.hash.com/forums/index.php?showuser=166 Profile]<br />
<br />
[http://www.hash.com Webpage]<br />
<br />
===Background===<br />
<br />
Before starting Hash Enterprises, Martin was part of the core software team responsible for the "DeskJet" printer at Hewlett-Packard. He left HP to pursue his dream of creating 3D character animation using affordable personal computers. He developed Animation:Apprentice, a 3D modeling, animation, and rendering package for the Amiga that was the first commercial software to use non-linear animation techniques. He then went on to develop a new spline-mesh modeling and animation system for Animation:Journeyman. This core technology is still used as the basis for Animation:Master. In 2000, Martin was named one of the “15 Top <span class="caps">CG </span>Pioneers” by Animation Magazine. Martin is responsible for the core modeling, animation, and rendering technologies used in Animation:Master. His life-long interest in animation, comic books, and science fiction provided the motivation to create 3D animation tools for artists.<br />
<br />
[http://www.hash.com/forums/index.php?s=804f806faddd513ed68476a22019ecff&showforum=114 Martin’s Minutes]<br />
<br />
<br />
See also:<br />
<br />
[[Hash Inc]]<br />
<br />
[[Contributors]]<br />
<br />
[[category:Bio]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_3_02&diff=2012Sequence 3 022008-03-21T16:23:03Z<p>Martin: </p>
<hr />
<div>SEQUENCE 3_02 - "MOUNTAIN"<br />
<br />
3_02_01<br />
EXT. OZ – BADLANDS - DAY<br />
<br />
The sun hangs in the sky, huge and merciless.<br />
<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL trudge across '''BADLANDS'''. They walk in silence, each contemplating their own situation.<br />
<br />
3_02_02 <br />
STRAW BEAR<br />
263 Well, we have escaped the big woman, to be sure but we still wear these awful forms that the cruel Yookoohoo gave us.<br />
<br />
3_02_03 <br />
GREEN MONKEY<br />
263 How are we going to become ourselves again?<br />
<br />
3_02_04 <br />
STRAW BEAR <br />
"Endeavor to persevere." I heard that in a movie once.<br />
<br />
3_02_05<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL are confronted by a mountain in the distance. TIN OWL standing on TIN GIRL’s shoulder.<br />
<br />
TIN OWL<br />
Uh, uh. There's no way around. I guess we'll have to climb over it.<br />
<br />
3_02_06<br />
TIN GIRL (perky)<br />
Over it, it is! Come on.<br />
<br />
TIN OWL glances at TIN GIRL, smiles.<br />
<br />
'''3_02_06a "Can It Be True?" song'''<br />
<br />
3_02_07<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL start climbing up '''MOUNTAIN'''.<br />
<br />
3_02_08 <br />
STRAW BEAR (hopefully) <br />
Ah... At least... Ah, it's not slippery... And no rain in sight.<br />
<br />
3_02_09<br />
A large raindrop splats down on TIN OWL's head. He looks annoyed.<br />
<br />
TIN OWL<br />
Right as rain, straw-head.<br />
<br />
3_02_10<br />
STRAW BEAR smiles sheepishly.<br />
<br />
3_02_11<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL continue to climb over the rocks.<br />
<br />
3_02_13<br />
TIN OWL hovers over STRAW BEAR and GREEN MONKEY.<br />
<br />
GREEN MONKEY<br />
264 I’m hungry.<br />
<br />
TIN OWL<br />
264-02 Think of something else.<br />
<br />
GREEN MONKEY<br />
264-03 Like what?<br />
<br />
STRAW BEAR<br />
264-04 Like... Like something to take your mind off of your problems.<br />
<br />
TIN OWL<br />
264-05 For instance?<br />
<br />
3_02_14<br />
A moment, while STRAW BEAR grasps an idea.<br />
<br />
STRAW BEAR<br />
264-06 Where does straw come from?<br />
<br />
3_02_15<br />
A moment of silence while TIN OWL and GREEN MONKEY ponder Straw Bear's suggestion.<br />
<br />
3_02_17<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL trudge on across bleak landscape. TIN OWL is perched on TIN GIRL'S HEAD.<br />
<br />
3_02_18<br />
TIN OWL (CU) has his eyes closed. <br />
<br />
STRAW BEAR (OS)<br />
(Sighs.) <br />
<br />
TIN OWL (not opening his eyes)<br />
264-08 What?<br />
<br />
3_02_19 <br />
STRAW BEAR<br />
264-09 Nothing.<br />
<br />
3_02_20<br />
TIN OWL opens his large, round eyes.<br />
<br />
TIN OWL<br />
264-10 Are you sure? I thought that you...<br />
<br />
3_02_21 <br />
STRAW BEAR<br />
266 Eh... Eh... Y'know... I was just thinking that I was once the handsomest Scarecrow... And am now I⿿m condemned to be a scrubby, no-account beast whose only redeeming feature is that he’s full of straw.<br />
<br />
3_02_22 <br />
TIN OWL<br />
267 That's not all you're full of... And what about me?<br />
<br />
3_02_23<br />
TIN OWL looks longingly at TIN GIRL.<br />
<br />
TIN OWL<br />
I don't want to be a tin owl. I want to be myself!<br />
<br />
3_02_24 <br />
GREEN MONKEY<br />
268 Consider my case, please. The cruel giantess has made a monkey of a boy!<br />
<br />
3_02_25 <br />
STRAW BEAR<br />
269 I think your color’s rather attractive. I have never seen a pea-green monkey before.<br />
<br />
3_02_26 <br />
GREEN MONKEY<br />
270 What if I have to stay like this forever!?<br />
<br />
3_02_27 <br />
A melancholy mood settles over TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL.<br />
<br />
3_02_28 <br />
STRAW BEAR<br />
271 Dear me. What unhappy thoughts we have, to be sure.<br />
<br />
3_02_29 GREEN MONKEY<br />
271-01 What’s that supposed to mean?<br />
<br />
3_02_30 <br />
STRAW BEAR<br />
271-02 This is simply proof that born brains cannot equal manufactured brains, for my brains dwell only on facts and never borrow trouble.<br />
<br />
3_02_31 <br />
STRAW BEAR (CU)<br />
271-04 When there is occasion to think, I think, but I would be ashamed of my brains if they kept shooting out thoughts that were merely fears and imaginings, such as do no good, but are likely to do harm.<br />
<br />
3_02_32<br />
TIN OWL looks longingly at TIN GIRL but she does not know he is looking. <br />
<br />
TIN OWL<br />
272 For my part, I do not think at all, but allow my heart to guide me at all times.<br />
<br />
3_02_33 <br />
STRAW BEAR<br />
273 Thoughtless people are not unusual, but I consider them more fortunate than those who have useless or wicked thoughts and do not try to curb them.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_3_02&diff=2011Sequence 3 022008-03-21T16:21:00Z<p>Martin: </p>
<hr />
<div>SEQUENCE 3_02 - "MOUNTAIN"<br />
<br />
3_02_01<br />
EXT. OZ – BADLANDS - DAY<br />
<br />
The sun hangs in the sky, huge and merciless.<br />
<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL trudge across '''BADLANDS'''. They walk in silence, each contemplating their own situation.<br />
<br />
3_02_02 <br />
STRAW BEAR<br />
263 Well, we have escaped the big woman, to be sure but we still wear these awful forms that the cruel Yookoohoo gave us.<br />
<br />
3_02_03 <br />
GREEN MONKEY<br />
263 How are we going to become ourselves again?<br />
<br />
3_02_04 <br />
STRAW BEAR <br />
"Endeavor to persevere." I heard that in a movie once.<br />
<br />
3_02_05<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL are confronted by a mountain in the distance. TIN OWL standing on TIN GIRL’s shoulder.<br />
<br />
TIN OWL<br />
Uh, uh. There's no way around. I guess we'll have to climb over it.<br />
<br />
3_02_06<br />
TIN GIRL (perky)<br />
Over it, it is! Come on.<br />
<br />
TIN OWL glances at TIN GIRL, smiles.<br />
<br />
'''3_02_06a "Can It Be True?" song'''<br />
<br />
3_02_07<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL start climbing up '''MOUNTAIN'''.<br />
<br />
3_02_08 <br />
STRAW BEAR (hopefully) <br />
Ah... At least... Ah, it's not slippery... And no rain in sight.<br />
<br />
3_02_09<br />
A large raindrop splats down on TIN OWL's head. He looks annoyed.<br />
<br />
TIN OWL<br />
Right as rain, straw-head.<br />
<br />
3_02_10<br />
STRAW BEAR smiles sheepishly.<br />
<br />
3_02_11<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL continue to climb over the rocks.<br />
<br />
3_02_12 GREEN MONKEY<br />
264 I’m hungry.<br />
<br />
3_02_13<br />
TIN OWL hovers over STRAW BEAR and GREEN MONKEY.<br />
<br />
TIN OWL<br />
264-02 Think of something else.<br />
<br />
GREEN MONKEY<br />
264-03 Like what?<br />
<br />
STRAW BEAR<br />
264-04 Like... Like something to take your mind off of your problems.<br />
<br />
TIN OWL<br />
264-05 For instance?<br />
<br />
3_02_14<br />
A moment, while STRAW BEAR grasps an idea.<br />
<br />
STRAW BEAR<br />
264-06 Where does straw come from?<br />
<br />
3_02_15<br />
A moment of silence while TIN OWL and GREEN MONKEY ponder Straw Bear's suggestion.<br />
<br />
3_02_17<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL trudge on across bleak landscape. TIN OWL is perched on TIN GIRL'S HEAD.<br />
<br />
3_02_18<br />
TIN OWL (CU) has his eyes closed. <br />
<br />
STRAW BEAR (OS)<br />
(Sighs.) <br />
<br />
TIN OWL (not opening his eyes)<br />
264-08 What?<br />
<br />
3_02_19 <br />
STRAW BEAR<br />
264-09 Nothing.<br />
<br />
3_02_20<br />
TIN OWL opens his large, round eyes.<br />
<br />
TIN OWL<br />
264-10 Are you sure? I thought that you...<br />
<br />
3_02_21 <br />
STRAW BEAR<br />
266 Eh... Eh... Y'know... I was just thinking that I was once the handsomest Scarecrow... And am now I⿿m condemned to be a scrubby, no-account beast whose only redeeming feature is that he’s full of straw.<br />
<br />
3_02_22 <br />
TIN OWL<br />
267 That's not all you're full of... And what about me?<br />
<br />
3_02_23<br />
TIN OWL looks longingly at TIN GIRL.<br />
<br />
TIN OWL<br />
I don't want to be a tin owl. I want to be myself!<br />
<br />
3_02_24 <br />
GREEN MONKEY<br />
268 Consider my case, please. The cruel giantess has made a monkey of a boy!<br />
<br />
3_02_25 <br />
STRAW BEAR<br />
269 I think your color’s rather attractive. I have never seen a pea-green monkey before.<br />
<br />
3_02_26 <br />
GREEN MONKEY<br />
270 What if I have to stay like this forever!?<br />
<br />
3_02_27 <br />
A melancholy mood settles over TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL.<br />
<br />
3_02_28 <br />
STRAW BEAR<br />
271 Dear me. What unhappy thoughts we have, to be sure.<br />
<br />
3_02_29 GREEN MONKEY<br />
271-01 What’s that supposed to mean?<br />
<br />
3_02_30 <br />
STRAW BEAR<br />
271-02 This is simply proof that born brains cannot equal manufactured brains, for my brains dwell only on facts and never borrow trouble.<br />
<br />
3_02_31 <br />
STRAW BEAR (CU)<br />
271-04 When there is occasion to think, I think, but I would be ashamed of my brains if they kept shooting out thoughts that were merely fears and imaginings, such as do no good, but are likely to do harm.<br />
<br />
3_02_32<br />
TIN OWL looks longingly at TIN GIRL but she does not know he is looking. <br />
<br />
TIN OWL<br />
272 For my part, I do not think at all, but allow my heart to guide me at all times.<br />
<br />
3_02_33 <br />
STRAW BEAR<br />
273 Thoughtless people are not unusual, but I consider them more fortunate than those who have useless or wicked thoughts and do not try to curb them.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_3_04&diff=1947Sequence 3 042007-12-25T01:16:49Z<p>Martin: </p>
<hr />
<div>SEQUENCE 3_04 - "INVISIBLE"<br />
<br />
3_04_01<br />
STRAW BEAR<br />
Thoughts should be restrained and only applied when necessary, and for good purpose. If used carefully, thoughts are good things to have.<br />
<br />
STRAW BEAR, TIN GIRL, GREEN MONKEY and TIN OWL cross '''TREE BRIDGE'''.<br />
STRAW BEAR's body slowly disappears, though his voice is still loud.<br />
<br />
TIN OWL and TIN GIRL all become transparent as the cross TREE BRIDGE.<br />
<br />
3_04_02<br />
GREEN MONKEY is last in line: he is not transparent yet.<br />
<br />
GREEN MONKEY looks around wildly, TIN OWL, STRAW BEAR, and TIN GIRL are all transparent.<br />
<br />
3_04_03<br />
GREEN MONKEY's eyes grow wide.<br />
<br />
GREEN MONKEY<br />
273-01 Oh, my...<br />
<br />
3_04_04 <br />
TIN OWL<br />
274 Good Oz! Something’s happened to my eyes! I... I can’t see myself!<br />
<br />
3_04_05<br />
GREEN MONKEY steps completely into the Invisible land.<br />
<br />
GREEN MONKEY<br />
275 Can... can anyone see me?<br />
<br />
3_04_06 <br />
TIN GIRL<br />
276 No… I can’t… we’ve all become invisible.<br />
<br />
3_04_07 <br />
GREEN MONKEY<br />
277 How... How did this happen, do you suppose?<br />
<br />
3_04_08<br />
STRAW BEAR<br />
278 It must be that this part of the country has a magic quality of making people invisible. We can see the grass, and the flowers, and the stretch of plain before us, and we can still see Mount Munch in the distance; but we cannot see ourselves or one another.<br />
<br />
3_04_09<br />
There’s a moment of silence.<br />
<br />
GREEN MONKEY<br />
279 What are we to do about it?<br />
<br />
3_04_10 <br />
STRAW BEAR<br />
280 Well, I’ve never encountered anything like this before… but if we get together and hold hands… we might be able to travel toward Mount Munch until the enchanted land is passed. I know... Everyone whistle so we can find each other.<br />
<br />
3_04_11<br />
GREEN MONKEY, TIN GIRL, STRAW BEAR, and TIN OWL all whistle. There’s the sound of bumping into one another.<br />
<br />
STRAW BEAR<br />
281 Ow! Careful --<br />
<br />
TIN OWL<br />
282 Sorry.<br />
<br />
3_04_12<br />
There is another thump.<br />
<br />
GREEN MONKEY<br />
283 Ouch.<br />
<br />
TIN GIRL<br />
284 Sorry, again.<br />
<br />
3_04_13<br />
GREEN MONKEY (shuddering)<br />
285 I don’t like this place! We can’t tell how many dreadful, invisible beasts are roaming around us, or what danger we’ll come to next.<br />
<br />
3_04_14<br />
STRAW BEAR looks at GREEN MONKEY.<br />
<br />
STRAW BEAR<br />
286 Must you?<br />
<br />
GREEN MONKEY<br />
287 What?<br />
<br />
3_04_15<br />
Unseen by STRAW BEAR, HIPPOGYRAF sniffs at him.<br />
<br />
STRAW BEAR<br />
288 If you think of some dreadful thing, it's bound to happen... But if you don't think of it, and no one else thinks of it, it just can't happen. Do you see?<br />
<br />
3_04_16<br />
STRAW BEAR and GREEN MONKEY continue to talk with the HIPPOGYRAF standing behind them.<br />
<br />
GREEN MONKEY<br />
289 No. I won't be able to see much of anything until we escape from this.<br />
<br />
STRAW BEAR<br />
290 For example, I've heard that hippogyrafs use invisibility to capture their food... which is straw.<br />
<br />
3_04_16a<br />
STRAW BEAR, TIN GIRL, TIN OWL & GREEN MONKEY walk up '''DEEP CUT'''. HIPPOGYRAF is behind them.<br />
<br />
HIPPOGYRAF<br />
291 That's hip-po-gy-raf!<br />
<br />
STRAW BEAR, TIN GIRL, TIN OWL & GREEN MONKEY stop. <br />
<br />
3_04_16b<br />
STRAW BEAR does not turn around toward the voice.<br />
<br />
STRAW BEAR<br />
292 Oh goodness me!<br />
<br />
3_04_17 <br />
HIPPOGYRAF<br />
293 I smell straw! I smell straw, and I’m a hip-po-gy-raf who loves straw and eats all he can find. Where is it?! Where is it?!<br />
<br />
3_04_18<br />
The hippogyraf sniffs at TIN GIRL.<br />
<br />
HIPPOGYRAF<br />
294 Bah! That's not straw. It's tin.<br />
<br />
3_04_19<br />
Then HIPPOGYRAF swivels its long neck to sniff GREEN MONKEY.<br />
<br />
HIPPOGYRAF (disgusted)<br />
295 Meat!? Pooh, you're no good! I can't eat meat!<br />
<br />
3_04_20<br />
HIPPOGYRAF sniffs in the air.<br />
<br />
HIPPOGYRAF<br />
296 That's funny! I smell straw, but I can't find it. Well, it's here, somewhere, and I must hunt around until I do find it, for I'm hungry. I must see...<br />
<br />
3_04_21<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL suddenly all become visible. They gasp at the sight of HIPPOGYRAF. STRAW BEAR is very much frightened because he is standing right beside HIPPOGYRAF.<br />
<br />
3_04_22 <br />
STRAW BEAR<br />
297 D-dear me! Y-you must be the Hip-po-gy-raf?<br />
<br />
3_04_23 <br />
HIPPOGYRAF<br />
298 Quite right... and you’re the straw I’m to eat for my dinner. Oh, how I love straw! I hope you don’t resent my affectionate appetite?<br />
<br />
3_04_24<br />
STRAW BEAR closes his eyes.<br />
<br />
'''3_04_24a <br />
"Sniff, Sniff" song'''<br />
<br />
3_04_25<br />
GREEN MONKEY leaps between HIPPOGYRAF and STRAW BEAR, waves his arms.<br />
<br />
GREEN MONKEY<br />
299 Wait! Wait! You can't! This is our friend, and he would be useless without his stuffing!<br />
<br />
3_04_26 <br />
TIN OWL<br />
299-01 We are comrades—we’ll defend our friend’s stuffing against all enemies!<br />
<br />
TIN OWL flaps noisily, up into HIPPOGYRAF's face. HIPPOGYRAF dodges and weaves but is unable to escape TIN OWL.<br />
<br />
3_04_27<br />
GREEN MONKEY and TIN GIRL place themselves between STRAW BEAR and HIPPOGYRAF, defiant.<br />
<br />
3_04_28<br />
HIPPOGYRAF sits down and looks sorrowful.<br />
<br />
HIPPOGYRAF<br />
300 When one has made up his mind to have a meal of delicious straw, and then finds he can't have it, it is certainly hard luck because one must eat, and if one can't get the food he desires, he must desire the food he doesn't get.<br />
<br />
3_04_29<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL all look at each other, confused.<br />
<br />
3_04_30 <br />
STRAW BEAR<br />
301 I-I-I see you are a philosopher…<br />
<br />
3_04_31 <br />
HIPPOGYRAF<br />
302 No, just a Hip-po-gy-raf.<br />
<br />
3_04_32 <br />
STRAW BEAR<br />
303 You know, I have heard that hippogyrafs are the eyes and ears of Ozma of Oz. That she can see or go anywhere in Oz through them.<br />
<br />
3_04_33 <br />
HIPPOGYRAF<br />
304 Do you know Ozma?<br />
<br />
3_04_34 <br />
STRAW BEAR (proud)<br />
305 I... Uh... In... In fact, she is a good friend of mine!<br />
<br />
3_04_35 <br />
GREEN MONKEY<br />
307 Is it true that you are her watcher?<br />
<br />
3_04_36 <br />
HIPPOGYRAF<br />
308 Eh... Well... Maybe...<br />
<br />
3_04_37<br />
GREEN MONKEY stands in front of HIPPOGRAF.<br />
<br />
GREEN MONKEY<br />
309 Can you contact Ozma for us?<br />
<br />
HIPPOGYRAF<br />
310 I, eh, eh, yes... I can, it is true. But, I refuse to do it. Unless...<br />
<br />
GREEN MONKEY<br />
311 Unless...?<br />
<br />
HIPPOGYRAF<br />
312 Unless you let me eat the straw...<br />
<br />
3_04_38 <br />
GREEN MONKEY<br />
313 No! No, no... That's too high a price to pay!<br />
<br />
3_04_39<br />
HIPPOGYRAF stands back up.<br />
<br />
HIPPOGYRAF<br />
314 Well, since you refuse my generous offer, I can be as stubborn as you are.<br />
<br />
3_04_40<br />
STRAW BEAR, GREEN MONKEY, and TIN OWL perched on TIN GIRL's shoulder stand silent for a time.<br />
<br />
3_04_41<br />
STRAW BEAR steps forward to stand in front of HIPPOGYRAF.<br />
<br />
STRAW BEAR<br />
315 Friends, let us agree to the beast's terms.<br />
<br />
3_04_42<br />
STRAW BEAR, GREEN MONKEY, TIN OWL, TIN GIRL (simultaneous)<br />
No!<br />
<br />
3_04_43 <br />
STRAW BEAR<br />
Give him my straw, and restuff me with hay. I am willing to sacrifice my pride in a good cause.<br />
<br />
HIPPOGYRAF looms above STRAW BEAR.<br />
<br />
HIPPOGYRAF (exclaiming)<br />
316 Ummm... You are very honest and clever!<br />
<br />
STRAW BEAR stares up at HIPPOGYRAF, who looks at him closely.<br />
<br />
3_04_44<br />
STRAW BEAR lies down and methodically removes his straw until just its clothes and head remain.<br />
<br />
3_04_45<br />
STRAW BEAR, GREEN MONKEY, and TIN OWL perched on TIN GIRL's shoulder watch nervously, ready to intervene.<br />
<br />
3_04_46<br />
HIPPOGYRAF consumes the straw in a single bite: Crunch, crunch, crunch. He smacks his lips delightedly.<br />
<br />
HIPPOGYRAF<br />
317 M-m-m-mmm, but that was a fine dinner! And I am as good as my word. I will contact Ozma for you.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_2&diff=1926Sequence 2 22007-12-04T16:21:05Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_1]]<br />
== SEQUENCE 2_02 - "Thicket" ==<br />
<br />
2_02_00 <br />
EXT. OPEN ROAD - DAY <br />
TIN WOODMAN, SCARECROW and WOOT travel down a WINDING ROAD amid ROLLING HILLS and a patch of THICK WOODS. <br />
<br />
WOOT <br />
Sire, who will rule during your absence? <br />
<br />
<br />
TIN WOODMAN<br />
I do not rule here. I merely await the visits of our friend, Ozma, her Majesty of all Oz… The kingdom runs itself... The people of Oz have but one law: “Behave yourself," so it is difficult for them to go very far wrong. <br />
<br />
2_02_01<br />
Wooden SIGN on a twisted post. On it is a skull and cross bones. It reads: “All Strangers are Warned not to Follow this Path to Loonville.” SCARECROW reads the sign aloud to TIN WOODMAN & WOOT.<br />
<br />
SCARECROW<br />
All strangers are warned not to follow this path to Loonville...<br />
<br />
2_02_28<br />
Long shot of Scary Forest from character's POV<br />
<br />
2_02_10<br />
SCARECROW<br />
054 M-maybe w-we should go another way…<br />
<br />
TIN WOODMAN <br />
Good Idea! Perhaps if we were to go back to...<br />
<br />
WOOT<br />
055 I’d like to see what this… Loonville looks like.<br />
<br />
TIN WOODMAN and SCARECROW look at WOOT with alarm.<br />
<br />
2_02_14<br />
SCARECROW<br />
057 B-but… a warning means danger... And I for one believe it sensible to keep out of danger whenever we can. D-don’t you agree, Sire?<br />
<br />
2_02_15<br />
TIN WOODMAN<br />
057-01 Well, I...<br />
<br />
WOOT<br />
058 I’m not afraid.<br />
<br />
2_02_17<br />
SCARECROW<br />
Well, you wouldn't be. But what if we ran into straw weevils or barley blight ...<br />
<br />
2_02_18<br />
TIN WOODMAN walks away from sign towards forest<br />
SCARECROW (continuing in background)<br />
... or basket weavers or pack rats or hay balers or grazing livestock or roof thatchers or high humidity or mattress stuffers or archery target makers or, or...<br />
<br />
2_02_18b<br />
SCARECROW ... a box of matches!<br />
<br />
2_02_18c<br />
TIN WOODMAN<br />
Look, We’ll manage, ok?<br />
(pokes axe in from edge of frame)<br />
<br />
2_02_19<br />
SCARECROW<br />
059-01 Now let's think this through!<br />
<br />
2_02_20<br />
WOOT <br />
059-02 Maybe you should wait here then?<br />
<br />
2_02_21<br />
SCARECROW<br />
059-03 Buh-buy-by myself? Well... <br />
<br />
2_02_21c<br />
SCARECROW<br />
059-03 ...Maybe I will!<br />
<br />
2_02_22<br />
TIN WOODMAN<br />
059-04 Oh that's a Good idea! You stay in this open clearing and keep an eye out for the Opteryx.<br />
<br />
2_02_23<br />
SCARECROW<br />
059-05 Opteryx?<br />
<br />
2_02_24<br />
TIN WOODMAN<br />
059-06 You can’t miss her! She’s got 20-foot wings… and a huge beak…<br />
<br />
WOOT<br />
And she flies around looking for straw to build her nest with!<br />
<br />
2_02_24c<br />
SCARECROW reacts to straw being pulled out <br />
Gah!!<br />
<br />
WOOT <br />
good bye!<br />
<br />
SCARECROW looks toward Tin Woodman & Woot leaving.<br />
<br />
2_02_25<br />
TIN WOODMAN & WOOT walk off.<br />
TIN WOODMAN<br />
See you later…<br />
<br />
2_02_26<br />
SCARECROW remains behind and looks about nervously. After several moments a small bird lands on SCARECROW’s shoulder and chirps at him.<br />
<br />
SCARECROW<br />
Ahhhh!<br />
<br />
SCARECROW runs towards TIN WOODMAN and WOOT.<br />
<br />
SCARECROW<br />
059-09 Hey, wait, you guys… you’re gonna need me! <br />
<br />
2_02_29<br />
EXT. WOODS – DAY<br />
<br />
TIN WOODMAN hacks through heavy underbrush, followed by WOOT and SCARECROW. They are surrounded by EXOTIC PLANTS.<br />
<br />
2_02_30<br />
WOOT struggles through a nest of thorny VINES.<br />
<br />
WOOT<br />
This is tough going...<br />
<br />
2_02_31<br />
SCARECROW<br />
Yes, indeed it is.<br />
<br />
2_02_32<br />
TIN WOODMAN hacks through several writhing vines.<br />
<br />
2_02_33<br />
SCARECROW is suddenly engulfed in writhing vines.<br />
<br />
SCARECROW (gasps)<br />
Help! Ahh! Ahh! It's a snake!<br />
<br />
2_02_34<br />
TIN WOODMAN and WOOT look OS towards Scarecrow.<br />
<br />
TIN WOODMAN<br />
Will you look at him...<br />
<br />
2_02_35<br />
SCARECROW<br />
Ahh... Ahh...<br />
<br />
2_02_36<br />
<br />
WOOT (exasperated)<br />
It's vines.<br />
<br />
2_02_37<br />
SCARECROW stops struggling stands up.<br />
<br />
2_02_38<br />
SCARECROW winks.<br />
<br />
SCARECROW<br />
It might be vine for you but it's killing me...<br />
<br />
2_02_39<br />
WOOT makes a face at the pun.<br />
<br />
2_02_40<br />
TIN WOODMAN turns forward and continues trekking through the trees.<br />
<br />
2_02_41<br />
SCARECROW, smiling, walks a few paces then falls away from view.<br />
<br />
SCARECROW<br />
Ahhhh... (falling away)<br />
<br />
2_02_42<br />
TIN WOODMAN and WOOT don't turn back.<br />
<br />
TIN WOODMAN<br />
Just keep going. Ignore him.<br />
<br />
2_02_43<br />
WOOT sneaks a glance back anyway.<br />
<br />
WOOT<br />
Look. I think he fell into a hole.<br />
<br />
2_02_44<br />
SCARECROW⿿S hat sit on the forest floor.<br />
<br />
2_02_45<br />
TIN WOODMAN turns.<br />
<br />
TIN WOODMAN<br />
Oh...<br />
<br />
2_02_46<br />
TIN WOODMAN and WOOT peer down at SCARECROW⿿S hat. TIN WOODMAN picks it up tentatively, they look underneath.<br />
<br />
2_02_47<br />
SCARECROW falls earthward.<br />
<br />
2_02_48<br />
SCARECROW (OS)<br />
Ahhhhh...<br />
<br />
2_02_49<br />
TIN WOODMAN and WOOT look around, startled. SCARECROW drops down in front of them.<br />
<br />
TIN WOODMAN<br />
Quit playing around.<br />
<br />
FADE TO BLACK<br />
<br />
[[Sequence_2_3]]<br />
<br />
[[Script]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_2&diff=1925Sequence 2 22007-12-04T14:30:36Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_1]]<br />
== SEQUENCE 2_02 - "Thicket" ==<br />
<br />
2_02_00 <br />
EXT. OPEN ROAD - DAY <br />
TIN WOODMAN, SCARECROW and WOOT travel down a WINDING ROAD amid ROLLING HILLS and a patch of THICK WOODS. <br />
<br />
WOOT <br />
Sire, who will rule during your absence? <br />
<br />
<br />
TIN WOODMAN<br />
I do not rule here. I merely await the visits of our friend, Ozma, her Majesty of all Oz… The kingdom runs itself... The people of Oz have but one law: “Behave yourself," so it is difficult for them to go very far wrong. <br />
<br />
2_02_01<br />
Wooden SIGN on a twisted post. On it is a skull and cross bones. It reads: “All Strangers are Warned not to Follow this Path to Loonville.” SCARECROW reads the sign aloud to TIN WOODMAN & WOOT.<br />
<br />
SCARECROW<br />
All strangers are warned not to follow this path to Loonville...<br />
<br />
2_02_28<br />
Long shot of Scary Forest from character's POV<br />
<br />
2_02_10<br />
SCARECROW<br />
054 M-maybe w-we should go another way…<br />
<br />
TIN WOODMAN <br />
Good Idea! Perhaps if we were to go back to...<br />
<br />
WOOT<br />
055 I’d like to see what this… Loonville looks like.<br />
<br />
TIN WOODMAN and SCARECROW look at WOOT with alarm.<br />
<br />
2_02_14<br />
SCARECROW<br />
057 B-but… a warning means danger... And I for one believe it sensible to keep out of danger whenever we can. D-don’t you agree, Sire?<br />
<br />
2_02_15<br />
TIN WOODMAN<br />
057-01 Well, I...<br />
<br />
WOOT<br />
058 I’m not afraid.<br />
<br />
2_02_17<br />
SCARECROW<br />
Well, you wouldn't be. But what if we ran into straw weevils or barley blight ...<br />
<br />
2_02_18<br />
TIN WOODMAN walks away from sign towards forest<br />
SCARECROW (continuing in background)<br />
... or basket weavers or pack rats or hay balers or grazing livestock or roof thatchers or high humidity or mattress stuffers or archery target makers or, or...<br />
<br />
2_02_18b<br />
SCARECROW ... a box of matches!<br />
<br />
2_02_18c<br />
TIN WOODMAN<br />
Look, We’ll manage, ok?<br />
(pokes axe in from edge of frame)<br />
<br />
2_02_19<br />
SCARECROW<br />
059-01 Now let's think this through!<br />
<br />
2_02_20<br />
WOOT <br />
059-02 Maybe you should wait here then?<br />
<br />
2_02_21<br />
SCARECROW<br />
059-03 Buh-buy-by myself? Well... <br />
<br />
2_02_21b<br />
WOOT winks to camera<br />
<br />
2_02_21c<br />
SCARECROW<br />
059-03 ...Maybe I will!<br />
<br />
2_02_22<br />
TIN WOODMAN<br />
059-04 Oh that's a Good idea! You stay in this open clearing and keep an eye out for the Opteryx.<br />
<br />
2_02_23<br />
SCARECROW<br />
059-05 Opteryx?<br />
<br />
2_02_24<br />
TIN WOODMAN<br />
059-06 You can’t miss her! She’s got 20-foot wings… and a huge beak…<br />
<br />
WOOT<br />
And she flies around looking for straw to build her nest with!<br />
<br />
2_02_24c<br />
SCARECROW reacts to straw being pulled out <br />
Gah!!<br />
<br />
WOOT <br />
good bye!<br />
<br />
SCARECROW looks toward Tin Woodman & Woot leaving.<br />
<br />
2_02_25<br />
TIN WOODMAN & WOOT walk off.<br />
TIN WOODMAN<br />
See you later…<br />
<br />
2_02_26<br />
SCARECROW remains behind and looks about nervously. After several moments a small bird lands on SCARECROW’s shoulder and chirps at him.<br />
<br />
SCARECROW<br />
Ahhhh!<br />
<br />
SCARECROW runs towards TIN WOODMAN and WOOT.<br />
<br />
SCARECROW<br />
059-09 Hey, wait, you guys… you’re gonna need me! <br />
<br />
2_02_29<br />
EXT. WOODS – DAY<br />
<br />
TIN WOODMAN hacks through heavy underbrush, followed by WOOT and SCARECROW. They are surrounded by EXOTIC PLANTS.<br />
<br />
2_02_30<br />
WOOT struggles through a nest of thorny VINES.<br />
<br />
WOOT<br />
This is tough going...<br />
<br />
2_02_31<br />
SCARECROW<br />
Yes, indeed it is.<br />
<br />
2_02_32<br />
TIN WOODMAN hacks through several writhing vines.<br />
<br />
2_02_33<br />
SCARECROW is suddenly engulfed in writhing vines.<br />
<br />
SCARECROW (gasps)<br />
Help! Ahh! Ahh! It's a snake!<br />
<br />
2_02_34<br />
TIN WOODMAN and WOOT look OS towards Scarecrow.<br />
<br />
TIN WOODMAN<br />
Will you look at him...<br />
<br />
2_02_35<br />
SCARECROW<br />
Ahh... Ahh...<br />
<br />
2_02_36<br />
<br />
WOOT (exasperated)<br />
It's vines.<br />
<br />
2_02_37<br />
SCARECROW stops struggling stands up.<br />
<br />
2_02_38<br />
SCARECROW winks.<br />
<br />
SCARECROW<br />
It might be vine for you but it's killing me...<br />
<br />
2_02_39<br />
WOOT makes a face at the pun.<br />
<br />
2_02_40<br />
TIN WOODMAN turns forward and continues trekking through the trees.<br />
<br />
2_02_41<br />
SCARECROW, smiling, walks a few paces then falls away from view.<br />
<br />
SCARECROW<br />
Ahhhh... (falling away)<br />
<br />
2_02_42<br />
TIN WOODMAN and WOOT don't turn back.<br />
<br />
TIN WOODMAN<br />
Just keep going. Ignore him.<br />
<br />
2_02_43<br />
WOOT sneaks a glance back anyway.<br />
<br />
WOOT<br />
Look. I think he fell into a hole.<br />
<br />
2_02_44<br />
SCARECROW⿿S hat sit on the forest floor.<br />
<br />
2_02_45<br />
TIN WOODMAN turns.<br />
<br />
TIN WOODMAN<br />
Oh...<br />
<br />
2_02_46<br />
TIN WOODMAN and WOOT peer down at SCARECROW⿿S hat. TIN WOODMAN picks it up tentatively, they look underneath.<br />
<br />
2_02_47<br />
SCARECROW falls earthward.<br />
<br />
2_02_48<br />
SCARECROW (OS)<br />
Ahhhhh...<br />
<br />
2_02_49<br />
TIN WOODMAN and WOOT look around, startled. SCARECROW drops down in front of them.<br />
<br />
TIN WOODMAN<br />
Quit playing around.<br />
<br />
FADE TO BLACK<br />
<br />
[[Sequence_2_3]]<br />
<br />
[[Script]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_2&diff=1920Sequence 2 22007-12-03T21:34:44Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_1]]<br />
== SEQUENCE 2_02 - "Thicket" ==<br />
<br />
2_02_00 <br />
EXT. OPEN ROAD - DAY <br />
TIN WOODMAN, SCARECROW and WOOT travel down a WINDING ROAD amid ROLLING HILLS and a patch of THICK WOODS. <br />
<br />
WOOT <br />
Sire, who will rule during your absence? <br />
<br />
<br />
TIN WOODMAN<br />
I do not rule here. I merely await the visits of our friend, Ozma, her Majesty of all Oz… The kingdom runs itself... The people of Oz have but one law: “Behave yourself," so it is difficult for them to go very far wrong. <br />
<br />
2_02_01<br />
Wooden SIGN on a twisted post. On it is a skull and cross bones. It reads: “All Strangers are Warned not to Follow this Path to Loonville.” SCARECROW reads the sign aloud to TIN WOODMAN & WOOT.<br />
<br />
SCARECROW<br />
All strangers are warned not to follow this path to Loonville...<br />
<br />
2_02_28<br />
Long shot of Scary Forest from character's POV<br />
<br />
2_02_10<br />
SCARECROW<br />
054 M-maybe w-we should go another way…<br />
<br />
TIN WOODMAN <br />
Good Idea! Perhaps if we were to go back to...<br />
<br />
WOOT<br />
055 I’d like to see what this… Loonville looks like.<br />
<br />
TIN WOODMAN and SCARECROW look at WOOT with alarm.<br />
<br />
2_02_14<br />
SCARECROW<br />
057 B-but… a warning means danger... And I for one believe it sensible to keep out of danger whenever we can. D-don’t you agree, Sire?<br />
<br />
2_02_15<br />
TIN WOODMAN<br />
057-01 Well, I...<br />
<br />
WOOT<br />
058 I’m not afraid.<br />
<br />
2_02_17<br />
SCARECROW<br />
Well, you wouldn't be. But what if we ran into straw weevils or barley blight ...<br />
<br />
2_02_18<br />
TIN WOODMAN walks away from sign towards forest<br />
SCARECROW (continuing in background)<br />
... or basket weavers or pack rats or hay balers or grazing livestock or roof thatchers or high humidity or mattress stuffers or archery target makers or, or...<br />
<br />
2_02_18b<br />
SCARECROW ... a box of matches!<br />
<br />
2_02_18c<br />
TIN WOODMAN<br />
Look, We’ll manage, ok?<br />
(pokes axe in from edge of frame)<br />
<br />
2_02_19<br />
SCARECROW<br />
059-01 Now let's think this through!<br />
<br />
2_02_20<br />
WOOT <br />
059-02 Maybe you should wait here then?<br />
<br />
2_02_21<br />
SCARECROW<br />
059-03 Buh-buy-by myself? Well... <br />
<br />
2_02_21b<br />
WOOT winks to camera<br />
<br />
2_02_21c<br />
SCARECROW<br />
059-03 ...Maybe I will!<br />
<br />
2_02_22<br />
TIN WOODMAN<br />
059-04 Oh that's a Good idea! You stay in this open clearing and keep an eye out for the Opteryx.<br />
<br />
2_02_23<br />
SCARECROW<br />
059-05 Opteryx?<br />
<br />
2_02_24<br />
TIN WOODMAN<br />
059-06 You can’t miss her! She’s got 20-foot wings… and a huge beak…<br />
<br />
WOOT<br />
And she flies around looking for straw to build her nest with!<br />
<br />
2_02_24c<br />
SCARECROW reacts to straw being pulled out <br />
Gah!!<br />
<br />
WOOT <br />
good bye!<br />
<br />
SCARECROW looks toward Tin Woodman & Woot leaving.<br />
<br />
2_02_25<br />
TIN WOODMAN & WOOT walk off.<br />
TIN WOODMAN<br />
See you later…<br />
<br />
2_02_26<br />
SCARECROW remains behind and looks about nervously. After several moments a small bird lands on SCARECROW’s shoulder and chirps at him.<br />
<br />
SCARECROW<br />
Ahhhh!<br />
<br />
2_02_27<br />
SCARECROW runs towards TIN WOODMAN and WOOT.<br />
<br />
SCARECROW<br />
059-09 Hey, wait, you guys… you’re gonna need me! <br />
<br />
2_02_29<br />
EXT. WOODS – DAY<br />
<br />
TIN WOODMAN hacks through heavy underbrush, followed by WOOT and SCARECROW. They are surrounded by EXOTIC PLANTS.<br />
<br />
2_02_30<br />
WOOT struggles through a nest of thorny VINES.<br />
<br />
WOOT<br />
This is tough going...<br />
<br />
2_02_31<br />
SCARECROW<br />
Yes, indeed it is.<br />
<br />
2_02_32<br />
TIN WOODMAN hacks through several writhing vines.<br />
<br />
2_02_33<br />
SCARECROW is suddenly engulfed in writhing vines.<br />
<br />
SCARECROW (gasps)<br />
Help! Ahh! Ahh! It's a snake!<br />
<br />
2_02_34<br />
TIN WOODMAN and WOOT look OS towards Scarecrow.<br />
<br />
TIN WOODMAN<br />
Will you look at him...<br />
<br />
2_02_35<br />
SCARECROW<br />
Ahh... Ahh...<br />
<br />
2_02_36<br />
<br />
WOOT (exasperated)<br />
It's vines.<br />
<br />
2_02_37<br />
SCARECROW stops struggling stands up.<br />
<br />
2_02_38<br />
SCARECROW winks.<br />
<br />
SCARECROW<br />
It might be vine for you but it's killing me...<br />
<br />
2_02_39<br />
WOOT makes a face at the pun.<br />
<br />
2_02_40<br />
TIN WOODMAN turns forward and continues trekking through the trees.<br />
<br />
2_02_41<br />
SCARECROW, smiling, walks a few paces then falls away from view.<br />
<br />
SCARECROW<br />
Ahhhh... (falling away)<br />
<br />
2_02_42<br />
TIN WOODMAN and WOOT don't turn back.<br />
<br />
TIN WOODMAN<br />
Just keep going. Ignore him.<br />
<br />
2_02_43<br />
WOOT sneaks a glance back anyway.<br />
<br />
WOOT<br />
Look. I think he fell into a hole.<br />
<br />
2_02_44<br />
SCARECROW⿿S hat sit on the forest floor.<br />
<br />
2_02_45<br />
TIN WOODMAN turns.<br />
<br />
TIN WOODMAN<br />
Oh...<br />
<br />
2_02_46<br />
TIN WOODMAN and WOOT peer down at SCARECROW⿿S hat. TIN WOODMAN picks it up tentatively, they look underneath.<br />
<br />
2_02_47<br />
SCARECROW falls earthward.<br />
<br />
2_02_48<br />
SCARECROW (OS)<br />
Ahhhhh...<br />
<br />
2_02_49<br />
TIN WOODMAN and WOOT look around, startled. SCARECROW drops down in front of them.<br />
<br />
TIN WOODMAN<br />
Quit playing around.<br />
<br />
FADE TO BLACK<br />
<br />
[[Sequence_2_3]]<br />
<br />
[[Script]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_2&diff=1919Sequence 2 22007-12-03T20:23:22Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_1]]<br />
== SEQUENCE 2_02 - "Thicket" ==<br />
<br />
2_02_00 <br />
EXT. OPEN ROAD - DAY <br />
TIN WOODMAN, SCARECROW and WOOT travel down a WINDING ROAD amid ROLLING HILLS and a patch of THICK WOODS. <br />
<br />
WOOT <br />
Sire, who will rule during your absence? <br />
<br />
<br />
TIN WOODMAN<br />
I do not rule here. I merely await the visits of our friend, Ozma, her Majesty of all Oz… The kingdom runs itself... The people of Oz have but one law: “Behave yourself," so it is difficult for them to go very far wrong. <br />
<br />
2_02_01<br />
Wooden SIGN on a twisted post. On it is a skull and cross bones. It reads: “All Strangers are Warned not to Follow this Path to Loonville.” SCARECROW reads the sign aloud to TIN WOODMAN & WOOT.<br />
<br />
SCARECROW<br />
All strangers are warned not to follow this path to Loonville...<br />
<br />
2_02_28<br />
Long shot of Scary Forest from character's POV<br />
<br />
2_02_10<br />
SCARECROW<br />
054 M-maybe w-we should go another way…<br />
<br />
TIN WOODMAN <br />
Good Idea! Perhaps if we were to go back to...<br />
<br />
2_02_12<br />
WOOT<br />
055 I’d like to see what this… Loonville looks like.<br />
<br />
TIN WOODMAN and SCARECROW look at WOOT with alarm.<br />
<br />
2_02_14<br />
SCARECROW<br />
057 B-but… a warning means danger... And I for one believe it sensible to keep out of danger whenever we can. D-don’t you agree, Sire?<br />
<br />
2_02_15<br />
TIN WOODMAN<br />
057-01 Well, I...<br />
<br />
WOOT<br />
058 I’m not afraid.<br />
<br />
2_02_17<br />
SCARECROW<br />
Well, you wouldn't be. But what if we ran into straw weevils or barley blight ...<br />
<br />
2_02_18<br />
TIN WOODMAN walks away from sign towards forest<br />
SCARECROW (continuing in background)<br />
... or basket weavers or pack rats or hay balers or grazing livestock or roof thatchers or high humidity or mattress stuffers or archery target makers or, or...<br />
<br />
2_02_18b<br />
SCARECROW ... a box of matches!<br />
<br />
2_02_18c<br />
TIN WOODMAN<br />
Look, We’ll manage, ok?<br />
(pokes axe in from edge of frame)<br />
<br />
2_02_19<br />
SCARECROW<br />
059-01 Now let's think this through!<br />
<br />
2_02_20<br />
WOOT <br />
059-02 Maybe you should wait here then?<br />
<br />
2_02_21<br />
SCARECROW<br />
059-03 Buh-buy-by myself? Well... <br />
<br />
2_02_21b<br />
WOOT winks to camera<br />
<br />
2_02_21c<br />
SCARECROW<br />
059-03 ...Maybe I will!<br />
<br />
2_02_22<br />
TIN WOODMAN<br />
059-04 Oh that's a Good idea! You stay in this open clearing and keep an eye out for the Opteryx.<br />
<br />
2_02_23<br />
SCARECROW<br />
059-05 Opteryx?<br />
<br />
2_02_24<br />
TIN WOODMAN<br />
059-06 You can’t miss her! She’s got 20-foot wings… and a huge beak…<br />
<br />
WOOT<br />
And she flies around looking for straw to build her nest with!<br />
<br />
2_02_24c<br />
SCARECROW reacts to straw being pulled out <br />
Gah!!<br />
<br />
WOOT <br />
good bye!<br />
<br />
SCARECROW looks toward Tin Woodman & Woot leaving.<br />
<br />
2_02_25<br />
TIN WOODMAN & WOOT walk off.<br />
TIN WOODMAN<br />
See you later…<br />
<br />
2_02_26<br />
SCARECROW remains behind and looks about nervously. After several moments a small bird lands on SCARECROW’s shoulder and chirps at him.<br />
<br />
SCARECROW<br />
Ahhhh!<br />
<br />
2_02_27<br />
SCARECROW runs towards TIN WOODMAN and WOOT.<br />
<br />
SCARECROW<br />
059-09 Hey, wait, you guys… you’re gonna need me! <br />
<br />
2_02_29<br />
EXT. WOODS – DAY<br />
<br />
TIN WOODMAN hacks through heavy underbrush, followed by WOOT and SCARECROW. They are surrounded by EXOTIC PLANTS.<br />
<br />
2_02_30<br />
WOOT struggles through a nest of thorny VINES.<br />
<br />
WOOT<br />
This is tough going...<br />
<br />
2_02_31<br />
SCARECROW<br />
Yes, indeed it is.<br />
<br />
2_02_32<br />
TIN WOODMAN hacks through several writhing vines.<br />
<br />
2_02_33<br />
SCARECROW is suddenly engulfed in writhing vines.<br />
<br />
SCARECROW (gasps)<br />
Help! Ahh! Ahh! It's a snake!<br />
<br />
2_02_34<br />
TIN WOODMAN and WOOT look OS towards Scarecrow.<br />
<br />
TIN WOODMAN<br />
Will you look at him...<br />
<br />
2_02_35<br />
SCARECROW<br />
Ahh... Ahh...<br />
<br />
2_02_36<br />
<br />
WOOT (exasperated)<br />
It's vines.<br />
<br />
2_02_37<br />
SCARECROW stops struggling stands up.<br />
<br />
2_02_38<br />
SCARECROW winks.<br />
<br />
SCARECROW<br />
It might be vine for you but it's killing me...<br />
<br />
2_02_39<br />
WOOT makes a face at the pun.<br />
<br />
2_02_40<br />
TIN WOODMAN turns forward and continues trekking through the trees.<br />
<br />
2_02_41<br />
SCARECROW, smiling, walks a few paces then falls away from view.<br />
<br />
SCARECROW<br />
Ahhhh... (falling away)<br />
<br />
2_02_42<br />
TIN WOODMAN and WOOT don't turn back.<br />
<br />
TIN WOODMAN<br />
Just keep going. Ignore him.<br />
<br />
2_02_43<br />
WOOT sneaks a glance back anyway.<br />
<br />
WOOT<br />
Look. I think he fell into a hole.<br />
<br />
2_02_44<br />
SCARECROW⿿S hat sit on the forest floor.<br />
<br />
2_02_45<br />
TIN WOODMAN turns.<br />
<br />
TIN WOODMAN<br />
Oh...<br />
<br />
2_02_46<br />
TIN WOODMAN and WOOT peer down at SCARECROW⿿S hat. TIN WOODMAN picks it up tentatively, they look underneath.<br />
<br />
2_02_47<br />
SCARECROW falls earthward.<br />
<br />
2_02_48<br />
SCARECROW (OS)<br />
Ahhhhh...<br />
<br />
2_02_49<br />
TIN WOODMAN and WOOT look around, startled. SCARECROW drops down in front of them.<br />
<br />
TIN WOODMAN<br />
Quit playing around.<br />
<br />
FADE TO BLACK<br />
<br />
[[Sequence_2_3]]<br />
<br />
[[Script]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_2&diff=1918Sequence 2 22007-12-03T18:51:20Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_1]]<br />
== SEQUENCE 2_02 - "Thicket" ==<br />
<br />
2_02_00 <br />
EXT. OPEN ROAD - DAY <br />
TIN WOODMAN, SCARECROW and WOOT travel down a WINDING ROAD amid ROLLING HILLS and a patch of THICK WOODS. <br />
<br />
WOOT <br />
Sire, who will rule during your absence? <br />
<br />
<br />
TIN WOODMAN<br />
I do not rule here. I merely await the visits of our friend, Ozma, her Majesty of all Oz… The kingdom runs itself... The people of Oz have but one law: “Behave yourself," so it is difficult for them to go very far wrong. <br />
<br />
2_02_01<br />
Wooden SIGN on a twisted post. On it is a skull and cross bones. It reads: “All Strangers are Warned not to Follow this Path to Loonville.” SCARECROW reads the sign aloud to TIN WOODMAN & WOOT.<br />
<br />
SCARECROW<br />
All strangers are warned not to follow this path to Loonville...<br />
<br />
2_02_28<br />
Long shot of Scary Forest from character's POV<br />
<br />
2_02_10<br />
SCARECROW<br />
054 M-maybe w-we should go another way…<br />
TWOODMAN <br />
Good Idea! Perhaps if we were to go back to...<br />
<br />
2_02_11<br />
WOOT sneaks off toward Loonville.<br />
<br />
TIN WOODMAN (OS) continues talking<br />
<br />
2_02_12<br />
WOOT<br />
055 I’d like to see what this… Loonville looks like.<br />
<br />
TIN WOODMAN and SCARECROW look at him with alarm.<br />
<br />
2_02_14<br />
SCARECROW<br />
057 B-but… a warning means danger... And I for one believe it sensible to keep out of danger whenever we can. D-don’t you agree, Sire?<br />
<br />
2_02_15<br />
TIN WOODMAN<br />
057-01 Well, I...<br />
<br />
WOOT<br />
058 I’m not afraid.<br />
<br />
2_02_17<br />
SCARECROW<br />
Well, you wouldn't be. But what if we ran into straw weevils or barley blight ...<br />
<br />
2_02_18<br />
TIN WOODMAN walks away from sign towards forest<br />
SCARECROW (continuing in background)<br />
... or basket weavers or pack rats or hay balers or grazing livestock or roof thatchers or high humidity or mattress stuffers or archery target makers or, or...<br />
<br />
2_02_18b<br />
SCARECROW ... a box of matches!<br />
<br />
2_02_18c<br />
TIN WOODMAN<br />
Look, We’ll manage, ok?<br />
(pokes axe in from edge of frame)<br />
<br />
2_02_19<br />
SCARECROW<br />
059-01 Now let's think this through!<br />
<br />
2_02_20<br />
WOOT <br />
059-02 Maybe you should wait here then?<br />
<br />
2_02_21<br />
SCARECROW<br />
059-03 Buh-buy-by myself? Well... <br />
<br />
2_02_21b<br />
WOOT winks to camera<br />
<br />
2_02_21c<br />
SCARECROW<br />
059-03 ...Maybe I will!<br />
<br />
2_02_22<br />
TIN WOODMAN<br />
059-04 Oh that's a Good idea! You stay in this open clearing and keep an eye out for the Opteryx.<br />
<br />
2_02_23<br />
SCARECROW<br />
059-05 Opteryx?<br />
<br />
2_02_24<br />
TIN WOODMAN<br />
059-06 You can’t miss her! She’s got 20-foot wings… and a huge beak…<br />
<br />
WOOT<br />
And she flies around looking for straw to build her nest with!<br />
<br />
2_02_24c<br />
SCARECROW reacts to straw being pulled out <br />
Gah!!<br />
<br />
WOOT <br />
good bye!<br />
<br />
SCARECROW looks toward Tin Woodman & Woot leaving.<br />
<br />
2_02_25<br />
TIN WOODMAN & WOOT walk off.<br />
TIN WOODMAN<br />
See you later…<br />
<br />
2_02_26<br />
SCARECROW remains behind and looks about nervously. After several moments a small bird lands on SCARECROW’s shoulder and chirps at him.<br />
<br />
SCARECROW<br />
Ahhhh!<br />
<br />
2_02_27<br />
SCARECROW runs towards TIN WOODMAN and WOOT.<br />
<br />
SCARECROW<br />
059-09 Hey, wait, you guys… you’re gonna need me! <br />
<br />
2_02_29<br />
EXT. WOODS – DAY<br />
<br />
TIN WOODMAN hacks through heavy underbrush, followed by WOOT and SCARECROW. They are surrounded by EXOTIC PLANTS.<br />
<br />
2_02_30<br />
WOOT struggles through a nest of thorny VINES.<br />
<br />
WOOT<br />
This is tough going...<br />
<br />
2_02_31<br />
SCARECROW<br />
Yes, indeed it is.<br />
<br />
2_02_32<br />
TIN WOODMAN hacks through several writhing vines.<br />
<br />
2_02_33<br />
SCARECROW is suddenly engulfed in writhing vines.<br />
<br />
SCARECROW (gasps)<br />
Help! Ahh! Ahh! It's a snake!<br />
<br />
2_02_34<br />
TIN WOODMAN and WOOT look OS towards Scarecrow.<br />
<br />
TIN WOODMAN<br />
Will you look at him...<br />
<br />
2_02_35<br />
SCARECROW<br />
Ahh... Ahh...<br />
<br />
2_02_36<br />
<br />
WOOT (exasperated)<br />
It's vines.<br />
<br />
2_02_37<br />
SCARECROW stops struggling stands up.<br />
<br />
2_02_38<br />
SCARECROW winks.<br />
<br />
SCARECROW<br />
It might be vine for you but it's killing me...<br />
<br />
2_02_39<br />
WOOT makes a face at the pun.<br />
<br />
2_02_40<br />
TIN WOODMAN turns forward and continues trekking through the trees.<br />
<br />
2_02_41<br />
SCARECROW, smiling, walks a few paces then falls away from view.<br />
<br />
SCARECROW<br />
Ahhhh... (falling away)<br />
<br />
2_02_42<br />
TIN WOODMAN and WOOT don't turn back.<br />
<br />
TIN WOODMAN<br />
Just keep going. Ignore him.<br />
<br />
2_02_43<br />
WOOT sneaks a glance back anyway.<br />
<br />
WOOT<br />
Look. I think he fell into a hole.<br />
<br />
2_02_44<br />
SCARECROW⿿S hat sit on the forest floor.<br />
<br />
2_02_45<br />
TIN WOODMAN turns.<br />
<br />
TIN WOODMAN<br />
Oh...<br />
<br />
2_02_46<br />
TIN WOODMAN and WOOT peer down at SCARECROW⿿S hat. TIN WOODMAN picks it up tentatively, they look underneath.<br />
<br />
2_02_47<br />
SCARECROW falls earthward.<br />
<br />
2_02_48<br />
SCARECROW (OS)<br />
Ahhhhh...<br />
<br />
2_02_49<br />
TIN WOODMAN and WOOT look around, startled. SCARECROW drops down in front of them.<br />
<br />
TIN WOODMAN<br />
Quit playing around.<br />
<br />
FADE TO BLACK<br />
<br />
[[Sequence_2_3]]<br />
<br />
[[Script]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_2&diff=1559Sequence 2 22007-11-21T18:45:36Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_1]]<br />
== SEQUENCE 2_02 - "Thicket" ==<br />
<br />
2_02_00 <br />
EXT. OPEN ROAD - DAY <br />
TIN WOODMAN, SCARECROW and WOOT travel down a WINDING ROAD amid ROLLING HILLS and a patch of THICK WOODS. <br />
<br />
WOOT <br />
Sire, who will rule during your absence? <br />
<br />
<br />
TIN WOODMAN<br />
I do not rule here. I merely await the visits of our friend, Ozma, her Majesty of all Oz… The kingdom runs itself... The people of Oz have but one law: “Behave yourself," so it is difficult for them to go very far wrong. <br />
<br />
2_02_01<br />
Wooden SIGN on a twisted post. On it is a skull and cross bones. It reads: “All Strangers are Warned not to Follow this Path to Loonville.” SCARECROW reads the sign aloud to TIN WOODMAN & WOOT.<br />
<br />
SCARECROW<br />
All strangers are warned not to follow this path to Loonville...<br />
<br />
2_02_09<br />
Long shot of Scary Forest from character's POV<br />
<br />
2_02_10<br />
SCARECROW<br />
054 M-maybe w-we should go another way…<br />
TWOODMAN <br />
Good Idea! Perhaps if we were to go back to...<br />
<br />
2_02_11<br />
WOOT sneaks off toward Loonville.<br />
<br />
TIN WOODMAN (OS) continues talking<br />
<br />
2_02_12<br />
WOOT<br />
055 I’d like to see what this… Loonville looks like.<br />
<br />
TIN WOODMAN and SCARECROW look at him with alarm.<br />
<br />
2_02_14<br />
SCARECROW<br />
057 B-but… a warning means danger... <br />
<br />
<br />
2_02_14b<br />
SCARECROW And I for one believe it sensible to keep out of danger whenever we can. D-don’t you agree, Sire?<br />
<br />
2_02_15<br />
TIN WOODMAN<br />
057-01 Well, I...<br />
<br />
WOOT<br />
058 I’m not afraid.<br />
<br />
2_02_17<br />
SCARECROW<br />
Well, you wouldn't be. But what if we ran into straw weevils or barley blight ...<br />
<br />
2_02_18<br />
TIN WOODMAN walks away from sign towards forest<br />
SCARECROW (continuing in background)<br />
... or basket weavers or pack rats or hay balers or grazing livestock or roof thatchers or high humidity or mattress stuffers or archery target makers or, or...<br />
<br />
<br />
2_02_18b<br />
SCARECROW ... a box of matches!<br />
<br />
2_02_18c<br />
TIN WOODMAN<br />
Look, We’ll manage, ok?<br />
(pokes axe in from edge of frame)<br />
<br />
2_02_19<br />
SCARECROW<br />
059-01 Now let's think this through!<br />
<br />
2_02_20<br />
WOOT <br />
059-02 Maybe you should wait here then?<br />
<br />
2_02_21<br />
SCARECROW<br />
059-03 Buh-buy-by myself? Well... <br />
<br />
2_02_21b<br />
WOOT winks to camera<br />
<br />
2_02_21c<br />
SCARECROW<br />
059-03 ...Maybe I will!<br />
<br />
2_02_22<br />
TIN WOODMAN<br />
059-04 Oh that's a Good idea! You stay in this open clearing and keep an eye out for the Opteryx.<br />
<br />
2_02_23<br />
SCARECROW<br />
059-05 Opteryx?<br />
<br />
2_02_24<br />
TIN WOODMAN<br />
059-06 You can’t miss her! She’s got 20-foot wings… and a huge beak…<br />
<br />
2_02_24b<br />
WOOT<br />
And she flies around looking for straw to build her nest with!<br />
<br />
2_02_24c<br />
SCARECROW reacts to straw being pulled out <br />
Gah!!<br />
<br />
WOOT <br />
good bye!<br />
<br />
SCARECROW looks toward Tin Woodman & Woot leaving.<br />
<br />
2_02_25<br />
TIN WOODMAN & WOOT walk off.<br />
TIN WOODMAN<br />
See you later…<br />
<br />
<br />
2_02_26<br />
SCARECROW remains behind and looks about nervously. After several moments a small bird lands on SCARECROW’s shoulder and chirps at him.<br />
<br />
SCARECROW<br />
Ahhhh!<br />
<br />
2_02_27<br />
SCARECROW runs towards TIN WOODMAN and WOOT.<br />
<br />
SCARECROW<br />
059-09 Hey, wait, you guys… you’re gonna need me! <br />
<br />
2_02_28<br />
EXT. WOODS – DAY<br />
<br />
CU AXE chopping.<br />
<br />
2_02_29<br />
TIN WOODMAN hacks through heavy underbrush, followed by WOOT and SCARECROW. They are surrounded by EXOTIC PLANTS.<br />
<br />
2_02_30<br />
WOOT struggles through a nest of thorny VINES.<br />
<br />
WOOT<br />
This is tough going...<br />
<br />
2_02_31<br />
SCARECROW<br />
Yes, indeed it is.<br />
<br />
2_02_32<br />
TIN WOODMAN hacks through several writhing vines.<br />
<br />
2_02_33<br />
SCARECROW is suddenly engulfed in writhing vines.<br />
<br />
SCARECROW (gasps)<br />
Help! Ahh! Ahh! It's a snake!<br />
<br />
2_02_34<br />
TIN WOODMAN and WOOT look OS towards Scarecrow.<br />
<br />
TIN WOODMAN<br />
Will you look at him...<br />
<br />
2_02_35<br />
SCARECROW<br />
Ahh... Ahh...<br />
<br />
2_02_36<br />
<br />
WOOT (exasperated)<br />
It's vines.<br />
<br />
2_02_37<br />
SCARECROW stops struggling stands up.<br />
<br />
2_02_38<br />
SCARECROW winks.<br />
<br />
SCARECROW<br />
It might be vine for you but it's killing me...<br />
<br />
2_02_39<br />
WOOT makes a face at the pun.<br />
<br />
2_02_40<br />
TIN WOODMAN turns forward and continues trekking through the trees.<br />
<br />
2_02_41<br />
SCARECROW, smiling, walks a few paces then falls away from view.<br />
<br />
SCARECROW<br />
Ahhhh... (falling away)<br />
<br />
2_02_42<br />
TIN WOODMAN and WOOT don't turn back.<br />
<br />
TIN WOODMAN<br />
Just keep going. Ignore him.<br />
<br />
2_02_43<br />
WOOT sneaks a glance back anyway.<br />
<br />
WOOT<br />
Look. I think he fell into a hole.<br />
<br />
2_02_44<br />
SCARECROW⿿S hat sit on the forest floor.<br />
<br />
2_02_45<br />
TIN WOODMAN turns.<br />
<br />
TIN WOODMAN<br />
Oh...<br />
<br />
2_02_46<br />
TIN WOODMAN and WOOT peer down at SCARECROW⿿S hat. TIN WOODMAN picks it up tentatively, they look underneath.<br />
<br />
2_02_47<br />
SCARECROW falls earthward.<br />
<br />
2_02_48<br />
SCARECROW (OS)<br />
Ahhhhh...<br />
<br />
2_02_49<br />
TIN WOODMAN and WOOT look around, startled. SCARECROW drops down in front of them.<br />
<br />
TIN WOODMAN<br />
Quit playing around.<br />
<br />
FADE TO BLACK<br />
<br />
[[Sequence_2_3]]<br />
<br />
[[Script]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_2&diff=1558Sequence 2 22007-11-21T18:28:32Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_1]]<br />
== SEQUENCE 2_02 - "Thicket" ==<br />
<br />
2_02_00 <br />
EXT. OPEN ROAD - DAY <br />
TIN WOODMAN, SCARECROW and WOOT travel down a WINDING ROAD amid ROLLING HILLS and a patch of THICK WOODS. <br />
<br />
WOOT <br />
Sire, who will rule during your absence? <br />
<br />
<br />
TIN WOODMAN<br />
I do not rule here. I merely await the visits of our friend, Ozma, her Majesty of all Oz… The kingdom runs itself... The people of Oz have but one law: “Behave yourself," so it is difficult for them to go very far wrong. <br />
<br />
2_02_01<br />
Wooden SIGN on a twisted post. On it is a skull and cross bones. It reads: “All Strangers are Warned not to Follow this Path to Loonville.” SCARECROW reads the sign aloud to TIN WOODMAN & WOOT.<br />
<br />
SCARECROW<br />
All strangers are warned not to follow this path to Loonville...<br />
<br />
2_02_09<br />
Long shot of Scary Forest from character's POV<br />
<br />
2_02_10<br />
SCARECROW<br />
054 M-maybe w-we should go another way…<br />
TWOODMAN <br />
Good Idea! Perhaps if we were to go back to...<br />
<br />
2_02_11<br />
WOOT sneaks off toward Loonville.<br />
<br />
TIN WOODMAN (OS) continues talking<br />
<br />
2_02_12<br />
WOOT<br />
055 I’d like to see what this… Loonville looks like.<br />
<br />
TIN WOODMAN and SCARECROW look at him with alarm.<br />
<br />
2_02_14<br />
SCARECROW<br />
057 B-but… a warning means danger... <br />
<br />
<br />
2_02_14b<br />
SCARECROW And I for one believe it sensible to keep out of danger whenever we can. D-don’t you agree, Sire?<br />
<br />
2_02_15<br />
TIN WOODMAN<br />
057-01 Well, I...<br />
<br />
WOOT<br />
058 I’m not afraid.<br />
<br />
2_02_17<br />
SCARECROW<br />
Well, you wouldn't be. But what if we ran into straw weevils or barley blight ...<br />
<br />
2_02_18<br />
TIN WOODMAN walks away from sign towards forest<br />
SCARECROW (continuing in background)<br />
... or basket weavers or pack rats or hay balers or grazing livestock or roof thatchers or high humidity or mattress stuffers or archery target makers or, or...<br />
<br />
<br />
2_02_18b<br />
SCARECROW ... a box of matches!<br />
<br />
2_02_18c<br />
TIN WOODMAN<br />
Look, We’ll manage, ok?<br />
(pokes axe in from edge of frame)<br />
<br />
2_02_19<br />
SCARECROW<br />
059-01 Now let's think this through!<br />
<br />
2_02_20<br />
WOOT <br />
059-02 Maybe you should wait here then?<br />
<br />
2_02_21<br />
SCARECROW<br />
059-03 Buh-buy-by myself? Well... <br />
<br />
2_02_21b<br />
WOOT winks to camera<br />
<br />
2_02_21c<br />
SCARECROW<br />
059-03 ...Maybe I will!<br />
<br />
2_02_22<br />
TIN WOODMAN<br />
059-04 Oh that's a Good idea! You stay in this open clearing and keep an eye out for the Opteryx.<br />
<br />
2_02_23<br />
SCARECROW<br />
059-05 Opteryx?<br />
<br />
2_02_24<br />
TIN WOODMAN<br />
059-06 You can’t miss her! She’s got 20-foot wings… and a huge beak…<br />
<br />
2_02_24b<br />
WOOT<br />
And she flies around looking for straw to build her nest with!<br />
<br />
2_02_24c<br />
SCARECROW reacts to straw being pulled out <br />
Gah!!<br />
WOOT good bye!<br />
<br />
2_02_24d<br />
SCARECROW looks to screen right<br />
<br />
2_02_25<br />
TIN WOODMAN & WOOT walk off.<br />
TIN WOODMAN<br />
See you later…<br />
<br />
<br />
2_02_26<br />
SCARECROW remains behind and looks about nervously. After several moments a small bird lands on SCARECROW’s shoulder and chirps at him.<br />
<br />
SCARECROW<br />
Ahhhh!<br />
<br />
2_02_27<br />
SCARECROW runs towards TIN WOODMAN and WOOT.<br />
<br />
SCARECROW<br />
059-09 Hey, wait, you guys… you’re gonna need me! <br />
<br />
2_02_28<br />
EXT. WOODS – DAY<br />
<br />
CU AXE chopping.<br />
<br />
2_02_29<br />
TIN WOODMAN hacks through heavy underbrush, followed by WOOT and SCARECROW. They are surrounded by EXOTIC PLANTS.<br />
<br />
2_02_30<br />
WOOT struggles through a nest of thorny VINES.<br />
<br />
WOOT<br />
This is tough going...<br />
<br />
2_02_31<br />
SCARECROW<br />
Yes, indeed it is.<br />
<br />
2_02_32<br />
TIN WOODMAN hacks through several writhing vines.<br />
<br />
2_02_33<br />
SCARECROW is suddenly engulfed in writhing vines.<br />
<br />
SCARECROW (gasps)<br />
Help! Ahh! Ahh! It's a snake!<br />
<br />
2_02_34<br />
TIN WOODMAN and WOOT look OS towards Scarecrow.<br />
<br />
TIN WOODMAN<br />
Will you look at him...<br />
<br />
2_02_35<br />
SCARECROW<br />
Ahh... Ahh...<br />
<br />
2_02_36<br />
<br />
WOOT (exasperated)<br />
It's vines.<br />
<br />
2_02_37<br />
SCARECROW stops struggling stands up.<br />
<br />
2_02_38<br />
SCARECROW winks.<br />
<br />
SCARECROW<br />
It might be vine for you but it's killing me...<br />
<br />
2_02_39<br />
WOOT makes a face at the pun.<br />
<br />
2_02_40<br />
TIN WOODMAN turns forward and continues trekking through the trees.<br />
<br />
2_02_41<br />
SCARECROW, smiling, walks a few paces then falls away from view.<br />
<br />
SCARECROW<br />
Ahhhh... (falling away)<br />
<br />
2_02_42<br />
TIN WOODMAN and WOOT don't turn back.<br />
<br />
TIN WOODMAN<br />
Just keep going. Ignore him.<br />
<br />
2_02_43<br />
WOOT sneaks a glance back anyway.<br />
<br />
WOOT<br />
Look. I think he fell into a hole.<br />
<br />
2_02_44<br />
SCARECROW⿿S hat sit on the forest floor.<br />
<br />
2_02_45<br />
TIN WOODMAN turns.<br />
<br />
TIN WOODMAN<br />
Oh...<br />
<br />
2_02_46<br />
TIN WOODMAN and WOOT peer down at SCARECROW⿿S hat. TIN WOODMAN picks it up tentatively, they look underneath.<br />
<br />
2_02_47<br />
SCARECROW falls earthward.<br />
<br />
2_02_48<br />
SCARECROW (OS)<br />
Ahhhhh...<br />
<br />
2_02_49<br />
TIN WOODMAN and WOOT look around, startled. SCARECROW drops down in front of them.<br />
<br />
TIN WOODMAN<br />
Quit playing around.<br />
<br />
FADE TO BLACK<br />
<br />
[[Sequence_2_3]]<br />
<br />
[[Script]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_3_06&diff=1364Sequence 3 062007-11-08T19:27:57Z<p>Martin: </p>
<hr />
<div>SEQUENCE 3_06 - "HOME"<br />
<br />
3_06_01<br />
EXT. WINKIE COUNTRY - DAY<br />
<br />
TIN WOODMAN holding hands with TIN GIRL, and SCARECROW walk down the sunny path towards the TIN CASTLE.<br />
<br />
3_06_02 <br />
SCARECROW <br />
Uh, I suppose this means I'll have to move back into the farmer's field because You'll probably want some, Eh, privacy, I suppose.<br />
<br />
TIN WOODMAN<br />
Oh, no, no, you'll stay exactly where you are, my old friend.<br />
<br />
TIN GIRL <br />
Most certainly. We insist!<br />
<br />
3_06_05<br />
EXT. WOOT'S HOUSE - DAY<br />
<br />
WOOT'S MOM hugs WOOT.<br />
<br />
WOOT'S MOM<br />
Where have you been, Woot?<br />
<br />
WOOT<br />
Oh, nowhere special, Mom. I've just been out. Ya' know... Just monkey'n around...<br />
<br />
As WOOT goes in to WOOT'S HOUSE, RABBIT hops up behind, and follows him inside.<br />
<br />
WOOT (OS)<br />
I'm hungry!</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_3_06&diff=1363Sequence 3 062007-11-08T18:09:42Z<p>Martin: </p>
<hr />
<div>SEQUENCE 3_06 - "HOME"<br />
<br />
3_06_01<br />
EXT. WINKIE COUNTRY - DAY<br />
<br />
TIN WOODMAN holding hands with TIN GIRL, and SCARECROW walk down the sunny path towards the TIN CASTLE.<br />
<br />
3_06_02 <br />
SCARECROW <br />
Uh, I suppose this means I'll have to move back into the farmer's field because You'll probably want some, Eh, privacy, I suppose.<br />
<br />
TIN WOODMAN<br />
Oh, no, no, you'll stay exactly where you are, my old friend.<br />
<br />
TIN GIRL <br />
Most certainly. We insist!<br />
<br />
3_06_05<br />
EXT. WOOT'S HOUSE - DAY<br />
<br />
WOOT'S MOM hugs WOOT.<br />
<br />
WOOT'S MOM<br />
Where have you been, Woot?<br />
<br />
WOOT'S MOM heads into the WOOT'S HOUSE, shaking her head.<br />
<br />
WOOT winks (at the audience).<br />
<br />
WOOT<br />
Oh, nowhere special, Mom. I've just been out. Ya' know... Play'n around...<br />
<br />
As WOOT goes in to WOOT'S HOUSE, RABBIT hops up behind, and follows him inside.<br />
<br />
WOOT (OS)<br />
I'm hungry!</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_4&diff=1358Sequence 2 42007-11-06T18:50:40Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_3]]<br />
== SEQUENCE 2_04 "SONG" ==<br />
<br />
2_04_01<br />
EXT. WOODS - DAY<br />
<br />
TIN WOODMAN, SCARECROW & WOOT walk along a stream.<br />
<br />
2_04_02<br />
WOOT jumps from rock to rock in the middle of the stream. SCARECROW is behind and tries to walk on the rocks on the stream side but loose foot and splashes water. TIN WOODMAN is the farthest away and walks with great care holding onto everything making sure he doesn't touch the water in any way. <br />
<br />
2_04_03<br />
WOOT and TIN WOODMAN walk on the side of the stream together. SCARECROW stays behind, stopped for a while, cleaning up his straws, restuffing himself.<br />
<br />
2_04_04<br />
WOOT and then TIN WOODMAN are passing SCARECROW who is preoccupied by something about his boot.<br />
<br />
2_04_04a<br />
SCARECROW shakes his boot and is woried. Looks for some place to sit.<br />
<br />
2_04_05<br />
SCARECROW is sitting on a rock putting back his boot and straighten his back hands pushing on knees looking in front of him.<br />
<br />
SCARECROW (exuberant)<br />
Boy, am I glad that's over!<br />
<br />
SCARECROW gets up<br />
<br />
2_04_06<br />
SCARECROW walks enthusiastically on the stream side.<br />
<br />
SCARECROW<br />
Makes me feel kind of... <br />
<br />
2_04_07<br />
SCARECROW gesticulates and do a broad dance step<br />
<br />
SCARECROW<br />
Loony. Heh-he.<br />
<br />
2_04_08<br />
TIN WOODMAN (surprised)<br />
Eh?<br />
<br />
2_04_09<br />
TIN WOODMAN & WOOT turn around to look at Scarecrow (OS), perplexed.<br />
<br />
2_04_10<br />
SCARECROW smiles towards Tin Woodman and Woot smiles at them, does another dance step, jumps into an arabesque and lands right in front of them with arms wide open looking at them, smiling head tilted.<br />
<br />
TIN WOODMAN and WOOT watch him, surprised and amused.<br />
<br />
WOOT<br />
What... What's he doing?<br />
<br />
TIN WOODMAN (sighs)<br />
I think his straw is getting moist.<br />
<br />
2_04_11<br />
Scarecrow, stands, arms wide, smiling in front of TIN WOODMAN and WOOT.. <br />
<br />
2_04_12<br />
SCARECROW dances around TIN WOODMAN & WOOT.<br />
<br />
SCARECROW<br />
What sound is so sweet as the straw from the wheat when it crinkles so tender…<br />
<br />
WOOT & TIN WOODMAN follow SCARECROW.<br />
<br />
2_04_13<br />
SCARECROW<br />
And low.<br />
<br />
SCARECROW jumps one step toward TIN WOODMAN & WOOT, flexing his arms to make them crinkle.<br />
<br />
2_04_14<br />
SCARECROW is doing four backward dance steps.<br />
<br />
SCARECROW<br />
It is yellow and bright so it gives me delight…<br />
<br />
2_04_15<br />
SCARECROW does a half back-left turn, two step forward.<br />
<br />
SCARECROW<br />
To crinkle wherever I go.<br />
<br />
SCARECROW stops dancing, turns and jumps on a rock facing TIN WOODMAN and WOOT.<br />
<br />
2_04_16<br />
SCARECROW bends down and picks a straw of wheat from a clump of wheat growing high at the foot of the rock and holds it above his head.<br />
<br />
SCARECROW<br />
Sweet, fresh, golden straw, there is surely no flaw.<br />
<br />
2_04_17<br />
SCARECROW jumps.<br />
<br />
SCARECROW<br />
In a stuffing so clean and compact.<br />
<br />
2_04_18<br />
TIN WOODMAN & WOOT move forward. SCARECROW sings and dances a few feet before them. He walks rhythmic lo-o-ong slow steps to make himself crinkle louder.<br />
<br />
SCARECROW<br />
It creaks when I walk and it...<br />
<br />
2_04_19<br />
SCARECROW still walking rhythmic long slow steps and now widens his arms as if he was giving a speach in front of an audience.<br />
<br />
SCARECROW<br />
Thrills when I talk and its fragrance is...<br />
<br />
2_04_20<br />
TIN WOODMAN & WOOT look at each other, amused by Scarecrow's show.<br />
<br />
TIN WOODMAN<br />
He's losing his mind.<br />
<br />
SCARECROW<br />
Fine for a fact...<br />
<br />
2_04_21<br />
SCARECROW looks down for a while, thoughtfull and preoccupied. WOOT and TIN WOODMAN in the background look at SCARECROW, concerned.<br />
<br />
SCARECROW<br />
I know it's been said that my beautiful head...<br />
<br />
2_04_22<br />
SCARECROW<br />
Has brains of mixed wheat-straw and bran...<br />
<br />
2_04_23<br />
SCARECROW resumes trotting and dancing forward.<br />
<br />
SCARECROW<br />
But my thoughts are so good, I'd not change if I could... <br />
<br />
2_04_24<br />
FAT SCARECROW, THIN SCARECROW & LADY SCARECROW come from the garden to join SCARECROW.<br />
<br />
SCARECROW<br />
For the brains of a common meat man.<br />
<br />
2_04_25<br />
SCARECROW, FAT SCARECROW, THIN SCARECROW & LADY SCARECROW synchronize their dancing.<br />
<br />
SCARECROW<br />
To cut me don't hurt for I've no blood to squirt and I therefore can suffer...<br />
<br />
2_04_26<br />
SCARECROW turns around facing LADY SCARECROW and makes a gesture that invites her for a dance.<br />
<br />
SCARECROW<br />
No pain.<br />
<br />
2_04_27<br />
SCARECROW, FAT SCARECROW, THIN SCARECROW & LADY SCARECROW line dance.<br />
<br />
SCARECROW<br />
The straw that I use doesn't lump up or bruise though it's pounded again and again.<br />
<br />
2_04_28<br />
SCARECROW<br />
Though it's pounded again and again.<br />
<br />
2_04_29<br />
SCARECROW leaves FAT SCARECROW, THIN SCARECROW & LADY SCARECROW with a spin turn.<br />
<br />
SCARECROW<br />
Content with my lot...<br />
<br />
2_04_30<br />
SCARECROW completes two steps and a spin turn.<br />
<br />
SCARECROW<br />
I glad that I'm not...<br />
<br />
SCARECROW does a spin turn, two running steps and a spinning summersault.<br />
<br />
SCARECROW<br />
Like others I meet day by day.<br />
<br />
2_04_31<br />
SCARECROW jumps from rock to rock.<br />
<br />
SCARECROW<br />
If my inside gets musty...<br />
<br />
<br />
SCARECROW jumps from rock to upper rock.<br />
<br />
SCARECROW<br />
Or mussed-up or dusty...<br />
<br />
2_04_32<br />
SCARECROW jumps on top of the mound, stays there, contemplative for a moment.<br />
<br />
SCARECROW<br />
I get newly stuffed right away...<br />
<br />
2_04_33<br />
SCARECROW exits from his comtemplative state and looks down, searching for Woot and Tin Woodman who have been walkin.<br />
<br />
2_04_34<br />
SCARECROW jumps down the mound to join WOOT and TIN WOODMAN. WOOT and TIN WOODMAN clap. <br />
<br />
2_04_35<br />
TIN WOODMAN, SCARECROW & WOOT walk away next to the stream.<br />
<br />
TIN WOODMAN <br />
What a performer. <br />
<br />
TIN WOODMAN winks at WOOT.<br />
<br />
WOOT<br />
He certainly gives it his all.<br />
<br />
TIN WOODMAN<br />
Wonderful.<br />
<br />
There is a beautiful WATER FALL ahead.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_9&diff=1357Sequence 2 92007-11-02T18:03:34Z<p>Martin: </p>
<hr />
<div>SEQUENCE 2_09 "YOOP CASTLE"<br />
<br />
DISSOLVE TO:<br />
<br />
2_09_01<br />
EXT. OZ – BADLANDS - DAY<br />
<br />
TIN WOODMAN, SCARECROW, and WOOT discover a desolate valley. In the center stands an enormous YOOP CASTLE of purple stone. It’s high and broad and long, but has no turrets or towers. There’s one big door. A harsh, cold wind whips them as they stand before it.<br />
<br />
TIN WOODMAN sinks down on a stump, despondent.<br />
<br />
SCARECROW<br />
I wonder who lives there?<br />
<br />
2_09_02<br />
WOOT<br />
172 That’s the biggest castle I ever saw.<br />
<br />
2_09_04<br />
SCARECROW<br />
173 Perhaps, if we go nearer, we shall find out whether or not anybody lives there... Or not. What do you say, Sire?<br />
<br />
TIN WOODMAN<br />
174 I cannot think of castles, occupied or not... I cannot think of anything but Nimmie Amee... My heart drags at me.<br />
<br />
2_09_07<br />
SCARECROW<br />
175 Well, just don’t make us drag you! Oh, come on. At least we might seek shelter tonight.<br />
<br />
WOOT<br />
175-01 D-do you think that’s... that's a good idea?<br />
<br />
OS: Something howls on the plains. All around, strange noises erupt. TIN WOODMAN, SCARECROW, and WOOT react, frightened.<br />
<br />
SCARECROW (simultaneous)<br />
175-02 It’s a good idea…<br />
<br />
WOOT (simultaneous)<br />
I can hardly wait...<br />
<br />
TIN WOODMAN (simultaneous)<br />
Pure genius...<br />
<br />
TIN WOODMAN, SCARECROW, and WOOT hurry toward the castle.<br />
<br />
2_09_10<br />
EXT. YOOP CASTLE - NIGHT<br />
<br />
Approaching YOOP CASTLE, TIN WOODMAN, SCARECROW, and WOOT discover, engraved in big letters over the doorway, the words: "YOOP CASTLE." The wind howls around them as they stare up at it.<br />
<br />
2_09_11<br />
WOOT<br />
176 Seems empty. H-how d-do we get in?<br />
<br />
2_09_12<br />
SCARECROW studies the situation a moment, then smiles.<br />
<br />
SCARECROW<br />
Got it...<br />
<br />
2_09_13<br />
Sitting on each other's shoulders: TIN WOODMAN, SCARECROW and WOOT on top. WOOT manages to lift the latch. OS: inside the castle there's an ominous echo.<br />
<br />
2_09_14<br />
INT. YOOP CASTLE - NIGHT<br />
<br />
TIN WOODMAN, SCARECROW and WOOT peep around YOOP DOOR.<br />
<br />
2_09_15<br />
TIN WOODMAN, SCARECROW, and WOOT advance cautiously - suddenly YOOP DOOR slams shut behind them and they hear the latch click! Echoes boom through the castle.<br />
<br />
2_09_16<br />
TIN WOODMAN, SCARECROW, and WOOT all jump back.<br />
<br />
2_09_17<br />
SCARECROW<br />
Ohhhhh...<br />
<br />
SCARECROW tries desperately to push open YOOP DOOR.<br />
<br />
2_09_18<br />
SCARECROW<br />
177 Help—help! Help, someone—Help! Helllllp!<br />
<br />
2_09_19<br />
TIN WOODMAN covers SCARECROW'S mouth.<br />
<br />
TIN WOODMAN<br />
177-01 Shhhh... Stop that. Stop that. That’s not going to help… Let’s push ahead and see what may be seen.<br />
<br />
TIN WOODMAN turns SCARECROW around and helps him walk away from YOOP DOOR.<br />
<br />
2_09_23<br />
INT. ENTRY HALLWAY<br />
<br />
SCARECROW<br />
179 Suh-suh-somehow, I d-d-don’t think that this was the best solution to our problem…<br />
<br />
2_09_20<br />
INT. COORIDOR<br />
TIN WOODMAN, SCARECROW, and WOOT keep close together as they walk through COORIDOR. They pass strange STATUES.<br />
<br />
2_09_24<br />
INT. TUNNEL<br />
TIN WOODMAN, SCARECROW and WOOT walk up TUNNEL steps.<br />
<br />
WOOT (quietly awed)<br />
180 Aren’t you amazed? I mean... look! Have you ever seen such decoration—or a palace of such magnitude?<br />
<br />
2_09_22<br />
INT. STUCK DOOR HALL<br />
TIN WOODMAN, SCARECROW, and WOOT cringe at strange sounds that echo through STUCK DOOR HALL. <br />
<br />
2_09_22b<br />
The scary sounds get closer and louder in STUCK DOOR HALL.<br />
<br />
2_09_22c<br />
TIN WOODMAN, SCARECROW, and WOOT start running frantically down STUCK DOOR HALL.<br />
<br />
2_09_21<br />
TIN WOODMAN runs up to a door in STUCK DOOR HAlL. SCARECROW and WOOT are close behind.<br />
<br />
2_09_21b<br />
TIN WOODMAN tugs at a door in STUCK DOOR HALL.<br />
<br />
TIN WOODMAN<br />
It... Won't... Budge...<br />
<br />
2_09_21c<br />
WOOT and SCARECROW run across STUCK DOOR HALL to another door. TIN WOODMAN is close behind.<br />
<br />
2_09_21d<br />
TIN WOODMAN attempts to open in STUCK DOOR HALL. SCARECROW and WOOT attempt to aid him.<br />
<br />
2_09_21e<br />
TIN WOODMAN, SCARECROW and WOOT continuing running down STUCK DOOR HALL.<br />
<br />
2_09_25<br />
TIN WOODMAN, SCARECROW, and WOOT, running, reach OUTSIDE GOLDEN CHAMBER. They stop before GOLDEN CHAMBER DOOR.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_9&diff=1352Sequence 2 92007-10-30T18:46:17Z<p>Martin: </p>
<hr />
<div>SEQUENCE 2_09 "YOOP CASTLE"<br />
<br />
DISSOLVE TO:<br />
<br />
2_09_01<br />
EXT. OZ – BADLANDS - DAY<br />
<br />
TIN WOODMAN, SCARECROW, and WOOT discover a desolate valley. In the center stands an enormous YOOP CASTLE of purple stone. It’s high and broad and long, but has no turrets or towers. There’s one big door. A harsh, cold wind whips them as they stand before it.<br />
<br />
TIN WOODMAN sinks down on a stump, despondent.<br />
<br />
SCARECROW<br />
I wonder who lives there?<br />
<br />
2_09_02<br />
WOOT<br />
172 That’s the biggest castle I ever saw.<br />
<br />
2_09_04<br />
SCARECROW<br />
173 Perhaps, if we go nearer, we shall find out whether or not anybody lives there... Or not. What do you say, Sire?<br />
<br />
2_09_05<br />
TIN WOODMAN<br />
174 I cannot think of castles, occupied or not... I cannot think of anything but Nimmie Amee... My heart drags at me.<br />
<br />
2_09_07<br />
SCARECROW<br />
175 Well, just don’t make us drag you! Oh, come on. At least we might seek shelter tonight.<br />
<br />
WOOT<br />
175-01 D-do you think that’s... that's a good idea?<br />
<br />
OS: Something howls on the plains. All around, strange noises erupt. TIN WOODMAN, SCARECROW, and WOOT react, frightened.<br />
<br />
SCARECROW (simultaneous)<br />
175-02 It’s a good idea…<br />
<br />
WOOT (simultaneous)<br />
I can hardly wait...<br />
<br />
TIN WOODMAN (simultaneous)<br />
Pure genius...<br />
<br />
TIN WOODMAN, SCARECROW, and WOOT hurry toward the castle.<br />
<br />
2_09_10<br />
EXT. YOOP CASTLE - NIGHT<br />
<br />
Approaching YOOP CASTLE, TIN WOODMAN, SCARECROW, and WOOT discover, engraved in big letters over the doorway, the words: "YOOP CASTLE." The wind howls around them as they stare up at it.<br />
<br />
2_09_11<br />
WOOT<br />
176 Seems empty. H-how d-do we get in?<br />
<br />
2_09_12<br />
SCARECROW studies the situation a moment, then smiles.<br />
<br />
SCARECROW<br />
Got it...<br />
<br />
2_09_13<br />
Sitting on each other's shoulders: TIN WOODMAN, SCARECROW and WOOT on top. WOOT manages to lift the latch. OS: inside the castle there's an ominous echo.<br />
<br />
2_09_14<br />
INT. YOOP CASTLE - NIGHT<br />
<br />
TIN WOODMAN, SCARECROW and WOOT peep around YOOP DOOR.<br />
<br />
2_09_15<br />
TIN WOODMAN, SCARECROW, and WOOT advance cautiously - suddenly YOOP DOOR slams shut behind them and they hear the latch click! Echoes boom through the castle.<br />
<br />
2_09_16<br />
TIN WOODMAN, SCARECROW, and WOOT all jump back.<br />
<br />
2_09_17<br />
SCARECROW<br />
Ohhhhh...<br />
<br />
SCARECROW tries desperately to push open YOOP DOOR.<br />
<br />
2_09_18<br />
SCARECROW<br />
177 Help—help! Help, someone—Help! Helllllp!<br />
<br />
2_09_19<br />
TIN WOODMAN covers SCARECROW'S mouth.<br />
<br />
TIN WOODMAN<br />
177-01 Shhhh... Stop that. Stop that. That’s not going to help… Let’s push ahead and see what may be seen.<br />
<br />
TIN WOODMAN turns SCARECROW around and helps him walk away from YOOP DOOR.<br />
<br />
2_09_23<br />
INT. ENTRY HALLWAY<br />
<br />
SCARECROW<br />
179 Suh-suh-somehow, I d-d-don’t think that this was the best solution to our problem…<br />
<br />
2_09_20<br />
INT. COORIDOR<br />
TIN WOODMAN, SCARECROW, and WOOT keep close together as they walk through COORIDOR. They pass strange STATUES.<br />
<br />
2_09_24<br />
INT. TUNNEL<br />
TIN WOODMAN, SCARECROW and WOOT walk up TUNNEL steps.<br />
<br />
WOOT (quietly awed)<br />
180 Aren’t you amazed? I mean... look! Have you ever seen such decoration—or a palace of such magnitude?<br />
<br />
2_09_22<br />
INT. STUCK DOOR HALL<br />
TIN WOODMAN, SCARECROW, and WOOT cringe at strange sounds that echo through STUCK DOOR HALL. <br />
<br />
2_09_22b<br />
The scary sounds get closer and louder in STUCK DOOR HALL.<br />
<br />
2_09_22c<br />
TIN WOODMAN, SCARECROW, and WOOT start running frantically down STUCK DOOR HALL.<br />
<br />
2_09_21<br />
TIN WOODMAN runs up to a door in STUCK DOOR HAlL. SCARECROW and WOOT are close behind.<br />
<br />
2_09_21b<br />
TIN WOODMAN tugs at a door in STUCK DOOR HALL.<br />
<br />
TIN WOODMAN<br />
It... Won't... Budge...<br />
<br />
2_09_21c<br />
WOOT and SCARECROW run across STUCK DOOR HALL to another door. TIN WOODMAN is close behind.<br />
<br />
2_09_21d<br />
TIN WOODMAN attempts to open in STUCK DOOR HALL. SCARECROW and WOOT attempt to aid him.<br />
<br />
2_09_21e<br />
TIN WOODMAN, SCARECROW and WOOT continuing running down STUCK DOOR HALL.<br />
<br />
2_09_25<br />
TIN WOODMAN, SCARECROW, and WOOT, running, reach OUTSIDE GOLDEN CHAMBER. They stop before GOLDEN CHAMBER DOOR.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_3_05&diff=1339Sequence 3 052007-10-26T03:57:48Z<p>Martin: </p>
<hr />
<div>SEQUENCE 3_05 - "OZMA"<br />
<br />
DEEPCUT - DAY<br />
<br />
3_05_01<br />
Rabbit transforms into OZMA. She smiles.<br />
<br />
3_05_02<br />
Surprised, GREEN MONKEY stands perfectly still then recovers himself and cautiously bows before her.<br />
<br />
GREEN MONKEY<br />
318 Am... am I truly in the presence of the Grand Ozma?<br />
<br />
3_05_03<br />
OZMA laughs… a delightful, tinkling sound… like tiny silvery bells.<br />
<br />
OZMA<br />
319 And who else would I be?<br />
<br />
3_05_04<br />
OZMA looks at TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL. She shakes her head.<br />
<br />
OZMA<br />
320 I do declare... Even in the land of Oz, you are an odd bunch! Tell me... How can I help you?<br />
<br />
3_05_05 <br />
TIN OWL<br />
321 Ozma! Don't you recognize us? The giantess, Mrs. Yoop, turned us into these dreadful shapes against our will for no reason other than she was a contrary person.<br />
<br />
3_05_06 <br />
OZMA<br />
322 Oh, dear. Is that you, Tin Woodman? Scarecrow? Oh, my. What trouble you always seem to get yourselves into.<br />
<br />
OZMA draws from her bosom a small silver wand, makes a few test waves.<br />
<br />
3_05_07<br />
OZMA casually waves her hand over STRAW BEAR. In a cascade of glistening magic, STRAW BEAR becomes SCARECROW’s head and empty clothing.<br />
<br />
3_05_08 SCARECROW<br />
323 Oh, my word! Am I? Could it be? Oh! Oh, joy. Oh, rapture! Stuff me! Stuff me! Use grass if you must! Hurry! I can’t wait!<br />
<br />
3_05_09 GREEN MONKEY<br />
323-01 Um, okay, over here.<br />
<br />
Overjoyed to see SCARECROW restored, GREEN MONKEY happily stuffs grass into SCARECROW's body. TIN OWL and TIN GIRL join in.<br />
<br />
SCARECROW<br />
323-02 More, hurry!<br />
<br />
3_05_10<br />
TIN OWL is unable to move much GRASS with his feet.<br />
<br />
TIN GIRL<br />
323-03 Use your beak.<br />
<br />
3_05_11 GREEN MONKEY<br />
323-04 Enough?<br />
<br />
SCARECROW<br />
323-05 No, no, my leg, my leg!<br />
<br />
3_05_12 TIN OWL<br />
323-06 Here we go…<br />
<br />
3_05_13<br />
SCARECROW is complete but lumpy.<br />
<br />
SCARECROW<br />
324 Even filled with grass, I feel I am myself. This is a great day indeed. Thank you so much, Ozma.<br />
<br />
3_05_14 OZMA<br />
325 You’re welcome Scarecrow. Now, next?<br />
<br />
OZMA passes the silver wand over the head of TIN OWL.<br />
<br />
3_05_15<br />
TIN OWL becomes TIN WOODMAN. TIN WOODMAN has a surprised look on his face.<br />
<br />
3_05_16<br />
TIN GIRL reacts in surprise when she sees TIN WOODMAN.<br />
<br />
TIN GIRL<br />
326 Why?... You're made of Tin... As am I!<br />
<br />
3_05_17<br />
TIN WOODMAN smiles shyly at TIN GIRL.<br />
<br />
TIN WOODMAN<br />
327 As... As a tin owl, I could not reasonably expect to make your acquaintance...<br />
<br />
TIN GIRL<br />
327-01 Yes, I suppose that's so.<br />
<br />
TIN WOODMAN<br />
327-02 But now I am in my proper form, perhaps you will let me woo you.<br />
<br />
3_05_18<br />
TIN GIRL does not respond.<br />
<br />
3_05_19<br />
TIN WOODMAN becomes embarrassed and begins to turn away but TIN GIRL takes his hand.<br />
<br />
3_05_20<br />
TIN WOODMAN and TIN GIRL look into each other’s eyes.<br />
<br />
3_05_21 OZMA<br />
328 How sweet.<br />
<br />
3_05_22<br />
GREEN MONKEY grimaces.<br />
<br />
GREEN MONKEY<br />
329 Yuck!<br />
<br />
3_05_23 TIN GIRL<br />
330 But I… I am afraid that I… cannot return your love for I have no heart.<br />
<br />
3_05_24<br />
TIN WOODMAN is crestfallen. He releases TIN GIRL’s hand. He staggers back several feet.<br />
<br />
3_05_25<br />
TIN WOODMAN collapses sitting on a TREE STUMP, his hand upon his chest.<br />
<br />
3_05_26<br />
TIN WOODMAN looks up at TIN GIRL, then at OZMA.<br />
<br />
TIN WOODMAN<br />
331 It is too much for me. Love is too difficult. Please, Ozma, take away my heart. I cannot abide it any longer.<br />
<br />
3_05_27<br />
SCARECROW helps TIN WOODMAN steady himself. <br />
<br />
SCARECROW<br />
331-01 This "love" thing is getting ridiculous.<br />
<br />
3_05_28<br />
SCARECROW puts his head to TIN WOODMAN’S chest. SCARECROW becomes alarmed.<br />
<br />
SCARECROW<br />
332 I cannot hear your heart ticking!<br />
<br />
TIN WOODMAN<br />
333 It is broken beyond repair.<br />
<br />
3_05_29 <br />
TIN GIRL<br />
334 Oh, my! I am so terribly sorry.<br />
<br />
3_05_30 <br />
GREEN MONKEY<br />
335 Ozma! Can you please help our friend with his heartbreak?<br />
<br />
3_05_31 <br />
OZMA (shaking her head)<br />
336 Unfortunately… in affairs of the heart, I am powerless.<br />
<br />
3_05_32<br />
OZMA turns toward TIN WOODMAN and SCARECROW.<br />
<br />
OZMA<br />
337 However, I do know that you have it within yourself to heal both of you.<br />
<br />
3_05_33<br />
TIN WOODMAN’S eyes slowly open in recognition.<br />
<br />
TIN WOODMAN<br />
Ohhhhh.<br />
<br />
3_05_34 <br />
TIN WOODMAN stands tall, confidently walks to TIN GIRL.<br />
<br />
3_05_35<br />
TIN WOODMAN opens his chest plate to remove one half of his broken HEART.<br />
<br />
3_05_36<br />
TIN WOODMAN opens up TIN GIRL’s chest plate and puts half of his HEART into her.<br />
<br />
3_05_37<br />
A light goes on in TIN GIRL’s eye.<br />
<br />
TIN GIRL<br />
338 Oh!<br />
<br />
3_05_38<br />
TIN WOODMAN waits expectantly. TIN GIRL smiles at TIN WOODMAN and they embrace.<br />
<br />
'''3_05_38a<br />
"My Love, Your Love" song'''<br />
<br />
3_05_39 <br />
GREEN MONKEY<br />
340 Yuck! Please, Ozma, I am anxiously awaiting a return to my boy form.<br />
<br />
3_05_40 <br />
SCARECROW<br />
340-01 Eh. Eh, yes, Woot... Ozma, please change our friend. Being a green monkey does not suit him.<br />
<br />
3_05_41 <br />
OZMA (pitying)<br />
341 My poor boy, your enchantment is different from the others.<br />
<br />
3_05_42 SCARECROW<br />
341-01 Different?<br />
<br />
3_05_43 GREEN MONKEY<br />
341-02 Different? What do you mean? How is it different?<br />
<br />
3_05_44 OZMA<br />
341-03 Indeed, it is a form that is impossible to alter by any magic known to fairies or yookoohoos. The wicked giantess was well aware when she gave you the form of a green monkey… that the green monkey must exist in the Land of Oz for all time.<br />
<br />
3_05_45<br />
GREEN MONKEY is stunned. He looks around.<br />
<br />
TIN WOODMAN, SCARECROW, and TIN GIRL are also stunned and saddened.<br />
<br />
3_05_47 GREEN MONKEY<br />
341-04 Then… I’m…<br />
<br />
3_05_48<br />
OZMA shakes her head sadly.<br />
<br />
3_05_49<br />
GREEN MONKEY turns away. TIN WOODMAN, SCARECROW and TIN GIRL kneel and reach out for him.<br />
<br />
SCARECROW<br />
341-05 Woot...<br />
<br />
TIN WOODMAN<br />
341-06 Oh, if only there were some way...<br />
<br />
3_05_50 <br />
GREEN MONKEY shakes his head. He looks at OZMA.<br />
<br />
WOOT (sighing)<br />
341-07 Well... I wanted life to be... different...<br />
<br />
3_05_51<br />
GREEN MONKEY looks at SCARECROW and TIN WOODMAN. They look saddened.<br />
<br />
3_05_52<br />
GREEN MONKEY capers around a bit, attempting to raise everyone’s spirits.<br />
<br />
GREEN MONKEY (feigned cheeriness)<br />
342 Come on, huh? That's not so bad, is it? Huh? I mean... Look, what did we set out to do? Find Tin Woodman's true love... And we did... Didn't we?<br />
<br />
3_05_53 <br />
TIN GIRL<br />
343 There must be some way to return Woot to his natural form.<br />
<br />
3_05_54 OZMA<br />
344 He might transfer or exchange with someone else… but the green monkey we cannot get rid of.<br />
<br />
3_05_55<br />
TIN WOODMAN, TIN GIRL and SCARECROW trade looks.<br />
<br />
SCARECROW<br />
345 Then change me to the green monkey.<br />
<br />
3_05_56 <br />
GREEN MONKEY<br />
347 No! No… I wouldn’t ask anyone to take this dreadful form. We’ll just let things stay… the way they are.<br />
<br />
3_05_57<br />
TIN WOODMAN, SCARECROW, and TIN GIRL are silent for a moment.<br />
<br />
3_05_58<br />
TIN GIRL’s eyes go wide.<br />
<br />
3_05_59<br />
Behind GREEN MONKEY’S back, TIN GIRL leans over and whispers into OZMA’s ear. OZMA reacts, laughs delightedly.<br />
<br />
OZMA<br />
348 Oh you are the clever one.<br />
<br />
3_05_60 GREEN MONKEY<br />
348-01 What? What did she... Wait...<br />
<br />
3_05_61<br />
OZMA waves her silver wand over GREEN MONKEY’s head and he changes into WOOT.<br />
<br />
3_05_62<br />
WOOT notices slowly then jumps up.<br />
<br />
WOOT<br />
348-02 What? How? Oh, my...<br />
<br />
3_05_63<br />
TIN WOODMAN, SCARECROW, and TIN GIRL hug WOOT.<br />
<br />
WOOT<br />
349 Oh, Ozma, Thank you! Thank you, so much. How did you do it?<br />
<br />
WOOT frowns as he thinks of the possibilities.<br />
<br />
WOOT<br />
350 Wait! You didn't transform anyone else into a green monkey, did you?<br />
<br />
3_05_65 <br />
TIN GIRL<br />
351 Don’t worry, Woot. It wasn’t anyone who didn’t deserve it.<br />
<br />
TIN GIRL winks at OZMA.<br />
<br />
CUT TO:<br />
3_05_66<br />
INT. YOOP CASTLE - DAY<br />
<br />
MRS. YOOP is a very surprised large green monkey.<br />
<br />
3_05_67<br />
EXT. YOOP CASTLE - DAY<br />
<br />
MRS. YOOP’s shrieks echo across the desolate landscape.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_8&diff=1334Sequence 2 82007-10-23T18:48:16Z<p>Martin: </p>
<hr />
<div>SEQUENCE 2_08 ⿿ ⿿NIMMIE⿿S HOUSE<br />
<br />
2_08_02<br />
EXT. PATH TO NIMMIE AMEE’S HOUSE - DAY<br />
<br />
TIN WOODMAN, SCARECROW, and WOOT look onto to Nimmie Amee's House (OS).<br />
<br />
SCARECROW<br />
133 Well... From what we have been told: this is Nimmie Amee's house.<br />
<br />
2_08_03<br />
WOOT and SCARECROW look at TIN WOODMAN. He is tense.<br />
<br />
TIN WOODMAN (plaintive)<br />
134 So far, but no farther. I am now close to Nimmie Amee, whom I have come ever so far to seek. My cracked heart is aflutter.<br />
<br />
2_08_04<br />
SCARECROW nods.<br />
<br />
SCARECROW<br />
I can almost hear it fluttering.<br />
<br />
2_08_05<br />
WOOT<br />
135 Are you okay, Sire? Does love affect you so?<br />
<br />
2_08_06<br />
TIN WOODMAN<br />
136 I don't know. I will tell you when Nimmie Amee marries me.<br />
<br />
2_08_08<br />
TIN WOODMAN starts off deliberately.<br />
<br />
2_08_09<br />
SCARECROW and WOOT run to catch up.<br />
<br />
2_08_09a<br />
SCARECROW, WOOT, and TIN WOODMAN walk together towards NIMMIE AMEE'S HOUSE.<br />
<br />
2_08_10<br />
As do a few belligerent GEESE, who honk and nip at TIN WOODMAN.<br />
<br />
2_08_11<br />
TIN WOODMAN waves his arms at the GEESE, trying to shoo them away.<br />
<br />
TIN WOODMAN<br />
Oh... Be quiet. Be quiet, you!<br />
<br />
2_08_12<br />
SCARECROW and WOOT watch.<br />
<br />
SCARECROW<br />
Oh-oh... This'll make for a bad entrance...<br />
<br />
2_08_13<br />
TIN WOODMAN<br />
Oh, be quiet. Quiet! Quiet, you!<br />
<br />
TIN WOODMAN struggles with the GEESE. SCARECROW and WOOT rush to his aid, but fare no better is shooing away the GEESE.<br />
<br />
NIMMIE AMEE (OS)<br />
137 Who’s there?<br />
<br />
It’s a soft, innocent voice… but one that all but knocks TIN WOODMAN back off his feet. SCARECROW and WOOT barely manage to catch him in time to steady him.<br />
<br />
2_08_15<br />
WOOT<br />
138 Uh... It is us... Ma'am.<br />
<br />
2_08_16<br />
NIMMIE AMEE peer out around the edge of the door.<br />
<br />
NIMMIE AMEE <br />
139 Are you friends, or foes?<br />
<br />
2_08_17<br />
SCARECROW and WOOT grip TIN WOODMAN in support.<br />
<br />
ALL (in unison)<br />
140 Friends!<br />
<br />
2_08_18<br />
TIN WOODMAN stares in awe.<br />
<br />
TIN WOODMAN<br />
141 Nimmie Amee…<br />
<br />
2_08_19<br />
NIMMIE AMEE<br />
142 That's my name, but who can you be?<br />
<br />
2_08_20<br />
TIN WOODMAN<br />
143 Nimmie… Do you? Do you not remember me? I am your old sweetheart.<br />
<br />
2_08_21<br />
NIMMIE AMEE is blank for a moment then she smiles.<br />
<br />
NIMMIE AMEE<br />
144 Well... Come in. Even sweethearts are forgotten after a time.<br />
<br />
2_08_23<br />
NIMMIE AMEE (OS) <br />
But you and your friends are welcome.<br />
<br />
TIN WOODMAN moves for the door, and the others follow.<br />
<br />
2_08_27<br />
The GEESE crash into the door.<br />
<br />
2_08_28<br />
INT. NIMMIE AMEE’S HOUSE - DAY<br />
<br />
TIN WOODMAN, SCARECROW, and WOOT enter cozy and comfortable NIMMIE AMEE⿿S ROOM, neatly furnished and well swept and dusted. CHOPFYT is seated in a chair before a fireplace.<br />
<br />
2_08_29<br />
CHOPFYT stares at them.<br />
<br />
2_08_30<br />
TIN WOODMAN stares back, angry.<br />
<br />
2_08_31<br />
CU: CHOPFYT<br />
<br />
2_08_32<br />
TIN WOODMAN points.<br />
<br />
TIN WOODMAN<br />
145 Impostor!<br />
<br />
2_08_33<br />
CHOPFYT frowns and looks angry.<br />
<br />
2_08_34<br />
TIN WOODMAN starts forward, but SCARECROW and WOOT hold him back.<br />
<br />
SCARECROW<br />
146 Gently, gently! Don’t be rude to strangers.<br />
<br />
TIN WOODMAN<br />
147 Rude?! Why that villain is wearing my own head!<br />
<br />
2_08_35<br />
CHOPFYT jumps up out of the armchair.<br />
<br />
CHOPFYT<br />
Just a minute, tin can...<br />
<br />
2_08_36<br />
SCARECROW and WOOT struggle to hold TIN WOODMAN back.<br />
<br />
WOOT<br />
148 Sire... Sire... Wait... Don’t...<br />
<br />
2_08_37<br />
CHOPFYT and TIN WOODMAN confront each other nose-to-nose.<br />
<br />
CHOPFYT<br />
149 What’s the meaning of this? Who are you?<br />
<br />
TIN WOODMAN<br />
149-01 Who are we! Who are you?<br />
<br />
2_08_38<br />
NIMMIE AMEE<br />
150 I must insist you be more respectful to my husband.<br />
<br />
2_08_39<br />
TIN WOODMAN<br />
151 Your… husband?<br />
<br />
2_08_40<br />
NIMMIE AMEE goes to CHOPFYT and puts her arms around him.<br />
<br />
NIMMIE AMEE<br />
152 Yes. I married Chopfyt a long time ago.<br />
<br />
2_08_41<br />
TIN WOODMAN<br />
152-01 But I...<br />
<br />
2_08_42<br />
NIMMIE AMEE<br />
152-02 Left… Without a word.<br />
<br />
2_08_43<br />
TIN WOODMAN<br />
153 But he is me!<br />
<br />
SCARECROW (laughing)<br />
154 Uh-uh, oh, you're quite wrong, old friend. You are yourself, and so Chopfyt must be someone else.<br />
<br />
2_08_44<br />
<br />
CHOPFYT<br />
154-01 Now see here, you lot, what is this all about? If you’re looking to make trouble...<br />
<br />
2_08_45<br />
TIN WOODMAN<br />
154-02 N-N-Nimmie is my—<br />
<br />
2_08_46<br />
NIMMIE AMEE<br />
154-03 No I’m not!<br />
<br />
2_08_47<br />
TIN WOODMAN looks at NIMMIE AMEE in shock.<br />
<br />
NIMMIE AMEE<br />
155 I won't say he is a husband to be proud of, because he isn't always an agreeable companion. There are times when I have to chide him gently, both with my tongue and with my broomstick. But he is my husband...<br />
<br />
2_08_48<br />
TIN WOODMAN recoils, in anguish.<br />
<br />
2_08_49<br />
SCARECROW and WOOT watch, not knowing what to anticipate.<br />
<br />
2_08_50<br />
NIMMIE AMEE<br />
155-01 ... and I must make the best of him. He’s trained to draw water, and carry wood,<br />
<br />
2_08_51<br />
CHOPFYT smiles smugly, picks up a mug of ale, and drinks. He belches.<br />
<br />
NIMMIE AMEE (OS)<br />
155-01 and hoe the cabbages and weed the flower-beds and dust the furniture…<br />
<br />
2_08_52<br />
TIN WOODMAN is aghast.<br />
<br />
TIN WOODMAN<br />
156 But... Wuh-wuh-wouldn’t you like to be... Empress of the Winkies?<br />
<br />
2_08_53<br />
NIMMIE AMEE looks at TIN WOODMAN. She puts a broom into CHOPFYT⿿S hands and he starts sweeping.<br />
<br />
NIMMIE AMEE<br />
157 Mercy, no. That would be a lot of bother… Wouldn't it? I mean... A new husband would have to be scolded... And gently chided until he learns my ways.<br />
<br />
2_08_54<br />
NIMMIE AMEE gently but firmly nudges CHOPFYT along as he sweeps the floor.<br />
<br />
NIMMIE AMEE<br />
And I don’t care for society, or pomp, or posing. All I ask is to be left alone and not to be annoyed by visitors.<br />
<br />
2_08_55<br />
SCARECROW and WOOT shift their feet, uncomfortably.<br />
<br />
SCARECROW<br />
158 Oh. Eh... Sounds like it is time for us to go...<br />
<br />
2_08_56<br />
TIN WOODMAN starts to say something… but NIMMIE turns.<br />
<br />
2_08_57<br />
SCARECROW and WOOT exit. TIN WOODMAN remains a moment. SCARECROW comes back, takes TIN WOODMAN’S arm.<br />
<br />
2_08_58<br />
SCARECROW pushes TIN WOODMAN out the door.<br />
<br />
SCARECROW<br />
Well… So long, Mister Henpeck... Eh, Mister Chopfyt.<br />
<br />
SCARECROW exits.<br />
<br />
2_08_59<br />
CHOPFYT takes a swig of ale.<br />
<br />
CHOPFYT<br />
Huh! Good riddance to bad rubbish, I say.<br />
<br />
The door slams shut.<br />
<br />
2_08_60<br />
EXT. NIMMIE AMEE’S HOUSE - DAY<br />
<br />
The GEESE immediately swarm around TIN WOODMAN, SCARECROW, and WOOT, honking.<br />
<br />
2_08_61<br />
TIN WOODMAN looks back at NIMMIE AMEE⿿S house.<br />
<br />
TIN WOODMAN (forlorn)<br />
160 Nimmie Amee... does not love me.<br />
<br />
2_08_62<br />
SCARECROW<br />
161 Huh! Well... Be thankful it is not your fate to hoe cabbages and sweep the floors.<br />
<br />
2_08_63<br />
There’s a loud cracking sound inside TIN WOODMAN’S chest. He gasps, opens his chest door, and pulls out two halves of his HEART, now broken in two.<br />
<br />
2_08_64<br />
TIN WOODMAN<br />
162 But my heart! I fear there is no end to this ache.<br />
<br />
2_08_65<br />
SCARECROW and WOOT look on helplessly.<br />
<br />
2_08_66<br />
SCARECROW<br />
163 Oh... Well, we are not wanted here… and we dare not go back through Loonville I say we travel on.<br />
<br />
2_08_67<br />
TIN WOODMAN suddenly hurls his AXE.<br />
<br />
2_08_68<br />
The AXE embeds itself in a tree.<br />
<br />
2_08_69<br />
The GEESE retreat OS.<br />
<br />
2_08_70<br />
TIN WOODMAN slumps down under a tree.<br />
<br />
TIN WOODMAN (sorrowful)<br />
164 Ohhh... Do what you will. I will lay here... And never move again.<br />
<br />
2_08_71<br />
SCARECROW and WOOT look at each other, alarmed.<br />
<br />
2_08_86 <br />
TIN WOODMAN leans heavily against a TREE.<br />
<br />
My heart is broken,<br />
My body too,<br />
My joints are stuck tight,<br />
I'll just stay like this forever.<br />
<br />
2_08_87<br />
Transition to sad flower.<br />
<br />
My heart is broken,<br />
Can you feel my pain?<br />
It radiates out like moonbeams,<br />
To darken everything it touches.<br />
<br />
2_08_88<br />
TIN WOODMAN sitting under tree/Nimme Aimee in the Moon<br />
<br />
My heart is broken,<br />
Life means nothing to me,<br />
Take me off your guest list,<br />
I won't be visiting anymore.<br />
<br />
2_08_89<br />
Lighting flash across the moon. It starts to rain.<br />
<br />
My heart is broken,<br />
Who cares what happens to me,<br />
Just leave me here to rust,<br />
No one loves me anymore.<br />
<br />
2_08_90<br />
The rain is falling very hard on TIN WOODMAN so that he is barely visible.<br />
<br />
My heart is broken,<br />
My spirit too?<br />
Nimmie Amee has struck my life away,<br />
Leave me be.<br />
<br />
2_08_72<br />
SCARECROW<br />
165 Well… that’s a fine way to behave! It makes me very glad I have a brain and not a heart. At least my brain leaves me with dignity!<br />
<br />
2_08_73<br />
TIN WOODMAN looks sadly at SCARECROW.<br />
<br />
2_08_74<br />
SCARECROW frowns.<br />
<br />
SCARECROW<br />
165-01 It seems to me I remember a time when we were in similar straits… and the only thing that kept us going…<br />
<br />
2_08_75<br />
TIN WOODMAN<br />
165-02 I know… was faith… and companionship. I remember…<br />
<br />
2_08_76<br />
WOOT hangs on the AXE, trying to pull it out of the tree trunk.<br />
<br />
WOOT<br />
166 I’ve never been in love, but someday I might be. Tell me what it feels like?<br />
<br />
2_08_77<br />
TIN WOODMAN signs heavily, looks up to WOOT⿿S dangling feet.<br />
<br />
TIN WOODMAN<br />
167 Ah... Young Woot, you will be sorry when I do, but if you insist?<br />
<br />
2_08_78<br />
<br />
WOOT (taken aback)<br />
168 Uh, I don't really insist.<br />
<br />
2_08_79<br />
TIN WOODMAN gets up, easily pulls the axe, with WOOT hanging on it, from the tree.<br />
<br />
TIN WOODMAN<br />
169 Come, boy... I have so much heartache to pass on to you.<br />
<br />
2_08_80<br />
WOOT (ruefully)<br />
170 Ohhhh… I... Uh...<br />
<br />
2_08_81<br />
TIN WOODMAN holds the axe aloft a moment, looks WOOT in the eye.<br />
<br />
2_08_82<br />
WOOT sighs, resigned to his fate.<br />
<br />
2_08_83<br />
WOOT, TIN WOODMAN, and SCARECROW walk down the trail into the sunset.<br />
<br />
TIN WOODMAN<br />
170-01 It begins with a yearning deep within your soul, and then there is a kind of murmuring, as though all your joints need oil, and cry out for it; yet you can still move! Alas, that is even worse…<br />
<br />
2_08_84<br />
SCARECROW rolls his eyes heavenward.<br />
<br />
2_08_85<br />
TIN WOODMAN, SCARECROW, and WOOT continue into the forest.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Script&diff=1330Script2007-10-19T21:00:18Z<p>Martin: </p>
<hr />
<div>=<small>TWO Movie Project Wiki</small><br /> Script=<br />
<br />
'''Act I'''<br />
<br />
[[Sequence 1]] “Opening” 29 scenes<br />
<br />
[[Sequence 2]] “Bridge” 40 scenes <br />
<br />
[[Sequence 3]] “Throne” 39 scenes<br />
<br />
[[Sequence 4]] “Love” 39 scenes<br />
<br />
[[Sequence 5]] “The Plan” 22 scenes<br />
<br />
<br />
'''Act II'''<br />
<br />
[[Sequence 2_1]] “Morning” 24 scenes<br />
<br />
[[Sequence 2_2]] “Thicket” 49 scenes<br />
<br />
[[Sequence 2_3]] “Loons” 107 scenes<br />
<br />
[[Sequence 2_4]] “Song” 33 scenes<br />
<br />
[[Sequence 2_5]] “Fireside” 6 scenes<br />
<br />
[[Sequence 2_6]] “The Fight” 32 scenes<br />
<br />
[[Sequence 2_7]] “Ku-Klip” 83 scenes<br />
<br />
[[Sequence 2_8]] “Nimmie’s House” 85 scenes<br />
<br />
[[Sequence 2_9]] “Yoop Castle” 29 scenes<br />
<br />
[[Sequence 2_10]] “Meet The Yookoohoo” 63 scenes<br />
<br />
[[Sequence 2_11]] “Breakout” 32 scenes<br />
<br />
[[Sequence 2_12]] “Tin Girl” 31 scenes<br />
<br />
[[Sequence 2_13]] “The Breakin” 21 scenes<br />
<br />
[[Sequence 2_14]] “Games” 17 scenes<br />
<br />
[[Sequence 2_15]] “Escape” 51 scenes<br />
<br />
<br />
'''Act III'''<br />
<br />
[[Sequence 3_01]] “Medallion” 37 scenes<br />
<br />
[[Sequence 3_02]] “Mountain” 33 scenes<br />
<br />
Sequence 3_03 “Dragons” not currently in movie<br />
<br />
[[Sequence 3_04]] “Invisible” 46 scenes<br />
<br />
[[Sequence 3_05]] “Ozma” 67 scenes<br />
<br />
[[Sequence 3_06]] “Home” 7 scenes<br />
<br />
The End<br />
<br />
<br />
[[category:TWO]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_10&diff=1329Sequence 2 102007-10-19T20:59:41Z<p>Martin: </p>
<hr />
<div>SEQUENCE 2_10 - "MEET THE YOOKOOHOO"<br />
<br />
2_10_01<br />
TIN WOODMAN<br />
180-02 Oh my<br />
<br />
2_10_02<br />
INT. GOLDEN CHAMBER<br />
In the center of the CHAMBER is a huge table, at which sits MRS. YOOP. She has her back toward them and does not turn around. She is turning the pages by simply motioning her hand.<br />
<br />
MRS. YOOP (menacing)<br />
181 You’re causing a draft... And I shall catch cold... And sneeze. <br />
<br />
2_10_04<br />
TIN WOODMAN, SCARECROW, and WOOT tremble. They look around. There’s no way out. There are shadows moving on the walls.<br />
<br />
MRS. YOOP<br />
181-01 And when I sneeze, I become cross… Very, very nasty. <br />
<br />
2_10_06<br />
MRS. YOOP<br />
And when I become cross, I’m liable to do something… wicked! (chuckles) Mmmm. Come in, you foolish strangers. Come in!<br />
<br />
2_10_08<br />
TIN WOODMAN, SCARECROW, and WOOT run, screaming in fright.<br />
<br />
2_10_09<br />
MRS. YOOP points a finger at a fireplace SCREEN which becomes a fence surrounding them.<br />
<br />
2_10_10<br />
WOOT, TIN WOODMAN, and SCARECROW cower behind the SCREEN.<br />
<br />
2_10_11<br />
MRS. YOOP (chuckling)<br />
181-02 What have we here…?<br />
<br />
2_10_12<br />
TIN WOODMAN, SCARECROW, and WOOT shrink back as MRS. YOOP bends close to examine them.<br />
<br />
2_10_13<br />
MRS. YOOP changes size, shape and appearance at whim.<br />
<br />
MRS. YOOP<br />
181-03 Speak!!!<br />
<br />
2_10_14<br />
The CHAMBER reverberates with the sound of MRS. YOOP'S voice. TIN WOODMAN, SCARECROW, and WOOT fall to the ground, almost insensible with terror.<br />
<br />
2_10_15<br />
When the echoes have died away, SCARECROW raises his head, terrified.<br />
<br />
SCARECROW <br />
183 W-we d-didn’t know anyone l-lived here, M-Madam, s-so, b-being travelers and strangers in these p-parts, and w-w-wishing to find a p-place for our young c-companion to s-sleep—w-we v-ventured t-to enter your lovely c-c-astle.<br />
<br />
2_10_16<br />
MRS. YOOP crouches above, leers.<br />
<br />
MRS. YOOP<br />
184 You have found much more than you bargained for!!!<br />
<br />
2_10_17<br />
OS: Mrs. Yoop laughing. TIN WOODMAN, SCARECROW, and WOOT bury their faces in their hands, shaking.<br />
<br />
2_10_18<br />
MRS. YOOP walks around the cowering TIN WOODMAN, SCARECROW, and WOOT: sometimes huge and horrible, other times normal and motherly-looking.<br />
<br />
2_10_19 <br />
WOOT peeks between his fingers.<br />
<br />
WOOT (fearful)<br />
185 A-a-are you a w-w-witch?<br />
<br />
2_10_20<br />
MRS. YOOP<br />
185-01 Witch?! Witch!!! Why, I Witch this!<br />
<br />
2_10_21<br />
TIN WOODMAN, SCARECROW, and WOOT cringe in terror as all manner of foul ENTITIES surround them.<br />
<br />
2_10_23<br />
MRS. YOOP laughs pleasantly.<br />
<br />
MRS. YOOP<br />
186 More- an artist of transformation. A Yookoohoo. Much more clever than a witch.<br />
<br />
2_10_24<br />
MRS. YOOP shrinks down, suddenly holding a plate of cookies. She offers them to her guests.<br />
<br />
MRS. YOOP<br />
Perhaps you’ve heard of me… Mrs. Yoop?<br />
<br />
2_10_26<br />
SCARECROW<br />
187 A-are w-we to c-consider you our f-friend, M-M-Mrs. Yoop?<br />
<br />
2_10_27<br />
MRS. YOOP<br />
188 I never have friends—<br />
<br />
MRS. YOOP again turns into a giant—but quickly becomes normal again.<br />
<br />
MRS. YOOP<br />
188-01 Eh, uh Well Ah.. I, I am glad you’ve come, dearies, for my life here is rather lonely. I’ve had no one… to talk to.<br />
<br />
2_10_27a 0000-0038<br />
Zoom into MRS. YOOP's EYES.<br />
<br />
Bunny playing drum.<br />
<br />
2_10_27b 0039-0294<br />
Transition into Mrs. Yoop, dressed in skirt, dancing with bunnys in top hats..<br />
<br />
2_10_27c 0295-0556<br />
MRS. YOOP<br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
I am lonely since they put my man away,<br />
<br />
2_10_27d 0557-0818<br />
COWJOHN in a cage hanging from a rope that drops down from ceiling. MRS. YOOP reaches through cage bars and pats his head.<br />
<br />
MRS. YOOP<br />
Ozma put him in a cage,<br />
<br />
Minature OZMA TOY appears in MRS. YOOP's hand. <br />
<br />
MRS. YOOP<br />
But Someday she'll feel my rage,<br />
<br />
MRS. YOOP squeezes OZMA TOY in her hand.<br />
<br />
2_10_27e 0819-1080<br />
MRS. YOOP<br />
I just want someone to play with.<br />
<br />
TIN WOODMAN, SCARECROW and WOOT, seated on the floor, look at each other, frightened. <br />
<br />
MRS. YOOP kneels down in front of TIN WOODMAN, SCARECROW and WOOT, scooping them up in her hands.<br />
<br />
2_10_27f 1081-1342<br />
MRS. YOOP stands (costume change) holding TIN WOODMAN and WOOT in one hand and SCARECROW in the other.<br />
<br />
MRS. YOOP<br />
I am Mrs. Yoop<br />
And I'm lonely,<br />
For my husband, the giant, Mr. Yoop.<br />
<br />
MRS. YOOP hugs TIN WOODMAN, SCARECROW and WOOT tightly to her bosum.<br />
<br />
2_10_27g 1343-1604<br />
MRS. YOOP throws TIN WOODMAN, SCARECROW and WOOT over her shoulder.<br />
<br />
MRS. YOOP<br />
Don't call me a witch,<br />
And don't you think that I'm a gritch, <br />
<br />
MRS. YOOP dances with DEMONS.<br />
<br />
2_10_27h 1605-1866<br />
MRS. YOOP<br />
This is me and my way.<br />
<br />
2_10_27i 1867-2128<br />
MRS. YOOP costume change.<br />
<br />
MRS. YOOP<br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
Because I'm a Yookoohoo,<br />
<br />
2_10_27j 2129-2390<br />
MRS. YOOP stands in front of TIN WOODMAN, SCARECROW and WOOT.<br />
<br />
MRS. YOOP<br />
Changing things is what I do,<br />
And I will change you too,<br />
<br />
2_10_27k 2391-2652<br />
MRS. YOOP <br />
No matter what you might say.<br />
<br />
2_10_27l 2653-2914<br />
MRS. YOOP <br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
I 've been cooped up in this castle all day.<br />
<br />
2_10_27m 2915-3176<br />
MRS. YOOP<br />
Won't you be my friends?<br />
Until the time comes it ends,<br />
<br />
2_10_27n 3177-3438<br />
MRS. YOOP<br />
I have no one here to play with.<br />
<br />
2_10_27o 3439-3700<br />
MRS. YOOP <br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
But I won't be, <br />
I won't be for that long.<br />
<br />
2_10_27p 3701-3962<br />
MRS. YOOP <br />
You'll be the company I need,<br />
to satisfy all my greed,<br />
<br />
2_10_27q 3963-4224<br />
MRS. YOOP <br />
Until Mr. Yoop comes home one day.<br />
<br />
2_10_27r 4225-4500<br />
MRS. YOOP does one last ballet turn.<br />
<br />
2_10_28<br />
SCARECROW<br />
189 Uh… Love to talk But w-w-w-w-e c-c-can't stay long…<br />
<br />
2_10_29<br />
MRS. YOOP<br />
190 Oh, but I disagree.<br />
<br />
MRS. YOOP becomes huge again. As she speaks she picks WOOT up in the palm of her gigantic hand.<br />
<br />
MRS. YOOP<br />
190-01 I mean to keep you here as long as I live, to amuse me when I get lonely To keep me company<br />
<br />
2_10_30<br />
TIN WOODMAN<br />
191 T-t-t-that is outrageous… d-d-do you k-k-know, ma’am, who we a-a-are?<br />
<br />
2_10_31<br />
MRS. YOOP is once again a normal, homey-looking mother-type.<br />
<br />
MRS. YOOP<br />
192 Mmmmm… Well, lets see a straw man… a tin man… and a meat boy…<br />
<br />
TIN WOODMAN, SCARECROW, and WOOT shrink back as her baleful eye falls upon them.<br />
<br />
2_10_33<br />
MRS. YOOP<br />
192-01 How unstimulating you are. So plain I know- I will change you all into new forms… formsss farrr moreee interesting….<br />
<br />
2_10_34<br />
SCARECROW<br />
193 Y-y-you.. you can’t d-do that! You We We’re very important p-p-eople<br />
<br />
2_10_35<br />
MRS. YOOP is huge again. TIN WOODMAN, SCARECROW, and WOOT huddle together in terror.<br />
<br />
MRS. YOOP<br />
194 So much the better! I shall enjoy you all the more!<br />
<br />
2_10_36<br />
TIN WOODMAN, SCARECROW, and WOOT stare up in terror at MRS. YOOP.<br />
<br />
MRS. YOOP<br />
195 Meet bravely what you cannot avoid<br />
<br />
MRS. YOOP turns to TIN WOODMAN.<br />
<br />
2_10_38<br />
TIN WOODMAN<br />
S-s-stay away from me<br />
<br />
MRS. YOOP points an enormous, gnarled finger at TIN WOODMAN. A maelstrom of terrifying ENERGY transforms TIN WOODMAN transforms TIN OWL.<br />
<br />
TIN OWL hoots in despair.<br />
<br />
2_10_39<br />
MRS. YOOP’S baleful eye fixes on him.<br />
<br />
2_10_40<br />
TIN OWL flies to the back of a chair and perches upon it, his tin feathers rattle against one another in a tinny chatter.<br />
<br />
2_10_41<br />
SCARECROW attempts to assume a commanding posture. WOOT hides behind him.<br />
<br />
SCARECROW<br />
197 Eh Eh Eh N-n-now s-s-see here, m-m-madam, I c-c-consider this action very impolite…. it may even be called rude <br />
<br />
2_10_41b<br />
SCARECROW<br />
C-c-considering we are your g-g-guests…<br />
<br />
2_10_42<br />
MRS. YOOP<br />
198 Guests, straw man… At whose invitation?<br />
<br />
MRS. YOOP opens her immense mouth in a hideous laugh.<br />
<br />
2_10_43<br />
SCARECROW shudders violently.<br />
<br />
SCARECROW<br />
Look I I've got a f-f-few Em Uh, ah Oh<br />
<br />
In a maelstrom of energy, SCARECROW changes into STRAW BEAR.<br />
<br />
2_10_44<br />
STRAW BEAR shuffles awkwardly across the floor, whimpering.<br />
<br />
STRAW BEAR (confused)<br />
Eh I don't like this I don't like this at all No This isn't right This isn't right at all No, Wrong<br />
<br />
2_10_47<br />
WOOT trembles in terror as MRS. YOOP tussles his hair. MRS. YOOP assumes a grotesquely innocent air as she studies the terrified WOOT.<br />
<br />
MRS. YOOP<br />
198-01 Ah Now What to do with you, little cuddle-kins? I have something very, very special in mind for you.<br />
<br />
2_10_50<br />
MRS. YOOP wiggles her fingers.<br />
<br />
2_10_51<br />
WOOT, in a flash of energy, becomes GREEN MONKEY.<br />
<br />
2_10_52<br />
MRS. YOOP laughs hideously<br />
<br />
2_10_53<br />
GREEN MONKEY chatters as he bounds to the seat of a giant chair, and then to its back.<br />
<br />
MRS. YOOP’S maniacal laughter echoes through the castle.<br />
<br />
2_10_54<br />
MRS. YOOP<br />
Yes I do believe (cackles) Perrrrrfect.<br />
<br />
TIN OWL, BEAR and GREEN MONKEY cringe as MRS. YOOP looms above them. She looms over each in turn, then she shrinks back down to near-human proportions, and yawns.<br />
<br />
MRS. YOOP<br />
201 Oh Such a day Such a day Well, enjoy yourselves, my pets. We’ll play again… very soon.<br />
<br />
2_10_56<br />
MRS. YOOP faces DOOR.<br />
<br />
MRS. YOOP<br />
202 Open!<br />
<br />
DOOR bursts open with a bang, and MRS. YOOP hobbles out.<br />
<br />
DOOR begins closing.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_10&diff=1328Sequence 2 102007-10-19T00:19:27Z<p>Martin: </p>
<hr />
<div>SEQUENCE 2_10 - "MEET THE YOOKOOHOO"<br />
<br />
2_10_01<br />
TIN WOODMAN<br />
180-02 Oh my<br />
<br />
2_10_02<br />
INT. GOLDEN CHAMBER<br />
In the center of the CHAMBER is a huge table, at which sits MRS. YOOP. She has her back toward them and does not turn around. She is turning the pages by simply motioning her hand.<br />
<br />
MRS. YOOP (menacing)<br />
181 You’re causing a draft... And I shall catch cold... And sneeze. <br />
<br />
2_10_04<br />
TIN WOODMAN, SCARECROW, and WOOT tremble. They look around. There’s no way out. There are shadows moving on the walls.<br />
<br />
MRS. YOOP<br />
181-01 And when I sneeze, I become cross… Very, very nasty. <br />
<br />
2_10_06<br />
MRS. YOOP<br />
And when I become cross, I’m liable to do something… wicked! (chuckles) Mmmm. Come in, you foolish strangers. Come in!<br />
<br />
2_10_08<br />
TIN WOODMAN, SCARECROW, and WOOT run, screaming in fright.<br />
<br />
2_10_09<br />
MRS. YOOP points a finger at a fireplace SCREEN which becomes a fence surrounding them.<br />
<br />
2_10_10<br />
WOOT, TIN WOODMAN, and SCARECROW cower behind the SCREEN.<br />
<br />
2_10_11<br />
MRS. YOOP (chuckling)<br />
181-02 What have we here…?<br />
<br />
2_10_12<br />
TIN WOODMAN, SCARECROW, and WOOT shrink back as MRS. YOOP bends close to examine them.<br />
<br />
2_10_13<br />
MRS. YOOP changes size, shape and appearance at whim.<br />
<br />
MRS. YOOP<br />
181-03 Speak!!!<br />
<br />
2_10_14<br />
The CHAMBER reverberates with the sound of MRS. YOOP'S voice. TIN WOODMAN, SCARECROW, and WOOT fall to the ground, almost insensible with terror.<br />
<br />
2_10_15<br />
When the echoes have died away, SCARECROW raises his head, terrified.<br />
<br />
SCARECROW <br />
183 W-we d-didn’t know anyone l-lived here, M-Madam, s-so, b-being travelers and strangers in these p-parts, and w-w-wishing to find a p-place for our young c-companion to s-sleep—w-we v-ventured t-to enter your lovely c-c-astle.<br />
<br />
2_10_16<br />
MRS. YOOP crouches above, leers.<br />
<br />
MRS. YOOP<br />
184 You have found much more than you bargained for!!!<br />
<br />
2_10_17<br />
OS: Mrs. Yoop laughing. TIN WOODMAN, SCARECROW, and WOOT bury their faces in their hands, shaking.<br />
<br />
2_10_18<br />
MRS. YOOP walks around the cowering TIN WOODMAN, SCARECROW, and WOOT: sometimes huge and horrible, other times normal and motherly-looking.<br />
<br />
2_10_19 <br />
WOOT peeks between his fingers.<br />
<br />
WOOT (fearful)<br />
185 A-a-are you a w-w-witch?<br />
<br />
2_10_20<br />
MRS. YOOP<br />
185-01 Witch?! Witch!!! Why, I Witch this!<br />
<br />
2_10_21<br />
TIN WOODMAN, SCARECROW, and WOOT cringe in terror as all manner of foul ENTITIES surround them.<br />
<br />
2_10_23<br />
MRS. YOOP laughs pleasantly.<br />
<br />
MRS. YOOP<br />
186 More- an artist of transformation. A Yookoohoo. Much more clever than a witch.<br />
<br />
2_10_24<br />
MRS. YOOP shrinks down, suddenly holding a plate of cookies. She offers them to her guests.<br />
<br />
MRS. YOOP<br />
Perhaps you’ve heard of me… Mrs. Yoop?<br />
<br />
2_10_26<br />
SCARECROW<br />
187 A-are w-we to c-consider you our f-friend, M-M-Mrs. Yoop?<br />
<br />
2_10_27<br />
MRS. YOOP<br />
188 I never have friends—<br />
<br />
MRS. YOOP again turns into a giant—but quickly becomes normal again.<br />
<br />
MRS. YOOP<br />
188-01 Eh, uh Well Ah.. I, I am glad you’ve come, dearies, for my life here is rather lonely. I’ve had no one… to talk to.<br />
<br />
2_10_27a 0000-0038<br />
Zoom into MRS. YOOP's EYES.<br />
<br />
Bunny playing drum.<br />
<br />
2_10_27b 0039-0294<br />
Transition into Mrs. Yoop, dressed in skirt, dancing with bunnys in top hats..<br />
<br />
2_10_27c 0295-0556<br />
MRS. YOOP<br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
I am lonely since they put my man away,<br />
<br />
2_10_27d 0557-0818<br />
COWJOHN in a cage hanging from a rope that drops down from ceiling. MRS. YOOP reaches through cage bars and pats his head.<br />
<br />
MRS. YOOP<br />
Ozma put him in a cage,<br />
<br />
Minature OZMA TOY appears in MRS. YOOP's hand. <br />
<br />
MRS. YOOP<br />
But Someday she'll feel my rage,<br />
<br />
MRS. YOOP squeezes OZMA TOY in her hand.<br />
<br />
2_10_27e 0819-1080<br />
MRS. YOOP<br />
I just want someone to play with.<br />
<br />
TIN WOODMAN, SCARECROW and WOOT, seated on the floor, look at each other, frightened. <br />
<br />
MRS. YOOP kneels down in front of TIN WOODMAN, SCARECROW and WOOT, scooping them up in her hands.<br />
<br />
2_10_27f 1081-1342<br />
MRS. YOOP stands (costume change) holding TIN WOODMAN and WOOT in one hand and SCARECROW in the other.<br />
<br />
MRS. YOOP<br />
I am Mrs. Yoop<br />
And I'm lonely,<br />
For my husband, the giant, Mr. Yoop.<br />
<br />
MRS. YOOP hugs TIN WOODMAN, SCARECROW and WOOT tightly to her bosum.<br />
<br />
2_10_27g 1343-1604<br />
MRS. YOOP throws TIN WOODMAN, SCARECROW and WOOT over her shoulder.<br />
<br />
MRS. YOOP<br />
Don't call me a witch,<br />
And don't you think that I'm a gritch, <br />
<br />
MRS. YOOP dances with DEMONS.<br />
<br />
2_10_27h 1605-1866<br />
MRS. YOOP<br />
This is me and my way.<br />
<br />
2_10_27i 1867-2128<br />
MRS. YOOP costume change.<br />
<br />
MRS. YOOP<br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
Because I'm a Yookoohoo,<br />
<br />
2_10_27j 2129-2390<br />
MRS. YOOP stands in front of TIN WOODMAN, SCARECROW and WOOT.<br />
<br />
MRS. YOOP<br />
Changing things is what I do,<br />
And I will change you too,<br />
<br />
2_10_27k 2391-2652<br />
MRS. YOOP <br />
No matter what you might say.<br />
<br />
2_10_27l 2653-2914<br />
MRS. YOOP <br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
I 've been cooped up in this castle all day.<br />
<br />
2_10_27m 2915-3176<br />
MRS. YOOP<br />
Won't you be my friends?<br />
Until the time comes it ends,<br />
<br />
2_10_27n 3177-3438<br />
MRS. YOOP<br />
I have no one here to play with.<br />
<br />
2_10_27o 3439-3700<br />
MRS. YOOP <br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
But I won't be, <br />
I won't be for that long.<br />
<br />
2_10_27p 3701-3962<br />
MRS. YOOP <br />
You'll be the company I need,<br />
to satisfy all my greed,<br />
<br />
2_10_27q 3963-4224<br />
MRS. YOOP <br />
Until Mr. Yoop comes home one day.<br />
<br />
2_10_27r 4225-4500<br />
MRS. YOOP does one last ballet turn.<br />
<br />
2_10_28<br />
SCARECROW<br />
189 Uh… Love to talk But w-w-w-w-e c-c-can't stay long…<br />
<br />
2_10_29<br />
MRS. YOOP<br />
190 Oh, but I disagree.<br />
<br />
MRS. YOOP becomes huge again. As she speaks she picks WOOT up in the palm of her gigantic hand.<br />
<br />
MRS. YOOP<br />
190-01 I mean to keep you here as long as I live, to amuse me when I get lonely To keep me company<br />
<br />
2_10_30<br />
TIN WOODMAN<br />
191 T-t-t-that is outrageous… d-d-do you k-k-know, ma’am, who we a-a-are?<br />
<br />
2_10_31<br />
MRS. YOOP is once again a normal, homey-looking mother-type.<br />
<br />
MRS. YOOP<br />
192 Mmmmm… Well, lets see a straw man… a tin man… and a meat boy…<br />
<br />
TIN WOODMAN, SCARECROW, and WOOT shrink back as her baleful eye falls upon them.<br />
<br />
2_10_33<br />
MRS. YOOP<br />
192-01 How unstimulating you are. So plain I know- I will change you all into new forms… formsss farrr moreee interesting….<br />
<br />
2_10_34<br />
SCARECROW<br />
193 Y-y-you.. you can’t d-do that! You We We’re very important p-p-eople<br />
<br />
2_10_35<br />
MRS. YOOP is huge again. TIN WOODMAN, SCARECROW, and WOOT huddle together in terror.<br />
<br />
MRS. YOOP<br />
194 So much the better! I shall enjoy you all the more!<br />
<br />
2_10_36<br />
TIN WOODMAN, SCARECROW, and WOOT stare up in terror at MRS. YOOP.<br />
<br />
MRS. YOOP<br />
195 Meet bravely what you cannot avoid<br />
<br />
MRS. YOOP turns to TIN WOODMAN.<br />
<br />
2_10_38<br />
TIN WOODMAN<br />
S-s-stay away from me<br />
<br />
MRS. YOOP points an enormous, gnarled finger at TIN WOODMAN. A maelstrom of terrifying ENERGY transforms TIN WOODMAN transforms TIN OWL.<br />
<br />
TIN OWL hoots in despair.<br />
<br />
2_10_39<br />
MRS. YOOP’S baleful eye fixes on him.<br />
<br />
2_10_40<br />
TIN OWL flies to the back of a chair and perches upon it, his tin feathers rattle against one another in a tinny chatter.<br />
<br />
2_10_41<br />
SCARECROW attempts to assume a commanding posture. WOOT hides behind him.<br />
<br />
SCARECROW<br />
197 Eh Eh Eh N-n-now s-s-see here, m-m-madam, I c-c-consider this action very impolite…. it may even be called rude <br />
<br />
2_10_41b<br />
SCARECROW<br />
C-c-considering we are your g-g-guests…<br />
<br />
2_10_42<br />
MRS. YOOP<br />
198 Guests, straw man… At whose invitation?<br />
<br />
MRS. YOOP opens her immense mouth in a hideous laugh.<br />
<br />
2_10_43<br />
SCARECROW shudders violently.<br />
<br />
SCARECROW<br />
Look I I've got a f-f-few Em Uh, ah Oh<br />
<br />
In a maelstrom of energy, SCARECROW changes into STRAW BEAR.<br />
<br />
2_10_44<br />
STRAW BEAR shuffles awkwardly across the floor, whimpering.<br />
<br />
STRAW BEAR (confused)<br />
Eh I don't like this I don't like this at all No This isn't right This isn't right at all No, Wrong<br />
<br />
2_10_47<br />
WOOT trembles in terror as MRS. YOOP tussles his hair. MRS. YOOP assumes a grotesquely innocent air as she studies the terrified WOOT.<br />
<br />
MRS. YOOP<br />
198-01 Ah Now What to do with you, little cuddle-kins? I have something very, very special in mind for you.<br />
<br />
2_10_50<br />
MRS. YOOP wiggles her fingers.<br />
<br />
2_10_51<br />
WOOT, in a flash of energy, becomes GREEN MONKEY.<br />
<br />
2_10_52<br />
MRS. YOOP laughs hideously<br />
<br />
2_10_53<br />
GREEN MONKEY chatters as he bounds to the seat of a giant chair, and then to its back.<br />
<br />
MRS. YOOP’S maniacal laughter echoes through the castle.<br />
<br />
2_10_54<br />
MRS. YOOP<br />
Yes I do believe (cackles) Perrrrrfect.<br />
<br />
TIN OWL, BEAR and GREEN MONKEY cringe as MRS. YOOP looms above them. She looms over each in turn, then she shrinks back down to near-human proportions, and yawns.<br />
<br />
MRS. YOOP<br />
201 Oh Such a day Such a day Well, enjoy yourselves, my pets. We’ll play again… very soon.<br />
<br />
2_10_56<br />
MRS. YOOP faces DOOR.<br />
<br />
MRS. YOOP<br />
202 Open!<br />
<br />
DOOR bursts open with a bang, and MRS. YOOP hobbles out.<br />
<br />
2_10_57<br />
DOOR closes.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Script&diff=1326Script2007-10-18T13:15:22Z<p>Martin: </p>
<hr />
<div>=<small>TWO Movie Project Wiki</small><br /> Script=<br />
<br />
'''Act I'''<br />
<br />
[[Sequence 1]] “Opening” 29 scenes<br />
<br />
[[Sequence 2]] “Bridge” 40 scenes <br />
<br />
[[Sequence 3]] “Throne” 39 scenes<br />
<br />
[[Sequence 4]] “Love” 39 scenes<br />
<br />
[[Sequence 5]] “The Plan” 22 scenes<br />
<br />
<br />
'''Act II'''<br />
<br />
[[Sequence 2_1]] “Morning” 24 scenes<br />
<br />
[[Sequence 2_2]] “Thicket” 49 scenes<br />
<br />
[[Sequence 2_3]] “Loons” 107 scenes<br />
<br />
[[Sequence 2_4]] “Song” 33 scenes<br />
<br />
[[Sequence 2_5]] “Fireside” 6 scenes<br />
<br />
[[Sequence 2_6]] “The Fight” 32 scenes<br />
<br />
[[Sequence 2_7]] “Ku-Klip” 83 scenes<br />
<br />
[[Sequence 2_8]] “Nimmie’s House” 85 scenes<br />
<br />
[[Sequence 2_9]] “Yoop Castle” 29 scenes<br />
<br />
[[Sequence 2_10]] “Meet The Yookoohoo” 64 scenes<br />
<br />
[[Sequence 2_11]] “Breakout” 32 scenes<br />
<br />
[[Sequence 2_12]] “Tin Girl” 31 scenes<br />
<br />
[[Sequence 2_13]] “The Breakin” 21 scenes<br />
<br />
[[Sequence 2_14]] “Games” 17 scenes<br />
<br />
[[Sequence 2_15]] “Escape” 51 scenes<br />
<br />
<br />
'''Act III'''<br />
<br />
[[Sequence 3_01]] “Medallion” 37 scenes<br />
<br />
[[Sequence 3_02]] “Mountain” 33 scenes<br />
<br />
Sequence 3_03 “Dragons” not currently in movie<br />
<br />
[[Sequence 3_04]] “Invisible” 46 scenes<br />
<br />
[[Sequence 3_05]] “Ozma” 67 scenes<br />
<br />
[[Sequence 3_06]] “Home” 7 scenes<br />
<br />
The End<br />
<br />
<br />
[[category:TWO]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_10&diff=1325Sequence 2 102007-10-18T13:10:46Z<p>Martin: </p>
<hr />
<div>SEQUENCE 2_10 - "MEET THE YOOKOOHOO"<br />
<br />
2_10_01<br />
TIN WOODMAN<br />
180-02 Oh my<br />
<br />
2_10_02<br />
INT. GOLDEN CHAMBER<br />
In the center of the CHAMBER is a huge table, at which sits MRS. YOOP. She has her back toward them and does not turn around. She is turning the pages by simply motioning her hand.<br />
<br />
2_10_03<br />
MRS. YOOP (menacing)<br />
181 You’re causing a draft... And I shall catch cold... And sneeze. <br />
<br />
2_10_04<br />
TIN WOODMAN, SCARECROW, and WOOT tremble. They look around. There’s no way out. There are shadows moving on the walls.<br />
<br />
MRS. YOOP<br />
181-01 And when I sneeze, I become cross… Very, very nasty. <br />
<br />
2_10_06<br />
MRS. YOOP<br />
And when I become cross, I’m liable to do something… wicked! (chuckles) Mmmm. Come in, you foolish strangers. Come in!<br />
<br />
2_10_08<br />
TIN WOODMAN, SCARECROW, and WOOT run, screaming in fright.<br />
<br />
2_10_09<br />
MRS. YOOP points a finger at a fireplace SCREEN which becomes a fence surrounding them.<br />
<br />
2_10_10<br />
WOOT, TIN WOODMAN, and SCARECROW cower behind the SCREEN.<br />
<br />
2_10_11<br />
MRS. YOOP (chuckling)<br />
181-02 What have we here…?<br />
<br />
2_10_12<br />
TIN WOODMAN, SCARECROW, and WOOT shrink back as MRS. YOOP bends close to examine them.<br />
<br />
2_10_13<br />
MRS. YOOP changes size, shape and appearance at whim.<br />
<br />
MRS. YOOP<br />
181-03 Speak!!!<br />
<br />
2_10_14<br />
The CHAMBER reverberates with the sound of MRS. YOOP'S voice. TIN WOODMAN, SCARECROW, and WOOT fall to the ground, almost insensible with terror.<br />
<br />
2_10_15<br />
When the echoes have died away, SCARECROW raises his head, terrified.<br />
<br />
SCARECROW <br />
183 W-we d-didn’t know anyone l-lived here, M-Madam, s-so, b-being travelers and strangers in these p-parts, and w-w-wishing to find a p-place for our young c-companion to s-sleep—w-we v-ventured t-to enter your lovely c-c-astle.<br />
<br />
2_10_16<br />
MRS. YOOP crouches above, leers.<br />
<br />
MRS. YOOP<br />
184 You have found much more than you bargained for!!!<br />
<br />
2_10_17<br />
OS: Mrs. Yoop laughing. TIN WOODMAN, SCARECROW, and WOOT bury their faces in their hands, shaking.<br />
<br />
2_10_18<br />
MRS. YOOP walks around the cowering TIN WOODMAN, SCARECROW, and WOOT: sometimes huge and horrible, other times normal and motherly-looking.<br />
<br />
2_10_19 <br />
WOOT peeks between his fingers.<br />
<br />
WOOT (fearful)<br />
185 A-a-are you a w-w-witch?<br />
<br />
2_10_20<br />
MRS. YOOP<br />
185-01 Witch?! Witch!!! Why, I Witch this!<br />
<br />
2_10_21<br />
TIN WOODMAN, SCARECROW, and WOOT cringe in terror as all manner of foul ENTITIES surround them.<br />
<br />
2_10_23<br />
MRS. YOOP laughs pleasantly.<br />
<br />
MRS. YOOP<br />
186 More- an artist of transformation. A Yookoohoo. Much more clever than a witch.<br />
<br />
2_10_24<br />
MRS. YOOP shrinks down, suddenly holding a plate of cookies. She offers them to her guests.<br />
<br />
MRS. YOOP<br />
Perhaps you’ve heard of me… Mrs. Yoop?<br />
<br />
2_10_26<br />
SCARECROW<br />
187 A-are w-we to c-consider you our f-friend, M-M-Mrs. Yoop?<br />
<br />
2_10_27<br />
MRS. YOOP<br />
188 I never have friends—<br />
<br />
MRS. YOOP again turns into a giant—but quickly becomes normal again.<br />
<br />
MRS. YOOP<br />
188-01 Eh, uh Well Ah.. I, I am glad you’ve come, dearies, for my life here is rather lonely. I’ve had no one… to talk to.<br />
<br />
2_10_27a 0000-0038<br />
Zoom into MRS. YOOP's EYES.<br />
<br />
Bunny playing drum.<br />
<br />
2_10_27b 0039-0294<br />
Transition into Mrs. Yoop, dressed in skirt, dancing with bunnys in top hats..<br />
<br />
2_10_27c 0295-0556<br />
MRS. YOOP<br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
I am lonely since they put my man away,<br />
<br />
2_10_27d 0557-0818<br />
COWJOHN in a cage hanging from a rope that drops down from ceiling. MRS. YOOP reaches through cage bars and pats his head.<br />
<br />
MRS. YOOP<br />
Ozma put him in a cage,<br />
<br />
Minature OZMA TOY appears in MRS. YOOP's hand. <br />
<br />
MRS. YOOP<br />
But Someday she'll feel my rage,<br />
<br />
MRS. YOOP squeezes OZMA TOY in her hand.<br />
<br />
2_10_27e 0819-1080<br />
MRS. YOOP<br />
I just want someone to play with.<br />
<br />
TIN WOODMAN, SCARECROW and WOOT, seated on the floor, look at each other, frightened. <br />
<br />
MRS. YOOP kneels down in front of TIN WOODMAN, SCARECROW and WOOT, scooping them up in her hands.<br />
<br />
2_10_27f 1081-1342<br />
MRS. YOOP stands (costume change) holding TIN WOODMAN and WOOT in one hand and SCARECROW in the other.<br />
<br />
MRS. YOOP<br />
I am Mrs. Yoop<br />
And I'm lonely,<br />
For my husband, the giant, Mr. Yoop.<br />
<br />
MRS. YOOP hugs TIN WOODMAN, SCARECROW and WOOT tightly to her bosum.<br />
<br />
2_10_27g 1343-1604<br />
MRS. YOOP throws TIN WOODMAN, SCARECROW and WOOT over her shoulder.<br />
<br />
MRS. YOOP<br />
Don't call me a witch,<br />
And don't you think that I'm a gritch, <br />
<br />
MRS. YOOP dances with DEMONS.<br />
<br />
2_10_27h 1605-1866<br />
MRS. YOOP<br />
This is me and my way.<br />
<br />
2_10_27i 1867-2128<br />
MRS. YOOP costume change.<br />
<br />
MRS. YOOP<br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
Because I'm a Yookoohoo,<br />
<br />
2_10_27j 2129-2390<br />
MRS. YOOP stands in front of TIN WOODMAN, SCARECROW and WOOT.<br />
<br />
MRS. YOOP<br />
Changing things is what I do,<br />
And I will change you too,<br />
<br />
2_10_27k 2391-2652<br />
MRS. YOOP <br />
No matter what you might say.<br />
<br />
2_10_27l 2653-2914<br />
MRS. YOOP <br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
I 've been cooped up in this castle all day.<br />
<br />
2_10_27m 2915-3176<br />
MRS. YOOP<br />
Won't you be my friends?<br />
Until the time comes it ends,<br />
<br />
2_10_27n 3177-3438<br />
MRS. YOOP<br />
I have no one here to play with.<br />
<br />
2_10_27o 3439-3700<br />
MRS. YOOP <br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
But I won't be, <br />
I won't be for that long.<br />
<br />
2_10_27p 3701-3962<br />
MRS. YOOP <br />
You'll be the company I need,<br />
to satisfy all my greed,<br />
<br />
2_10_27q 3963-4224<br />
MRS. YOOP <br />
Until Mr. Yoop comes home one day.<br />
<br />
2_10_27r 4225-4500<br />
MRS. YOOP does one last ballet turn.<br />
<br />
2_10_28<br />
SCARECROW<br />
189 Uh… Love to talk But w-w-w-w-e c-c-can't stay long…<br />
<br />
2_10_29<br />
MRS. YOOP<br />
190 Oh, but I disagree.<br />
<br />
MRS. YOOP becomes huge again. As she speaks she picks WOOT up in the palm of her gigantic hand.<br />
<br />
MRS. YOOP<br />
190-01 I mean to keep you here as long as I live, to amuse me when I get lonely To keep me company<br />
<br />
2_10_30<br />
TIN WOODMAN<br />
191 T-t-t-that is outrageous… d-d-do you k-k-know, ma’am, who we a-a-are?<br />
<br />
2_10_31<br />
MRS. YOOP is once again a normal, homey-looking mother-type.<br />
<br />
MRS. YOOP<br />
192 Mmmmm… Well, lets see a straw man… a tin man… and a meat boy…<br />
<br />
TIN WOODMAN, SCARECROW, and WOOT shrink back as her baleful eye falls upon them.<br />
<br />
2_10_33<br />
MRS. YOOP<br />
192-01 How unstimulating you are. So plain I know- I will change you all into new forms… formsss farrr moreee interesting….<br />
<br />
2_10_34<br />
SCARECROW<br />
193 Y-y-you.. you can’t d-do that! You We We’re very important p-p-eople<br />
<br />
2_10_35<br />
MRS. YOOP is huge again. TIN WOODMAN, SCARECROW, and WOOT huddle together in terror.<br />
<br />
MRS. YOOP<br />
194 So much the better! I shall enjoy you all the more!<br />
<br />
2_10_36<br />
TIN WOODMAN, SCARECROW, and WOOT stare up in terror at MRS. YOOP.<br />
<br />
MRS. YOOP<br />
195 Meet bravely what you cannot avoid<br />
<br />
MRS. YOOP turns to TIN WOODMAN.<br />
<br />
2_10_38<br />
TIN WOODMAN<br />
S-s-stay away from me<br />
<br />
MRS. YOOP points an enormous, gnarled finger at TIN WOODMAN. A maelstrom of terrifying ENERGY transforms TIN WOODMAN transforms TIN OWL.<br />
<br />
TIN OWL hoots in despair.<br />
<br />
2_10_39<br />
MRS. YOOP’S baleful eye fixes on him.<br />
<br />
2_10_40<br />
TIN OWL flies to the back of a chair and perches upon it, his tin feathers rattle against one another in a tinny chatter.<br />
<br />
2_10_41<br />
SCARECROW attempts to assume a commanding posture. WOOT hides behind him.<br />
<br />
SCARECROW<br />
197 Eh Eh Eh N-n-now s-s-see here, m-m-madam, I c-c-consider this action very impolite…. it may even be called rude <br />
<br />
2_10_41b<br />
SCARECROW<br />
C-c-considering we are your g-g-guests…<br />
<br />
2_10_42<br />
MRS. YOOP<br />
198 Guests, straw man… At whose invitation?<br />
<br />
MRS. YOOP opens her immense mouth in a hideous laugh.<br />
<br />
2_10_43<br />
SCARECROW shudders violently.<br />
<br />
SCARECROW<br />
Look I I've got a f-f-few Em Uh, ah Oh<br />
<br />
In a maelstrom of energy, SCARECROW changes into STRAW BEAR.<br />
<br />
2_10_44<br />
STRAW BEAR shuffles awkwardly across the floor, whimpering.<br />
<br />
STRAW BEAR (confused)<br />
Eh I don't like this I don't like this at all No This isn't right This isn't right at all No, Wrong<br />
<br />
2_10_47<br />
WOOT trembles in terror as MRS. YOOP tussles his hair. MRS. YOOP assumes a grotesquely innocent air as she studies the terrified WOOT.<br />
<br />
MRS. YOOP<br />
198-01 Ah Now What to do with you, little cuddle-kins? I have something very, very special in mind for you.<br />
<br />
2_10_50<br />
MRS. YOOP wiggles her fingers.<br />
<br />
2_10_51<br />
WOOT, in a flash of energy, becomes GREEN MONKEY.<br />
<br />
2_10_52<br />
MRS. YOOP laughs hideously<br />
<br />
2_10_53<br />
GREEN MONKEY chatters as he bounds to the seat of a giant chair, and then to its back.<br />
<br />
MRS. YOOP’S maniacal laughter echoes through the castle.<br />
<br />
2_10_54<br />
MRS. YOOP<br />
Yes I do believe (cackles) Perrrrrfect.<br />
<br />
TIN OWL, BEAR and GREEN MONKEY cringe as MRS. YOOP looms above them. She looms over each in turn, then she shrinks back down to near-human proportions, and yawns.<br />
<br />
MRS. YOOP<br />
201 Oh Such a day Such a day Well, enjoy yourselves, my pets. We’ll play again… very soon.<br />
<br />
2_10_56<br />
MRS. YOOP faces DOOR.<br />
<br />
MRS. YOOP<br />
202 Open!<br />
<br />
DOOR bursts open with a bang, and MRS. YOOP hobbles out.<br />
<br />
2_10_57<br />
DOOR closes.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_10&diff=1324Sequence 2 102007-10-18T13:07:25Z<p>Martin: </p>
<hr />
<div>SEQUENCE 2_10 - "MEET THE YOOKOOHOO"<br />
<br />
2_10_01<br />
TIN WOODMAN<br />
180-02 Oh my<br />
<br />
2_10_02<br />
INT. GOLDEN CHAMBER<br />
In the center of the CHAMBER is a huge table, at which sits MRS. YOOP. She has her back toward them and does not turn around. She is turning the pages by simply motioning her hand.<br />
<br />
2_10_03<br />
MRS. YOOP (menacing)<br />
181 You’re causing a draft... And I shall catch cold... And sneeze. <br />
<br />
2_10_04<br />
TIN WOODMAN, SCARECROW, and WOOT tremble. They look around. There’s no way out. There are shadows moving on the walls.<br />
<br />
MRS. YOOP<br />
181-01 And when I sneeze, I become cross… Very, very nasty. <br />
<br />
2_10_06<br />
MRS. YOOP<br />
And when I become cross, I’m liable to do something… wicked! (chuckles) Mmmm. Come in, you foolish strangers. Come in!<br />
<br />
2_10_08<br />
TIN WOODMAN, SCARECROW, and WOOT run, screaming in fright.<br />
<br />
2_10_09<br />
MRS. YOOP points a finger at a fireplace SCREEN which becomes a fence surrounding them.<br />
<br />
2_10_10<br />
WOOT, TIN WOODMAN, and SCARECROW cower behind the SCREEN.<br />
<br />
2_10_11<br />
MRS. YOOP (chuckling)<br />
181-02 What have we here…?<br />
<br />
2_10_12<br />
TIN WOODMAN, SCARECROW, and WOOT shrink back as MRS. YOOP bends close to examine them.<br />
<br />
2_10_13<br />
MRS. YOOP changes size, shape and appearance at whim.<br />
<br />
MRS. YOOP<br />
181-03 Speak!!!<br />
<br />
2_10_14<br />
The CHAMBER reverberates with the sound of MRS. YOOP'S voice. TIN WOODMAN, SCARECROW, and WOOT fall to the ground, almost insensible with terror.<br />
<br />
2_10_15<br />
When the echoes have died away, SCARECROW raises his head, terrified.<br />
<br />
SCARECROW <br />
183 W-we d-didn’t know anyone l-lived here, M-Madam, s-so, b-being travelers and strangers in these p-parts, and w-w-wishing to find a p-place for our young c-companion to s-sleep—w-we v-ventured t-to enter your lovely c-c-astle.<br />
<br />
2_10_16<br />
MRS. YOOP crouches above, leers.<br />
<br />
MRS. YOOP<br />
184 You have found much more than you bargained for!!!<br />
<br />
2_10_17<br />
OS: Mrs. Yoop laughing. TIN WOODMAN, SCARECROW, and WOOT bury their faces in their hands, shaking.<br />
<br />
2_10_18<br />
MRS. YOOP walks around the cowering TIN WOODMAN, SCARECROW, and WOOT: sometimes huge and horrible, other times normal and motherly-looking.<br />
<br />
2_10_19 <br />
WOOT peeks between his fingers.<br />
<br />
WOOT (fearful)<br />
185 A-a-are you a w-w-witch?<br />
<br />
2_10_20<br />
MRS. YOOP<br />
185-01 Witch?! Witch!!! Why, I Witch this!<br />
<br />
2_10_21<br />
TIN WOODMAN, SCARECROW, and WOOT cringe in terror as all manner of foul ENTITIES surround them.<br />
<br />
2_10_23<br />
MRS. YOOP laughs pleasantly.<br />
<br />
MRS. YOOP<br />
186 More- an artist of transformation. A Yookoohoo. Much more clever than a witch.<br />
<br />
2_10_24<br />
MRS. YOOP shrinks down, suddenly holding a plate of cookies. She offers them to her guests.<br />
<br />
MRS. YOOP<br />
Perhaps you’ve heard of me… Mrs. Yoop?<br />
<br />
2_10_26<br />
SCARECROW<br />
187 A-are w-we to c-consider you our f-friend, M-M-Mrs. Yoop?<br />
<br />
2_10_27<br />
MRS. YOOP<br />
188 I never have friends—<br />
<br />
MRS. YOOP again turns into a giant—but quickly becomes normal again.<br />
<br />
MRS. YOOP<br />
188-01 Eh, uh Well Ah.. I, I am glad you’ve come, dearies, for my life here is rather lonely. I’ve had no one… to talk to.<br />
<br />
2_10_27a 0000-0038<br />
Zoom into MRS. YOOP's EYES.<br />
<br />
Bunny playing drum.<br />
<br />
2_10_27b 0039-0294<br />
Transition into Mrs. Yoop, dressed in skirt, dancing with bunnys in top hats..<br />
<br />
2_10_27c 0295-0556<br />
MRS. YOOP<br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
I am lonely since they put my man away,<br />
<br />
2_10_27d 0557-0818<br />
COWJOHN in a cage hanging from a rope that drops down from ceiling. MRS. YOOP reaches through cage bars and pats his head.<br />
<br />
MRS. YOOP<br />
Ozma put him in a cage,<br />
<br />
Minature OZMA TOY appears in MRS. YOOP's hand. <br />
<br />
MRS. YOOP<br />
But Someday she'll feel my rage,<br />
<br />
MRS. YOOP squeezes OZMA TOY in her hand.<br />
<br />
2_10_27e 0819-1080<br />
MRS. YOOP<br />
I just want someone to play with.<br />
<br />
TIN WOODMAN, SCARECROW and WOOT, seated on the floor, look at each other, frightened. <br />
<br />
MRS. YOOP kneels down in front of TIN WOODMAN, SCARECROW and WOOT, scooping them up in her hands.<br />
<br />
2_10_27f 1081-1342<br />
MRS. YOOP stands (costume change) holding TIN WOODMAN and WOOT in one hand and SCARECROW in the other.<br />
<br />
MRS. YOOP<br />
I am Mrs. Yoop<br />
And I'm lonely,<br />
For my husband, the giant, Mr. Yoop.<br />
<br />
MRS. YOOP hugs TIN WOODMAN, SCARECROW and WOOT tightly to her bosum.<br />
<br />
2_10_27g 1343-1604<br />
MRS. YOOP throws TIN WOODMAN, SCARECROW and WOOT over her shoulder.<br />
<br />
MRS. YOOP<br />
Don't call me a witch,<br />
And don't you think that I'm a gritch, <br />
<br />
MRS. YOOP dances with DEMONS.<br />
<br />
2_10_27h 1605-1866<br />
MRS. YOOP<br />
This is me and my way.<br />
<br />
2_10_27i 1867-2128<br />
MRS. YOOP costume change.<br />
<br />
MRS. YOOP<br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
Because I'm a Yookoohoo,<br />
<br />
2_10_27j 2129-2390<br />
MRS. YOOP stands in front of TIN WOODMAN, SCARECROW and WOOT.<br />
<br />
MRS. YOOP<br />
Changing things is what I do,<br />
And I will change you too,<br />
<br />
2_10_27k 2391-2652<br />
MRS. YOOP <br />
No matter what you might say.<br />
<br />
2_10_27l 2653-2914<br />
MRS. YOOP <br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
I 've been cooped up in this castle all day.<br />
<br />
2_10_27m 2915-3176<br />
MRS. YOOP<br />
Won't you be my friends?<br />
Until the time comes it ends,<br />
<br />
2_10_27n 3177-3438<br />
MRS. YOOP<br />
I have no one here to play with.<br />
<br />
2_10_27o 3439-3700<br />
MRS. YOOP <br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
But I won't be, <br />
I won't be for that long.<br />
<br />
2_10_27p 3701-3962<br />
MRS. YOOP <br />
You'll be the company I need,<br />
to satisfy all my greed,<br />
<br />
2_10_27q 3963-4224<br />
MRS. YOOP <br />
Until Mr. Yoop comes home one day.<br />
<br />
2_10_27r 4225-4500<br />
MRS. YOOP does one last ballet turn.<br />
<br />
2_10_28<br />
SCARECROW<br />
189 Uh… Love to talk But w-w-w-w-e c-c-can't stay long…<br />
<br />
2_10_29<br />
MRS. YOOP<br />
190 Oh, but I disagree.<br />
<br />
MRS. YOOP becomes huge again. As she speaks she picks WOOT up in the palm of her gigantic hand.<br />
<br />
MRS. YOOP<br />
190-01 I mean to keep you here as long as I live, to amuse me when I get lonely To keep me company<br />
<br />
2_10_30<br />
TIN WOODMAN<br />
191 T-t-t-that is outrageous… d-d-do you k-k-know, ma’am, who we a-a-are?<br />
<br />
2_10_31<br />
MRS. YOOP is once again a normal, homey-looking mother-type.<br />
<br />
MRS. YOOP<br />
192 Mmmmm… Well, lets see a straw man… a tin man… and a meat boy…<br />
<br />
TIN WOODMAN, SCARECROW, and WOOT shrink back as her baleful eye falls upon them.<br />
<br />
2_10_33<br />
MRS. YOOP<br />
192-01 How unstimulating you are. So plain I know- I will change you all into new forms… formsss farrr moreee interesting….<br />
<br />
2_10_34<br />
SCARECROW<br />
193 Y-y-you.. you can’t d-do that! You We We’re very important p-p-eople<br />
<br />
2_10_35<br />
MRS. YOOP is huge again. TIN WOODMAN, SCARECROW, and WOOT huddle together in terror.<br />
<br />
MRS. YOOP<br />
194 So much the better! I shall enjoy you all the more!<br />
<br />
2_10_36<br />
TIN WOODMAN, SCARECROW, and WOOT stare up in terror at MRS. YOOP.<br />
<br />
MRS. YOOP<br />
195 Meet bravely what you cannot avoid<br />
<br />
MRS. YOOP turns to TIN WOODMAN.<br />
<br />
2_10_38<br />
TIN WOODMAN<br />
S-s-stay away from me<br />
<br />
MRS. YOOP points an enormous, gnarled finger at TIN WOODMAN. A maelstrom of terrifying ENERGY transforms TIN WOODMAN transforms TIN OWL.<br />
<br />
TIN OWL hoots in despair.<br />
<br />
2_10_39<br />
MRS. YOOP’S baleful eye fixes on him.<br />
<br />
2_10_40<br />
TIN OWL flies to the back of a chair and perches upon it, his tin feathers rattle against one another in a tinny chatter.<br />
<br />
2_10_41<br />
SCARECROW attempts to assume a commanding posture. WOOT hides behind him.<br />
<br />
SCARECROW<br />
197 Eh Eh Eh N-n-now s-s-see here, m-m-madam, I c-c-consider this action very impolite…. it may even be called rude <br />
<br />
2_10_41b<br />
SCARECROW<br />
C-c-considering we are your g-g-guests…<br />
<br />
2_10_42<br />
MRS. YOOP<br />
198 Guests, straw man… At whose invitation?<br />
<br />
MRS. YOOP opens her immense mouth in a hideous laugh.<br />
<br />
2_10_43<br />
SCARECROW shudders violently.<br />
<br />
SCARECROW<br />
Look I I've got a f-f-few Em Uh, ah Oh<br />
<br />
In a maelstrom of energy, SCARECROW changes into STRAW BEAR.<br />
<br />
2_10_44<br />
STRAW BEAR shuffles awkwardly across the floor, whimpering.<br />
<br />
STRAW BEAR (confused)<br />
Eh I don't like this I don't like this at all No This isn't right This isn't right at all No, Wrong<br />
<br />
2_10_47<br />
WOOT trembles in terror as MRS. YOOP tussles his hair. MRS. YOOP assumes a grotesquely innocent air as she studies the terrified WOOT.<br />
<br />
MRS. YOOP<br />
198-01 Ah Now What to do with you, little cuddle-kins? I have something very, very special in mind for you.<br />
<br />
2_10_50<br />
MRS. YOOP wiggles her fingers.<br />
<br />
2_10_51<br />
WOOT, in a flash of energy, becomes GREEN MONKEY.<br />
<br />
2_10_52<br />
MRS. YOOP laughs hideously<br />
<br />
2_10_53<br />
GREEN MONKEY chatters as he bounds to the seat of a giant chair, and then to its back.<br />
<br />
MRS. YOOP’S maniacal laughter echoes through the castle.<br />
<br />
2_10_54<br />
MRS. YOOP<br />
Yes I do believe (cackles) Perrrrrfect.<br />
<br />
TIN OWL, BEAR and GREEN MONKEY cringe as MRS. YOOP looms above them. She looms over each in turn, then she shrinks back down to near-human proportions, and yawns.<br />
<br />
MRS. YOOP<br />
201 Oh Such a day Such a day Well, enjoy yourselves, my pets. We’ll play again… very soon.<br />
<br />
2_10_56<br />
MRS. YOOP faces the DOOR.<br />
<br />
MRS. YOOP<br />
202 Open!<br />
<br />
The DOOR bursts open with a bang, and MRS. YOOP hobbles out then the DOOR closes.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_10&diff=1323Sequence 2 102007-10-17T22:30:51Z<p>Martin: </p>
<hr />
<div>SEQUENCE 2_10 - "MEET THE YOOKOOHOO"<br />
<br />
2_10_01<br />
TIN WOODMAN<br />
180-02 Oh my<br />
<br />
2_10_02<br />
INT. GOLDEN CHAMBER<br />
In the center of the CHAMBER is a huge table, at which sits MRS. YOOP. She has her back toward them and does not turn around. She is turning the pages by simply motioning her hand.<br />
<br />
2_10_03<br />
MRS. YOOP (menacing)<br />
181 You’re causing a draft... And I shall catch cold... And sneeze. <br />
<br />
2_10_04<br />
TIN WOODMAN, SCARECROW, and WOOT tremble. They look around. There’s no way out. There are shadows moving on the walls.<br />
<br />
MRS. YOOP<br />
181-01 And when I sneeze, I become cross… Very, very nasty. <br />
<br />
2_10_06<br />
MRS. YOOP<br />
And when I become cross, I’m liable to do something… wicked! (chuckles) Mmmm. Come in, you foolish strangers. Come in!<br />
<br />
2_10_08<br />
TIN WOODMAN, SCARECROW, and WOOT run, screaming in fright.<br />
<br />
2_10_09<br />
MRS. YOOP points a finger at a fireplace SCREEN which becomes a fence surrounding them.<br />
<br />
2_10_10<br />
WOOT, TIN WOODMAN, and SCARECROW cower behind the SCREEN.<br />
<br />
2_10_11<br />
MRS. YOOP (chuckling)<br />
181-02 What have we here…?<br />
<br />
2_10_12<br />
TIN WOODMAN, SCARECROW, and WOOT shrink back as MRS. YOOP bends close to examine them.<br />
<br />
2_10_13<br />
MRS. YOOP changes size, shape and appearance at whim.<br />
<br />
MRS. YOOP<br />
181-03 Speak!!!<br />
<br />
2_10_14<br />
The CHAMBER reverberates with the sound of MRS. YOOP'S voice. TIN WOODMAN, SCARECROW, and WOOT fall to the ground, almost insensible with terror.<br />
<br />
2_10_15<br />
When the echoes have died away, SCARECROW raises his head, terrified.<br />
<br />
SCARECROW <br />
183 W-we d-didn’t know anyone l-lived here, M-Madam, s-so, b-being travelers and strangers in these p-parts, and w-w-wishing to find a p-place for our young c-companion to s-sleep—w-we v-ventured t-to enter your lovely c-c-astle.<br />
<br />
2_10_16<br />
MRS. YOOP crouches above, leers.<br />
<br />
MRS. YOOP<br />
184 You have found much more than you bargained for!!!<br />
<br />
2_10_17<br />
OS: Mrs. Yoop laughing. TIN WOODMAN, SCARECROW, and WOOT bury their faces in their hands, shaking.<br />
<br />
2_10_18<br />
MRS. YOOP walks around the cowering TIN WOODMAN, SCARECROW, and WOOT: sometimes huge and horrible, other times normal and motherly-looking.<br />
<br />
2_10_19 <br />
WOOT peeks between his fingers.<br />
<br />
WOOT (fearful)<br />
185 A-a-are you a w-w-witch?<br />
<br />
2_10_20<br />
MRS. YOOP<br />
185-01 Witch?! Witch!!! Why, I Witch this!<br />
<br />
2_10_21<br />
TIN WOODMAN, SCARECROW, and WOOT cringe in terror as all manner of foul ENTITIES surround them.<br />
<br />
2_10_23<br />
MRS. YOOP laughs pleasantly.<br />
<br />
MRS. YOOP<br />
186 More- an artist of transformation. A Yookoohoo. Much more clever than a witch.<br />
<br />
2_10_24<br />
MRS. YOOP shrinks down, suddenly holding a plate of cookies. She offers them to her guests.<br />
<br />
MRS. YOOP<br />
Perhaps you’ve heard of me… Mrs. Yoop?<br />
<br />
2_10_26<br />
SCARECROW<br />
187 A-are w-we to c-consider you our f-friend, M-M-Mrs. Yoop?<br />
<br />
2_10_27<br />
MRS. YOOP<br />
188 I never have friends—<br />
<br />
MRS. YOOP again turns into a giant—but quickly becomes normal again.<br />
<br />
MRS. YOOP<br />
188-01 Eh, uh Well Ah.. I, I am glad you’ve come, dearies, for my life here is rather lonely. I’ve had no one… to talk to.<br />
<br />
2_10_27a 0000-0038<br />
Zoom into MRS. YOOP's EYES.<br />
<br />
Bunny playing drum.<br />
<br />
2_10_27b 0039-0294<br />
Transition into Mrs. Yoop, dressed in skirt, dancing with bunnys in top hats..<br />
<br />
2_10_27c 0295-0556<br />
MRS. YOOP<br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
I am lonely since they put my man away,<br />
<br />
2_10_27d 0557-0818<br />
COWJOHN in a cage hanging from a rope that drops down from ceiling. MRS. YOOP reaches through cage bars and pats his head.<br />
<br />
MRS. YOOP<br />
Ozma put him in a cage,<br />
<br />
Minature OZMA TOY appears in MRS. YOOP's hand. <br />
<br />
MRS. YOOP<br />
But Someday she'll feel my rage,<br />
<br />
MRS. YOOP squeezes OZMA TOY in her hand.<br />
<br />
2_10_27e 0819-1080<br />
MRS. YOOP<br />
I just want someone to play with.<br />
<br />
TIN WOODMAN, SCARECROW and WOOT, seated on the floor, look at each other, frightened. <br />
<br />
MRS. YOOP kneels down in front of TIN WOODMAN, SCARECROW and WOOT, scooping them up in her hands.<br />
<br />
2_10_27f 1081-1342<br />
MRS. YOOP stands (costume change) holding TIN WOODMAN and WOOT in one hand and SCARECROW in the other.<br />
<br />
MRS. YOOP<br />
I am Mrs. Yoop<br />
And I'm lonely,<br />
For my husband, the giant, Mr. Yoop.<br />
<br />
MRS. YOOP hugs TIN WOODMAN, SCARECROW and WOOT tightly to her bosum.<br />
<br />
2_10_27g 1343-1604<br />
MRS. YOOP throws TIN WOODMAN, SCARECROW and WOOT over her shoulder.<br />
<br />
MRS. YOOP<br />
Don't call me a witch,<br />
And don't you think that I'm a gritch, <br />
<br />
MRS. YOOP dances with DEMONS.<br />
<br />
2_10_27h 1605-1866<br />
MRS. YOOP<br />
This is me and my way.<br />
<br />
2_10_27i 1867-2128<br />
MRS. YOOP costume change.<br />
<br />
MRS. YOOP<br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
Because I'm a Yookoohoo,<br />
<br />
2_10_27j 2129-2390<br />
MRS. YOOP stands in front of TIN WOODMAN, SCARECROW and WOOT.<br />
<br />
MRS. YOOP<br />
Changing things is what I do,<br />
And I will change you too,<br />
<br />
2_10_27k 2391-2652<br />
MRS. YOOP <br />
No matter what you might say.<br />
<br />
2_10_27l 2653-2914<br />
MRS. YOOP <br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
I 've been cooped up in this castle all day.<br />
<br />
2_10_27m 2915-3176<br />
MRS. YOOP<br />
Won't you be my friends?<br />
Until the time comes it ends,<br />
<br />
2_10_27n 3177-3438<br />
MRS. YOOP<br />
I have no one here to play with.<br />
<br />
2_10_27o 3439-3700<br />
MRS. YOOP <br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
But I won't be, <br />
I won't be for that long.<br />
<br />
2_10_27p 3701-3962<br />
MRS. YOOP <br />
You'll be the company I need,<br />
to satisfy all my greed,<br />
<br />
2_10_27q 3963-4224<br />
MRS. YOOP <br />
Until Mr. Yoop comes home one day.<br />
<br />
2_10_27r 4225-4500<br />
MRS. YOOP does one last ballet turn.<br />
<br />
2_10_28<br />
SCARECROW<br />
189 Uh… Love to talk But w-w-w-w-e c-c-can't stay long…<br />
<br />
2_10_29<br />
MRS. YOOP<br />
190 Oh, but I disagree.<br />
<br />
MRS. YOOP becomes huge again. As she speaks she picks WOOT up in the palm of her gigantic hand.<br />
<br />
MRS. YOOP<br />
190-01 I mean to keep you here as long as I live, to amuse me when I get lonely To keep me company<br />
<br />
2_10_30<br />
TIN WOODMAN<br />
191 T-t-t-that is outrageous… d-d-do you k-k-know, ma’am, who we a-a-are?<br />
<br />
2_10_31<br />
MRS. YOOP is once again a normal, homey-looking mother-type.<br />
<br />
MRS. YOOP<br />
192 Mmmmm… Well, lets see a straw man… a tin man… and a meat boy…<br />
<br />
TIN WOODMAN, SCARECROW, and WOOT shrink back as her baleful eye falls upon them.<br />
<br />
2_10_33<br />
MRS. YOOP<br />
192-01 How unstimulating you are. So plain I know- I will change you all into new forms… formsss farrr moreee interesting….<br />
<br />
2_10_34<br />
SCARECROW<br />
193 Y-y-you.. you can’t d-do that! You We We’re very important p-p-eople<br />
<br />
2_10_35<br />
MRS. YOOP is huge again. TIN WOODMAN, SCARECROW, and WOOT huddle together in terror.<br />
<br />
MRS. YOOP<br />
194 So much the better! I shall enjoy you all the more!<br />
<br />
2_10_36<br />
TIN WOODMAN, SCARECROW, and WOOT stare up in terror at MRS. YOOP.<br />
<br />
MRS. YOOP<br />
195 Meet bravely what you cannot avoid<br />
<br />
MRS. YOOP turns to TIN WOODMAN.<br />
<br />
2_10_38<br />
TIN WOODMAN<br />
S-s-stay away from me<br />
<br />
MRS. YOOP points an enormous, gnarled finger at TIN WOODMAN. A maelstrom of terrifying ENERGY transforms TIN WOODMAN transforms TIN OWL.<br />
<br />
TIN OWL hoots in despair.<br />
<br />
2_10_39<br />
MRS. YOOP’S baleful eye fixes on him.<br />
<br />
2_10_40<br />
TIN OWL flies to the back of a chair and perches upon it, his tin feathers rattle against one another in a tinny chatter.<br />
<br />
2_10_41<br />
SCARECROW attempts to assume a commanding posture. WOOT hides behind him.<br />
<br />
SCARECROW<br />
197 Eh Eh Eh N-n-now s-s-see here, m-m-madam, I c-c-consider this action very impolite…. it may even be called rude <br />
<br />
2_10_41b<br />
SCARECROW<br />
C-c-considering we are your g-g-guests…<br />
<br />
2_10_42<br />
MRS. YOOP<br />
198 Guests, straw man… At whose invitation?<br />
<br />
MRS. YOOP opens her immense mouth in a hideous laugh.<br />
<br />
2_10_43<br />
SCARECROW shudders violently.<br />
<br />
SCARECROW<br />
Look I I've got a f-f-few Em Uh, ah Oh<br />
<br />
In a maelstrom of energy, SCARECROW changes into STRAW BEAR.<br />
<br />
2_10_44<br />
STRAW BEAR shuffles awkwardly across the floor, whimpering.<br />
<br />
STRAW BEAR (confused)<br />
Eh I don't like this I don't like this at all No This isn't right This isn't right at all No, Wrong<br />
<br />
2_10_47<br />
WOOT trembles in terror as MRS. YOOP tussles his hair. MRS. YOOP assumes a grotesquely innocent air as she studies the terrified WOOT.<br />
<br />
MRS. YOOP<br />
198-01 Ah Now What to do with you, little cuddle-kins? I have something very, very special in mind for you.<br />
<br />
2_10_50<br />
MRS. YOOP wiggles her fingers.<br />
<br />
2_10_51<br />
WOOT, in a flash of energy, becomes GREEN MONKEY.<br />
<br />
2_10_52<br />
MRS. YOOP laughs hideously<br />
<br />
2_10_53<br />
GREEN MONKEY chatters as he bounds to the seat of a giant chair, and then to its back.<br />
<br />
MRS. YOOP’S maniacal laughter echoes through the castle.<br />
<br />
2_10_54<br />
MRS. YOOP<br />
Yes I do believe (cackles) Perrrrrfect.<br />
<br />
TIN OWL, BEAR and GREEN MONKEY cringe as MRS. YOOP looms above them. She looms over each in turn, then she shrinks back down to near-human proportions, and yawns.<br />
<br />
MRS. YOOP<br />
201 Oh Such a day Such a day Well, enjoy yourselves, my pets. We’ll play again… very soon.<br />
<br />
2_10_55<br />
MRS. YOOP cackles madly. Still laughing, she faces the DOOR.<br />
<br />
MRS. YOOP<br />
202 Open!<br />
<br />
2_10_56<br />
The DOOR bursts open with a bang, and MRS. YOOP hobbles out then the DOOR closes.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_10&diff=1322Sequence 2 102007-10-17T20:44:42Z<p>Martin: </p>
<hr />
<div>SEQUENCE 2_10 - "MEET THE YOOKOOHOO"<br />
<br />
2_10_01<br />
TIN WOODMAN<br />
180-02 Oh my<br />
<br />
2_10_02<br />
INT. GOLDEN CHAMBER<br />
In the center of the CHAMBER is a huge table, at which sits MRS. YOOP. She has her back toward them and does not turn around. She is turning the pages by simply motioning her hand.<br />
<br />
2_10_03<br />
MRS. YOOP (menacing)<br />
181 You’re causing a draft... And I shall catch cold... And sneeze. <br />
<br />
2_10_04<br />
TIN WOODMAN, SCARECROW, and WOOT tremble. They look around. There’s no way out. There are shadows moving on the walls.<br />
<br />
MRS. YOOP<br />
181-01 And when I sneeze, I become cross… Very, very nasty. <br />
<br />
2_10_06<br />
MRS. YOOP<br />
And when I become cross, I’m liable to do something… wicked! (chuckles) Mmmm. Come in, you foolish strangers. Come in!<br />
<br />
2_10_08<br />
TIN WOODMAN, SCARECROW, and WOOT run, screaming in fright.<br />
<br />
2_10_09<br />
MRS. YOOP points a finger at a fireplace SCREEN which becomes a fence surrounding them.<br />
<br />
2_10_10<br />
WOOT, TIN WOODMAN, and SCARECROW cower behind the SCREEN.<br />
<br />
2_10_11<br />
MRS. YOOP (chuckling)<br />
181-02 What have we here…?<br />
<br />
2_10_12<br />
TIN WOODMAN, SCARECROW, and WOOT shrink back as MRS. YOOP bends close to examine them.<br />
<br />
2_10_13<br />
MRS. YOOP changes size, shape and appearance at whim.<br />
<br />
MRS. YOOP<br />
181-03 Speak!!!<br />
<br />
2_10_14<br />
The CHAMBER reverberates with the sound of MRS. YOOP'S voice. TIN WOODMAN, SCARECROW, and WOOT fall to the ground, almost insensible with terror.<br />
<br />
2_10_15<br />
When the echoes have died away, SCARECROW raises his head, terrified.<br />
<br />
SCARECROW <br />
183 W-we d-didn’t know anyone l-lived here, M-Madam, s-so, b-being travelers and strangers in these p-parts, and w-w-wishing to find a p-place for our young c-companion to s-sleep—w-we v-ventured t-to enter your lovely c-c-astle.<br />
<br />
2_10_16<br />
MRS. YOOP crouches above, leers.<br />
<br />
MRS. YOOP<br />
184 You have found much more than you bargained for!!!<br />
<br />
2_10_17<br />
OS: Mrs. Yoop laughing. TIN WOODMAN, SCARECROW, and WOOT bury their faces in their hands, shaking.<br />
<br />
2_10_18<br />
MRS. YOOP walks around the cowering TIN WOODMAN, SCARECROW, and WOOT: sometimes huge and horrible, other times normal and motherly-looking.<br />
<br />
2_10_19 <br />
WOOT peeks between his fingers.<br />
<br />
WOOT (fearful)<br />
185 A-a-are you a w-w-witch?<br />
<br />
2_10_20<br />
MRS. YOOP<br />
185-01 Witch?! Witch!!! Why, I Witch this!<br />
<br />
2_10_21<br />
TIN WOODMAN, SCARECROW, and WOOT cringe in terror as all manner of foul ENTITIES surround them.<br />
<br />
2_10_23<br />
MRS. YOOP laughs pleasantly.<br />
<br />
MRS. YOOP<br />
186 More- an artist of transformation. A Yookoohoo. Much more clever than a witch.<br />
<br />
2_10_24<br />
MRS. YOOP shrinks down, suddenly holding a plate of cookies. She offers them to her guests.<br />
<br />
MRS. YOOP<br />
Perhaps you’ve heard of me… Mrs. Yoop?<br />
<br />
2_10_26<br />
SCARECROW<br />
187 A-are w-we to c-consider you our f-friend, M-M-Mrs. Yoop?<br />
<br />
2_10_27<br />
MRS. YOOP<br />
188 I never have friends—<br />
<br />
MRS. YOOP again turns into a giant—but quickly becomes normal again.<br />
<br />
MRS. YOOP<br />
188-01 Eh, uh Well Ah.. I, I am glad you’ve come, dearies, for my life here is rather lonely. I’ve had no one… to talk to.<br />
<br />
2_10_27a 0000-0038<br />
Zoom into MRS. YOOP's EYES.<br />
<br />
Bunny playing drum.<br />
<br />
2_10_27b 0039-0294<br />
Transition into Mrs. Yoop, dressed in skirt, dancing with bunnys in top hats..<br />
<br />
2_10_27c 0295-0556<br />
MRS. YOOP<br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
I am lonely since they put my man away,<br />
<br />
2_10_27d 0557-0818<br />
COWJOHN in a cage hanging from a rope that drops down from ceiling. MRS. YOOP reaches through cage bars and pats his head.<br />
<br />
MRS. YOOP<br />
Ozma put him in a cage,<br />
<br />
Minature OZMA TOY appears in MRS. YOOP's hand. <br />
<br />
MRS. YOOP<br />
But Someday she'll feel my rage,<br />
<br />
MRS. YOOP squeezes OZMA TOY in her hand.<br />
<br />
2_10_27e 0819-1080<br />
MRS. YOOP<br />
I just want someone to play with.<br />
<br />
TIN WOODMAN, SCARECROW and WOOT, seated on the floor, look at each other, frightened. <br />
<br />
MRS. YOOP kneels down in front of TIN WOODMAN, SCARECROW and WOOT, scooping them up in her hands.<br />
<br />
2_10_27f 1081-1342<br />
MRS. YOOP stands (costume change) holding TIN WOODMAN and WOOT in one hand and SCARECROW in the other.<br />
<br />
MRS. YOOP<br />
I am Mrs. Yoop<br />
And I'm lonely,<br />
For my husband, the giant, Mr. Yoop.<br />
<br />
MRS. YOOP hugs TIN WOODMAN, SCARECROW and WOOT tightly to her bosum.<br />
<br />
2_10_27g 1343-1604<br />
MRS. YOOP throws TIN WOODMAN, SCARECROW and WOOT over her shoulder.<br />
<br />
MRS. YOOP<br />
Don't call me a witch,<br />
And don't you think that I'm a gritch, <br />
<br />
MRS. YOOP dances with DEMONS.<br />
<br />
2_10_27h 1605-1866<br />
MRS. YOOP<br />
This is me and my way.<br />
<br />
2_10_27i 1867-2128<br />
MRS. YOOP costume change.<br />
<br />
MRS. YOOP<br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
Because I'm a Yookoohoo,<br />
<br />
2_10_27j 2129-2390<br />
MRS. YOOP stands in front of TIN WOODMAN, SCARECROW and WOOT.<br />
<br />
MRS. YOOP<br />
Changing things is what I do,<br />
And I will change you too,<br />
<br />
2_10_27k 2391-2652<br />
MRS. YOOP <br />
No matter what you might say.<br />
<br />
2_10_27l 2653-2914<br />
MRS. YOOP <br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
I 've been cooped up in this castle all day.<br />
<br />
2_10_27m 2915-3176<br />
MRS. YOOP<br />
Won't you be my friends?<br />
Until the time comes it ends,<br />
<br />
2_10_27n 3177-3438<br />
MRS. YOOP<br />
I have no one here to play with.<br />
<br />
2_10_27o 3439-3700<br />
MRS. YOOP <br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
But I won't be, <br />
I won't be for that long.<br />
<br />
2_10_27p 3701-3962<br />
MRS. YOOP <br />
You'll be the company I need,<br />
to satisfy all my greed,<br />
<br />
2_10_27q 3963-4224<br />
MRS. YOOP <br />
Until Mr. Yoop comes home one day.<br />
<br />
2_10_27r 4225-4500<br />
MRS. YOOP does one last ballet turn.<br />
<br />
2_10_28<br />
SCARECROW<br />
189 Uh… Love to talk But w-w-w-w-e c-c-can't stay long…<br />
<br />
2_10_29<br />
MRS. YOOP<br />
190 Oh, but I disagree.<br />
<br />
MRS. YOOP becomes huge again. As she speaks she picks WOOT up in the palm of her gigantic hand.<br />
<br />
MRS. YOOP<br />
190-01 I mean to keep you here as long as I live, to amuse me when I get lonely To keep me company<br />
<br />
2_10_30<br />
TIN WOODMAN<br />
191 T-t-t-that is outrageous… d-d-do you k-k-know, ma’am, who we a-a-are?<br />
<br />
2_10_31<br />
MRS. YOOP is once again a normal, homey-looking mother-type.<br />
<br />
MRS. YOOP<br />
192 Mmmmm… Well, lets see a straw man… a tin man… and a meat boy…<br />
<br />
2_10_32<br />
TIN WOODMAN, SCARECROW, and WOOT shrink back as her baleful eye falls upon them.<br />
<br />
2_10_33<br />
MRS. YOOP<br />
192-01 How unstimulating you are. So plain I know- I will change you all into new forms… formsss farrr moreee interesting….<br />
<br />
2_10_34<br />
SCARECROW<br />
193 Y-y-you.. you can’t d-do that! You We We’re very important p-p-eople<br />
<br />
2_10_35<br />
MRS. YOOP is huge again. TIN WOODMAN, SCARECROW, and WOOT huddle together in terror.<br />
<br />
MRS. YOOP<br />
194 So much the better! I shall enjoy you all the more!<br />
<br />
2_10_36<br />
TIN WOODMAN, SCARECROW, and WOOT stare up in terror at MRS. YOOP.<br />
<br />
MRS. YOOP<br />
195 Meet bravely what you cannot avoid<br />
<br />
MRS. YOOP turns to TIN WOODMAN.<br />
<br />
2_10_38<br />
TIN WOODMAN<br />
S-s-stay away from me<br />
<br />
MRS. YOOP points an enormous, gnarled finger at TIN WOODMAN. A maelstrom of terrifying ENERGY transforms TIN WOODMAN transforms TIN OWL.<br />
<br />
TIN OWL hoots in despair.<br />
<br />
2_10_39<br />
MRS. YOOP’S baleful eye fixes on him.<br />
<br />
2_10_40<br />
TIN OWL flies to the back of a chair and perches upon it, his tin feathers rattle against one another in a tinny chatter.<br />
<br />
2_10_41<br />
SCARECROW attempts to assume a commanding posture. WOOT hides behind him.<br />
<br />
SCARECROW<br />
197 Eh Eh Eh N-n-now s-s-see here, m-m-madam, I c-c-consider this action very impolite…. it may even be called rude <br />
<br />
2_10_41b<br />
SCARECROW<br />
C-c-considering we are your g-g-guests…<br />
<br />
2_10_42<br />
MRS. YOOP<br />
198 Guests, straw man… At whose invitation?<br />
<br />
MRS. YOOP opens her immense mouth in a hideous laugh.<br />
<br />
2_10_43<br />
SCARECROW shudders violently.<br />
<br />
SCARECROW<br />
Look I I've got a f-f-few Em Uh, ah Oh<br />
<br />
In a maelstrom of energy, SCARECROW changes into STRAW BEAR.<br />
<br />
2_10_44<br />
STRAW BEAR shuffles awkwardly across the floor, whimpering.<br />
<br />
STRAW BEAR (confused)<br />
Eh I don't like this I don't like this at all No This isn't right This isn't right at all No, Wrong<br />
<br />
2_10_47<br />
WOOT trembles in terror as MRS. YOOP tussles his hair. MRS. YOOP assumes a grotesquely innocent air as she studies the terrified WOOT.<br />
<br />
MRS. YOOP<br />
198-01 Ah Now What to do with you, little cuddle-kins? I have something very, very special in mind for you.<br />
<br />
2_10_50<br />
MRS. YOOP wiggles her fingers.<br />
<br />
2_10_51<br />
WOOT, in a flash of energy, becomes GREEN MONKEY.<br />
<br />
2_10_52<br />
MRS. YOOP laughs hideously<br />
<br />
2_10_53<br />
GREEN MONKEY chatters as he bounds to the seat of a giant chair, and then to its back.<br />
<br />
MRS. YOOP’S maniacal laughter echoes through the castle.<br />
<br />
2_10_54<br />
MRS. YOOP<br />
Yes I do believe (cackles) Perrrrrfect.<br />
<br />
TIN OWL, BEAR and GREEN MONKEY cringe as MRS. YOOP looms above them. She looms over each in turn, then she shrinks back down to near-human proportions, and yawns.<br />
<br />
MRS. YOOP<br />
201 Oh Such a day Such a day Well, enjoy yourselves, my pets. We’ll play again… very soon.<br />
<br />
2_10_55<br />
MRS. YOOP cackles madly. Still laughing, she faces the DOOR.<br />
<br />
MRS. YOOP<br />
202 Open!<br />
<br />
2_10_56<br />
The DOOR bursts open with a bang, and MRS. YOOP hobbles out then the DOOR closes.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_10&diff=1321Sequence 2 102007-10-17T17:55:59Z<p>Martin: </p>
<hr />
<div>SEQUENCE 2_10 - "MEET THE YOOKOOHOO"<br />
<br />
2_10_01<br />
TIN WOODMAN<br />
180-02 Oh my<br />
<br />
2_10_02<br />
INT. GOLDEN CHAMBER<br />
In the center of the CHAMBER is a huge table, at which sits MRS. YOOP. She has her back toward them and does not turn around. She is turning the pages by simply motioning her hand.<br />
<br />
2_10_03<br />
MRS. YOOP (menacing)<br />
181 You’re causing a draft... And I shall catch cold... And sneeze. <br />
<br />
2_10_04<br />
TIN WOODMAN, SCARECROW, and WOOT tremble. They look around. There’s no way out. There are shadows moving on the walls.<br />
<br />
MRS. YOOP<br />
181-01 And when I sneeze, I become cross… Very, very nasty. <br />
<br />
2_10_06<br />
MRS. YOOP<br />
And when I become cross, I’m liable to do something… wicked! (chuckles) Mmmm. Come in, you foolish strangers. Come in!<br />
<br />
2_10_08<br />
TIN WOODMAN, SCARECROW, and WOOT run, screaming in fright.<br />
<br />
2_10_09<br />
MRS. YOOP points a finger at a fireplace SCREEN which becomes a fence surrounding them.<br />
<br />
2_10_10<br />
WOOT, TIN WOODMAN, and SCARECROW cower behind the SCREEN.<br />
<br />
2_10_11<br />
MRS. YOOP (chuckling)<br />
181-02 What have we here…?<br />
<br />
2_10_12<br />
TIN WOODMAN, SCARECROW, and WOOT shrink back as MRS. YOOP bends close to examine them.<br />
<br />
2_10_13<br />
MRS. YOOP changes size, shape and appearance at whim.<br />
<br />
MRS. YOOP<br />
181-03 Speak!!!<br />
<br />
2_10_14<br />
The CHAMBER reverberates with the sound of MRS. YOOP'S voice. TIN WOODMAN, SCARECROW, and WOOT fall to the ground, almost insensible with terror.<br />
<br />
2_10_15<br />
When the echoes have died away, SCARECROW raises his head, terrified.<br />
<br />
SCARECROW <br />
183 W-we d-didn’t know anyone l-lived here, M-Madam, s-so, b-being travelers and strangers in these p-parts, and w-w-wishing to find a p-place for our young c-companion to s-sleep—w-we v-ventured t-to enter your lovely c-c-astle.<br />
<br />
2_10_16<br />
MRS. YOOP crouches above, leers.<br />
<br />
MRS. YOOP<br />
184 You have found much more than you bargained for!!!<br />
<br />
2_10_17<br />
OS: Mrs. Yoop laughing. TIN WOODMAN, SCARECROW, and WOOT bury their faces in their hands, shaking.<br />
<br />
2_10_18<br />
MRS. YOOP walks around the cowering TIN WOODMAN, SCARECROW, and WOOT: sometimes huge and horrible, other times normal and motherly-looking.<br />
<br />
2_10_19 <br />
WOOT peeks between his fingers.<br />
<br />
WOOT (fearful)<br />
185 A-a-are you a w-w-witch?<br />
<br />
2_10_20<br />
MRS. YOOP<br />
185-01 Witch?! Witch!!! Why, I Witch this!<br />
<br />
2_10_21<br />
TIN WOODMAN, SCARECROW, and WOOT cringe in terror as all manner of foul ENTITIES surround them.<br />
<br />
2_10_23<br />
MRS. YOOP laughs pleasantly.<br />
<br />
MRS. YOOP<br />
186 More- an artist of transformation. A Yookoohoo. Much more clever than a witch.<br />
<br />
2_10_24<br />
MRS. YOOP shrinks down, suddenly holding a plate of cookies. She offers them to her guests.<br />
<br />
MRS. YOOP<br />
Perhaps you’ve heard of me… Mrs. Yoop?<br />
<br />
2_10_26<br />
SCARECROW<br />
187 A-are w-we to c-consider you our f-friend, M-M-Mrs. Yoop?<br />
<br />
2_10_27<br />
MRS. YOOP<br />
188 I never have friends—<br />
<br />
MRS. YOOP again turns into a giant—but quickly becomes normal again.<br />
<br />
MRS. YOOP<br />
188-01 Eh, uh Well Ah.. I, I am glad you’ve come, dearies, for my life here is rather lonely. I’ve had no one… to talk to.<br />
<br />
2_10_27a 0000-0038<br />
Zoom into MRS. YOOP's EYES.<br />
<br />
Bunny playing drum.<br />
<br />
2_10_27b 0039-0294<br />
Transition into Mrs. Yoop, dressed in skirt, dancing with bunnys in top hats..<br />
<br />
2_10_27c 0295-0556<br />
MRS. YOOP<br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
I am lonely since they put my man away,<br />
<br />
2_10_27d 0557-0818<br />
COWJOHN in a cage hanging from a rope that drops down from ceiling. MRS. YOOP reaches through cage bars and pats his head.<br />
<br />
MRS. YOOP<br />
Ozma put him in a cage,<br />
<br />
Minature OZMA TOY appears in MRS. YOOP's hand. <br />
<br />
MRS. YOOP<br />
But Someday she'll feel my rage,<br />
<br />
MRS. YOOP squeezes OZMA TOY in her hand.<br />
<br />
2_10_27e 0819-1080<br />
MRS. YOOP<br />
I just want someone to play with.<br />
<br />
TIN WOODMAN, SCARECROW and WOOT, seated on the floor, look at each other, frightened. <br />
<br />
MRS. YOOP kneels down in front of TIN WOODMAN, SCARECROW and WOOT, scooping them up in her hands.<br />
<br />
2_10_27f 1081-1342<br />
MRS. YOOP stands (costume change) holding TIN WOODMAN and WOOT in one hand and SCARECROW in the other.<br />
<br />
MRS. YOOP<br />
I am Mrs. Yoop<br />
And I'm lonely,<br />
For my husband, the giant, Mr. Yoop.<br />
<br />
MRS. YOOP hugs TIN WOODMAN, SCARECROW and WOOT tightly to her bosum.<br />
<br />
2_10_27g 1343-1604<br />
MRS. YOOP throws TIN WOODMAN, SCARECROW and WOOT over her shoulder.<br />
<br />
MRS. YOOP<br />
Don't call me a witch,<br />
And don't you think that I'm a gritch, <br />
<br />
MRS. YOOP dances with DEMONS.<br />
<br />
2_10_27h 1605-1866<br />
MRS. YOOP<br />
This is me and my way.<br />
<br />
2_10_27i 1867-2128<br />
MRS. YOOP costume change.<br />
<br />
MRS. YOOP<br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
Because I'm a Yookoohoo,<br />
<br />
2_10_27j 2129-2390<br />
MRS. YOOP stands in front of TIN WOODMAN, SCARECROW and WOOT.<br />
<br />
MRS. YOOP<br />
Changing things is what I do,<br />
And I will change you too,<br />
<br />
2_10_27k 2391-2652<br />
MRS. YOOP <br />
No matter what you might say.<br />
<br />
2_10_27l 2653-2914<br />
MRS. YOOP <br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
I 've been cooped up in this castle all day.<br />
<br />
2_10_27m 2915-3176<br />
MRS. YOOP<br />
Won't you be my friends?<br />
Until the time comes it ends,<br />
<br />
2_10_27n 3177-3438<br />
MRS. YOOP<br />
I have no one here to play with.<br />
<br />
2_10_27o 3439-3700<br />
MRS. YOOP <br />
I am Mrs. Yoop,<br />
And I'm lonely,<br />
But I won't be, <br />
I won't be for that long.<br />
<br />
2_10_27p 3701-3962<br />
MRS. YOOP <br />
You'll be the company I need,<br />
to satisfy all my greed,<br />
<br />
2_10_27q 3963-4224<br />
MRS. YOOP <br />
Until Mr. Yoop comes home one day.<br />
<br />
2_10_28r 4225-4500<br />
MRS. YOOP does one last ballet turn.<br />
<br />
2_10_28<br />
SCARECROW<br />
189 Uh… Love to talk But w-w-w-w-e c-c-can't stay long…<br />
<br />
2_10_29<br />
MRS. YOOP<br />
190 Oh, but I disagree.<br />
<br />
MRS. YOOP becomes huge again. As she speaks she picks WOOT up in the palm of her gigantic hand.<br />
<br />
MRS. YOOP<br />
190-01 I mean to keep you here as long as I live, to amuse me when I get lonely To keep me company<br />
<br />
2_10_30<br />
TIN WOODMAN<br />
191 T-t-t-that is outrageous… d-d-do you k-k-know, ma’am, who we a-a-are?<br />
<br />
2_10_31<br />
MRS. YOOP is once again a normal, homey-looking mother-type.<br />
<br />
MRS. YOOP<br />
192 Mmmmm… Well, lets see a straw man… a tin man… and a meat boy…<br />
<br />
2_10_32<br />
TIN WOODMAN, SCARECROW, and WOOT shrink back as her baleful eye falls upon them.<br />
<br />
2_10_33<br />
MRS. YOOP<br />
192-01 How unstimulating you are. So plain I know- I will change you all into new forms… formsss farrr moreee interesting….<br />
<br />
2_10_34<br />
SCARECROW<br />
193 Y-y-you.. you can’t d-do that! You We We’re very important p-p-eople<br />
<br />
2_10_35<br />
MRS. YOOP is huge again. TIN WOODMAN, SCARECROW, and WOOT huddle together in terror.<br />
<br />
MRS. YOOP<br />
194 So much the better! I shall enjoy you all the more!<br />
<br />
2_10_36<br />
TIN WOODMAN, SCARECROW, and WOOT stare up in terror at MRS. YOOP.<br />
<br />
MRS. YOOP<br />
195 Meet bravely what you cannot avoid<br />
<br />
MRS. YOOP turns to TIN WOODMAN.<br />
<br />
2_10_38<br />
TIN WOODMAN<br />
S-s-stay away from me<br />
<br />
MRS. YOOP points an enormous, gnarled finger at TIN WOODMAN. A maelstrom of terrifying ENERGY transforms TIN WOODMAN transforms TIN OWL.<br />
<br />
TIN OWL hoots in despair.<br />
<br />
2_10_39<br />
MRS. YOOP’S baleful eye fixes on him.<br />
<br />
2_10_40<br />
TIN OWL flies to the back of a chair and perches upon it, his tin feathers rattle against one another in a tinny chatter.<br />
<br />
2_10_41<br />
SCARECROW attempts to assume a commanding posture. WOOT hides behind him.<br />
<br />
SCARECROW<br />
197 Eh Eh Eh N-n-now s-s-see here, m-m-madam, I c-c-consider this action very impolite…. it may even be called rude <br />
<br />
2_10_41b<br />
SCARECROW<br />
C-c-considering we are your g-g-guests…<br />
<br />
2_10_42<br />
MRS. YOOP<br />
198 Guests, straw man… At whose invitation?<br />
<br />
MRS. YOOP opens her immense mouth in a hideous laugh.<br />
<br />
2_10_43<br />
SCARECROW shudders violently.<br />
<br />
SCARECROW<br />
Look I I've got a f-f-few Em Uh, ah Oh<br />
<br />
In a maelstrom of energy, SCARECROW changes into STRAW BEAR.<br />
<br />
2_10_44<br />
STRAW BEAR shuffles awkwardly across the floor, whimpering.<br />
<br />
STRAW BEAR (confused)<br />
Eh I don't like this I don't like this at all No This isn't right This isn't right at all No, Wrong<br />
<br />
2_10_47<br />
WOOT trembles in terror as MRS. YOOP tussles his hair. MRS. YOOP assumes a grotesquely innocent air as she studies the terrified WOOT.<br />
<br />
MRS. YOOP<br />
198-01 Ah Now What to do with you, little cuddle-kins? I have something very, very special in mind for you.<br />
<br />
2_10_50<br />
MRS. YOOP wiggles her fingers.<br />
<br />
2_10_51<br />
WOOT, in a flash of energy, becomes GREEN MONKEY.<br />
<br />
2_10_52<br />
MRS. YOOP laughs hideously<br />
<br />
2_10_53<br />
GREEN MONKEY chatters as he bounds to the seat of a giant chair, and then to its back.<br />
<br />
MRS. YOOP’S maniacal laughter echoes through the castle.<br />
<br />
2_10_54<br />
MRS. YOOP<br />
Yes I do believe (cackles) Perrrrrfect.<br />
<br />
TIN OWL, BEAR and GREEN MONKEY cringe as MRS. YOOP looms above them. She looms over each in turn, then she shrinks back down to near-human proportions, and yawns.<br />
<br />
MRS. YOOP<br />
201 Oh Such a day Such a day Well, enjoy yourselves, my pets. We’ll play again… very soon.<br />
<br />
2_10_55<br />
MRS. YOOP cackles madly. Still laughing, she faces the DOOR.<br />
<br />
MRS. YOOP<br />
202 Open!<br />
<br />
2_10_56<br />
The DOOR bursts open with a bang, and MRS. YOOP hobbles out then the DOOR closes.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_4&diff=1308Sequence 2 42007-09-25T19:40:28Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_3]]<br />
== SEQUENCE 2_04 "SONG" ==<br />
<br />
2_04_01<br />
EXT. WOODS - DAY<br />
<br />
TIN WOODMAN, SCARECROW & WOOT walk along a stream.<br />
<br />
2_04_02<br />
WOOT jumps from rock to rock in the middle of the stream. SCARECROW is behind and tries to walk on the rocks on the stream side but loose foot and splashes water. TIN WOODMAN is the farthest away and walks with great care holding onto everything making sure he doesn't touch the water in any way. <br />
<br />
2_04_03<br />
WOOT and TIN WOODMAN walk on the side of the stream together. SCARECROW stays behind, stopped for a while, cleaning up his straws, restuffing himself.<br />
<br />
2_04_04<br />
WOOT and then TIN WOODMAN are passing SCARECROW who is preoccupied by something about his boot.<br />
<br />
2_04_04a<br />
SCARECROW shakes his boot and is woried. Looks for some place to sit.<br />
<br />
2_04_05<br />
SCARECROW is sitting on a rock putting back his boot and straighten his back hands pushing on knees looking in front of him.<br />
<br />
SCARECROW (exuberant)<br />
Boy, am I glad that's over!<br />
<br />
SCARECROW gets up<br />
<br />
2_04_06<br />
SCARECROW walks enthusiastically on the stream side.<br />
<br />
SCARECROW<br />
Makes me feel kind of... <br />
<br />
2_04_07<br />
SCARECROW gesticulates and do a broad dance step<br />
<br />
SCARECROW<br />
Loony. Heh-he.<br />
<br />
2_04_08<br />
TIN WOODMAN (surprised)<br />
Eh?<br />
<br />
2_04_09<br />
TIN WOODMAN & WOOT turn around to look at Scarecrow (OS), perplexed.<br />
<br />
2_04_10<br />
SCARECROW smiles towards Tin Woodman and Woot smiles at them, does another dance step, jumps into an arabesque and lands right in front of them with arms wide open looking at them, smiling head tilted.<br />
<br />
TIN WOODMAN and WOOT watch him, surprised and amused.<br />
<br />
WOOT<br />
What... What's he doing?<br />
<br />
TIN WOODMAN (sighs)<br />
I think his straw is getting moist.<br />
<br />
2_04_11<br />
Scarecrow, stands, arms wide, smiling in front of TIN WOODMAN and WOOT.. <br />
<br />
2_04_12<br />
SCARECROW dances around TIN WOODMAN & WOOT.<br />
<br />
SCARECROW<br />
What sound is so sweet as the straw from the wheat when it crinkles so tender…<br />
<br />
WOOT & TIN WOODMAN follow SCARECROW.<br />
<br />
2_04_13<br />
SCARECROW<br />
And low.<br />
<br />
SCARECROW jumps one step toward TIN WOODMAN & WOOT, flexing his arms to make them crinkle.<br />
<br />
2_04_14<br />
SCARECROW is doing four backward dance steps.<br />
<br />
SCARECROW<br />
It is yellow and bright so it gives me delight…<br />
<br />
2_04_15<br />
SCARECROW does a half back-left turn, two step forward.<br />
<br />
SCARECROW<br />
To crinkle wherever I go.<br />
<br />
SCARECROW stops dancing, turns and jumps on a rock facing TIN WOODMAN and WOOT.<br />
<br />
2_04_16<br />
SCARECROW bends down and picks a straw of wheat from a clump of wheat growing high at the foot of the rock and holds it above his head.<br />
<br />
SCARECROW<br />
Sweet, fresh, golden straw, there is surely no flaw.<br />
<br />
2_04_17<br />
SCARECROW jumps.<br />
<br />
SCARECROW<br />
In a stuffing so clean and compact.<br />
<br />
2_04_18<br />
TIN WOODMAN & WOOT move forward. SCARECROW sings and dances a few feet before them. He walks rhythmic lo-o-ong slow steps to make himself crinkle louder.<br />
<br />
SCARECROW<br />
It creaks when I walk and it...<br />
<br />
2_04_19<br />
SCARECROW still walking rhythmic long slow steps and now widens his arms as if he was giving a speach in front of an audience.<br />
<br />
SCARECROW<br />
Thrills when I talk and its fragrance is...<br />
<br />
2_04_20<br />
TIN WOODMAN & WOOT look at each other, amused by Scarecrow's show.<br />
<br />
TIN WOODMAN<br />
He's losing his mind.<br />
<br />
SCARECROW<br />
Fine for a fact...<br />
<br />
2_04_21<br />
SCARECROW looks down for a while, thoughtfull and preoccupied. WOOT and TIN WOODMAN in the background look at SCARECROW, concerned.<br />
<br />
SCARECROW<br />
I know it's been said that my beautiful head...<br />
<br />
2_04_22<br />
SCARECROW<br />
Has brains of mixed wheat-straw and bran...<br />
<br />
2_04_23<br />
SCARECROW resumes trotting and dancing forward.<br />
<br />
SCARECROW<br />
But my thoughts are so good, I'd not change if I could... <br />
<br />
2_04_24<br />
FAT SCARECROW, THIN SCARECROW & LADY SCARECROW come from the garden to join SCARECROW.<br />
<br />
SCARECROW<br />
For the brains of a common meat man.<br />
<br />
2_04_25<br />
SCARECROW, FAT SCARECROW, THIN SCARECROW & LADY SCARECROW synchronize their dancing.<br />
<br />
SCARECROW<br />
To cut me don't hurt for I've no blood to squirt and I therefore can suffer...<br />
<br />
2_04_26<br />
SCARECROW turns around facing LADY SCARECROW and makes a gesture that invites her for a dance.<br />
<br />
SCARECROW<br />
No pain.<br />
<br />
2_04_27<br />
SCARECROW, FAT SCARECROW, THIN SCARECROW & LADY SCARECROW line dance.<br />
<br />
SCARECROW<br />
The straw that I use doesn't lump up or bruise though it's pounded again and again.<br />
<br />
2_04_28<br />
SCARECROW<br />
Though it's pounded again and again.<br />
<br />
2_04_29<br />
SCARECROW leaves FAT SCARECROW, THIN SCARECROW & LADY SCARECROW with a spin turn.<br />
<br />
SCARECROW<br />
Content with my lot...<br />
<br />
2_04_30<br />
SCARECROW completes two steps and a spin turn.<br />
<br />
SCARECROW<br />
I glad that I'm not...<br />
<br />
SCARECROW does a spin turn, two running steps and a spinning summersault.<br />
<br />
SCARECROW<br />
Like others I meet day by day.<br />
<br />
2_04_31<br />
SCARECROW jumps from rock to rock.<br />
<br />
SCARECROW<br />
If my inside gets musty...<br />
<br />
<br />
SCARECROW jumps from rock to upper rock.<br />
<br />
SCARECROW<br />
Or mussed-up or dusty...<br />
<br />
2_04_32<br />
SCARECROW jumps on top of the mound, stays there, contemplative for a moment.<br />
<br />
SCARECROW<br />
I get newly stuffed right away...<br />
<br />
2_04_33<br />
SCARECROW exits from his comtemplative state and looks down, searching for Woot and Tin Woodman who have been walkin.<br />
<br />
2_04_34<br />
SCARECROW jumps down the mound to join WOOT and TIN WOODMAN. WOOT and TIN WOODMAN clap. <br />
<br />
2_04_35<br />
TIN WOODMAN, SCARECROW & WOOT walk away next to the stream.<br />
<br />
TIN WOODMAN <br />
What a performer. <br />
<br />
TIN WOODMAN winks at WOOT.<br />
<br />
WOOT<br />
He certainly gives it his all.<br />
<br />
TIN WOODMAN<br />
Wonderful.<br />
<br />
2_04_36<br />
Long shot of the WATER FALL.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_2&diff=1305Sequence 2 22007-09-25T01:33:44Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_1]]<br />
== SEQUENCE 2_02 - "Thicket" ==<br />
<br />
2_02_00a <br />
EXT. OPEN ROAD - DAY <br />
TIN WOODMAN, SCARECROW and WOOT travel down a WINDING ROAD amid ROLLING HILLS and patches of THICK WOODS. Strange, COLORFUL BIRDS soar overhead. Sparkling BROOKS meander through the MEADOWS.<br />
<br />
2_02_00b<br />
WOOT <br />
Sire, who will rule during your absence? <br />
<br />
2_02_00c <br />
TIN WOODMAN<br />
I do not rule here. I merely await the visits of our friend, Ozma, her Majesty of all Oz… The kingdom runs itself... The people of Oz have but one law:<br />
<br />
2_02_00d <br />
TIN WOODMAN (CU)<br />
“Behave yourself," so it is difficult for them to go very far wrong. <br />
<br />
2_02_00e <br />
SCARECROW (OS) <br />
Oh, my! I’d almost forgotten how wonderful it was! <br />
<br />
RABBIT peeps out of the undergrowth, and watches as TIN WOODMAN, SCARECROW, and WOOT walk past.<br />
<br />
2_02_01<br />
Wooden SIGN on a twisted post. On it is a skull and cross bones. It reads: “All Strangers are Warned not to Follow this Path to Loonville.” SCARECROW reads the sign aloud to TIN WOODMAN & WOOT.<br />
<br />
SCARECROW<br />
All strangers are warned not to follow this path to Loonville...<br />
<br />
2_02_10<br />
SCARECROW<br />
054 M-maybe w-we should go another way…<br />
<br />
2_02_11<br />
WOOT sneaks off toward Loonville.<br />
<br />
TIN WOODMAN (OS)<br />
054-01 Perhaps if we were to go back to...<br />
<br />
2_02_12<br />
WOOT<br />
055 I’d like to see what this… Loonville looks like.<br />
<br />
2_02_13<br />
TIN WOODMAN and SCARECROW look at him with alarm.<br />
<br />
2_02_14<br />
SCARECROW<br />
057 B-but… a warning means danger... And I for one believe it sensible to keep out of danger whenever we can. D-don’t you agree, Sire?<br />
<br />
2_02_15<br />
TIN WOODMAN<br />
057-01 Well, I...<br />
<br />
WOOT<br />
058 I’m not afraid.<br />
<br />
2_02_17<br />
SCARECROW<br />
058-01 Now see here... I think we ought to think this through.<br />
<br />
2_02_18<br />
TIN WOODMAN twirls his axe, juggles it once, flips it around his head: smiles slyly.<br />
<br />
TIN WOODMAN<br />
059 We’ll manage.<br />
<br />
2_02_19<br />
SCARECROW<br />
059-01 After all, suppose—<br />
<br />
2_02_20<br />
WOOT <br />
059-02 Maybe you should wait here then?<br />
<br />
2_02_21<br />
SCARECROW<br />
059-03 Buh-buy-by myself? Well... <br />
<br />
2_02_21c<br />
SCARECROW<br />
059-03 Maybe I will!<br />
<br />
2_02_22<br />
TIN WOODMAN<br />
059-04 Good idea! You stay in this open clearing and keep an eye out for the Opteryx.<br />
<br />
2_02_23<br />
SCARECROW<br />
059-05 Opteryx?<br />
<br />
2_02_24<br />
TIN WOODMAN<br />
059-06 You can’t miss her! She’s got 20-foot wings… and a huge beak…<br />
<br />
WOOT<br />
059-07 And she flies around looking for straw to build her nest with!<br />
<br />
2_02_25<br />
TIN WOODMAN & WOOT walk off.<br />
<br />
TIN WOODMAN<br />
059-08 See you later…<br />
<br />
2_02_26<br />
SCARECROW remains behind and looks about nervously. After several moments a small bird lands on SCARECROW’s shoulder and chirps at him.<br />
<br />
SCARECROW<br />
Ahhhh!<br />
<br />
2_02_27<br />
SCARECROW runs towards TIN WOODMAN and WOOT.<br />
<br />
SCARECROW<br />
059-09 Hey, wait, you guys… you’re gonna need me! <br />
<br />
2_02_28<br />
EXT. WOODS – DAY<br />
<br />
CU AXE chopping.<br />
<br />
2_02_29<br />
TIN WOODMAN hacks through heavy underbrush, followed by WOOT and SCARECROW. They are surrounded by EXOTIC PLANTS.<br />
<br />
2_02_30<br />
WOOT struggles through a nest of thorny VINES.<br />
<br />
WOOT<br />
This is tough going...<br />
<br />
2_02_31<br />
SCARECROW<br />
Yes, indeed it is.<br />
<br />
2_02_32<br />
TIN WOODMAN hacks through several writhing vines.<br />
<br />
2_02_33<br />
SCARECROW is suddenly engulfed in writhing vines.<br />
<br />
SCARECROW (gasps)<br />
Help! Ahh! Ahh! It's a snake!<br />
<br />
2_02_34<br />
TIN WOODMAN and WOOT look OS towards Scarecrow.<br />
<br />
TIN WOODMAN<br />
Will you look at him...<br />
<br />
2_02_35<br />
SCARECROW<br />
Ahh... Ahh...<br />
<br />
2_02_36<br />
<br />
WOOT (exasperated)<br />
It's vines.<br />
<br />
2_02_37<br />
SCARECROW stops struggling stands up.<br />
<br />
2_02_38<br />
SCARECROW winks.<br />
<br />
SCARECROW<br />
It might be vine for you but it's killing me...<br />
<br />
2_02_39<br />
WOOT makes a face at the pun.<br />
<br />
2_02_40<br />
TIN WOODMAN turns forward and continues trekking through the trees.<br />
<br />
2_02_41<br />
SCARECROW, smiling, walks a few paces then falls away from view.<br />
<br />
SCARECROW<br />
Ahhhh... (falling away)<br />
<br />
2_02_42<br />
TIN WOODMAN and WOOT don't turn back.<br />
<br />
TIN WOODMAN<br />
Just keep going. Ignore him.<br />
<br />
2_02_43<br />
WOOT sneaks a glance back anyway.<br />
<br />
WOOT<br />
Look. I think he fell into a hole.<br />
<br />
2_02_44<br />
SCARECROW⿿S hat sit on the forest floor.<br />
<br />
2_02_45<br />
TIN WOODMAN turns.<br />
<br />
TIN WOODMAN<br />
Oh...<br />
<br />
2_02_46<br />
TIN WOODMAN and WOOT peer down at SCARECROW⿿S hat. TIN WOODMAN picks it up tentatively, they look underneath.<br />
<br />
2_02_47<br />
SCARECROW falls earthward.<br />
<br />
2_02_48<br />
SCARECROW (OS)<br />
Ahhhhh...<br />
<br />
2_02_49<br />
TIN WOODMAN and WOOT look around, startled. SCARECROW drops down in front of them.<br />
<br />
TIN WOODMAN<br />
Quit playing around.<br />
<br />
FADE TO BLACK<br />
<br />
[[Sequence_2_3]]<br />
<br />
[[Script]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_3_02&diff=1300Sequence 3 022007-09-20T16:53:49Z<p>Martin: </p>
<hr />
<div>SEQUENCE 3_02 - "MOUNTAIN"<br />
<br />
3_02_01<br />
EXT. OZ – BADLANDS - DAY<br />
<br />
The sun hangs in the sky, huge and merciless.<br />
<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL trudge across '''BADLANDS'''. They walk in silence, each contemplating their own situation.<br />
<br />
3_02_02 <br />
STRAW BEAR<br />
263 Well, we have escaped the big woman, to be sure but we still wear these awful forms that the cruel Yookoohoo gave us.<br />
<br />
3_02_03 <br />
GREEN MONKEY<br />
263 How are we going to become ourselves again?<br />
<br />
3_02_04 <br />
STRAW BEAR <br />
"Endeavor to persevere." I heard that in a movie once.<br />
<br />
3_02_05<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL are confronted by a mountain in the distance. TIN OWL standing on TIN GIRL’s shoulder.<br />
<br />
TIN OWL<br />
Uh, uh. There's no way around. I guess we'll have to climb over it.<br />
<br />
3_02_06<br />
TIN GIRL (perky)<br />
Over it, it is! Come on.<br />
<br />
TIN OWL glances at TIN GIRL, smiles.<br />
<br />
'''3_02_06a "Can It Be True?" song'''<br />
<br />
3_02_07<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL start climbing up '''MOUNTAIN'''.<br />
<br />
3_02_08 <br />
STRAW BEAR (hopefully) <br />
Ah... At least... Ah, it's not slippery... And no rain in sight.<br />
<br />
3_02_09<br />
A large raindrop splats down on TIN OWL's head. He looks annoyed.<br />
<br />
TIN OWL<br />
Right as rain, straw-head.<br />
<br />
3_02_10<br />
STRAW BEAR smiles sheepishly.<br />
<br />
3_02_11<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL continue to climb over the rocks.<br />
<br />
3_02_12 GREEN MONKEY<br />
264 I’m hungry.<br />
<br />
3_02_13<br />
TIN OWL hovers over STRAW BEAR and GREEN MONKEY.<br />
<br />
TIN OWL<br />
264-02 Think of something else.<br />
<br />
GREEN MONKEY<br />
264-03 Like what?<br />
<br />
STRAW BEAR<br />
264-04 Like... Like something to take your mind off of your problems.<br />
<br />
TIN OWL<br />
264-05 For instance?<br />
<br />
3_02_14<br />
A moment, while STRAW BEAR grasps an idea.<br />
<br />
STRAW BEAR<br />
264-06 Where does straw come from?<br />
<br />
3_02_15<br />
A moment of silence while TIN OWL and GREEN MONKEY ponder Straw Bear's suggestion.<br />
<br />
3_02_16 GREEN MONKEY <br />
264-07 I’m hungry.<br />
<br />
3_02_17<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL trudge on across bleak landscape. TIN OWL is perched on TIN GIRL'S HEAD.<br />
<br />
3_02_18<br />
TIN OWL (CU) has his eyes closed. <br />
<br />
STRAW BEAR (OS)<br />
(Sighs.) <br />
<br />
TIN OWL (not opening his eyes)<br />
264-08 What?<br />
<br />
3_02_19 <br />
STRAW BEAR<br />
264-09 Nothing.<br />
<br />
3_02_20<br />
TIN OWL opens his large, round eyes.<br />
<br />
TIN OWL<br />
264-10 Are you sure? I thought that you...<br />
<br />
3_02_21 <br />
STRAW BEAR<br />
266 Eh... Eh... Y'know... I was just thinking that I was once the handsomest Scarecrow... And am now I⿿m condemned to be a scrubby, no-account beast whose only redeeming feature is that he’s full of straw.<br />
<br />
3_02_22 <br />
TIN OWL<br />
267 That's not all you're full of... And what about me?<br />
<br />
3_02_23<br />
TIN OWL looks longingly at TIN GIRL.<br />
<br />
TIN OWL<br />
I don't want to be a tin owl. I want to be myself!<br />
<br />
3_02_24 <br />
GREEN MONKEY<br />
268 Consider my case, please. The cruel giantess has made a monkey of a boy!<br />
<br />
3_02_25 <br />
STRAW BEAR<br />
269 I think your color’s rather attractive. I have never seen a pea-green monkey before.<br />
<br />
3_02_26 <br />
GREEN MONKEY<br />
270 What if I have to stay like this forever!?<br />
<br />
3_02_27 <br />
A melancholy mood settles over TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL.<br />
<br />
3_02_28 <br />
STRAW BEAR<br />
271 Dear me. What unhappy thoughts we have, to be sure.<br />
<br />
3_02_29 GREEN MONKEY<br />
271-01 What’s that supposed to mean?<br />
<br />
3_02_30 <br />
STRAW BEAR<br />
271-02 This is simply proof that born brains cannot equal manufactured brains, for my brains dwell only on facts and never borrow trouble.<br />
<br />
3_02_31 <br />
STRAW BEAR (CU)<br />
271-04 When there is occasion to think, I think, but I would be ashamed of my brains if they kept shooting out thoughts that were merely fears and imaginings, such as do no good, but are likely to do harm.<br />
<br />
3_02_32<br />
TIN OWL looks longingly at TIN GIRL but she does not know he is looking. <br />
<br />
TIN OWL<br />
272 For my part, I do not think at all, but allow my heart to guide me at all times.<br />
<br />
3_02_33 <br />
STRAW BEAR<br />
273 Thoughtless people are not unusual, but I consider them more fortunate than those who have useless or wicked thoughts and do not try to curb them.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_4&diff=1294Sequence 2 42007-09-15T18:59:46Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_3]]<br />
== SEQUENCE 2_04 "SONG" ==<br />
<br />
2_04_01<br />
EXT. WOODS - DAY<br />
<br />
TIN WOODMAN, SCARECROW & WOOT walk along a stream.<br />
<br />
2_04_02<br />
WOOT jumps from rock to rock in the middle of the stream. SCARECROW is behind and tries to walk on the rocks on the stream side but loose foot and splashes water. TIN WOODMAN is the farthest away and walks with great care holding onto everything making sure he doesn't touch the water in any way. <br />
<br />
2_04_03<br />
WOOT and TIN WOODMAN walk on the side of the stream together. SCARECROW stays behind, stopped for a while, cleaning up his straws, restuffing himself.<br />
<br />
2_04_04<br />
WOOT and then TIN WOODMAN are passing SCARECROW who is preoccupied by something about his boot.<br />
<br />
2_04_04a<br />
SCARECROW shakes his boot and is woried. Looks for some place to sit.<br />
<br />
2_04_05<br />
SCARECROW is sitting on a rock putting back his boot and straighten his back hands pushing on knees looking in front of him.<br />
<br />
SCARECROW (exuberant)<br />
Boy, am I glad that's over!<br />
<br />
SCARECROW gets up<br />
<br />
2_04_06<br />
SCARECROW walks enthusiastically on the stream side.<br />
<br />
SCARECROW<br />
Makes me feel kind of... <br />
<br />
2_04_07<br />
SCARECROW gesticulates and do a broad dance step<br />
<br />
SCARECROW<br />
Loony. Heh-he.<br />
<br />
2_04_08<br />
TIN WOODMAN (surprised)<br />
Eh?<br />
<br />
2_04_09<br />
TIN WOODMAN & WOOT turn around to look at Scarecrow (OS), perplexed.<br />
<br />
2_04_10<br />
SCARECROW smiles towards Tin Woodman and Woot smiles at them, does another dance step, jumps into an arabesque and lands right in front of them with arms wide open looking at them, smiling head tilted.<br />
<br />
TIN WOODMAN and WOOT watch him, surprised and amused.<br />
<br />
WOOT<br />
What... What's he doing?<br />
<br />
TIN WOODMAN (sighs)<br />
I think his straw is getting moist.<br />
<br />
2_04_11<br />
Scarecrow, stands, arms wide, smiling in front of TIN WOODMAN and WOOT.. <br />
<br />
2_04_12<br />
SCARECROW dances around TIN WOODMAN & WOOT.<br />
<br />
SCARECROW<br />
What sound is so sweet as the straw from the wheat when it crinkles so tender…<br />
<br />
WOOT & TIN WOODMAN follow SCARECROW.<br />
<br />
2_04_13<br />
SCARECROW<br />
And low.<br />
<br />
SCARECROW jumps one step toward TIN WOODMAN & WOOT, flexing his arms to make them crinkle.<br />
<br />
2_04_14<br />
SCARECROW is doing four backward dance steps.<br />
<br />
SCARECROW<br />
It is yellow and bright so it gives me delight…<br />
<br />
2_04_15<br />
SCARECROW does a half back-left turn, two step forward.<br />
<br />
SCARECROW<br />
To crinkle wherever I go.<br />
<br />
SCARECROW stops dancing, turns and jumps on a rock facing TIN WOODMAN and WOOT.<br />
<br />
2_04_16<br />
SCARECROW bends down and picks a straw of wheat from a clump of wheat growing high at the foot of the rock and holds it above his head.<br />
<br />
SCARECROW<br />
Sweet, fresh, golden straw, there is surely no flaw.<br />
<br />
2_04_17<br />
SCARECROW jumps.<br />
<br />
SCARECROW<br />
In a stuffing so clean and compact.<br />
<br />
2_04_18<br />
TIN WOODMAN & WOOT move forward. SCARECROW sings and dances a few feet before them. He walks rhythmic lo-o-ong slow steps to make himself crinkle louder.<br />
<br />
SCARECROW<br />
It creaks when I walk and it...<br />
<br />
2_04_19<br />
SCARECROW still walking rhythmic long slow steps and now widens his arms as if he was giving a speach in front of an audience.<br />
<br />
SCARECROW<br />
Thrills when I talk and its fragrance is...<br />
<br />
2_04_20<br />
TIN WOODMAN & WOOT look at each other, amused by Scarecrow's show.<br />
<br />
TIN WOODMAN<br />
He's losing his mind.<br />
<br />
SCARECROW<br />
Fine for a fact...<br />
<br />
2_04_21<br />
SCARECROW looks down for a while, thoughtfull and preoccupied. WOOT and TIN WOODMAN in the background look at SCARECROW, concerned.<br />
<br />
SCARECROW<br />
I know it's been said that my beautiful head...<br />
<br />
2_04_22<br />
SCARECROW<br />
Has brains of mixed wheat-straw and bran...<br />
<br />
2_04_23<br />
SCARECROW resumes trotting and dancing forward.<br />
<br />
SCARECROW<br />
But my thoughts are so good, I'd not change if I could... <br />
<br />
2_04_24<br />
FAT SCARECROW, THIN SCARECROW & LADY SCARECROW come from the garden to join SCARECROW.<br />
<br />
SCARECROW<br />
For the brains of a common meat man.<br />
<br />
2_04_25<br />
SCARECROW, FAT SCARECROW, THIN SCARECROW & LADY SCARECROW synchronize their dancing.<br />
<br />
SCARECROW<br />
To cut me don't hurt for I've no blood to squirt and I therefore can suffer...<br />
<br />
2_04_26<br />
SCARECROW turns around facing LADY SCARECROW and makes a gesture that invites her for a dance.<br />
<br />
SCARECROW<br />
No pain.<br />
<br />
2_04_27<br />
SCARECROW, FAT SCARECROW, THIN SCARECROW & LADY SCARECROW line dance.<br />
<br />
SCARECROW<br />
The straw that I use doesn't lump up or bruise though it's pounded again and again.<br />
<br />
2_04_28<br />
SCARECROW<br />
Though it's pounded again and again.<br />
<br />
2_04_29<br />
SCARECROW leaves FAT SCARECROW, THIN SCARECROW & LADY SCARECROW with a spin turn.<br />
<br />
SCARECROW<br />
Content with my lot...<br />
<br />
2_04_30<br />
SCARECROW completes two steps and a spin turn.<br />
<br />
SCARECROW<br />
I glad that I'm not...<br />
<br />
2_04_31<br />
SCARECROW does a spin turn, two running steps and a spinning summersault.<br />
<br />
SCARECROW<br />
Like others I meet day by day.<br />
<br />
2_04_32<br />
SCARECROW jumps from rock to rock.<br />
<br />
SCARECROW<br />
If my inside gets musty...<br />
<br />
2_04_33<br />
SCARECROW jumps from rock to upper rock.<br />
<br />
SCARECROW<br />
Or mussed-up or dusty...<br />
<br />
2_04_34<br />
SCARECROW jumps on top of the mound, stays there, contemplative for a moment.<br />
<br />
SCARECROW<br />
I get newly stuffed right away...<br />
<br />
2_04_35<br />
SCARECROW exits from his comtemplative state and looks down, searching for Woot and Tin Woodman who have been walkin.<br />
<br />
2_04_36<br />
SCARECROW jumps down the mound to join WOOT and TIN WOODMAN. WOOT and TIN WOODMAN clap. <br />
<br />
2_04_37<br />
TIN WOODMAN, SCARECROW & WOOT walk away next to the stream.<br />
<br />
TIN WOODMAN <br />
What a performer. <br />
<br />
TIN WOODMAN winks at WOOT.<br />
<br />
WOOT<br />
He certainly gives it his all.<br />
<br />
TIN WOODMAN<br />
Wonderful.<br />
<br />
2_04_38<br />
Long shot of the WATER FALL.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_4&diff=1293Sequence 2 42007-09-15T18:55:57Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_3]]<br />
== SEQUENCE 2_04 "SONG" ==<br />
<br />
2_04_01<br />
EXT. WOODS - DAY<br />
<br />
TIN WOODMAN, SCARECROW & WOOT walk along a stream.<br />
<br />
2_04_02<br />
WOOT jumps from rock to rock in the middle of the stream. SCARECROW is behind and tries to walk on the rocks on the stream side but loose foot and splashes water. TIN WOODMAN is the farthest away and walks with great care holding onto everything making sure he doesn't touch the water in any way. <br />
<br />
2_04_03<br />
WOOT and TIN WOODMAN walk on the side of the stream together. SCARECROW stays behind, stopped for a while, cleaning up his straws, restuffing himself.<br />
<br />
2_04_04<br />
WOOT and then TIN WOODMAN are passing SCARECROW who is preoccupied by something about his boot.<br />
<br />
2_04_04a<br />
SCARECROW shakes his boot and is woried. Looks for some place to sit.<br />
<br />
2_04_05<br />
SCARECROW is sitting on a rock putting back his boot and straighten his back hands pushing on knees looking in front of him.<br />
<br />
SCARECROW (exuberant)<br />
Boy, am I glad that's over!<br />
<br />
SCARECROW gets up<br />
<br />
2_04_06<br />
SCARECROW walks enthusiastically on the stream side.<br />
<br />
SCARECROW<br />
Makes me feel kind of... <br />
<br />
2_04_07<br />
SCARECROW gesticulates and do a broad dance step<br />
<br />
SCARECROW<br />
Loony. Heh-he.<br />
<br />
2_04_08<br />
TIN WOODMAN (surprised)<br />
Eh?<br />
<br />
2_04_09<br />
TIN WOODMAN & WOOT turn around to look at Scarecrow (OS), perplexed.<br />
<br />
2_04_10<br />
SCARECROW smiles towards Tin Woodman and Woot smiles at them, does another dance step, jumps into an arabesque and lands right in front of them with arms wide open looking at them, smiling head tilted.<br />
<br />
TIN WOODMAN and WOOT watch him, surprised and amused.<br />
<br />
WOOT<br />
What... What's he doing?<br />
<br />
TIN WOODMAN (sighs)<br />
I think his straw is getting moist.<br />
<br />
2_04_11<br />
Scarecrow, stands, arms wide, smiling in front of TIN WOODMAN and WOOT.. <br />
<br />
2_04_12<br />
SCARECROW dances around TIN WOODMAN & WOOT.<br />
<br />
SCARECROW<br />
What sound is so sweet as the straw from the wheat when it crinkles so tender…<br />
<br />
WOOT & TIN WOODMAN follow SCARECROW.<br />
<br />
2_04_13<br />
SCARECROW<br />
And low.<br />
<br />
SCARECROW jumps one step toward TIN WOODMAN & WOOT, flexing his arms to make them crinkle.<br />
<br />
2_04_14<br />
SCARECROW is doing four backward dance steps.<br />
<br />
SCARECROW<br />
It is yellow and bright so it gives me delight…<br />
<br />
2_04_15<br />
SCARECROW does a half back-left turn, two step forward.<br />
<br />
SCARECROW<br />
To crinkle wherever I go.<br />
<br />
SCARECROW stops dancing, turns and jumps on a rock facing TIN WOODMAN and WOOT.<br />
<br />
2_04_16<br />
SCARECROW bends down and picks a straw of wheat from a clump of wheat growing high at the foot of the rock and holds it above his head.<br />
<br />
SCARECROW<br />
Sweet, fresh, golden straw, there is surely no flaw.<br />
<br />
2_04_17<br />
SCARECROW jumps.<br />
<br />
SCARECROW<br />
In a stuffing so clean and compact.<br />
<br />
2_04_18<br />
TIN WOODMAN & WOOT move forward. SCARECROW sings and dances a few feet before them. He walks rhythmic lo-o-ong slow steps to make himself crinkle louder.<br />
<br />
SCARECROW<br />
It creaks when I walk and it...<br />
<br />
2_04_19<br />
SCARECROW still walking rhythmic long slow steps and now widens his arms as if he was giving a speach in front of an audience.<br />
<br />
SCARECROW<br />
Thrills when I talk and its fragrance is...<br />
<br />
2_04_20<br />
TIN WOODMAN & WOOT look at each other, amused by Scarecrow's show.<br />
<br />
TIN WOODMAN<br />
He's losing his mind.<br />
<br />
SCARECROW<br />
Fine for a fact...<br />
<br />
2_04_21<br />
SCARECROW looks down for a while, thoughtfull and preoccupied. WOOT and TIN WOODMAN in the background look at SCARECROW, concerned.<br />
<br />
SCARECROW<br />
I know it's been said that my beautiful head...<br />
<br />
2_04_22<br />
SCARECROW<br />
Has brains of mixed wheat-straw and bran...<br />
<br />
2_04_23<br />
SCARECROW resumes trotting and dancing forward.<br />
<br />
SCARECROW<br />
But my thoughts are so good, I'd not change if I could... <br />
<br />
2_04_24<br />
FAT SCARECROW, THIN SCARECROW & LADY SCARECROW come from the garden to join SCARECROW.<br />
<br />
SCARECROW<br />
For the brains of a common meat man.<br />
<br />
2_04_25<br />
SCARECROW, FAT SCARECROW, THIN SCARECROW & LADY SCARECROW synchronize their dancing.<br />
<br />
SCARECROW<br />
To cut me don't hurt for I've no blood to squirt and I therefore can suffer...<br />
<br />
2_04_26<br />
SCARECROW turns around facing LADY SCARECROW and makes a gesture that invites her for a dance.<br />
<br />
SCARECROW<br />
No pain.<br />
<br />
2_04_27<br />
SCARECROW, FAT SCARECROW, THIN SCARECROW & LADY SCARECROW line dance.<br />
<br />
SCARECROW<br />
Though it's pounded again and again.<br />
<br />
2_04_28<br />
SCARECROW<br />
Though it's pounded again and again.<br />
<br />
2_04_29<br />
SCARECROW leaves FAT SCARECROW, THIN SCARECROW & LADY SCARECROW with a spin turn.<br />
<br />
SCARECROW<br />
Content with my lot...<br />
<br />
2_04_30<br />
SCARECROW completes two steps and a spin turn.<br />
<br />
SCARECROW<br />
I know that I'm not...<br />
<br />
2_04_31<br />
SCARECROW does a spin turn, two running steps and a spinning summersault.<br />
<br />
SCARECROW<br />
Like others I meet day by day.<br />
<br />
2_04_32<br />
SCARECROW jumps from rock to rock.<br />
<br />
SCARECROW<br />
When my inside gets musty...<br />
<br />
2_04_33<br />
SCARECROW jumps from rock to upper rock.<br />
<br />
SCARECROW<br />
Or mussed-up or dusty...<br />
<br />
2_04_34<br />
SCARECROW jumps on top of the mound, stays there, contemplative for a moment.<br />
<br />
SCARECROW<br />
I get newly stuffed right away...<br />
<br />
2_04_35<br />
SCARECROW exits from his comtemplative state and looks down, searching for Woot and Tin Woodman who have been walkin.<br />
<br />
2_04_36<br />
SCARECROW jumps down the mound to join WOOT and TIN WOODMAN. WOOT and TIN WOODMAN clap. <br />
<br />
<br />
2_04_37<br />
TIN WOODMAN, SCARECROW & WOOT walk away next to the stream.<br />
<br />
TIN WOODMAN <br />
What a performer. <br />
<br />
TIN WOODMAN winks at WOOT.<br />
<br />
WOOT<br />
He certainly gives it his all.<br />
<br />
TIN WOODMAN<br />
Wonderful.<br />
<br />
2_04_38<br />
Long shot of the WATER FALL.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_4&diff=1292Sequence 2 42007-09-14T22:55:09Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_3]]<br />
== SEQUENCE 2_04 "SONG" ==<br />
<br />
2_04_01<br />
EXT. WOODS - DAY<br />
<br />
TIN WOODMAN, SCARECROW & WOOT walk along a stream.<br />
<br />
2_04_02<br />
WOOT jumps from rock to rock in the middle of the stream. SCARECROW is behind and tries to walk on the rocks on the stream side but loose foot and splashes water. TIN WOODMAN is the farthest away and walks with great care holding onto everything making sure he doesn't touch the water in any way. <br />
<br />
2_04_03<br />
WOOT and TIN WOODMAN walk on the side of the stream together. SCARECROW stays behind, stopped for a while, cleaning up his straws, restuffing himself.<br />
<br />
2_04_04<br />
WOOT and then TIN WOODMAN are passing SCARECROW who is preoccupied by something about his boot.<br />
<br />
2_04_04a<br />
SCARECROW shakes his boot and is woried. Looks for some place to sit.<br />
<br />
2_04_05<br />
SCARECROW is sitting on a rock putting back his boot and straighten his back hands pushing on knees looking in front of him.<br />
<br />
SCARECROW (exuberant)<br />
Boy, am I glad that's over!<br />
<br />
SCARECROW gets up<br />
<br />
2_04_06<br />
SCARECROW walks enthusiastically on the stream side.<br />
<br />
SCARECROW<br />
Makes me feel kind of... <br />
<br />
2_04_07<br />
SCARECROW gesticulates and do a broad dance step<br />
<br />
SCARECROW<br />
Loony. Heh-he.<br />
<br />
2_04_08<br />
TIN WOODMAN (surprised)<br />
Eh?<br />
<br />
2_04_09<br />
TIN WOODMAN & WOOT turn around to look at Scarecrow (OS), perplexed.<br />
<br />
SCARECROW (singing)<br />
What sound is so sweet,<br />
As the straw from the wheat,<br />
When it crinkles so tender and low?<br />
<br />
2_04_10<br />
SCARECROW smiles towards Tin Woodman and Woot smiles at them, does another dance step, jumps into an arabesque and lands right in front of them with arms wide open looking at them, smiling head tilted.<br />
<br />
TIN WOODMAN and WOOT watch him, surprised and amused.<br />
<br />
WOOT<br />
What... What's he doing?<br />
<br />
TIN WOODMAN (sighs)<br />
I think his straw is getting moist.<br />
<br />
2_04_11<br />
Scarecrow, stands, arms wide, smiling in front of TIN WOODMAN and WOOT.. <br />
<br />
2_04_12<br />
SCARECROW dances around TIN WOODMAN & WOOT.<br />
<br />
SCARECROW<br />
What sound is so sweet as the straw from the wheat when it crinkles so tender…<br />
<br />
WOOT & TIN WOODMAN follow SCARECROW.<br />
<br />
2_04_13<br />
SCARECROW<br />
And low.<br />
<br />
SCARECROW jumps one step toward TIN WOODMAN & WOOT, flexing his arms to make them crinkle.<br />
<br />
2_04_14<br />
SCARECROW is doing four backward dance steps.<br />
<br />
SCARECROW<br />
It is yellow and bright so it gives me delight…<br />
<br />
2_04_15<br />
SCARECROW does a half back-left turn, two step forward.<br />
<br />
SCARECROW<br />
To crinkle wherever I go.<br />
<br />
SCARECROW stops dancing, turns and jumps on a rock facing TIN WOODMAN and WOOT.<br />
<br />
2_04_16<br />
SCARECROW bends down and picks a straw of wheat from a clump of wheat growing high at the foot of the rock and holds it above his head.<br />
<br />
SCARECROW<br />
Sweet, fresh, golden straw, there is surely no flaw.<br />
<br />
2_04_17<br />
SCARECROW jumps.<br />
<br />
SCARECROW<br />
In a stuffing so clean and compact.<br />
<br />
2_04_18<br />
TIN WOODMAN & WOOT move forward. SCARECROW sings and dances a few feet before them. He walks rhythmic lo-o-ong slow steps to make himself crinkle louder.<br />
<br />
SCARECROW<br />
It creaks when I walk and it...<br />
<br />
2_04_19<br />
SCARECROW still walking rhythmic long slow steps and now widens his arms as if he was giving a speach in front of an audience.<br />
<br />
SCARECROW<br />
Thrills when I talk and its fragrance is...<br />
<br />
2_04_20<br />
TIN WOODMAN & WOOT look at each other, amused by Scarecrow's show.<br />
<br />
TIN WOODMAN<br />
He's losing his mind.<br />
<br />
SCARECROW<br />
Fine for a fact...<br />
<br />
2_04_21<br />
SCARECROW looks down for a while, thoughtfull and preoccupied. WOOT and TIN WOODMAN in the background look at SCARECROW, concerned.<br />
<br />
SCARECROW<br />
I know it's been said that my beautiful head...<br />
<br />
2_04_22<br />
SCARECROW<br />
Has brains of mixed wheat-straw and bran...<br />
<br />
2_04_23<br />
SCARECROW resumes trotting and dancing forward.<br />
<br />
SCARECROW<br />
But my thoughts are so good, I'd not change if I could... <br />
<br />
2_04_24<br />
FAT SCARECROW, THIN SCARECROW & LADY SCARECROW come from the garden to join SCARECROW.<br />
<br />
SCARECROW<br />
For the brains of a common meat man.<br />
<br />
2_04_25<br />
SCARECROW, FAT SCARECROW, THIN SCARECROW & LADY SCARECROW synchronize their dancing.<br />
<br />
SCARECROW<br />
To cut me don't hurt for I've no blood to squirt and I therefore can suffer...<br />
<br />
2_04_26<br />
SCARECROW turns around facing LADY SCARECROW and makes a gesture that invites her for a dance.<br />
<br />
SCARECROW<br />
No pain.<br />
<br />
2_04_27<br />
SCARECROW, FAT SCARECROW, THIN SCARECROW & LADY SCARECROW line dance.<br />
<br />
SCARECROW<br />
Though it's pounded again and again.<br />
<br />
2_04_28<br />
SCARECROW<br />
Though it's pounded again and again.<br />
<br />
2_04_29<br />
SCARECROW leaves FAT SCARECROW, THIN SCARECROW & LADY SCARECROW with a spin turn.<br />
<br />
SCARECROW<br />
Content with my lot...<br />
<br />
2_04_30<br />
SCARECROW completes two steps and a spin turn.<br />
<br />
SCARECROW<br />
I know that I'm not...<br />
<br />
2_04_31<br />
SCARECROW does a spin turn, two running steps and a spinning summersault.<br />
<br />
SCARECROW<br />
Like others I meet day by day.<br />
<br />
2_04_32<br />
SCARECROW jumps from rock to rock.<br />
<br />
SCARECROW<br />
When my inside gets musty...<br />
<br />
2_04_33<br />
SCARECROW jumps from rock to upper rock.<br />
<br />
SCARECROW<br />
Or mussed-up or dusty...<br />
<br />
2_04_34<br />
SCARECROW jumps on top of the mound, stays there, contemplative for a moment.<br />
<br />
SCARECROW<br />
I get newly stuffed right away...<br />
<br />
2_04_35<br />
SCARECROW exits from his comtemplative state and looks down, searching for Woot and Tin Woodman who have been walkin.<br />
<br />
2_04_36<br />
SCARECROW jumps down the mound to join WOOT and TIN WOODMAN. WOOT and TIN WOODMAN clap. <br />
<br />
<br />
2_04_37<br />
TIN WOODMAN, SCARECROW & WOOT walk away next to the stream.<br />
<br />
TIN WOODMAN <br />
What a performer. <br />
<br />
TIN WOODMAN winks at WOOT.<br />
<br />
WOOT<br />
He certainly gives it his all.<br />
<br />
TIN WOODMAN<br />
Wonderful.<br />
<br />
2_04_38<br />
Long shot of the WATER FALL.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_4&diff=1291Sequence 2 42007-09-14T22:40:36Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_3]]<br />
== SEQUENCE 2_04 "SONG" ==<br />
<br />
2_04_01<br />
EXT. WOODS - DAY<br />
<br />
TIN WOODMAN, SCARECROW & WOOT walk along a stream.<br />
<br />
2_04_02<br />
WOOT jumps from rock to rock in the middle of the stream. SCARECROW is behind and tries to walk on the rocks on the stream side but loose foot and splashes water. TIN WOODMAN is the farthest away and walks with great care holding onto everything making sure he doesn't touch the water in any way. <br />
<br />
2_04_03<br />
WOOT and TIN WOODMAN walk on the side of the stream together. SCARECROW stays behind, stopped for a while, cleaning up his straws, restuffing himself.<br />
<br />
2_04_04<br />
WOOT and then TIN WOODMAN are passing SCARECROW who is preoccupied by something about his boot.<br />
<br />
2_04_04a<br />
SCARECROW shakes his boot and is woried. Looks for some place to sit.<br />
<br />
2_04_05<br />
SCARECROW is sitting on a rock putting back his boot and straighten his back hands pushing on knees looking in front of him.<br />
<br />
SCARECROW (exuberant)<br />
Boy, am I glad that's over!<br />
<br />
SCARECROW gets up<br />
<br />
2_04_06<br />
SCARECROW walks enthusiastically on the stream side.<br />
<br />
SCARECROW<br />
Makes me feel kind of... <br />
<br />
2_04_07<br />
SCARECROW gesticulates and do a broad dance step<br />
<br />
SCARECROW<br />
Loony. Heh-he.<br />
<br />
2_04_08<br />
TIN WOODMAN (surprised)<br />
Eh?<br />
<br />
2_04_09<br />
TIN WOODMAN & WOOT turn around to look at Scarecrow (OS), perplexed.<br />
<br />
SCARECROW (singing)<br />
What sound is so sweet,<br />
As the straw from the wheat,<br />
When it crinkles so tender and low?<br />
<br />
2_04_10<br />
SCARECROW smiles towards Tin Woodman and Woot smiles at them, does another dance step, jumps into an arabesque and lands right in front of them with arms wide open looking at them, smiling head tilted.<br />
<br />
TIN WOODMAN and WOOT watch him, surprised and amused.<br />
<br />
WOOT<br />
What... What's he doing?<br />
<br />
TIN WOODMAN (sighs)<br />
I think his straw is getting moist.<br />
<br />
2_04_11<br />
Scarecrow, stands, arms wide, smiling in front of TIN WOODMAN and WOOT.. <br />
<br />
2_04_12<br />
SCARECROW dances around TIN WOODMAN & WOOT.<br />
<br />
SCARECROW<br />
What sound is so sweet as the straw from the wheat when it crinkles so tender…<br />
<br />
WOOT & TIN WOODMAN follow SCARECROW.<br />
<br />
2_04_13<br />
SCARECROW<br />
And low.<br />
<br />
SCARECROW jumps one step toward TIN WOODMAN & WOOT, flexing his arms to make them crinkle.<br />
<br />
2_04_14<br />
SCARECROW is doing four backward dance steps.<br />
<br />
SCARECROW<br />
It is yellow and bright so it gives me delight…<br />
<br />
2_04_15<br />
SCARECROW does a half back-left turn, two step forward.<br />
<br />
SCARECROW<br />
To crinkle wherever I go.<br />
<br />
SCARECROW stops dancing, turns and jumps on a rock facing TIN WOODMAN and WOOT.<br />
<br />
2_04_16<br />
SCARECROW bends down and picks a straw of wheat from a clump of wheat growing high at the foot of the rock and holds it above his head.<br />
<br />
SCARECROW<br />
Sweet, fresh, golden straw, there is surely no flaw.<br />
<br />
2_04_17<br />
Scarecrow jumps down the rock<br />
"In a stuffing so clean and compact"<br />
<br />
2_04_18<br />
They are all moving forward. Scarecrow sings and dances in a few feet before them. He walks rhythmic lo-o-ong slow steps to make himself crinkle louder.<br />
"It creaks when I walk and it …"<br />
<br />
2_04_19<br />
Scarecrow still walking rhythmic long slow steps and now widens his arms as if he was giving a speach in front of an audience.<br />
"thrills when I talk and its fragrance is …"<br />
<br />
2_04_20<br />
TIN WOODMAN & WOOT look at each other, amused by Scarecrow's show.<br />
<br />
TIN WOODMAN<br />
He's losing his mind.<br />
<br />
SCARECROW<br />
Fine for a fact...<br />
<br />
2_04_21<br />
Scarecrow looks down for a while, thoughtfull and preoccupied. Woot and TinMan in the background look at Scarecrow, concerned.<br />
"I know it's been said that my beautiful head …"<br />
<br />
2_04_22<br />
Scarecrow looks away with sadness in his eyes. Woot and TinMan look at him in the background.<br />
"has brains of mixed wheat-straw and bran"<br />
<br />
2_04_23<br />
Scarecrow have regained confidence and enthousiasm, resumed trotting and dancing forward.<br />
"But my thoughts are so good, I'd not change if I could <br />
<br />
2_04_24<br />
3 more scarecrows are coming from the garden to join our Scarecrow for the next chorus. Scarecrow sees them only at the end.<br />
"for the brains of a common meat man."<br />
<br />
2_04_25<br />
Scarecrow and his 3 friends are singning in choir. The 3 other scarecrows are standing behind our own scarecrow and singning along, everybody adopting the same poses in synchrony.<br />
To cut me don't hurt for I've no blood to squirt and I therefore can suffer …."<br />
<br />
2_04_26<br />
Scarecrow turns around facing lady scarecrow and makes a gesture that invites her for a dance.<br />
"… no pain."<br />
<br />
2_04_27<br />
The 4 scarecrows are in-line signing the last line in chorus again doing the same choreography in synchrony.<br />
"Though it's pounded again and again"<br />
<br />
2_04_28<br />
The 4 scarecrows are in-line signing the last line in chorus again doing the same choreography in synchrony.<br />
"Though it's pounded again and again"<br />
<br />
2_04_29<br />
Scarecrow leaves the other scarecrows with a chassé a step and a spin turn ending up facing the camera.<br />
"Content with my lot."<br />
<br />
2_04_30<br />
Scarecrows continue moving toward the monticule with a spin turn, two steps and spin turn.<br />
"I know that I'm not."<br />
<br />
2_04_31<br />
Scarecrow does a spin turn, two running steps and a spinning summersault ending facing the camera.<br />
"Like others I meet day by day."<br />
<br />
2_04_32<br />
Scarecrow jumps from rock to rock and turns toward the camera.<br />
"When my inside gets musty,"<br />
<br />
2_04_33<br />
Scarecrow jumps from rock to upper rock and turns toward the camera.<br />
"or mussed-up or dusty,"<br />
<br />
2_04_34<br />
Scarecrow jumps on top of the mound, turns toward the camera and sing his last sentence like he's on top of the world, stays there, contemplative for a moment.<br />
"I get newly stuffed right away."<br />
<br />
2_04_35<br />
Scarecrow exits from his comtemplative state and looks down doing a couple takes searching for Woot and TinMan who have been walking, progressing forward in the meantime. Then he finds them and decides to jump down.<br />
<br />
2_04_36<br />
SCARECROW jumps down the mound to join WOOT and TIN WOODMAN. WOOT and TIN WOODMAN clap.<br />
<br />
TIN WOODMAN <br />
What a performer.<br />
<br />
2_04_37<br />
TIN WOODMAN, SCARECROW & WOOT walk away next to the stream. TIN WOODMAN winks at WOOT.<br />
<br />
WOOT<br />
He certainly gives it his all.<br />
<br />
TIN WOODMAN<br />
Wonderful.<br />
<br />
2_04_38<br />
Long shot of the fall.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_4&diff=1290Sequence 2 42007-09-14T22:01:19Z<p>Martin: </p>
<hr />
<div>Back to [[Sequence_2_3]]<br />
== SEQUENCE 2_04 "SONG" ==<br />
<br />
2_04_01<br />
EXT. WOODS - DAY<br />
<br />
Our 3 characters are barely visible but we can see something moving far away. Emphasis is on the feeling of landscape the stream, the trees and some birds in the foreground<br />
<br />
2_04_02<br />
Our 3 characters in the stream pass seen from the back. Woot jumping from rock to rock in the middle of the stream. Scarecrow is behind and tries to walk on the rocks on the stream side but loose foot and splashes water. TinMan is the fartest away and is scared of water, concerned with rust, so he walks with great care holding on to everything making sure he doesn't touch the water in any way. <br />
<br />
2_04_03<br />
Woot and TinMan walk on the side of the stream more or less together. Scarecrow stays behind, stopped for a while, cleaning up his straws, restuffing himself.<br />
<br />
2_04_04<br />
Woot and then Tin Woodman are passing Scarecrow who is preoccupied by something about his boot.<br />
<br />
2_04_04a<br />
Scarecrow shakes his boot and is woried. Looks for some place to sit.<br />
<br />
2_04_05<br />
Scarecrow is sitting on a rock putting back his boot and straighten his back hands pushing on knees looking in front of him.<br />
<br />
SCARECROW (exuberant)<br />
Boy, am I glad that's over!<br />
<br />
Then he turns toward Woot and TinMan and gets up<br />
<br />
2_04_06<br />
Scarecrow walks enthusiastically on the stream side.<br />
<br />
SCARECROW<br />
Makes me feel kind of... <br />
<br />
2_04_07<br />
SCARECROW gesticulates and do a broad dance step<br />
<br />
SCARECROW<br />
Loony. Heh-he.<br />
<br />
2_04_08<br />
TIN WOODMAN (surprised)<br />
Eh?<br />
<br />
2_04_09<br />
TIN WOODMAN & WOOT turn around to look at Scarecrow (OS), perplexed.<br />
<br />
<br />
SCARECROW (singing)<br />
044 What sound is so sweet/As the straw from the wheat/When it crinkles so tender and low?<br />
<br />
2_04_10<br />
Scarecrow, who was walking toward TW and Woot smiles at them, does another dance step, jumps into an arabesque and lands right in front of them with arms wide open looking at them, smiling head tilted.<br />
<br />
2_04_11<br />
Scarecrow, in front of them with arms wide open looking at them, smiling head tilted. He stops there for a moment while first chords of music starts.<br />
<br />
2_04_12<br />
Scarecrow starts signing and dances turning around them while still facing them with a cocky look.<br />
"What sound is so sweet as the straw from the wheat when it crinkles so tender …"<br />
Woot and TinMan turn around to follow Scarecrow.<br />
<br />
2_04_13<br />
"… and low."<br />
Scarecrow jumps one step toward them again flexing his arms to make them crinkle.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
SCARECROW<br />
044 It is yellow and bright/So it gives me delight/To crinkle wherever I go.<br />
<br />
2_04_05<br />
TIN WOODMAN and WOOT watch him, surprised and amused.<br />
<br />
WOOT<br />
What... What's he doing?<br />
<br />
TIN WOODMAN (sighs)<br />
I think his straw is getting moist.<br />
<br />
2_04_06<br />
SCARECROW<br />
44-01 Sweet, fresh, golden straw!/There is surely no flaw/In a stuffing so clean and compact.<br />
<br />
2_04_07<br />
SCARECROW grabs onto a tree branch to prevent falling over a waterfall.<br />
<br />
SCARECROW<br />
It creaks when I walk/And it thrills when I talk<br />
<br />
2_04_08<br />
SCARECROW swings from the branch across the stream.<br />
<br />
SCARECROW<br />
And its fragrance is fine,<br />
<br />
2_04_09<br />
RABBIT hangs from SCARECROW'S foot during these antics.<br />
<br />
SCARECROW<br />
For a fact.<br />
<br />
2_04_10<br />
SCARECROW dances and cavorts, accompanied by RABBIT.<br />
<br />
SCARECROW<br />
044-02 To cut me don’t hurt/For I’ve no blood to squirt<br />
<br />
2_04_10a<br />
SCARECROW continues dancing, throwing RABBIT into the air.<br />
<br />
SCARECROW<br />
044-02 And I therefore can suffer no pain/The straw that I use/<br />
<br />
2_04_11<br />
RABBIT lands.<br />
<br />
SCARECROW (OS)<br />
Doesn’t lump up or bruise.<br />
<br />
2_04_12<br />
SCARECROW jumps into a stand of tall grass.<br />
<br />
SCARECROW<br />
044-03 Though it’s pounded again and again!<br />
<br />
2_04_13<br />
TIN WOODMAN and WOOT watch.<br />
<br />
SCARECROW<br />
Though it's pounded again and again!<br />
<br />
2_04_14<br />
SCARECROW peers out of the grass.<br />
<br />
SCARECROW<br />
044-04 I know it is said/That my beautiful head<br />
<br />
2_04_15<br />
SCARECROW and RABBIT dance in a circle.<br />
<br />
SCARECROW<br />
Has brains of mixed wheat-straw and bran<br />
<br />
2_04_16<br />
SCARECROW reaches down, smiling, to pick up RABBIT.<br />
<br />
SCARECROW<br />
But my thoughts are so good<br />
<br />
2_04_17<br />
RABBIT hops across SCARECROW⿿S outstretched arms.<br />
<br />
SCARECROW<br />
I’d not change, if I could/<br />
<br />
2_04_18<br />
TIN WOODMAN watches, concerned.<br />
<br />
TIN WOODMAN<br />
He's losing his mind.<br />
<br />
2_04_19<br />
SCARECROW precariously balancing on a stack of boulders.<br />
<br />
SCARECROW<br />
For the brains of a<br />
<br />
2_04_19a<br />
SCARECROW and RABBIT balancing on top boulder.<br />
<br />
SCARECROW<br />
common meat man.<br />
<br />
2_04_20<br />
SCARECROW jumps off of boulder stack, frightening RABBIT.<br />
<br />
SCARECROW<br />
044-05 Content with my lot.<br />
<br />
2_04_21<br />
SCARECROW lands gracefully but RABBIT is scared.<br />
<br />
SCARECROW<br />
044-05 I'm glad that I⿿m not.<br />
<br />
2_04_22<br />
TIN WOODMAN and WOOT watch as SCARECROW balances on single boulder. RABBIT barely keeps his balance on SCARECROW⿿S shoulder.<br />
<br />
SCARECROW<br />
Like others I meet day-by-day.<br />
<br />
2_04_23<br />
The first chance he gets, RABBIT jumps from SCARECROWS shoulder.<br />
<br />
SCARECOW (OS)<br />
044-05 If my insides get musty<br />
<br />
2_04_24<br />
RABBIT calmly sits on TIN WOODMAN⿿S watching, chagrined.<br />
<br />
SCARECROW (OS)<br />
044-05 Or mussed-up, or dusty<br />
<br />
2_04_25<br />
CU: SCARECROW rolls the boulder he is standing on with his feet.<br />
<br />
SCARECROW<br />
044-05 I get newly stuffed<br />
<br />
2_04_26<br />
The boulder SCARECROW is rolling bumps into a bigger boulder, causing it to fly off a cliff and bounce away.<br />
<br />
SCARECROW<br />
044-05 right away!<br />
<br />
2_04_27<br />
SCARECROW, with RABBIT between his legs, bows to the sound of applause.<br />
<br />
2_04_28<br />
WOOT and TIN WOODMAN clap.<br />
<br />
2_04_29<br />
SCARECROW looks a bit pleased with himself, does another fancy dance step and ends up in a boneless heap.<br />
<br />
TIN WOODMAN (OS)<br />
What a performer.<br />
<br />
2_04_30<br />
TIN WOODMAN winks at WOOT.<br />
<br />
WOOT<br />
He certainly gives it his all.<br />
<br />
TIN WOODMAN<br />
Wonderful.<br />
<br />
[[Sequence_2_5]]<br />
<br />
[[Script]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Contributors&diff=1286Contributors2007-09-13T05:46:43Z<p>Martin: </p>
<hr />
<div>==Script==<br />
“[[Tin Woodman of Oz]]” – Adapted from a book by [[L. Frank Baum]]<br />
<br />
[[Martin Hash]]<br />
<br />
[[Robert Taylor]]<br />
<br />
[[Sydney Cuthbert]]<br />
<br />
[[Peter Shafer]]<br />
<br />
==Design==<br />
[[Jim Talbot]]<br />
<br />
[[Alain Desrochers]]<br />
<br />
[[William Sutton]]<br />
<br />
[[Robert Taylor]]<br />
<br />
[[Fabrice Fave]]<br />
<br />
==Animatics==<br />
[[Robert Taylor]]<br />
<br />
[[Robert Holmen]]<br />
<br />
[[Rodney Baker]]<br />
<br />
==Project Management==<br />
[[Martin Hash]]<br />
<br />
[[Rhett Jackson]]<br />
<br />
[[David Higgins]]<br />
<br />
==Layout==<br />
[[Martin Hash]]<br />
<br />
[[Holmes Bryant]]<br />
<br />
[[Rhett Jackson]]<br />
<br />
[[Robert Taylor]]<br />
<br />
[[Robert Holmen]]<br />
<br />
[[Alain Desrochers]]<br />
<br />
[[Jody Krivohlavek]]<br />
<br />
==Animation==<br />
[[Rhett Jackson]] – jandals<br />
<br />
[[Paul Daley]] – pdaley<br />
<br />
[[Ed Lynch]] – mediaho<br />
<br />
[[Dhar Jabouri]] – Dhar<br />
<br />
[[Mark Allan]] – PF_Mark<br />
<br />
[[Richard Creel]] – racreel<br />
<br />
[[David Seymour]] – dagooos<br />
<br />
[[Rich Jackson]] – entity<br />
<br />
[[George Dugas]] – Jeetman<br />
<br />
[[Stephen Wolke]] – smwolke<br />
<br />
[[James Pappas]] – jpappas<br />
<br />
[[Nancy Gormezano]]<br />
<br />
[[Marshall Hash]]<br />
<br />
[[Heath Hash]]<br />
<br />
[[Martin Hash]]<br />
<br />
[[James Hash]]<br />
<br />
[[Steve Sappington]]<br />
<br />
[[Ken Baer]]<br />
<br />
[[Bob Croucher]]<br />
<br />
[[Will Pickering]]<br />
<br />
[[Noel Pickering]]<br />
<br />
[[Yves Poissant]]<br />
<br />
[[Jason Simonds]]<br />
<br />
[[Paula Waslen]] – pwaslen<br />
<br />
[[Holmes Bryant]] – [[HomeSlice]]<br />
<br />
[[John Kuepper]] – kuep<br />
<br />
[[Toby Kamp]] – thekamps<br />
<br />
[[Mark Weller]] – [[TacoBallZ|Taco Ball Z]]<br />
<br />
[[Ken Heslip]] – KenH<br />
<br />
[[Cory Collins]] – cory<br />
<br />
[[Michel Giguère]] – Animus<br />
<br />
[[David Horbach]] – [[Dee Jay]]<br />
<br />
[[Alonso Soriano]]<br />
<br />
[[Nima Anvar]]<br />
<br />
[[Gary Neal]] – gaz<br />
<br />
[[Heather H]]<br />
<br />
[[David Higgins]] – higginsdj<br />
<br />
[[Ethan Ledden]] – dre4mer<br />
<br />
[[goodguy20k]] – Daniel Hagen<br />
<br />
[[Leo Mitchell]] – Leo73<br />
<br />
[[Lloyd Moore Jr]] – Ilidrake<br />
<br />
[[Jody Krivohlavek]] – <span class="caps">MMZ</span>_Timelord<br />
<br />
[[Greg Schumsky]] – gschumsky<br />
<br />
[[Alain Desrochers]] – alweb<br />
<br />
[[Torsten Thuenen]] – Russel_Nash<br />
<br />
[[Ralf Kampp]] - Raffi<br />
<br />
[[Jim Beery]] - jbeery<br />
<br />
[[Mark Jackson]] - Soltek<br />
<br />
[[Alan Selby]] - ajs007<br />
<br />
??Erik or Arron P?? - [[Logrus]]<br />
<br />
[[Steve Sylvander]] - steves<br />
<br />
[[Ulrika B-Linden]] - Ullis<br />
<br />
[[Roger Christenson]] - spacecomics<br />
<br />
[[Caroline Begbie]] - caroline<br />
<br />
[[Satyajit Chakraborty]] - satyajit2000<br />
<br />
[[Steve Wooster]] - swooster<br />
<br />
[[Stephen Goodstein]] - crcheifton<br />
<br />
[[David Crowther]] - Shirushi<br />
<br />
[[Steve Shelton]] - shelton<br />
<br />
[[Ryan Sand]] - Lost_Loot<br />
<br />
[[Cody Guy Claasen]] - CCshonen<br />
<br />
==Composers==<br />
[[Chris Caouette]]<br />
<br />
[[Niels de Gooier]] – CGrid<br />
<br />
[[Robert Holmen]] – robcat2075<br />
<br />
==Character Modellers==<br />
[[Stian Ervik Wahlvaag]] Tin Woodsman, Tin Owl<br />
<br />
[[Kevin Waldron]] Ku-Klip<br />[[Rick Hutchison]] Scarecrow<br />
<br />
[[Jeff Bolle]] Tin Servant, Thin Farmhand, Loons<br />
<br />
[[Ken Heslip]] Hyppogyraf, Straw Bear, Mrs. Yoop, Woot’s Mom.<br />
<br />
[[Jim Talbot]] Nimee Amee, Tin Girl<br />
<br />
[[Mark Strohbehn]] Chopfyt<br />
<br />
[[David Walker]] Woot, Fat Farmhand<br />
<br />
[[Robert Lazzarini]] Cowardly Lion, Demons<br />
<br />
[[Jesus Marino]] Yoop Castle Statue, Horse-headed Demon<br />
<br />
[[Colin Freeman]] Witch<br />
<br />
==Texturers==<br />
[[Nancy Gormezano]] Woot, Tin Woodman, Scarecrow, Tin Owl, Straw Bear, Mrs. Yoop<br />
<br />
[[Patason Brooks]] Tin Servant<br />
<br />
[[Kevin Waldron]] Green Monkey<br />
<br />
[[William Sutton]] Hippogyraf<br />
<br />
[[Jeff Bolle]] Woot’s Mom, Skinny Farmhand, Fat Farmhand <br />
<br />
[[Marcel Brickman]] Nimmie Amee<br />
<br />
Lee Anderson Nick Chopper, Chopfyt<br />
<br />
==Model Riggers==<br />
[[Mark Skodacek]] – mtpeak2<br />
<br />
[[David Simmons]] – itsjustme<br />
<br />
[[Mark Strohbehn]]<br />
<br />
==Set Modellers==<br />
Lee Anderson Nimmie Amee’s House Interior<br />
<br />
[[Chris Wheeler]] Nimmie Amee’s House Exterior<br />
<br />
[[David Higgins]] Nimmie Amee’s house<br />
<br />
[[Bill Woelbeling]] Nimmie Amee’s House<br />
<br />
[[Vernon Zehr]] Ku-Klips Workshop<br />
<br />
[[Stian Wahlvaag]] Ku-Klips Workshop<br />
<br />
[[David Walker]] Tin Woodman’s Castle Exterior<br />
<br />
[[Jody Krivohlavek]] Tin Woodman’s Castle Exterior<br />
<br />
[[Rodger Reynolds]] Tin Woodman’s Throne Room <br />
<br />
[[Marcos Rezende]] Witch’s Cottage<br />
<br />
[[Lee Anderson]] Yoop Castle Hall<br />
<br />
[[Alain Desrochers]] Yoop Castle Exterior<br />
<br />
[[Ken Heslip]] Yoop Castle Hall 2<br />
<br />
[[Lloyd Moore Jr]] Scarecrow’s Bedroom, Tin Woodman’s Bedroom<br />
<br />
[[Mark Skodacek]] Forest scenes<br />
<br />
==Prop Modellers==<br />
[[Ken Heslip]]<br />
<br />
[[Nancy Gormezano]]<br />
<br />
[[Joseph Firestine]]<br />
<br />
[[Paul Forwood]]<br />
<br />
[[Scott Trautmann]]<br />
<br />
[[Stian Ervik Wahlvaag]]<br />
<br />
[[Jody Krivohlavek]]<br />
<br />
[[Nancy Gormezano]]<br />
<br />
[[Stian Wahlvaag]]<br />
<br />
[[James Glover]]<br />
<br />
[[Mike Cossey]]<br />
<br />
==Effects==<br />
[[Ben de Leeuw]]<br />
<br />
==Lighting==<br />
[[Fabrice Fave]]<br />
<br />
[[Kevin Waldron]]<br />
<br />
[[Colin Freeman]]<br />
<br />
[[Lee Anderson]] – jimmy_caushca<br />
<br />
==Video Editing==<br />
[[Richard Creel]]<br />
<br />
[[Jason Simonds]]<br />
<br />
==Sound Recording==<br />
[[Peter Shafer]]<br />
<br />
[[Rhett Jackson]]<br />
<br />
[[Martin Hash]]<br />
<br />
[[Heath Hash]]<br />
<br />
[[Angelo Panetta]]<br />
<br />
==Voice Actors==<br />
[[Rhett Jackson]] Tin Woodman<br />
<br />
[[Robert Holmen]] Scarecrow<br />
<br />
[[Teresa Nord]] Woot<br />
<br />
[[Lora Wolke]] Tin Girl<br />
<br />
[[Peter Shafer]] Tin Servant<br />
<br />
[[Nancy Gormezano]] Mrs. Yoop<br />
<br />
[[Greg Schumsky]] Hippogyraf<br />
<br />
==TDs==<br />
[[Noel Pickering]] Techinical Assistance (A:M, [[Dot Project]], [[Svn]], wiki)<br />
<br />
[[Steven Cleary]] “Hand Gizmo” <br />
<br />
[[David Simmons]] “Squetch” <br />
<br />
[[Mark Strohbehn]] “FACE”<br />
<br />
==Promotion==<br />
[[Rodney Baker]]<br />
<br />
[[category:TWO]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_3_02&diff=1284Sequence 3 022007-09-08T18:43:41Z<p>Martin: </p>
<hr />
<div>SEQUENCE 3_02 - "MOUNTAIN"<br />
<br />
3_02_01<br />
EXT. OZ – BADLANDS - DAY<br />
<br />
The sun hangs in the sky, huge and merciless.<br />
<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL trudge across '''BADLANDS'''. They walk in silence, each contemplating their own situation.<br />
<br />
3_02_02 <br />
STRAW BEAR<br />
263 Well, we have escaped the big woman, to be sure but we still wear these awful forms that the cruel Yookoohoo gave us.<br />
<br />
3_02_03 <br />
GREEN MONKEY<br />
263 How are we going to become ourselves again?<br />
<br />
3_02_04 <br />
STRAW BEAR <br />
"Endeavor to persevere." I heard that in a movie once.<br />
<br />
3_02_05<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL are confronted by a mountain in the distance. TIN OWL standing on TIN GIRL’s shoulder.<br />
<br />
TIN OWL<br />
Uh, uh. There's no way around. I guess we'll have to climb over it.<br />
<br />
3_02_06<br />
TIN GIRL (perky)<br />
Over it, it is! Come on.<br />
<br />
TIN OWL glances at TIN GIRL, smiles.<br />
<br />
'''3_02_06a "Can It Be True?" song'''<br />
<br />
3_02_07<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL start climbing up '''MOUNTAIN'''.<br />
<br />
3_02_08 <br />
STRAW BEAR (hopefully) <br />
Ah... At least... Ah, it's not slippery... And no rain in sight.<br />
<br />
3_02_09<br />
A large raindrop splats down on TIN OWL's head. He looks annoyed.<br />
<br />
TIN OWL<br />
Right as rain, straw-head.<br />
<br />
3_02_10<br />
STRAW BEAR smiles sheepishly.<br />
<br />
3_02_11<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL continue to climb over the rocks.<br />
<br />
3_02_12 GREEN MONKEY<br />
264 I’m hungry.<br />
<br />
3_02_13<br />
TIN OWL hovers over STRAW BEAR and GREEN MONKEY.<br />
<br />
TIN OWL<br />
264-02 Think of something else.<br />
<br />
GREEN MONKEY<br />
264-03 Like what?<br />
<br />
STRAW BEAR<br />
264-04 Like... Like something to take your mind off of your problems.<br />
<br />
TIN OWL<br />
264-05 For instance?<br />
<br />
3_02_14<br />
A moment, while STRAW BEAR grasps an idea.<br />
<br />
STRAW BEAR<br />
264-06 Where does straw come from?<br />
<br />
3_02_15<br />
A moment of silence while TIN OWL and GREEN MONKEY ponder Straw Bear's suggestion.<br />
<br />
3_02_16 GREEN MONKEY <br />
264-07 I’m hungry.<br />
<br />
3_02_17<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL trudge on across bleak landscape.<br />
<br />
3_02_18<br />
TIN OWL, perched on TIN GIRL’s shoulder, has his eyes shut against the sun. OS Straw Bear makes a disconsolate sound.<br />
<br />
TIN OWL (not opening his eyes)<br />
264-08 What?<br />
<br />
3_02_19 <br />
STRAW BEAR<br />
264-09 Nothing.<br />
<br />
3_02_20<br />
TIN OWL opens his large, round eyes.<br />
<br />
TIN OWL<br />
264-10 Are you sure? I thought that you...<br />
<br />
3_02_21 <br />
STRAW BEAR<br />
266 Eh... Eh... Y'know... I was just thinking that I was once the handsomest Scarecrow... And am now I⿿m condemned to be a scrubby, no-account beast whose only redeeming feature is that he’s full of straw.<br />
<br />
3_02_22 <br />
TIN OWL<br />
267 That's not all you're full of... And what about me?<br />
<br />
3_02_23<br />
TIN OWL looks longingly at TIN GIRL.<br />
<br />
TIN OWL<br />
I don't want to be a tin owl. I want to be myself!<br />
<br />
3_02_24 <br />
GREEN MONKEY<br />
268 Consider my case, please. The cruel giantess has made a monkey of a boy!<br />
<br />
3_02_25 <br />
STRAW BEAR<br />
269 I think your color’s rather attractive. I have never seen a pea-green monkey before.<br />
<br />
3_02_26 <br />
GREEN MONKEY<br />
270 What if I have to stay like this forever!?<br />
<br />
3_02_27 <br />
A melancholy mood settles over TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL.<br />
<br />
3_02_28 <br />
STRAW BEAR<br />
271 Dear me. What unhappy thoughts we have, to be sure.<br />
<br />
3_02_29 GREEN MONKEY<br />
271-01 What’s that supposed to mean?<br />
<br />
3_02_30 <br />
STRAW BEAR<br />
271-02 This is simply proof that born brains cannot equal manufactured brains, for my brains dwell only on facts and never borrow trouble.<br />
<br />
3_02_31 <br />
STRAW BEAR (CU)<br />
271-04 When there is occasion to think, I think, but I would be ashamed of my brains if they kept shooting out thoughts that were merely fears and imaginings, such as do no good, but are likely to do harm.<br />
<br />
3_02_32<br />
TIN OWL looks longingly at TIN GIRL but she does not know he is looking. <br />
<br />
TIN OWL<br />
272 For my part, I do not think at all, but allow my heart to guide me at all times.<br />
<br />
3_02_33 <br />
STRAW BEAR<br />
273 Thoughtless people are not unusual, but I consider them more fortunate than those who have useless or wicked thoughts and do not try to curb them.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_3_02&diff=1283Sequence 3 022007-09-08T18:31:36Z<p>Martin: </p>
<hr />
<div>SEQUENCE 3_02 - "MOUNTAIN"<br />
<br />
3_02_01<br />
EXT. OZ – BADLANDS - DAY<br />
<br />
The sun hangs in the sky, huge and merciless.<br />
<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL trudge across '''BADLANDS'''. They walk in silence, each contemplating their own situation.<br />
<br />
3_02_02 <br />
STRAW BEAR<br />
263 Well, we have escaped the big woman, to be sure but we still wear these awful forms that the cruel Yookoohoo gave us.<br />
<br />
3_02_03 <br />
GREEN MONKEY<br />
263 How are we going to become ourselves again?<br />
<br />
3_02_04 <br />
STRAW BEAR <br />
"Endeavor to persevere." I heard that in a movie once.<br />
<br />
3_02_05<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL are confronted by a mountain in the distance.<br />
<br />
3_02_06<br />
TIN OWL standing on TIN GIRL’s shoulder, looks up at the high, rocky cliffs.<br />
<br />
TIN OWL<br />
Uh, uh. There's no way around. I guess, eh, we'll have to climb over it?<br />
<br />
TIN GIRL (perky)<br />
Over it, it is! Come on.<br />
<br />
TIN OWL glances at TIN GIRL, smiles.<br />
<br />
'''3_02_06a "Can It Be True?" song'''<br />
<br />
3_02_07<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL start climbing up '''MOUNTAIN'''.<br />
<br />
3_02_08 <br />
STRAW BEAR (hopefully) <br />
Ah... At least... Ah, it's not slippery... And no rain in sight.<br />
<br />
3_02_09<br />
A large raindrop splats down on TIN OWL's head. He looks annoyed.<br />
<br />
TIN OWL<br />
Right as rain, straw-head.<br />
<br />
3_02_10<br />
STRAW BEAR smiles sheepishly.<br />
<br />
3_02_11<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL continue to climb over the rocks.<br />
<br />
3_02_12 GREEN MONKEY<br />
264 I’m hungry.<br />
<br />
3_02_13<br />
TIN OWL hovers over STRAW BEAR and GREEN MONKEY.<br />
<br />
TIN OWL<br />
264-02 Think of something else.<br />
<br />
GREEN MONKEY<br />
264-03 Like what?<br />
<br />
STRAW BEAR<br />
264-04 Like... Like something to take your mind off of your problems.<br />
<br />
TIN OWL<br />
264-05 For instance?<br />
<br />
3_02_14<br />
A moment, while STRAW BEAR grasps an idea.<br />
<br />
STRAW BEAR<br />
264-06 Where does straw come from?<br />
<br />
3_02_15<br />
A moment of silence while TIN OWL and GREEN MONKEY ponder Straw Bear's suggestion.<br />
<br />
3_02_16 GREEN MONKEY <br />
264-07 I’m hungry.<br />
<br />
3_02_17<br />
TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL trudge on across bleak landscape.<br />
<br />
3_02_18<br />
TIN OWL, perched on TIN GIRL’s shoulder, has his eyes shut against the sun. OS Straw Bear makes a disconsolate sound.<br />
<br />
TIN OWL (not opening his eyes)<br />
264-08 What?<br />
<br />
3_02_19 <br />
STRAW BEAR<br />
264-09 Nothing.<br />
<br />
3_02_20<br />
TIN OWL opens his large, round eyes.<br />
<br />
TIN OWL<br />
264-10 Are you sure? I thought that you...<br />
<br />
3_02_21 <br />
STRAW BEAR<br />
266 Eh... Eh... Y'know... I was just thinking that I was once the handsomest Scarecrow... And am now I⿿m condemned to be a scrubby, no-account beast whose only redeeming feature is that he’s full of straw.<br />
<br />
3_02_22 <br />
TIN OWL<br />
267 That's not all you're full of... And what about me?<br />
<br />
3_02_23<br />
TIN OWL looks longingly at TIN GIRL.<br />
<br />
TIN OWL<br />
I don't want to be a tin owl. I want to be myself!<br />
<br />
3_02_24 <br />
GREEN MONKEY<br />
268 Consider my case, please. The cruel giantess has made a monkey of a boy!<br />
<br />
3_02_25 <br />
STRAW BEAR<br />
269 I think your color’s rather attractive. I have never seen a pea-green monkey before.<br />
<br />
3_02_26 <br />
GREEN MONKEY<br />
270 What if I have to stay like this forever!?<br />
<br />
3_02_27 <br />
A melancholy mood settles over TIN OWL, STRAW BEAR, GREEN MONKEY, and TIN GIRL.<br />
<br />
3_02_28 <br />
STRAW BEAR<br />
271 Dear me. What unhappy thoughts we have, to be sure.<br />
<br />
3_02_29 GREEN MONKEY<br />
271-01 What’s that supposed to mean?<br />
<br />
3_02_30 <br />
STRAW BEAR<br />
271-02 This is simply proof that born brains cannot equal manufactured brains, for my brains dwell only on facts and never borrow trouble.<br />
<br />
3_02_31 <br />
STRAW BEAR (CU)<br />
271-04 When there is occasion to think, I think, but I would be ashamed of my brains if they kept shooting out thoughts that were merely fears and imaginings, such as do no good, but are likely to do harm.<br />
<br />
3_02_32<br />
TIN OWL looks longingly at TIN GIRL but she does not know he is looking. <br />
<br />
TIN OWL<br />
272 For my part, I do not think at all, but allow my heart to guide me at all times.<br />
<br />
3_02_33 <br />
STRAW BEAR<br />
273 Thoughtless people are not unusual, but I consider them more fortunate than those who have useless or wicked thoughts and do not try to curb them.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_3&diff=1279Sequence 32007-09-07T17:46:52Z<p>Martin: </p>
<hr />
<div>SEQUENCE 1_03 - "THRONE"<br />
<br />
1_03_00a<br />
WOOT and TIN SERVANT into the courtyard of the TIN CASTLE.<br />
<br />
1_03_00b<br />
WOOT looks around as he walks beside TIN SERVANT past a TIN FOUNTAIN towards a TIN GARDEN.<br />
<br />
1_03_00c<br />
WOOT follows TIN SERVANT walks out of a TIN GARDEN.<br />
<br />
1_03_00d<br />
WOOT follows TIN SERVANT over a catwalk.<br />
<br />
1_03_00e<br />
WOOT walks through a dark hallway towards and opening.<br />
<br />
1_03_01<br />
WOOT looks around distracted, and is surprised by what is in front of him. <br />
<br />
1_03_02 <br />
WOOT looks around a gigantic THROWN ROOM of ornate workmanship — all in tin. <br />
<br />
1_03_03<br />
WOOT walks down steps into the THRONE ROOM.<br />
<br />
1_03_04<br />
TIN SERVANT leads WOOT across THRONE ROOM.<br />
<br />
1_03_05<br />
TIN SERVANT halts, so does WOOT. They are both looking forward.<br />
<br />
1_03_06<br />
TIN WOODMAN is balancing his axe on his chin.<br />
<br />
1_03_07<br />
Balanced on the head of the axe is a settee.<br />
<br />
1_03_11<br />
Beside TIN WOODMAN’S throne, SCARECROW sits on a stool playing chess on a small table. He ponders the game, then smiles and moves a piece triumpfully.<br />
<br />
1_03_09<br />
WOOT goggles up at them as he approaches the throne. SERVANT clears his throat. WOOT bows politely.<br />
<br />
WOOT<br />
Oh, uh… I salute your... Illustrious, Tin Majesty.<br />
<br />
1_03_10<br />
TIN WOODMAN seems to not take any notice while he juggles his axe on his chin. TIN WOODMAN toss the axe into the air and deftly catches it on his foot.<br />
<br />
1_03_08<br />
SCARECROW glances up then goes back to his game.<br />
<br />
1_03_12<br />
TIN WOODMAN finally looks over at WOOT, still distracted by his axe juggling.<br />
<br />
TIN WOODMAN<br />
Um... Oh, you're welcome, young man. Welcome. <br />
<br />
1_03_13<br />
TIN WOODMAN holds the axe balancing the sette in one hand.<br />
<br />
1_03_14<br />
Tin Woodman's axe and Woot's stool fly in a big arc near the ceiling of the throne room. <br />
<br />
1_03_17<br />
WOOT sees something above him, ducks.<br />
<br />
1_03_17a<br />
TIN WOODMAN looks into the air, reaches out...<br />
<br />
1_03_17b<br />
The settee lands on the axe near WOOT.<br />
<br />
1_03_18<br />
TIN WOODMAN<br />
Won't you have a seat?<br />
<br />
1_03_19<br />
WOOT<br />
Thank you sire.<br />
<br />
1_03_20<br />
WOOT sits down, smiles.<br />
<br />
1_03_21<br />
TIN WOODMAN<br />
Now tell me: who are you, and from where have you come?<br />
<br />
1_03_21a<br />
SCARECROW<br />
Do, tell.<br />
<br />
1_03_22<br />
WOOT stands up to announce his story.<br />
<br />
WOOT<br />
If it pleases your majesty. I am Woot... The wanderer... And I’ve come through my travels to see you.<br />
<br />
1_03_23<br />
SCARECROW is unconvinced.<br />
<br />
SCARECROW<br />
Hmm? A traveler? Very interesting…<br />
<br />
1_03_24<br />
TIN WOODMAN<br />
Uh? What is?<br />
<br />
SCARECROW (OS)<br />
Well… to find somebody in<br />
<br />
1_03_25<br />
SCARECROW suspects WOOT is exaggerating the truth.<br />
<br />
SCARECROW<br />
Oz who loves to travel, especially with all of the dangers and hardships about.<br />
<br />
1_03_27<br />
TIN WOODMAN<br />
Oh, of course. Interesting, indeed.<br />
<br />
1_03_28<br />
SCARECROW gives Woot the opportunity to tell whatever story it is he has come to tell.<br />
<br />
SCARECROW<br />
So tell me young Woot, what grand wonders have you encountered in your many travels?<br />
<br />
1_03_29<br />
WOOT has no story prepared to prove himself and adventurer.<br />
<br />
WOOT<br />
Yes... You see... I came to...<br />
<br />
1_03_30<br />
SCARECROW regards WOOT quizzically.<br />
<br />
WOOT (OS)<br />
Ah...<br />
<br />
1_03_31<br />
Embarrassed, TIN WOODMAN turns his attention back to WOOT.<br />
<br />
TIN WOODMAN (OS)<br />
Well<br />
<br />
1_03_32<br />
TIN WOODMAN<br />
I suppose in your travels that you have become very wise.<br />
<br />
1_03_33<br />
WOOT<br />
No, Sire… In fact, the more I know, the less I realize that I know.<br />
<br />
1_03_34<br />
SCARECROW<br />
Ah, yes. Well, if it’s any help… I’ve found that… learning is easy, young Woot. Begin with is asking questions.<br />
<br />
1_03_35<br />
WOOT<br />
Oh, I do ask questions! Constantly, Sire! <br />
<br />
1_03_36<br />
TIN WOODMAN stands listening.<br />
<br />
WOOT (OS)<br />
I’ve learned people don't like having them asked.<br />
<br />
TIN WOODMAN waves dismissively, then does a handstand on his axe.<br />
<br />
TIN WOODMAN<br />
Personally, I make it a rule to answer any civil question that is asked.<br />
<br />
1_03_37<br />
SCARECROW, seeing the virtuoso juggling exhibition, applauds vigorously.<br />
<br />
SCARECROW<br />
Oh, well, done. Very nice indeed.<br />
<br />
1_03_38<br />
With a flourish, TIN WOODMAN dismounts then leans on his axe.<br />
<br />
1_03_39<br />
TIN WOODMAN <br />
So, ask Woot. Whatever you should wish to.<br />
<br />
1_03_40<br />
WOOT<br />
Well, sir, if you wouldn’t mind… I should very much like to know<br />
<br />
1_03_41<br />
TIN WOODMAN, tossing and catching his axe, is surprised.<br />
<br />
WOOT (OS)<br />
how did you become made of tin? <br />
<br />
1_03_41a<br />
WOOT<br />
and yet remain alive?<br />
<br />
1_03_41b<br />
TIN WOODMAN<br />
That, I’m afraid, is a rather long story.<br />
<br />
1_03_42<br />
SCARECROW rolls his yes.<br />
<br />
SCARECROW<br />
I'll say<br />
<br />
1_03_43<br />
WOOT looks from SCARECROW to TIN WOODMAN to SCARECROW.<br />
<br />
WOOT<br />
If it pleases his Majesty, I should like to hear it.<br />
<br />
1_03_44<br />
TIN WOODMAN climbs the dais to his THRONE.<br />
<br />
TIN WOODMAN<br />
Well, then… I have not always been made of tin.<br />
<br />
1_03_45<br />
WOOT’s surprised. He shakes his head, settles in, his hands support his chin as he listens.<br />
<br />
TIN WOODMAN (OS)<br />
Indeed, in the beginning I was flesh and <br />
<br />
1_03_46<br />
TIN WOODMAN sit on his THRONE, leans back, crosses his legs. His expression becomes dreamy.<br />
<br />
TIN WOODMAN<br />
bone and blood… just like you… and I lived in the Munchkin Country of Oz…</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2&diff=1278Sequence 22007-09-07T13:34:03Z<p>Martin: </p>
<hr />
<div>SEQUENCE 1_02 - "BRIDGE" // last modified 11/21/06 MH to match WIP<br />
<br />
EXT. TIN CASTLE - SUNSET<br />
1_02_00a<br />
Reveal TIN CASTLE.<br />
<br />
1_02_01<br />
EXT. WOODS - SUNSET<br />
WOOT peers out from behind a tree trunk.<br />
<br />
1_02_04<br />
TIN CASTLE rises into the sky.<br />
<br />
1_02_01b<br />
WOOT is excited by what he sees and sets off.<br />
<br />
1_02_03<br />
WOOT runs to DRAWBRIDGE of TIN CASTLE.<br />
<br />
1_02_03a<br />
WOOT crosses DRAWBRIDGE.<br />
<br />
1_02_4a<br />
WOOT stands facing CASTLE DOORS (OS).<br />
<br />
1_02_05<br />
CASTLE DOORS reveal.<br />
<br />
1_02_06<br />
WOOT looks around as he walks towards CASTLE DOORS.<br />
<br />
1_02_07<br />
WOOT looks up at CASTLE DOORS, trying to decide what to do.<br />
<br />
1_02_08<br />
WOOT reaches up to knock on the CASTLE DOORS.<br />
<br />
1_02_09<br />
WOOT knocks on CASTLE DOORS.<br />
<br />
1_02_10<br />
WOOT knocks on CASTLE DOORS a second time.<br />
<br />
1_02_11<br />
WOOT finishes knocking then smiles.<br />
<br />
1_02_12<br />
WOOT waits at CASTLE DOORS.<br />
<br />
1_02_13<br />
WOOT gets impatient; reaches to knock on CASTLE DOORS again.<br />
<br />
1_02_15<br />
WOOT knocks on CASTLE DOORS much harder.<br />
<br />
1_02_16<br />
WOOT steps back from CASTLE DOORS.<br />
<br />
1_02_16a<br />
WOOT, still stepping back, looks around him.<br />
<br />
1_02_17<br />
WOOT steps and falls backwards.<br />
<br />
1_02_18<br />
Woot is knocked over by the force of CASTLE DOORS being opened wide. <br />
<br />
1_02_19<br />
WOOT sits back up.<br />
<br />
1_02_20<br />
SERVANT appears in the doorway, dressed in a tin helmet and breastplate and a uniform covered with tiny tin disks. He sparkles dazzlingly in the setting sun. <br />
<br />
SERVANT<br />
000 Yes? May I help you... Sir?<br />
<br />
1_02_21<br />
WOOT stands up.<br />
<br />
WOOT<br />
001 Yes. I'm... Say... <br />
<br />
1_02_22<br />
WOOT<br />
Who lives here?<br />
<br />
1_02_23<br />
SERVANT peers down his nose at WOOT.<br />
<br />
SERVANT<br />
001-03 Who, indeed! Why, it's none other than His Most<br />
<br />
1_02_24<br />
WOOT looks up excitedly.<br />
<br />
SERVANT (OS)<br />
Regal Majesty, the most <br />
<br />
1_02_25<br />
SERVANT<br />
excellent and wonderful Emperor of the Winkies!<br />
<br />
1_02_26<br />
SERVANT<br />
002 The famous Tin Woodman of Oz. <br />
<br />
1_02_27<br />
WOOT<br />
003 A Tin Woodman? How odd!<br />
<br />
1_02_27a<br />
SERVANT (insulted)<br />
03-01 Odd?!? Of all the impertinent...<br />
<br />
1_02_27b<br />
SERVANT (rubbing chin)<br />
004 Perhaps our Emperor is a bit... Odd. <br />
<br />
1_02_28<br />
SERVANT<br />
but he is a kind master<br />
<br />
1_02_29<br />
SERVANT<br />
and as honest and true as good tin can make him.<br />
<br />
1_02_30<br />
SERVANT<br />
004-02 So we, who gladly serve him, overlook the fact that he is not like <br />
<br />
1_02_31<br />
SERVANT (disdainful)<br />
Other people.<br />
<br />
1_02_32<br />
SERVANT<br />
004-03 Now if you don't mind...<br />
<br />
1_02_33<br />
SERVANT turns to go.<br />
<br />
1_02_34<br />
WOOT runs after SERVANT.<br />
<br />
WOOT<br />
Wait! Wait!<br />
<br />
1_02_35<br />
WOOT runs up to CASTLE DOORS.<br />
<br />
WOOT<br />
I beg you pardon, good sir.<br />
<br />
1_02_36<br />
WOOT <br />
04-01 I didn’t mean he was odd, I… I... I... Actually I've<br />
<br />
1_02_37<br />
WOOT<br />
Bear important news for him... From the village.<br />
<br />
1_02_38<br />
One of CASTLE DOORS opens slightly and SERVANT pops out.<br />
SERVANT<br />
005-04 Oh?<br />
<br />
1_02_39<br />
SERVANT (sarcastic)<br />
And what news might that be?<br />
<br />
1_02_40<br />
WOOT<br />
05-05 Yes... Um...<br />
<br />
1_02_41<br />
WOOT<br />
It's something I have to tell him... In person.<br />
<br />
1_02_42<br />
SERVANT looks at WOOT suspiciously for a moment longer. <br />
<br />
SERVANT<br />
006 Very well. <br />
<br />
1_02_43<br />
SERVANT opens CASTLE DOORS a bit wider.<br />
<br />
SERVANT<br />
If you please, follow me.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2&diff=1277Sequence 22007-09-07T13:29:31Z<p>Martin: </p>
<hr />
<div>SEQUENCE 1_02 - "BRIDGE" // last modified 11/21/06 MH to match WIP<br />
<br />
EXT. TIN CASTLE - SUNSET<br />
1_02_00a<br />
Reveal TIN CASTLE.<br />
<br />
1_02_01<br />
EXT. WOODS - SUNSET<br />
WOOT peers out from behind a tree trunk.<br />
<br />
1_02_04<br />
TIN CASTLE rises into the sky.<br />
<br />
1_02_01b<br />
WOOT is excited by what he sees and sets off.<br />
<br />
1_02_03<br />
WOOT runs to DRAWBRIDGE of TIN CASTLE.<br />
<br />
1_02_03a<br />
WOOT crosses DRAWBRIDGE.<br />
<br />
1_02_4a<br />
WOOT stands facing CASTLE DOORS (OS).<br />
<br />
1_02_05<br />
CASTLE DOORS reveal.<br />
<br />
1_02_06<br />
WOOT looks around as he walks towards CASTLE DOORS.<br />
<br />
1_02_07<br />
WOOT looks up at CASTLE DOORS, trying to decide what to do.<br />
<br />
1_02_08<br />
WOOT reaches up to knock on the CASTLE DOORS.<br />
<br />
1_02_09<br />
WOOT knocks on CASTLE DOORS.<br />
<br />
1_02_10<br />
WOOT knocks on CASTLE DOORS a second time.<br />
<br />
1_02_11<br />
WOOT finishes knocking then smiles.<br />
<br />
1_02_12<br />
WOOT waits at CASTLE DOORS.<br />
<br />
1_02_13<br />
WOOT gets impatient; reaches to knock on CASTLE DOORS again.<br />
<br />
1_02_15<br />
WOOT knocks on CASTLE DOORS much harder.<br />
<br />
1_02_16<br />
WOOT steps back from CASTLE DOORS.<br />
<br />
1_02_16a<br />
WOOT, still stepping back, looks around him.<br />
<br />
1_02_17<br />
WOOT steps and falls backwards.<br />
<br />
1_02_18<br />
Woot is knocked over by the force of CASTLE DOORS being opened wide. <br />
<br />
1_02_19<br />
WOOT sits back up.<br />
<br />
1_02_20<br />
SERVANT appears in the doorway, dressed in a tin helmet and breastplate and a uniform covered with tiny tin disks. He sparkles dazzlingly in the setting sun. <br />
<br />
SERVANT<br />
000 Yes? May I help you... Sir?<br />
<br />
1_02_21<br />
WOOT stands up.<br />
<br />
WOOT<br />
001 Yes. I'm... Say... <br />
<br />
1_02_22<br />
WOOT<br />
Who lives here?<br />
<br />
1_02_23<br />
SERVANT peers down his nose at WOOT.<br />
<br />
SERVANT<br />
001-03 Who, indeed! Why, it's none other than His Most<br />
<br />
1_02_24<br />
WOOT looks up excitedly.<br />
<br />
SERVANT (OS)<br />
Regal Majesty, the most <br />
<br />
1_02_25<br />
SERVANT<br />
excellent and wonderful Emperor of the Winkies!<br />
<br />
1_02_26<br />
SERVANT<br />
002 The famous Tin Woodman of Oz. <br />
<br />
1_02_27<br />
WOOT<br />
003 A Tin Woodman? How odd!<br />
<br />
1_02_27a<br />
SERVANT (insulted)<br />
03-01 Odd?!? Of all the impertinent...<br />
<br />
1_02_27b<br />
SERVANT (rubbing chin)<br />
004 Perhaps our Emperor is a bit... Odd. <br />
<br />
1_02_28<br />
SERVANT<br />
but he is a kind master<br />
<br />
1_02_29<br />
SERVANT<br />
and as honest and true as good tin can make him.<br />
<br />
1_02_30<br />
SERVANT<br />
004-02 So we, who gladly serve him, overlook the fact that he is not like <br />
<br />
1_02_31<br />
SERVANT (disdainful)<br />
Other people.<br />
<br />
1_02_32<br />
SERVANT<br />
004-03 Now if you don't mind...<br />
<br />
1_02_33<br />
SERVANT turns to go.<br />
<br />
1_02_34<br />
WOOT runs after SERVANT.<br />
<br />
WOOT<br />
Wait! Wait!<br />
<br />
1_02_35<br />
WOOT runs up to CASTLE DOORS.<br />
<br />
WOOT<br />
I beg you pardon, good sir.<br />
<br />
1_02_36<br />
WOOT <br />
04-01 I didn’t mean he was odd, I… I... I... Actually I've<br />
<br />
1_02_37<br />
WOOT<br />
Bear important news for him... From the village.<br />
<br />
1_02_38<br />
One of CASTLE DOORS opens slightly and SERVANT pops out.<br />
SERVANT<br />
005-04 Oh?<br />
<br />
1_02_39<br />
SERVANT (sarcastic)<br />
And what news might that be?<br />
<br />
1_02_40<br />
WOOT<br />
05-05 Yes... Um...<br />
<br />
1_02_41<br />
WOOT<br />
It's something I have to tell him... In person.<br />
<br />
1_02_42<br />
SERVANT looks at WOOT suspiciously for a moment longer. <br />
<br />
SERVANT<br />
006 Very well. <br />
<br />
1_02_43<br />
SEVANT opens CASTLE DOORS a bit wider.<br />
<br />
SERVANT<br />
If you please, follow me.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2&diff=1276Sequence 22007-09-07T13:27:55Z<p>Martin: </p>
<hr />
<div>SEQUENCE 1_02 - "BRIDGE" // last modified 11/21/06 MH to match WIP<br />
<br />
EXT. TIN CASTLE - SUNSET<br />
1_02_00a<br />
Reveal TIN CASTLE.<br />
<br />
1_02_01<br />
EXT. WOODS - SUNSET<br />
WOOT peers out from behind a tree trunk.<br />
<br />
1_02_04<br />
TIN CASTLE rises into the sky.<br />
<br />
1_02_01b<br />
WOOT is excited by what he sees and sets off.<br />
<br />
1_02_03<br />
WOOT runs to DRAWBRIDGE of TIN CASTLE.<br />
<br />
1_02_03a<br />
WOOT crosses DRAWBRIDGE.<br />
<br />
1_02_4a<br />
WOOT stands facing CASTLE DOORS (OS).<br />
<br />
1_02_05<br />
CASTLE DOORS reveal.<br />
<br />
1_02_06<br />
WOOT looks around as he walks towards CASTLE DOORS.<br />
<br />
1_02_07<br />
WOOT looks up at CASTLE DOORS, trying to decide what to do.<br />
<br />
1_02_08<br />
WOOT reaches up to knock on the CASTLE DOORS.<br />
<br />
1_02_09<br />
WOOT knocks on CASTLE DOORS.<br />
<br />
1_02_10<br />
WOOT knocks on CASTLE DOORS a second time.<br />
<br />
1_02_11<br />
WOOT finishes knocking then smiles.<br />
<br />
1_02_12<br />
WOOT waits at CASTLE DOORS.<br />
<br />
1_02_13<br />
WOOT gets impatient; reaches to knock on CASTLE DOORS again.<br />
<br />
1_02_15<br />
WOOT knocks on CASTLE DOORS much harder.<br />
<br />
1_02_16<br />
WOOT steps back from CASTLE DOORS.<br />
<br />
1_02_16a<br />
WOOT, still stepping back, looks around him.<br />
<br />
1_02_17<br />
WOOT steps and falls backwards.<br />
<br />
1_02_18<br />
Woot is knocked over by the force of CASTLE DOORS being opened wide. <br />
<br />
1_02_19<br />
WOOT sits back up.<br />
<br />
1_02_20<br />
SERVANT appears in the doorway, dressed in a tin helmet and breastplate and a uniform covered with tiny tin disks. He sparkles dazzlingly in the setting sun. <br />
<br />
SERVANT<br />
000 Yes? May I help you... Sir?<br />
<br />
1_02_21<br />
WOOT stands up.<br />
<br />
WOOT<br />
001 Yes. I'm... Say... <br />
<br />
1_02_22<br />
WOOT<br />
Who lives here?<br />
<br />
1_02_23<br />
SERVANT peers down his nose at WOOT.<br />
<br />
SERVANT<br />
001-03 Who, indeed! Why, it's none other than His Most<br />
<br />
1_02_24<br />
WOOT looks up excitedly.<br />
<br />
SERVANT (OS)<br />
Regal Majesty, the most <br />
<br />
1_02_25<br />
SERVANT<br />
excellent and wonderful Emperor of the Winkies!<br />
<br />
1_02_26<br />
SERVANT<br />
002 The famous Tin Woodman of Oz. <br />
<br />
1_02_27<br />
WOOT<br />
003 A Tin Woodman? How odd!<br />
<br />
1_02_27a<br />
SERVANT (insulted)<br />
03-01 Odd?!? Of all the impertinent...<br />
<br />
1_02_27b<br />
SERVANT (rubbing chin)<br />
004 Perhaps our Emperor is a bit... Odd. <br />
<br />
1_02_28<br />
SERVANT<br />
but he is a kind master<br />
<br />
1_02_29<br />
SERVANT<br />
and as honest and true as good tin can make him.<br />
<br />
1_02_30<br />
SERVANT<br />
004-02 So we, who gladly serve him, overlook the fact that he is not like <br />
<br />
1_02_31<br />
SERVANT (disdainful)<br />
Other people.<br />
<br />
1_02_32<br />
SERVANT<br />
004-03 Now if you don't mind...<br />
<br />
1_02_33<br />
SERVANT turns to go.<br />
<br />
1_02_34<br />
WOOT runs after SERVANT.<br />
<br />
WOOT<br />
Wait! Wait!<br />
<br />
1_02_35<br />
WOOT runs up to CASTLE DOORS.<br />
<br />
WOOT<br />
I beg you pardon, good sir.<br />
<br />
1_02_36<br />
WOOT <br />
04-01 I didn’t mean he was odd, I… I... I... Actually I've<br />
<br />
1_02_37<br />
WOOT<br />
Bear important news for him... From the village.<br />
<br />
1_02_38<br />
One of the castle doors opens slightly and SERVANT pops out.<br />
SERVANT<br />
005-04 Oh?<br />
<br />
1_02_39<br />
SERVANT (sarcastic)<br />
And what news might that be?<br />
<br />
1_02_40<br />
WOOT<br />
05-05 Yes... Um...<br />
<br />
1_02_41<br />
WOOT<br />
It's something I have to tell him... In person.<br />
<br />
1_02_42<br />
SERVANT looks at WOOT suspiciously for a moment longer. <br />
<br />
SERVANT<br />
006 Very well. <br />
<br />
1_02_43<br />
SEVANT opens CASTLE DOORS a bit wider.<br />
<br />
SERVANT<br />
If you please, follow me.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2&diff=1275Sequence 22007-09-07T13:24:09Z<p>Martin: </p>
<hr />
<div>SEQUENCE 1_02 - "BRIDGE" // last modified 11/21/06 MH to match WIP<br />
<br />
EXT. TIN CASTLE - SUNSET<br />
1_02_00a<br />
Reveal TIN CASTLE.<br />
<br />
1_02_01<br />
EXT. WOODS - SUNSET<br />
WOOT peers out from behind a tree trunk.<br />
<br />
1_02_04<br />
TIN CASTLE rises into the sky.<br />
<br />
1_02_01b<br />
WOOT is excited by what he sees and sets off.<br />
<br />
1_02_03<br />
WOOT runs to DRAWBRIDGE of TIN CASTLE.<br />
<br />
1_02_03a<br />
WOOT crosses DRAWBRIDGE.<br />
<br />
1_02_4a<br />
WOOT stands facing CASTLE DOORS.<br />
<br />
1_02_05<br />
WOOT stands before CASTLE DOORS.<br />
<br />
1_02_06<br />
WOOT looks around as he walks towards CASTLE DOORS.<br />
<br />
1_02_07<br />
WOOT looks up at CASTLE DOORS, trying to decide what to do.<br />
<br />
1_02_08<br />
WOOT reaches up to knock on the CASTLE DOORS.<br />
<br />
1_02_09<br />
WOOT knocks on CASTLE DOORS.<br />
<br />
1_02_10<br />
WOOT knocks on CASTLE DOORS a second time.<br />
<br />
1_02_11<br />
WOOT finishes knocking then smiles.<br />
<br />
1_02_12<br />
WOOT waits at CASTLE DOORS.<br />
<br />
1_02_13<br />
WOOT gets impatient; reaches to knock on CASTLE DOORS again.<br />
<br />
1_02_15<br />
WOOT knocks on CASTLE DOORS much harder.<br />
<br />
1_02_16<br />
WOOT steps back from CASTLE DOORS.<br />
<br />
1_02_16a<br />
WOOT, still stepping back, looks around him.<br />
<br />
1_02_17<br />
WOOT steps and falls backwards.<br />
<br />
1_02_18<br />
Woot is knocked over by the force of CASTLE DOORS being opened wide. <br />
<br />
1_02_19<br />
WOOT sits back up.<br />
<br />
1_02_20<br />
SERVANT appears in the doorway, dressed in a tin helmet and breastplate and a uniform covered with tiny tin disks. He sparkles dazzlingly in the setting sun. <br />
<br />
SERVANT<br />
000 Yes? May I help you... Sir?<br />
<br />
1_02_21<br />
WOOT stands up.<br />
<br />
WOOT<br />
001 Yes. I'm... Say... <br />
<br />
1_02_22<br />
WOOT<br />
Who lives here?<br />
<br />
1_02_23<br />
SERVANT peers down his nose at WOOT.<br />
<br />
SERVANT<br />
001-03 Who, indeed! Why, it's none other than His Most<br />
<br />
1_02_24<br />
WOOT looks up excitedly.<br />
<br />
SERVANT (OS)<br />
Regal Majesty, the most <br />
<br />
1_02_25<br />
SERVANT<br />
excellent and wonderful Emperor of the Winkies!<br />
<br />
1_02_26<br />
SERVANT<br />
002 The famous Tin Woodman of Oz. <br />
<br />
1_02_27<br />
WOOT<br />
003 A Tin Woodman? How odd!<br />
<br />
1_02_27a<br />
SERVANT (insulted)<br />
03-01 Odd?!? Of all the impertinent...<br />
<br />
1_02_27b<br />
SERVANT (rubbing chin)<br />
004 Perhaps our Emperor is a bit... Odd. <br />
<br />
1_02_28<br />
SERVANT<br />
but he is a kind master<br />
<br />
1_02_29<br />
SERVANT<br />
and as honest and true as good tin can make him.<br />
<br />
1_02_30<br />
SERVANT<br />
004-02 So we, who gladly serve him, overlook the fact that he is not like <br />
<br />
1_02_31<br />
SERVANT (disdainful)<br />
Other people.<br />
<br />
1_02_32<br />
SERVANT<br />
004-03 Now if you don't mind...<br />
<br />
1_02_33<br />
SERVANT turns to go.<br />
<br />
1_02_34<br />
WOOT runs after SERVANT.<br />
<br />
WOOT<br />
Wait! Wait!<br />
<br />
1_02_35<br />
WOOT runs up to the closed castle doors.<br />
<br />
WOOT<br />
I beg you pardon, good sir.<br />
<br />
1_02_36<br />
WOOT <br />
04-01 I didn’t mean he was odd, I… I... I... Actually I've<br />
<br />
1_02_37<br />
WOOT<br />
Bear important news for him... From the village.<br />
<br />
1_02_38<br />
One of the castle doors opens slightly and SERVANT pops out.<br />
SERVANT<br />
005-04 Oh?<br />
<br />
1_02_39<br />
SERVANT (sarcastic)<br />
And what news might that be?<br />
<br />
1_02_40<br />
WOOT<br />
05-05 Yes... Um...<br />
<br />
1_02_41<br />
WOOT<br />
It's something I have to tell him... In person.<br />
<br />
1_02_42<br />
SERVANT looks at WOOT suspiciously for a moment longer. <br />
<br />
SERVANT<br />
006 Very well. <br />
<br />
1_02_43<br />
SEVANT opens the castle door a bit wider.<br />
<br />
SERVANT<br />
If you please, follow me.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2&diff=1274Sequence 22007-09-07T13:16:39Z<p>Martin: </p>
<hr />
<div>SEQUENCE 1_02 - "BRIDGE" // last modified 11/21/06 MH to match WIP<br />
<br />
EXT. TIN CASTLE - SUNSET<br />
1_02_00a<br />
The TIN CASTLE.<br />
<br />
1_02_01<br />
EXT. WOODS - SUNSET<br />
WOOT peers out from behind a tree trunk.<br />
<br />
1_02_04<br />
The TIN CASTLE rises into the sky.<br />
<br />
1_02_01b<br />
WOOT is excited by what he sees and sets off.<br />
<br />
1_02_03<br />
WOOT runs to the DRAWBRIDGE of the TIN CASTLE.<br />
<br />
1_02_03a<br />
WOOT crosses the DRAWBRIDGE.<br />
<br />
1_02_05<br />
WOOT stands before the doors of the TIN CASTLE.<br />
<br />
1_02_06<br />
WOOT looks around as he walks towards the doors of the TIN CASTLE.<br />
<br />
1_02_07<br />
WOOT looks up at the doors of the TIN CASTLE, trying to decide what to do.<br />
<br />
1_02_08<br />
WOOT reaches up to knock on the castle doors.<br />
<br />
1_02_09<br />
WOOT knocks on the castle doors.<br />
<br />
1_02_10<br />
WOOT knocks on the castle doors a second time.<br />
<br />
1_02_11<br />
WOOT finishes knocking then smiles.<br />
<br />
1_02_12<br />
WOOT waits at the castle doors.<br />
<br />
1_02_13<br />
WOOT gets impatient; reaches to knock on the castle doors again.<br />
<br />
1_02_15<br />
WOOT knocks on the castle doors much harder.<br />
<br />
1_02_16<br />
WOOT steps back from the castle doors.<br />
<br />
1_02_16a<br />
WOOT, still stepping back, looks around him.<br />
<br />
1_02_17<br />
WOOT steps and falls backwards.<br />
<br />
1_02_18<br />
Woot is knocked over by the force of the gate doors being opened wide. <br />
<br />
1_02_19<br />
WOOT sits back up.<br />
<br />
1_02_20<br />
SERVANT appears in the doorway, dressed in a tin helmet and breastplate and a uniform covered with tiny tin disks. He sparkles dazzlingly in the setting sun. <br />
<br />
SERVANT<br />
000 Yes? May I help you... Sir?<br />
<br />
1_02_21<br />
WOOT stands up.<br />
<br />
WOOT<br />
001 Yes. I'm... Say... <br />
<br />
1_02_22<br />
WOOT<br />
Who lives here?<br />
<br />
1_02_23<br />
SERVANT peers down his nose at WOOT.<br />
<br />
SERVANT<br />
001-03 Who, indeed! Why, it's none other than His Most<br />
<br />
1_02_24<br />
WOOT looks up excitedly.<br />
<br />
SERVANT (OS)<br />
Regal Majesty, the most <br />
<br />
1_02_25<br />
SERVANT<br />
excellent and wonderful Emperor of the Winkies!<br />
<br />
1_02_26<br />
SERVANT<br />
002 The famous Tin Woodman of Oz. <br />
<br />
1_02_27<br />
WOOT<br />
003 A Tin Woodman? How odd!<br />
<br />
1_02_27a<br />
SERVANT (insulted)<br />
03-01 Odd?!? Of all the impertinent...<br />
<br />
1_02_27b<br />
SERVANT (rubbing chin)<br />
004 Perhaps our Emperor is a bit... Odd. <br />
<br />
1_02_28<br />
SERVANT<br />
but he is a kind master<br />
<br />
1_02_29<br />
SERVANT<br />
and as honest and true as good tin can make him.<br />
<br />
1_02_30<br />
SERVANT<br />
004-02 So we, who gladly serve him, overlook the fact that he is not like <br />
<br />
1_02_31<br />
SERVANT (disdainful)<br />
Other people.<br />
<br />
1_02_32<br />
SERVANT<br />
004-03 Now if you don't mind...<br />
<br />
1_02_33<br />
SERVANT turns to go.<br />
<br />
1_02_34<br />
WOOT runs after SERVANT.<br />
<br />
WOOT<br />
Wait! Wait!<br />
<br />
1_02_35<br />
WOOT runs up to the closed castle doors.<br />
<br />
WOOT<br />
I beg you pardon, good sir.<br />
<br />
1_02_36<br />
WOOT <br />
04-01 I didn’t mean he was odd, I… I... I... Actually I've<br />
<br />
1_02_37<br />
WOOT<br />
Bear important news for him... From the village.<br />
<br />
1_02_38<br />
One of the castle doors opens slightly and SERVANT pops out.<br />
SERVANT<br />
005-04 Oh?<br />
<br />
1_02_39<br />
SERVANT (sarcastic)<br />
And what news might that be?<br />
<br />
1_02_40<br />
WOOT<br />
05-05 Yes... Um...<br />
<br />
1_02_41<br />
WOOT<br />
It's something I have to tell him... In person.<br />
<br />
1_02_42<br />
SERVANT looks at WOOT suspiciously for a moment longer. <br />
<br />
SERVANT<br />
006 Very well. <br />
<br />
1_02_43<br />
SEVANT opens the castle door a bit wider.<br />
<br />
SERVANT<br />
If you please, follow me.</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_1&diff=1273Sequence 2 12007-09-07T12:19:37Z<p>Martin: </p>
<hr />
<div>back to [[Script]]<br />
<br />
== SEQUENCE 2_01 ==<br />
<br />
2_01_01<br />
EXT. COURTYARD - DAWN<br />
<br />
ROOSTER crows enthusiastically, perched upon a wooden crossbeam. It crows again and again and again.<br />
<br />
2_01_02<br />
INT. SCARECROW'S BEDROOM - DAWN<br />
<br />
SCARECROW lies reading in bed. The rooster's crowing irritate hims. <br />
<br />
2_01_03<br />
EXT. COURTYARD - DAWN<br />
<br />
ROOSTER crows with renewed vigor.<br />
<br />
2_01_04<br />
SCARECROW reacts with annoyance at the Rooster's crowing. He sets down his book, throws off his blanket and scoots off the bed. <br />
<br />
2_01_05<br />
SCARECROW'S feet touch the floor. He shuffles away. <br />
<br />
2_01_06<br />
INT. SCARECROW'S BATHROOM<br />
<br />
SCARECROW walks by a sink, picking up his hat and putting it on his head.<br />
<br />
2_01_07<br />
SCARECROW opens his double windows.<br />
<br />
SCARECROW (whispering)<br />
Quiet out there! You'll wake Master Woot!<br />
<br />
2_01_08<br />
ROOSTER crows.<br />
<br />
2_01_09<br />
SCARECROW picks up a boot.<br />
<br />
2_01_13<br />
SCARECROW winds up and throws a BOOT out of the window. OS, the rooster crows.<br />
<br />
2_01_14<br />
A BOOT flies through the air.<br />
<br />
2_01_15<br />
The ROOSTER stops in mid-crow, looks alarmed, ducks, the boot sails over its head. The ROOSTER looks up, relieved. <br />
<br />
2_01_16 <br />
SCARECROW walks to a sink and puts straw into his shirt.<br />
<br />
2_01_48<br />
SERVANT holds a can of polishing wax.<br />
<br />
SERVANT<br />
This should do the trick, sire.<br />
<br />
2_01_49<br />
TIN SERVANT polishes TIN WOODMAN<br />
<br />
TIN WOODMAN<br />
Want to look my best today.<br />
<br />
2_01_50<br />
INT. TINWOODSMAN'S ROOM<br />
CU of TINSERVANT <br />
TINSERVANT Will there be anything else, Sire?<br />
<br />
2_01_51<br />
INT. TINWOODSMAN'S ROOM<br />
TINWOODSMAN Well, now that you mention it, there is one more thing.<br />
TINWOODSMAN exits, TINSERVANT takes out concertina and follows.<br />
<br />
2_01_52<br />
EXT. ON BALCONY<br />
TINWOODSMAN Make my tin castle glint, While I'm absent,<br />
<br />
2_01_53<br />
INT. CASTLE<br />
TINWOODSMAN Make the floors real clean, For my new Queen,<br />
<br />
2_01_54<br />
TINWOODSMAN Nimmie Aimmee, I'm off to see!<br />
<br />
2_01_55<br />
INT. HALLWAY<br />
TINWOODSMAN I'm off, I'm gone, I'm off, I'm gone, so long,<br />
<br />
2_01_56<br />
EXT. TIN GARDEN<br />
TINWOODSMAN Mow the lawn and walk the dog and feed the giant swan<br />
<br />
2_01_57<br />
INT. HALLWAY<br />
TINWOODSMAN I'm off, I'm gone, I'm really getting gone, I'm off, I'm gone, so lo.... <br />
<br />
Tinwoodsman falls thru door opened by Scarecrow. Scarecrow step out into hallway.<br />
<br />
2_01_58 <br />
INT. HALLWAY (Scarecrow does not have hat on)<br />
SCARECROW Oh my straw is fresh, I'm dressed in my best, My hat is on straight, and my boots fit my gate.<br />
<br />
2_01_59<br />
EXT. High span between two castle towers<br />
SCARECROW TINMAN & WOOT Nimme Amee were off to see<br />
<br />
2_01_62<br />
EXT. Tin Garden<br />
Tinman's hand only works mechanisum to lower draw bridge while song plays<br />
<br />
SCARECROW, WOOT & TINMAN we're off<br />
<br />
2_01_63<br />
EXT. DRAW BRIDGE<br />
bridge slams down<br />
<br />
SCARECROW, WOOT & TINMAN we're gone<br />
<br />
2_01_64<br />
EXT. CASTLE<br />
Winkies in the fields take notice of commotion at Castle.<br />
<br />
SCARECROW, WOOT & TINMAN were off were gone so long<br />
<br />
2_01_65<br />
EXT.DRAW BRIDGE<br />
SCARECROW, WOOT & TINMAN cross brige singing<br />
<br />
Off at dawn, the bridge is drawn, and with this goodbye song, were<br />
<br />
2_01_66<br />
EXT. CASTLE<br />
Tinman signs autograph for Winkie while singing scarecrow in back ground<br />
<br />
off were gone<br />
<br />
2_01_66b<br />
EXT. Castle<br />
Tinman & scarecrow <br />
<br />
were really getting gone.....<br />
<br />
2_01_66c<br />
EXT. Castle<br />
Tinman <br />
<br />
were off were gone so long<br />
<br />
2_01_66d<br />
EXT. Castle<br />
Tinman & Scarecrow (listening to Woot singing)<br />
<br />
WOOT Oh finaly...<br />
<br />
2_01_69<br />
EXT. Path<br />
Woot and Winkie crowd<br />
<br />
WOOT I'm on a journey <br />
<br />
2_01_70<br />
EXT. Path<br />
Scarecrow and Tinman catch up to Woot <br />
<br />
WOOT I'm off to see<br />
<br />
2_01_71<br />
EXT. Path<br />
Scarecrow Woot & Tinman and winkie crowd<br />
<br />
WOOT the big OZZZZZZZZZ<br />
<br />
2_01_72<br />
EXT. Path<br />
Scarecrow Woot & Tinman and winkie crowd<br />
entire group sings<br />
<br />
Nimme Amee were off to... (song breaks down)<br />
<br />
(two pictures in story board makes this scene)<br />
<br />
2_01_73<br />
EXT. Path<br />
<br />
SCARECROW Wait wait hold it hold it that didn't come out right<br />
<br />
Scarecrow exits frame<br />
<br />
2_01_74<br />
EXT. Path<br />
Scarecrow returns with cue cards for Woot<br />
<br />
SCARECROW Now lets try that again from the double bar<br />
<br />
2_01_74b<br />
EXT. Path<br />
WOOT Oh finally <br />
<br />
2_01_75<br />
EXT. Path<br />
Woot. Scarecrow and Tinman look on<br />
<br />
WOOT I'm on a journey<br />
<br />
2_01_76<br />
Woot<br />
<br />
I'm off to see... the big ... uh... the big<br />
<br />
2_01_77<br />
EXT. Path<br />
Scarecrow & Tinman (Tinman mimes "O" and "Z")<br />
<br />
<br />
<br />
2_01_78<br />
Ext. Path<br />
<br />
WOOT Oh! the big O-Zee!<br />
<br />
2_01_79<br />
EXT. Path<br />
Woot Tinman & Scarecrow<br />
<br />
TINMAN He's got it almost!<br />
<br />
<br />
<br />
SCARECROW We'll fix it in post!<br />
<br />
2_01_80<br />
EXT. Path<br />
Marching band led by TinServant<br />
<br />
Your off, your gone, Your off your gone so long. We'l mow the lawn and walkl the dog and feed the giant swam. Your off your gone your really getting gone.<br />
Your off your gone so long<br />
<br />
2_01_81<br />
Ext. Path<br />
tinman<br />
<br />
Oh it's her I'm off to see, I can't be late, I gota a date, to find my mate.<br />
<br />
2_01_82<br />
EXT Path<br />
Woot Tinman Scarecrow<br />
<br />
Nimmie Aimmee, were off to see!<br />
<br />
2_01_83<br />
Ext. Path<br />
Tinman, Scarecrow, Woot & Winkie crowd (pause in song)<br />
<br />
2_01_84<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your off, your gone<br />
<br />
2_01_84<br />
Ext. Path<br />
tinman & Scarecrow (While winkie crowd sings)<br />
<br />
WINKIES It's time for you to go<br />
<br />
2_01_85<br />
Ext. Path<br />
Close up of winkie Crowd<br />
<br />
WINKIES Weve heard this song, it's running long<br />
<br />
2_01_85b<br />
Ext. Path<br />
Medium shot of Winkie Crowd<br />
<br />
WINKIES no need to stop the show, <br />
<br />
2_01_86<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
WINKIES your Off your gone, your really getting gone..... <br />
<br />
2_01_87<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your off!<br />
<br />
2_01_88<br />
Ext. Path<br />
Tinman<br />
<br />
were moving<br />
<br />
2_01_89<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your gone!<br />
<br />
2_01_90<br />
Scarecrow<br />
<br />
I'm pretty sure Torches and Pitchforks are a bad sign<br />
<br />
2_01_91<br />
Ext. Path<br />
Winkie Crowd, Woot, Tinman, Scarecrow<br />
<br />
Your off your gone so long........<br />
<br />
End of 2_01<br />
<br />
[[Sequence_2_2]]<br />
<br />
[[Script]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_1&diff=1272Sequence 2 12007-09-07T12:19:09Z<p>Martin: </p>
<hr />
<div>back to [[Script]]<br />
<br />
== SEQUENCE 2_01 ==<br />
<br />
2_01_01<br />
EXT. COURTYARD - DAWN<br />
<br />
ROOSTER crows enthusiastically, perched upon a wooden crossbeam. It crows again and again and again.<br />
<br />
2_01_02<br />
INT. SCARECROW'S BEDROOM - DAWN<br />
<br />
SCARECROW lies reading in bed. The rooster's crowing irritate hims. <br />
<br />
2_01_03<br />
EXT. COURTYARD - DAWN<br />
<br />
ROOSTER crows with renewed vigor.<br />
<br />
2_01_04<br />
SCARECROW reacts with annoyance at the Rooster's crowing. He sets down his book, throws off his blanket and scoots off the bed. <br />
<br />
2_01_05<br />
SCARECROW'S feet touch the floor. He shuffles away. <br />
<br />
2_01_06?<br />
INT. SCARECROW'S BATHROOM<br />
<br />
SCARECROW walks by a sink, picking up his hat and putting it on his head.<br />
<br />
2_01_07<br />
SCARECROW opens his double windows.<br />
<br />
SCARECROW (whispering)<br />
Quiet out there! You'll wake Master Woot!<br />
<br />
2_01_08<br />
ROOSTER crows.<br />
<br />
2_01_09<br />
SCARECROW picks up a boot.<br />
<br />
2_01_13<br />
SCARECROW winds up and throws a BOOT out of the window. OS, the rooster crows.<br />
<br />
2_01_14<br />
A BOOT flies through the air.<br />
<br />
2_01_15<br />
The ROOSTER stops in mid-crow, looks alarmed, ducks, the boot sails over its head. The ROOSTER looks up, relieved. <br />
<br />
2_01_16 <br />
SCARECROW walks to a sink and puts straw into his shirt.<br />
<br />
2_01_48<br />
SERVANT holds a can of polishing wax.<br />
<br />
SERVANT<br />
This should do the trick, sire.<br />
<br />
2_01_49<br />
TIN SERVANT polishes TIN WOODMAN<br />
<br />
TIN WOODMAN<br />
Want to look my best today.<br />
<br />
2_01_50<br />
INT. TINWOODSMAN'S ROOM<br />
CU of TINSERVANT <br />
TINSERVANT Will there be anything else, Sire?<br />
<br />
2_01_51<br />
INT. TINWOODSMAN'S ROOM<br />
TINWOODSMAN Well, now that you mention it, there is one more thing.<br />
TINWOODSMAN exits, TINSERVANT takes out concertina and follows.<br />
<br />
2_01_52<br />
EXT. ON BALCONY<br />
TINWOODSMAN Make my tin castle glint, While I'm absent,<br />
<br />
2_01_53<br />
INT. CASTLE<br />
TINWOODSMAN Make the floors real clean, For my new Queen,<br />
<br />
2_01_54<br />
TINWOODSMAN Nimmie Aimmee, I'm off to see!<br />
<br />
2_01_55<br />
INT. HALLWAY<br />
TINWOODSMAN I'm off, I'm gone, I'm off, I'm gone, so long,<br />
<br />
2_01_56<br />
EXT. TIN GARDEN<br />
TINWOODSMAN Mow the lawn and walk the dog and feed the giant swan<br />
<br />
2_01_57<br />
INT. HALLWAY<br />
TINWOODSMAN I'm off, I'm gone, I'm really getting gone, I'm off, I'm gone, so lo.... <br />
<br />
Tinwoodsman falls thru door opened by Scarecrow. Scarecrow step out into hallway.<br />
<br />
2_01_58 <br />
INT. HALLWAY (Scarecrow does not have hat on)<br />
SCARECROW Oh my straw is fresh, I'm dressed in my best, My hat is on straight, and my boots fit my gate.<br />
<br />
2_01_59<br />
EXT. High span between two castle towers<br />
SCARECROW TINMAN & WOOT Nimme Amee were off to see<br />
<br />
2_01_62<br />
EXT. Tin Garden<br />
Tinman's hand only works mechanisum to lower draw bridge while song plays<br />
<br />
SCARECROW, WOOT & TINMAN we're off<br />
<br />
2_01_63<br />
EXT. DRAW BRIDGE<br />
bridge slams down<br />
<br />
SCARECROW, WOOT & TINMAN we're gone<br />
<br />
2_01_64<br />
EXT. CASTLE<br />
Winkies in the fields take notice of commotion at Castle.<br />
<br />
SCARECROW, WOOT & TINMAN were off were gone so long<br />
<br />
2_01_65<br />
EXT.DRAW BRIDGE<br />
SCARECROW, WOOT & TINMAN cross brige singing<br />
<br />
Off at dawn, the bridge is drawn, and with this goodbye song, were<br />
<br />
2_01_66<br />
EXT. CASTLE<br />
Tinman signs autograph for Winkie while singing scarecrow in back ground<br />
<br />
off were gone<br />
<br />
2_01_66b<br />
EXT. Castle<br />
Tinman & scarecrow <br />
<br />
were really getting gone.....<br />
<br />
2_01_66c<br />
EXT. Castle<br />
Tinman <br />
<br />
were off were gone so long<br />
<br />
2_01_66d<br />
EXT. Castle<br />
Tinman & Scarecrow (listening to Woot singing)<br />
<br />
WOOT Oh finaly...<br />
<br />
2_01_69<br />
EXT. Path<br />
Woot and Winkie crowd<br />
<br />
WOOT I'm on a journey <br />
<br />
2_01_70<br />
EXT. Path<br />
Scarecrow and Tinman catch up to Woot <br />
<br />
WOOT I'm off to see<br />
<br />
2_01_71<br />
EXT. Path<br />
Scarecrow Woot & Tinman and winkie crowd<br />
<br />
WOOT the big OZZZZZZZZZ<br />
<br />
2_01_72<br />
EXT. Path<br />
Scarecrow Woot & Tinman and winkie crowd<br />
entire group sings<br />
<br />
Nimme Amee were off to... (song breaks down)<br />
<br />
(two pictures in story board makes this scene)<br />
<br />
2_01_73<br />
EXT. Path<br />
<br />
SCARECROW Wait wait hold it hold it that didn't come out right<br />
<br />
Scarecrow exits frame<br />
<br />
2_01_74<br />
EXT. Path<br />
Scarecrow returns with cue cards for Woot<br />
<br />
SCARECROW Now lets try that again from the double bar<br />
<br />
2_01_74b<br />
EXT. Path<br />
WOOT Oh finally <br />
<br />
2_01_75<br />
EXT. Path<br />
Woot. Scarecrow and Tinman look on<br />
<br />
WOOT I'm on a journey<br />
<br />
2_01_76<br />
Woot<br />
<br />
I'm off to see... the big ... uh... the big<br />
<br />
2_01_77<br />
EXT. Path<br />
Scarecrow & Tinman (Tinman mimes "O" and "Z")<br />
<br />
<br />
<br />
2_01_78<br />
Ext. Path<br />
<br />
WOOT Oh! the big O-Zee!<br />
<br />
2_01_79<br />
EXT. Path<br />
Woot Tinman & Scarecrow<br />
<br />
TINMAN He's got it almost!<br />
<br />
<br />
<br />
SCARECROW We'll fix it in post!<br />
<br />
2_01_80<br />
EXT. Path<br />
Marching band led by TinServant<br />
<br />
Your off, your gone, Your off your gone so long. We'l mow the lawn and walkl the dog and feed the giant swam. Your off your gone your really getting gone.<br />
Your off your gone so long<br />
<br />
2_01_81<br />
Ext. Path<br />
tinman<br />
<br />
Oh it's her I'm off to see, I can't be late, I gota a date, to find my mate.<br />
<br />
2_01_82<br />
EXT Path<br />
Woot Tinman Scarecrow<br />
<br />
Nimmie Aimmee, were off to see!<br />
<br />
2_01_83<br />
Ext. Path<br />
Tinman, Scarecrow, Woot & Winkie crowd (pause in song)<br />
<br />
2_01_84<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your off, your gone<br />
<br />
2_01_84<br />
Ext. Path<br />
tinman & Scarecrow (While winkie crowd sings)<br />
<br />
WINKIES It's time for you to go<br />
<br />
2_01_85<br />
Ext. Path<br />
Close up of winkie Crowd<br />
<br />
WINKIES Weve heard this song, it's running long<br />
<br />
2_01_85b<br />
Ext. Path<br />
Medium shot of Winkie Crowd<br />
<br />
WINKIES no need to stop the show, <br />
<br />
2_01_86<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
WINKIES your Off your gone, your really getting gone..... <br />
<br />
2_01_87<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your off!<br />
<br />
2_01_88<br />
Ext. Path<br />
Tinman<br />
<br />
were moving<br />
<br />
2_01_89<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your gone!<br />
<br />
2_01_90<br />
Scarecrow<br />
<br />
I'm pretty sure Torches and Pitchforks are a bad sign<br />
<br />
2_01_91<br />
Ext. Path<br />
Winkie Crowd, Woot, Tinman, Scarecrow<br />
<br />
Your off your gone so long........<br />
<br />
End of 2_01<br />
<br />
[[Sequence_2_2]]<br />
<br />
[[Script]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_1&diff=1271Sequence 2 12007-09-07T12:17:18Z<p>Martin: </p>
<hr />
<div>back to [[Script]]<br />
<br />
== SEQUENCE 2_01 ==<br />
<br />
2_01_01<br />
EXT. COURTYARD - DAWN<br />
<br />
ROOSTER crows enthusiastically, perched upon a wooden crossbeam. It crows again and again and again.<br />
<br />
2_01_02<br />
INT. SCARECROW'S BEDROOM - DAWN<br />
<br />
SCARECROW lies reading in bed. The rooster's crowing irritate hims. <br />
<br />
2_01_03<br />
EXT. COURTYARD - DAWN<br />
<br />
ROOSTER crows with renewed vigor.<br />
<br />
2_01_04<br />
SCARECROW reacts with annoyance at the Rooster's crowing. He sets down his book, throws off his blanket and scoots off the bed. <br />
<br />
2_01_05<br />
SCARECROW'S feet touch the floor. He shuffles away. <br />
<br />
2_01_06?<br />
INT. SCARECROW'S BATHROOM<br />
<br />
SCARECROW walks by a sink, picking up his hat and putting it on his head.<br />
<br />
2_01_07<br />
SCARECROW opens his double windows.<br />
<br />
SCARECROW (whispering)<br />
Quiet out there! You'll wake Master Woot!<br />
<br />
2_01_08<br />
ROOSTER crows.<br />
<br />
2_01_09<br />
SCARECROW picks up a boot.<br />
<br />
2_01_13<br />
SCARECROW winds up and throws a BOOT out of the window. OS, the rooster crows.<br />
<br />
2_01_14<br />
A BOOT flies through the air.<br />
<br />
2_01_15<br />
The ROOSTER stops in mid-crow, looks alarmed, ducks, the boot sails over its head. The ROOSTER looks up, relieved. <br />
<br />
2_01_16 <br />
SCARECROW walks to a sink and puts straw into his shirt.<br />
<br />
2_01_48<br />
SERVANT holds a can of polishing wax.<br />
<br />
SERVANT<br />
This should do the trick, sire.<br />
<br />
2_01_49<br />
TIN SERVANT polishes TIN WOODMAN<br />
<br />
TIN WOODMAN<br />
Want to look my best today.<br />
<br />
2_01_17<br />
TIN WOODMAN smiles at his reflection in a mirror.<br />
<br />
SERVANT (OS)<br />
Absolutely perfect, your Majesty.<br />
<br />
TIN WOODMAN beams.<br />
<br />
2_01_50<br />
INT. TINWOODSMAN'S ROOM<br />
CU of TINSERVANT <br />
TINSERVANT Will there be anything else, Sire?<br />
<br />
2_01_51<br />
INT. TINWOODSMAN'S ROOM<br />
TINWOODSMAN Well, now that you mention it, there is one more thing.<br />
TINWOODSMAN exits, TINSERVANT takes out concertina and follows.<br />
<br />
2_01_52<br />
EXT. ON BALCONY<br />
TINWOODSMAN Make my tin castle glint, While I'm absent,<br />
<br />
2_01_53<br />
INT. CASTLE<br />
TINWOODSMAN Make the floors real clean, For my new Queen,<br />
<br />
2_01_54<br />
TINWOODSMAN Nimmie Aimmee, I'm off to see!<br />
<br />
2_01_55<br />
INT. HALLWAY<br />
TINWOODSMAN I'm off, I'm gone, I'm off, I'm gone, so long,<br />
<br />
2_01_56<br />
EXT. TIN GARDEN<br />
TINWOODSMAN Mow the lawn and walk the dog and feed the giant swan<br />
<br />
2_01_57<br />
INT. HALLWAY<br />
TINWOODSMAN I'm off, I'm gone, I'm really getting gone, I'm off, I'm gone, so lo.... <br />
<br />
Tinwoodsman falls thru door opened by Scarecrow. Scarecrow step out into hallway.<br />
<br />
2_01_58 <br />
INT. HALLWAY (Scarecrow does not have hat on)<br />
SCARECROW Oh my straw is fresh, I'm dressed in my best, My hat is on straight, and my boots fit my gate.<br />
<br />
2_01_59<br />
EXT. High span between two castle towers<br />
SCARECROW TINMAN & WOOT Nimme Amee were off to see<br />
<br />
2_01_62<br />
EXT. Tin Garden<br />
Tinman's hand only works mechanisum to lower draw bridge while song plays<br />
<br />
SCARECROW, WOOT & TINMAN we're off<br />
<br />
2_01_63<br />
EXT. DRAW BRIDGE<br />
bridge slams down<br />
<br />
SCARECROW, WOOT & TINMAN we're gone<br />
<br />
2_01_64<br />
EXT. CASTLE<br />
Winkies in the fields take notice of commotion at Castle.<br />
<br />
SCARECROW, WOOT & TINMAN were off were gone so long<br />
<br />
2_01_65<br />
EXT.DRAW BRIDGE<br />
SCARECROW, WOOT & TINMAN cross brige singing<br />
<br />
Off at dawn, the bridge is drawn, and with this goodbye song, were<br />
<br />
2_01_66<br />
EXT. CASTLE<br />
Tinman signs autograph for Winkie while singing scarecrow in back ground<br />
<br />
off were gone<br />
<br />
2_01_66b<br />
EXT. Castle<br />
Tinman & scarecrow <br />
<br />
were really getting gone.....<br />
<br />
2_01_66c<br />
EXT. Castle<br />
Tinman <br />
<br />
were off were gone so long<br />
<br />
2_01_66d<br />
EXT. Castle<br />
Tinman & Scarecrow (listening to Woot singing)<br />
<br />
WOOT Oh finaly...<br />
<br />
2_01_69<br />
EXT. Path<br />
Woot and Winkie crowd<br />
<br />
WOOT I'm on a journey <br />
<br />
2_01_70<br />
EXT. Path<br />
Scarecrow and Tinman catch up to Woot <br />
<br />
WOOT I'm off to see<br />
<br />
2_01_71<br />
EXT. Path<br />
Scarecrow Woot & Tinman and winkie crowd<br />
<br />
WOOT the big OZZZZZZZZZ<br />
<br />
2_01_72<br />
EXT. Path<br />
Scarecrow Woot & Tinman and winkie crowd<br />
entire group sings<br />
<br />
Nimme Amee were off to... (song breaks down)<br />
<br />
(two pictures in story board makes this scene)<br />
<br />
2_01_73<br />
EXT. Path<br />
<br />
SCARECROW Wait wait hold it hold it that didn't come out right<br />
<br />
Scarecrow exits frame<br />
<br />
2_01_74<br />
EXT. Path<br />
Scarecrow returns with cue cards for Woot<br />
<br />
SCARECROW Now lets try that again from the double bar<br />
<br />
2_01_74b<br />
EXT. Path<br />
WOOT Oh finally <br />
<br />
2_01_75<br />
EXT. Path<br />
Woot. Scarecrow and Tinman look on<br />
<br />
WOOT I'm on a journey<br />
<br />
2_01_76<br />
Woot<br />
<br />
I'm off to see... the big ... uh... the big<br />
<br />
2_01_77<br />
EXT. Path<br />
Scarecrow & Tinman (Tinman mimes "O" and "Z")<br />
<br />
<br />
<br />
2_01_78<br />
Ext. Path<br />
<br />
WOOT Oh! the big O-Zee!<br />
<br />
2_01_79<br />
EXT. Path<br />
Woot Tinman & Scarecrow<br />
<br />
TINMAN He's got it almost!<br />
<br />
<br />
<br />
SCARECROW We'll fix it in post!<br />
<br />
2_01_80<br />
EXT. Path<br />
Marching band led by TinServant<br />
<br />
Your off, your gone, Your off your gone so long. We'l mow the lawn and walkl the dog and feed the giant swam. Your off your gone your really getting gone.<br />
Your off your gone so long<br />
<br />
2_01_81<br />
Ext. Path<br />
tinman<br />
<br />
Oh it's her I'm off to see, I can't be late, I gota a date, to find my mate.<br />
<br />
2_01_82<br />
EXT Path<br />
Woot Tinman Scarecrow<br />
<br />
Nimmie Aimmee, were off to see!<br />
<br />
2_01_83<br />
Ext. Path<br />
Tinman, Scarecrow, Woot & Winkie crowd (pause in song)<br />
<br />
2_01_84<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your off, your gone<br />
<br />
2_01_84<br />
Ext. Path<br />
tinman & Scarecrow (While winkie crowd sings)<br />
<br />
WINKIES It's time for you to go<br />
<br />
2_01_85<br />
Ext. Path<br />
Close up of winkie Crowd<br />
<br />
WINKIES Weve heard this song, it's running long<br />
<br />
2_01_85b<br />
Ext. Path<br />
Medium shot of Winkie Crowd<br />
<br />
WINKIES no need to stop the show, <br />
<br />
2_01_86<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
WINKIES your Off your gone, your really getting gone..... <br />
<br />
2_01_87<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your off!<br />
<br />
2_01_88<br />
Ext. Path<br />
Tinman<br />
<br />
were moving<br />
<br />
2_01_89<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your gone!<br />
<br />
2_01_90<br />
Scarecrow<br />
<br />
I'm pretty sure Torches and Pitchforks are a bad sign<br />
<br />
2_01_91<br />
Ext. Path<br />
Winkie Crowd, Woot, Tinman, Scarecrow<br />
<br />
Your off your gone so long........<br />
<br />
End of 2_01<br />
<br />
[[Sequence_2_2]]<br />
<br />
[[Script]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_1&diff=1270Sequence 2 12007-09-07T12:12:26Z<p>Martin: </p>
<hr />
<div>back to [[Script]]<br />
<br />
== SEQUENCE 2_01 ==<br />
<br />
2_01_01<br />
EXT. COURTYARD - DAWN<br />
<br />
ROOSTER crows enthusiastically, perched upon a wooden crossbeam. It crows again and again and again.<br />
<br />
2_01_02<br />
INT. SCARECROW'S BEDROOM - DAWN<br />
<br />
SCARECROW lies reading in bed. The rooster's crowing irritate hims. <br />
<br />
2_01_03<br />
EXT. COURTYARD - DAWN<br />
<br />
ROOSTER crows with renewed vigor.<br />
<br />
2_01_04<br />
SCARECROW reacts with annoyance at the Rooster's crowing. He sets down his book, throws off his blanket and scoots off the bed. <br />
<br />
2_01_05<br />
SCARECROW'S feet touch the floor. He shuffles away. <br />
<br />
2_01_06?<br />
INT. SCARECROW'S BATHROOM<br />
<br />
SCARECROW walks by a sink, picking up his hat and putting it on his head.<br />
<br />
2_01_07<br />
SCARECROW opens his double windows.<br />
<br />
SCARECROW (whispering)<br />
Quiet out there! You'll wake Master Woot!<br />
<br />
2_01_08<br />
ROOSTER crows.<br />
<br />
2_01_09<br />
SCARECROW picks up a boot.<br />
<br />
2_01_48<br />
SERVANT holds a can of polishing wax.<br />
<br />
SERVANT<br />
This should do the trick, sire.<br />
<br />
2_01_49<br />
TIN SERVANT polishes TIN WOODMAN<br />
<br />
TIN WOODMAN<br />
Want to look my best today.<br />
<br />
2_01_13<br />
SCARECROW winds up and throws a BOOT out of the window. OS, the rooster crows.<br />
<br />
2_01_14<br />
A BOOT flies through the air.<br />
<br />
2_01_15<br />
The ROOSTER stops in mid-crow, looks alarmed, ducks, the boot sails over its head. The ROOSTER looks up, relieved. <br />
<br />
2_01_16 <br />
SCARECROW walks to a sink and puts straw into his shirt.<br />
<br />
2_01_17<br />
TIN WOODMAN smiles at his reflection in a mirror.<br />
<br />
SERVANT (OS)<br />
Absolutely perfect, your Majesty.<br />
<br />
TIN WOODMAN beams.<br />
<br />
2_01_50<br />
INT. TINWOODSMAN'S ROOM<br />
CU of TINSERVANT <br />
TINSERVANT Will there be anything else, Sire?<br />
<br />
2_01_51<br />
INT. TINWOODSMAN'S ROOM<br />
TINWOODSMAN Well, now that you mention it, there is one more thing.<br />
TINWOODSMAN exits, TINSERVANT takes out concertina and follows.<br />
<br />
2_01_52<br />
EXT. ON BALCONY<br />
TINWOODSMAN Make my tin castle glint, While I'm absent,<br />
<br />
2_01_53<br />
INT. CASTLE<br />
TINWOODSMAN Make the floors real clean, For my new Queen,<br />
<br />
2_01_54<br />
TINWOODSMAN Nimmie Aimmee, I'm off to see!<br />
<br />
2_01_55<br />
INT. HALLWAY<br />
TINWOODSMAN I'm off, I'm gone, I'm off, I'm gone, so long,<br />
<br />
2_01_56<br />
EXT. TIN GARDEN<br />
TINWOODSMAN Mow the lawn and walk the dog and feed the giant swan<br />
<br />
2_01_57<br />
INT. HALLWAY<br />
TINWOODSMAN I'm off, I'm gone, I'm really getting gone, I'm off, I'm gone, so lo.... <br />
<br />
Tinwoodsman falls thru door opened by Scarecrow. Scarecrow step out into hallway.<br />
<br />
2_01_58 <br />
INT. HALLWAY (Scarecrow does not have hat on)<br />
SCARECROW Oh my straw is fresh, I'm dressed in my best, My hat is on straight, and my boots fit my gate.<br />
<br />
2_01_59<br />
EXT. High span between two castle towers<br />
SCARECROW TINMAN & WOOT Nimme Amee were off to see<br />
<br />
2_01_62<br />
EXT. Tin Garden<br />
Tinman's hand only works mechanisum to lower draw bridge while song plays<br />
<br />
SCARECROW, WOOT & TINMAN we're off<br />
<br />
2_01_63<br />
EXT. DRAW BRIDGE<br />
bridge slams down<br />
<br />
SCARECROW, WOOT & TINMAN we're gone<br />
<br />
2_01_64<br />
EXT. CASTLE<br />
Winkies in the fields take notice of commotion at Castle.<br />
<br />
SCARECROW, WOOT & TINMAN were off were gone so long<br />
<br />
2_01_65<br />
EXT.DRAW BRIDGE<br />
SCARECROW, WOOT & TINMAN cross brige singing<br />
<br />
Off at dawn, the bridge is drawn, and with this goodbye song, were<br />
<br />
2_01_66<br />
EXT. CASTLE<br />
Tinman signs autograph for Winkie while singing scarecrow in back ground<br />
<br />
off were gone<br />
<br />
2_01_66b<br />
EXT. Castle<br />
Tinman & scarecrow <br />
<br />
were really getting gone.....<br />
<br />
2_01_66c<br />
EXT. Castle<br />
Tinman <br />
<br />
were off were gone so long<br />
<br />
2_01_66d<br />
EXT. Castle<br />
Tinman & Scarecrow (listening to Woot singing)<br />
<br />
WOOT Oh finaly...<br />
<br />
2_01_69<br />
EXT. Path<br />
Woot and Winkie crowd<br />
<br />
WOOT I'm on a journey <br />
<br />
2_01_70<br />
EXT. Path<br />
Scarecrow and Tinman catch up to Woot <br />
<br />
WOOT I'm off to see<br />
<br />
2_01_71<br />
EXT. Path<br />
Scarecrow Woot & Tinman and winkie crowd<br />
<br />
WOOT the big OZZZZZZZZZ<br />
<br />
2_01_72<br />
EXT. Path<br />
Scarecrow Woot & Tinman and winkie crowd<br />
entire group sings<br />
<br />
Nimme Amee were off to... (song breaks down)<br />
<br />
(two pictures in story board makes this scene)<br />
<br />
2_01_73<br />
EXT. Path<br />
<br />
SCARECROW Wait wait hold it hold it that didn't come out right<br />
<br />
Scarecrow exits frame<br />
<br />
2_01_74<br />
EXT. Path<br />
Scarecrow returns with cue cards for Woot<br />
<br />
SCARECROW Now lets try that again from the double bar<br />
<br />
2_01_74b<br />
EXT. Path<br />
WOOT Oh finally <br />
<br />
2_01_75<br />
EXT. Path<br />
Woot. Scarecrow and Tinman look on<br />
<br />
WOOT I'm on a journey<br />
<br />
2_01_76<br />
Woot<br />
<br />
I'm off to see... the big ... uh... the big<br />
<br />
2_01_77<br />
EXT. Path<br />
Scarecrow & Tinman (Tinman mimes "O" and "Z")<br />
<br />
<br />
<br />
2_01_78<br />
Ext. Path<br />
<br />
WOOT Oh! the big O-Zee!<br />
<br />
2_01_79<br />
EXT. Path<br />
Woot Tinman & Scarecrow<br />
<br />
TINMAN He's got it almost!<br />
<br />
<br />
<br />
SCARECROW We'll fix it in post!<br />
<br />
2_01_80<br />
EXT. Path<br />
Marching band led by TinServant<br />
<br />
Your off, your gone, Your off your gone so long. We'l mow the lawn and walkl the dog and feed the giant swam. Your off your gone your really getting gone.<br />
Your off your gone so long<br />
<br />
2_01_81<br />
Ext. Path<br />
tinman<br />
<br />
Oh it's her I'm off to see, I can't be late, I gota a date, to find my mate.<br />
<br />
2_01_82<br />
EXT Path<br />
Woot Tinman Scarecrow<br />
<br />
Nimmie Aimmee, were off to see!<br />
<br />
2_01_83<br />
Ext. Path<br />
Tinman, Scarecrow, Woot & Winkie crowd (pause in song)<br />
<br />
2_01_84<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your off, your gone<br />
<br />
2_01_84<br />
Ext. Path<br />
tinman & Scarecrow (While winkie crowd sings)<br />
<br />
WINKIES It's time for you to go<br />
<br />
2_01_85<br />
Ext. Path<br />
Close up of winkie Crowd<br />
<br />
WINKIES Weve heard this song, it's running long<br />
<br />
2_01_85b<br />
Ext. Path<br />
Medium shot of Winkie Crowd<br />
<br />
WINKIES no need to stop the show, <br />
<br />
2_01_86<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
WINKIES your Off your gone, your really getting gone..... <br />
<br />
2_01_87<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your off!<br />
<br />
2_01_88<br />
Ext. Path<br />
Tinman<br />
<br />
were moving<br />
<br />
2_01_89<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your gone!<br />
<br />
2_01_90<br />
Scarecrow<br />
<br />
I'm pretty sure Torches and Pitchforks are a bad sign<br />
<br />
2_01_91<br />
Ext. Path<br />
Winkie Crowd, Woot, Tinman, Scarecrow<br />
<br />
Your off your gone so long........<br />
<br />
End of 2_01<br />
<br />
[[Sequence_2_2]]<br />
<br />
[[Script]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_1&diff=1269Sequence 2 12007-09-07T12:08:59Z<p>Martin: </p>
<hr />
<div>back to [[Script]]<br />
<br />
== SEQUENCE 2_01 ==<br />
<br />
2_01_01<br />
EXT. COURTYARD - DAWN<br />
<br />
ROOSTER crows enthusiastically, perched upon a wooden crossbeam. It crows again and again and again.<br />
<br />
2_01_02<br />
INT. SCARECROW'S BEDROOM - DAWN<br />
<br />
SCARECROW lies reading in bed. The rooster's crowing irritate hims. <br />
<br />
2_01_03<br />
EXT. COURTYARD - DAWN<br />
<br />
ROOSTER crows with renewed vigor.<br />
<br />
2_01_04<br />
SCARECROW reacts with annoyance at the Rooster's crowing. He sets down his book, throws off his blanket and scoots off the bed. <br />
<br />
2_01_05<br />
SCARECROW'S feet touch the floor. He shuffles away. <br />
<br />
2_01_06?<br />
INT. SCARECROW'S BATHROOM<br />
<br />
SCARECROW walks by a sink, picking up his hat and putting it on his head.<br />
<br />
2_01_07<br />
SCARECROW opens his double windows.<br />
<br />
SCARECROW (whispering)<br />
Quiet out there! You'll wake Master Woot!<br />
<br />
2_01_08<br />
ROOSTER crows.<br />
<br />
2_01_09<br />
SCARECROW picks up a boot.<br />
<br />
2_01_10?<br />
SCARECROW peers around a corner of a window, peeved.<br />
<br />
2_01_11?<br />
SERVANT holds a can of polishing wax.<br />
<br />
SERVANT<br />
This should do the trick, sire.<br />
<br />
2_01_12<br />
TIN SERVANT polishes TIN WOODMAN<br />
<br />
TIN WOODMAN<br />
Want to look my best today.<br />
<br />
2_01_13<br />
SCARECROW winds up and throws a BOOT out of the window. OS, the rooster crows.<br />
<br />
2_01_14<br />
A BOOT flies through the air.<br />
<br />
2_01_15<br />
The ROOSTER stops in mid-crow, looks alarmed, ducks, the boot sails over its head. The ROOSTER looks up, relieved. <br />
<br />
2_01_16 <br />
SCARECROW walks to a sink and puts straw into his shirt.<br />
<br />
2_01_17<br />
TIN WOODMAN smiles at his reflection in a mirror.<br />
<br />
SERVANT (OS)<br />
Absolutely perfect, your Majesty.<br />
<br />
TIN WOODMAN beams.<br />
<br />
2_01_50<br />
INT. TINWOODSMAN'S ROOM<br />
CU of TINSERVANT <br />
TINSERVANT Will there be anything else, Sire?<br />
<br />
2_01_51<br />
INT. TINWOODSMAN'S ROOM<br />
TINWOODSMAN Well, now that you mention it, there is one more thing.<br />
TINWOODSMAN exits, TINSERVANT takes out concertina and follows.<br />
<br />
2_01_52<br />
EXT. ON BALCONY<br />
TINWOODSMAN Make my tin castle glint, While I'm absent,<br />
<br />
2_01_53<br />
INT. CASTLE<br />
TINWOODSMAN Make the floors real clean, For my new Queen,<br />
<br />
2_01_54<br />
TINWOODSMAN Nimmie Aimmee, I'm off to see!<br />
<br />
2_01_55<br />
INT. HALLWAY<br />
TINWOODSMAN I'm off, I'm gone, I'm off, I'm gone, so long,<br />
<br />
2_01_56<br />
EXT. TIN GARDEN<br />
TINWOODSMAN Mow the lawn and walk the dog and feed the giant swan<br />
<br />
2_01_57<br />
INT. HALLWAY<br />
TINWOODSMAN I'm off, I'm gone, I'm really getting gone, I'm off, I'm gone, so lo.... <br />
<br />
Tinwoodsman falls thru door opened by Scarecrow. Scarecrow step out into hallway.<br />
<br />
2_01_58 <br />
INT. HALLWAY (Scarecrow does not have hat on)<br />
SCARECROW Oh my straw is fresh, I'm dressed in my best, My hat is on straight, and my boots fit my gate.<br />
<br />
2_01_59<br />
EXT. High span between two castle towers<br />
SCARECROW TINMAN & WOOT Nimme Amee were off to see<br />
<br />
2_01_62<br />
EXT. Tin Garden<br />
Tinman's hand only works mechanisum to lower draw bridge while song plays<br />
<br />
SCARECROW, WOOT & TINMAN we're off<br />
<br />
2_01_63<br />
EXT. DRAW BRIDGE<br />
bridge slams down<br />
<br />
SCARECROW, WOOT & TINMAN we're gone<br />
<br />
2_01_64<br />
EXT. CASTLE<br />
Winkies in the fields take notice of commotion at Castle.<br />
<br />
SCARECROW, WOOT & TINMAN were off were gone so long<br />
<br />
2_01_65<br />
EXT.DRAW BRIDGE<br />
SCARECROW, WOOT & TINMAN cross brige singing<br />
<br />
Off at dawn, the bridge is drawn, and with this goodbye song, were<br />
<br />
2_01_66<br />
EXT. CASTLE<br />
Tinman signs autograph for Winkie while singing scarecrow in back ground<br />
<br />
off were gone<br />
<br />
2_01_66b<br />
EXT. Castle<br />
Tinman & scarecrow <br />
<br />
were really getting gone.....<br />
<br />
2_01_66c<br />
EXT. Castle<br />
Tinman <br />
<br />
were off were gone so long<br />
<br />
2_01_66d<br />
EXT. Castle<br />
Tinman & Scarecrow (listening to Woot singing)<br />
<br />
WOOT Oh finaly...<br />
<br />
2_01_69<br />
EXT. Path<br />
Woot and Winkie crowd<br />
<br />
WOOT I'm on a journey <br />
<br />
2_01_70<br />
EXT. Path<br />
Scarecrow and Tinman catch up to Woot <br />
<br />
WOOT I'm off to see<br />
<br />
2_01_71<br />
EXT. Path<br />
Scarecrow Woot & Tinman and winkie crowd<br />
<br />
WOOT the big OZZZZZZZZZ<br />
<br />
2_01_72<br />
EXT. Path<br />
Scarecrow Woot & Tinman and winkie crowd<br />
entire group sings<br />
<br />
Nimme Amee were off to... (song breaks down)<br />
<br />
(two pictures in story board makes this scene)<br />
<br />
2_01_73<br />
EXT. Path<br />
<br />
SCARECROW Wait wait hold it hold it that didn't come out right<br />
<br />
Scarecrow exits frame<br />
<br />
2_01_74<br />
EXT. Path<br />
Scarecrow returns with cue cards for Woot<br />
<br />
SCARECROW Now lets try that again from the double bar<br />
<br />
2_01_74b<br />
EXT. Path<br />
WOOT Oh finally <br />
<br />
2_01_75<br />
EXT. Path<br />
Woot. Scarecrow and Tinman look on<br />
<br />
WOOT I'm on a journey<br />
<br />
2_01_76<br />
Woot<br />
<br />
I'm off to see... the big ... uh... the big<br />
<br />
2_01_77<br />
EXT. Path<br />
Scarecrow & Tinman (Tinman mimes "O" and "Z")<br />
<br />
<br />
<br />
2_01_78<br />
Ext. Path<br />
<br />
WOOT Oh! the big O-Zee!<br />
<br />
2_01_79<br />
EXT. Path<br />
Woot Tinman & Scarecrow<br />
<br />
TINMAN He's got it almost!<br />
<br />
<br />
<br />
SCARECROW We'll fix it in post!<br />
<br />
2_01_80<br />
EXT. Path<br />
Marching band led by TinServant<br />
<br />
Your off, your gone, Your off your gone so long. We'l mow the lawn and walkl the dog and feed the giant swam. Your off your gone your really getting gone.<br />
Your off your gone so long<br />
<br />
2_01_81<br />
Ext. Path<br />
tinman<br />
<br />
Oh it's her I'm off to see, I can't be late, I gota a date, to find my mate.<br />
<br />
2_01_82<br />
EXT Path<br />
Woot Tinman Scarecrow<br />
<br />
Nimmie Aimmee, were off to see!<br />
<br />
2_01_83<br />
Ext. Path<br />
Tinman, Scarecrow, Woot & Winkie crowd (pause in song)<br />
<br />
2_01_84<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your off, your gone<br />
<br />
2_01_84<br />
Ext. Path<br />
tinman & Scarecrow (While winkie crowd sings)<br />
<br />
WINKIES It's time for you to go<br />
<br />
2_01_85<br />
Ext. Path<br />
Close up of winkie Crowd<br />
<br />
WINKIES Weve heard this song, it's running long<br />
<br />
2_01_85b<br />
Ext. Path<br />
Medium shot of Winkie Crowd<br />
<br />
WINKIES no need to stop the show, <br />
<br />
2_01_86<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
WINKIES your Off your gone, your really getting gone..... <br />
<br />
2_01_87<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your off!<br />
<br />
2_01_88<br />
Ext. Path<br />
Tinman<br />
<br />
were moving<br />
<br />
2_01_89<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your gone!<br />
<br />
2_01_90<br />
Scarecrow<br />
<br />
I'm pretty sure Torches and Pitchforks are a bad sign<br />
<br />
2_01_91<br />
Ext. Path<br />
Winkie Crowd, Woot, Tinman, Scarecrow<br />
<br />
Your off your gone so long........<br />
<br />
End of 2_01<br />
<br />
[[Sequence_2_2]]<br />
<br />
[[Script]]</div>Martinhttps://wiki.animationmaster.com/index.php?title=Sequence_2_1&diff=1268Sequence 2 12007-09-07T11:52:45Z<p>Martin: </p>
<hr />
<div>back to [[Script]]<br />
<br />
== SEQUENCE 2_01 ==<br />
<br />
2_01_01<br />
EXT. COURTYARD - DAWN<br />
<br />
A ROOSTER crows enthusiastically, perched upon a wooden crossbeam. It crows again and again and again.<br />
<br />
2_01_02<br />
INT. SCARECROW'S BEDROOM - DAWN<br />
<br />
SCARECROW lies reading in bed. The rooster's crowing irritate hims. <br />
<br />
2_01_03<br />
EXT. COURTYARD - DAWN<br />
<br />
The ROOSTER crows with renewed vigor.<br />
<br />
2_01_04<br />
SCARECROW reacts with annoyance at the Rooster's crowing. He sets down his book, throws off his blanket and scoots off the bed. <br />
<br />
2_01_05<br />
SCARECROW'S feet touch the floor. He shuffles away. <br />
<br />
2_01_06?<br />
INT. SCARECROW'S BATHROOM<br />
<br />
SCARECROW walks by a sink, picking up his hat and putting it on his head.<br />
<br />
2_01_07?<br />
SCARECROW opens his double windows to scold the roster.<br />
<br />
SCARECROW<br />
Quiet out there! You'll wake Master Woot!<br />
<br />
2_01_08?<br />
ROOSTER crows.<br />
<br />
2_01_09?<br />
SCARECROW picks up a boot.<br />
<br />
2_01_10?<br />
SCARECROW peers around a corner of a window, peeved.<br />
<br />
2_01_11?<br />
SERVANT holds a can of polishing wax.<br />
<br />
SERVANT<br />
This should do the trick, sire.<br />
<br />
2_01_12<br />
TIN SERVANT polishes TIN WOODMAN<br />
<br />
TIN WOODMAN<br />
Want to look my best today.<br />
<br />
2_01_13<br />
SCARECROW winds up and throws a BOOT out of the window. OS, the rooster crows.<br />
<br />
2_01_14<br />
A BOOT flies through the air.<br />
<br />
2_01_15<br />
The ROOSTER stops in mid-crow, looks alarmed, ducks, the boot sails over its head. The ROOSTER looks up, relieved. <br />
<br />
2_01_16? <br />
SCARECROW walks to a sink and puts straw into his shirt.<br />
<br />
2_01_17<br />
TIN WOODMAN smiles at his reflection in a mirror.<br />
<br />
SERVANT (OS)<br />
Absolutely perfect, your Majesty.<br />
<br />
TIN WOODMAN beams.<br />
<br />
2_01_50<br />
INT. TINWOODSMAN'S ROOM<br />
CU of TINSERVANT <br />
TINSERVANT Will there be anything else, Sire?<br />
<br />
2_01_51<br />
INT. TINWOODSMAN'S ROOM<br />
TINWOODSMAN Well, now that you mention it, there is one more thing.<br />
TINWOODSMAN exits, TINSERVANT takes out concertina and follows.<br />
<br />
2_01_52<br />
EXT. ON BALCONY<br />
TINWOODSMAN Make my tin castle glint, While I'm absent,<br />
<br />
2_01_53<br />
INT. CASTLE<br />
TINWOODSMAN Make the floors real clean, For my new Queen,<br />
<br />
2_01_54<br />
TINWOODSMAN Nimmie Aimmee, I'm off to see!<br />
<br />
2_01_55<br />
INT. HALLWAY<br />
TINWOODSMAN I'm off, I'm gone, I'm off, I'm gone, so long,<br />
<br />
2_01_56<br />
EXT. TIN GARDEN<br />
TINWOODSMAN Mow the lawn and walk the dog and feed the giant swan<br />
<br />
2_01_57<br />
INT. HALLWAY<br />
TINWOODSMAN I'm off, I'm gone, I'm really getting gone, I'm off, I'm gone, so lo.... <br />
<br />
Tinwoodsman falls thru door opened by Scarecrow. Scarecrow step out into hallway.<br />
<br />
2_01_58 <br />
INT. HALLWAY (Scarecrow does not have hat on)<br />
SCARECROW Oh my straw is fresh, I'm dressed in my best, My hat is on straight, and my boots fit my gate.<br />
<br />
2_01_59<br />
EXT. High span between two castle towers<br />
SCARECROW TINMAN & WOOT Nimme Amee were off to see<br />
<br />
2_01_62<br />
EXT. Tin Garden<br />
Tinman's hand only works mechanisum to lower draw bridge while song plays<br />
<br />
SCARECROW, WOOT & TINMAN we're off<br />
<br />
2_01_63<br />
EXT. DRAW BRIDGE<br />
bridge slams down<br />
<br />
SCARECROW, WOOT & TINMAN we're gone<br />
<br />
2_01_64<br />
EXT. CASTLE<br />
Winkies in the fields take notice of commotion at Castle.<br />
<br />
SCARECROW, WOOT & TINMAN were off were gone so long<br />
<br />
2_01_65<br />
EXT.DRAW BRIDGE<br />
SCARECROW, WOOT & TINMAN cross brige singing<br />
<br />
Off at dawn, the bridge is drawn, and with this goodbye song, were<br />
<br />
2_01_66<br />
EXT. CASTLE<br />
Tinman signs autograph for Winkie while singing scarecrow in back ground<br />
<br />
off were gone<br />
<br />
2_01_66b<br />
EXT. Castle<br />
Tinman & scarecrow <br />
<br />
were really getting gone.....<br />
<br />
2_01_66c<br />
EXT. Castle<br />
Tinman <br />
<br />
were off were gone so long<br />
<br />
2_01_66d<br />
EXT. Castle<br />
Tinman & Scarecrow (listening to Woot singing)<br />
<br />
WOOT Oh finaly...<br />
<br />
2_01_69<br />
EXT. Path<br />
Woot and Winkie crowd<br />
<br />
WOOT I'm on a journey <br />
<br />
2_01_70<br />
EXT. Path<br />
Scarecrow and Tinman catch up to Woot <br />
<br />
WOOT I'm off to see<br />
<br />
2_01_71<br />
EXT. Path<br />
Scarecrow Woot & Tinman and winkie crowd<br />
<br />
WOOT the big OZZZZZZZZZ<br />
<br />
2_01_72<br />
EXT. Path<br />
Scarecrow Woot & Tinman and winkie crowd<br />
entire group sings<br />
<br />
Nimme Amee were off to... (song breaks down)<br />
<br />
(two pictures in story board makes this scene)<br />
<br />
2_01_73<br />
EXT. Path<br />
<br />
SCARECROW Wait wait hold it hold it that didn't come out right<br />
<br />
Scarecrow exits frame<br />
<br />
2_01_74<br />
EXT. Path<br />
Scarecrow returns with cue cards for Woot<br />
<br />
SCARECROW Now lets try that again from the double bar<br />
<br />
2_01_74b<br />
EXT. Path<br />
WOOT Oh finally <br />
<br />
2_01_75<br />
EXT. Path<br />
Woot. Scarecrow and Tinman look on<br />
<br />
WOOT I'm on a journey<br />
<br />
2_01_76<br />
Woot<br />
<br />
I'm off to see... the big ... uh... the big<br />
<br />
2_01_77<br />
EXT. Path<br />
Scarecrow & Tinman (Tinman mimes "O" and "Z")<br />
<br />
<br />
<br />
2_01_78<br />
Ext. Path<br />
<br />
WOOT Oh! the big O-Zee!<br />
<br />
2_01_79<br />
EXT. Path<br />
Woot Tinman & Scarecrow<br />
<br />
TINMAN He's got it almost!<br />
<br />
<br />
<br />
SCARECROW We'll fix it in post!<br />
<br />
2_01_80<br />
EXT. Path<br />
Marching band led by TinServant<br />
<br />
Your off, your gone, Your off your gone so long. We'l mow the lawn and walkl the dog and feed the giant swam. Your off your gone your really getting gone.<br />
Your off your gone so long<br />
<br />
2_01_81<br />
Ext. Path<br />
tinman<br />
<br />
Oh it's her I'm off to see, I can't be late, I gota a date, to find my mate.<br />
<br />
2_01_82<br />
EXT Path<br />
Woot Tinman Scarecrow<br />
<br />
Nimmie Aimmee, were off to see!<br />
<br />
2_01_83<br />
Ext. Path<br />
Tinman, Scarecrow, Woot & Winkie crowd (pause in song)<br />
<br />
2_01_84<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your off, your gone<br />
<br />
2_01_84<br />
Ext. Path<br />
tinman & Scarecrow (While winkie crowd sings)<br />
<br />
WINKIES It's time for you to go<br />
<br />
2_01_85<br />
Ext. Path<br />
Close up of winkie Crowd<br />
<br />
WINKIES Weve heard this song, it's running long<br />
<br />
2_01_85b<br />
Ext. Path<br />
Medium shot of Winkie Crowd<br />
<br />
WINKIES no need to stop the show, <br />
<br />
2_01_86<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
WINKIES your Off your gone, your really getting gone..... <br />
<br />
2_01_87<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your off!<br />
<br />
2_01_88<br />
Ext. Path<br />
Tinman<br />
<br />
were moving<br />
<br />
2_01_89<br />
Ext. Path<br />
Winkie Crowd<br />
<br />
Your gone!<br />
<br />
2_01_90<br />
Scarecrow<br />
<br />
I'm pretty sure Torches and Pitchforks are a bad sign<br />
<br />
2_01_91<br />
Ext. Path<br />
Winkie Crowd, Woot, Tinman, Scarecrow<br />
<br />
Your off your gone so long........<br />
<br />
End of 2_01<br />
<br />
[[Sequence_2_2]]<br />
<br />
[[Script]]</div>Martin