Animation Master Wiki - User contributions [en]

Dot Project User List

2008-08-01T16:26:46Z

Ssappington: /* Anonymous guests */

==[[Dot Project]] user list sorted by role==

Each role can do what the roles below it can do.

=== Admin ===
can adjust ''roles''

* [[Martin Hash]], Noel, Willp, Yves P, Steve S, Marshall H, Bob C, Ken C [[Jim Talbot]], [[David Higgins]], [[Paul Daley]], [[Rodney Baker]], [[Rhett Jackson]]

=== Project Managers ===
can create ''projects''

* [[Dylan Perry]]

=== Task Managers ===
can create ''tasks''

==== Art and Animation Directors ====
* [[Alain Desrochers]], [[Frank Silas]], [[Ed Lynch]], [[Paul Daley]], [[Zach Brewster-Geisz]], [[Robert Holmen]], [[Bruce Del Porte]], [[William Sutton]]
==== Others ====
* [[Mark Skodacek]], [[Vernon Zehr]], [[Lazlo Luongo]], [[Colin Freeman]], [[Fabrice Fave]], [[Greg Schumsky]] (TWO game),

=== Contributors ===
can create and edit ''task logs'', and update task progress. They can also edit tasks but should only do so if assigned to that task.

See [[Contributors]]

=== Unknown Status ===
==== Contributor but not in movie company ====
* (no fullname) - AniMattor
* James Reaves - Blind-Monk

=== Anonymous guests ===
have only ''view'' rights. Either they didn’t ask for Contributor access or they don’t have enough of a forum history to tell that they are involved in the project.

* voodooman, gwinkelman, Shelton, bigfishcatcher, splinesmith, Ganthofer, 3DArtz, forevernameless, brainlock, rossk, KNBits, MMZ_TimeLord, C Cargo, dre4mer, steves, mhovland, tanassi, Jack West, jamesgelwood, Kevin E Long, pabloschmid, ptiversen, serg2, Fabrice Fav, Tom, Gilles Charbonneau, daanmuller, kenyip, Rolf Kestermann, Fadhli adibya, AceLK, Tacku, robotmonster, Dennis Borruso, MixePix, 3ddan, raychua, Robert-Jank, peanuckle, Muff ,noewjook, Alli, Kricket, yardie, billyb, francis glebas, lordofthesplines, jojolimited, rborquez, Nosferatu, 3DKiwi, Terraance M, Leo73, My Fault, JJRO, avi, cheto, frosteternal, PlJack, steve392, gbk178, MiddleKid, zorque , Nat, Dusan Kastelic as kikiriki, Egopoe, jamagica, RingerT, ludo_si, walkers, Robert Phillips as elrond, Stephen Bruce as steveb, lomvuho

If you are not listed and you have followed the [[Dot Project Login]] instructions then make sure you’ve asked for access in this [http://www.hash.com/forums/index.php?showtopic=18642 topic] of the forum.

If an admin thinks that someone is misplaced they are free to [http://wiki.hash.com/two/show/DotProjectAdvanced#usermanager change] a users role. Just be sure and update this list.

==[[SVN]] Access list==

* willp, noel, SteveS, mtpeak2*, jandals*, alweb*, pdaley*, Frank Silas*, zandoria*, KenH, animattor, PF_Mark, strohbehn, kuep, higginsdj, racreel, MMZ_TimeLord, pwaslen, itsjustme, Eric2575, Lewa11, mediaho, Kamikaze, Fab, Robert-Jank, c-wheeler, wedgeeguy, OdinsEye2k, agep, kungfudork, Pixar, ZachBG*, xtaz, katt, tacoballz, TeresaNord, dylan*, sonofpat, Dhar, Dagoos, ssappington, JGarlick, CoryCollins, robcat2075, waldronk, nat, Ilidrake, DeeJay, markeh, ZPiDER, thekamp, HomeSlice, bobcroucher, jpappas, jasonsimmonds, kbaer, james, entity, Shelton, Zaryin, Jeetman, marshall, Neu_Type, jimmy_caushca, smwolke, martin*, Animus, andyg, heath, NimaAnvar, Shazam3d, gaz, PaulForwood, heather, dr4mer, gschumsky, goodguy20k, Russel_Nash, apprentice, plasma, Leo73, MattWBradbury, cwisbg, noahbrewer, Tunames, JavierP, jmf3d3d, dalehash, DrPhibes, djclinton, raffi, Soltek, jbeery, Logrus, ajs007, caroline, steves, spacecomics, Aj2, Julian, satyajit2000, Ullis, pequod, swooster, RobertKelley, shaun, shelton, shirushi, elliotclem1, Teh_demon, mikesanderson, el_syd, KellyDip, ptiversen, steve392, tralfaz, youngman, animatingadam

* Director or manager

See [[Svn Walkthrough]] for for instructions to get svn access.

===[http://www.hash.com/sdk/member.php Forum Username Lookup Tool]===

[[category:TWO]]
[[category:SVN]]
[[category:DotProject]]

Sequence 2 10

2007-11-14T23:22:38Z

Ssappington:

SEQUENCE 2_10 - "MEET THE YOOKOOHOO"

2_10_01
TIN WOODMAN
180-02 Oh my

2_10_02
INT. GOLDEN CHAMBER
In the center of the CHAMBER is a huge table, at which sits MRS. YOOP. She has her back toward them and does not turn around. She is turning the pages by simply motioning her hand.

MRS. YOOP (menacing)
181 You’re causing a draft... And I shall catch cold... And sneeze.

2_10_04
TIN WOODMAN, SCARECROW, and WOOT tremble. They look around. There’s no way out. There are shadows moving on the walls.

MRS. YOOP
181-01 And when I sneeze, I become cross… Very, very nasty.

2_10_06
MRS. YOOP
And when I become cross, I’m liable to do something… wicked! (chuckles) Mmmm. Come in, you foolish strangers. Come in!

2_10_08
TIN WOODMAN, SCARECROW, and WOOT run, screaming in fright.

2_10_09
MRS. YOOP points a finger at a fireplace SCREEN which becomes a fence surrounding them.

2_10_10
WOOT, TIN WOODMAN, and SCARECROW cower behind the SCREEN.

2_10_11
MRS. YOOP (chuckling)
181-02 What have we here…?

2_10_12
TIN WOODMAN, SCARECROW, and WOOT shrink back as MRS. YOOP bends close to examine them.

2_10_13
MRS. YOOP changes size, shape and appearance at whim.

MRS. YOOP
181-03 Speak!!!

2_10_14
The CHAMBER reverberates with the sound of MRS. YOOP'S voice. TIN WOODMAN, SCARECROW, and WOOT fall to the ground, almost insensible with terror.

2_10_15
When the echoes have died away, SCARECROW raises his head, terrified.

SCARECROW
183 W-we d-didn’t know anyone l-lived here, M-Madam, s-so, b-being travelers and strangers in these p-parts, and w-w-wishing to find a p-place for our young c-companion to s-sleep—w-we v-ventured t-to enter your lovely c-c-astle.

2_10_16
MRS. YOOP crouches above, leers.

MRS. YOOP
184 You have found much more than you bargained for!!!

2_10_17
OS: Mrs. Yoop laughing. TIN WOODMAN, SCARECROW, and WOOT bury their faces in their hands, shaking.

2_10_18
MRS. YOOP walks around the cowering TIN WOODMAN, SCARECROW, and WOOT: sometimes huge and horrible, other times normal and motherly-looking.

2_10_19
WOOT peeks between his fingers.

WOOT (fearful)
185 A-a-are you a w-w-witch?

2_10_20
MRS. YOOP
185-01 Witch?! Witch!!! Why, I Witch this!

2_10_21
TIN WOODMAN, SCARECROW, and WOOT cringe in terror as all manner of foul ENTITIES surround them.

2_10_23
MRS. YOOP laughs pleasantly.

MRS. YOOP
186 More- an artist of transformation. A Yookoohoo. Much more clever than a witch.

2_10_24
MRS. YOOP shrinks down, suddenly holding a plate of cookies. She offers them to her guests.

MRS. YOOP
Perhaps you’ve heard of me… Mrs. Yoop?

2_10_26
SCARECROW
187 A-are w-we to c-consider you our f-friend, M-M-Mrs. Yoop?

2_10_27
MRS. YOOP
I have never had any friends—

2_10_27a 0000-0038
Zoom into MRS. YOOP's EYES.

Bunny playing drum.

2_10_27b 0039-0294
Transition into Mrs. Yoop, dressed in skirt, dancing with bunnys in top hats..

2_10_27c 0295-0556
MRS. YOOP
I am Mrs. Yoop,
And I'm lonely,
I am lonely since they put my man away,

2_10_27d 0557-0818
COWJOHN in a cage hanging from a rope that drops down from ceiling. MRS. YOOP reaches through cage bars and pats his head.

MRS. YOOP
Ozma put him in a cage,

Minature OZMA TOY appears in MRS. YOOP's hand.

MRS. YOOP
But Someday she'll feel my rage,

MRS. YOOP squeezes OZMA TOY in her hand.

2_10_27e 0819-1080
MRS. YOOP
I just want someone to play with.

TIN WOODMAN, SCARECROW and WOOT, seated on the floor, look at each other, frightened.

MRS. YOOP kneels down in front of TIN WOODMAN, SCARECROW and WOOT, scooping them up in her hands.

2_10_27f 1081-1342
MRS. YOOP stands (costume change) holding TIN WOODMAN and WOOT in one hand and SCARECROW in the other.

MRS. YOOP
I am Mrs. Yoop
And I'm lonely,
For my husband, the giant, Mr. Yoop.

MRS. YOOP hugs TIN WOODMAN, SCARECROW and WOOT tightly to her bosum.

2_10_27g 1343-1604
MRS. YOOP throws TIN WOODMAN, SCARECROW and WOOT over her shoulder.

MRS. YOOP
Don't call me a witch,
And don't you think that I'm a gritch,

MRS. YOOP dances with DEMONS.

2_10_27h 1605-1866
MRS. YOOP
This is me and my way.

2_10_27i 1867-2128
MRS. YOOP costume change.

MRS. YOOP
I am Mrs. Yoop,
And I'm lonely,
Because I'm a Yookoohoo,

2_10_27j 2129-2390
MRS. YOOP stands in front of TIN WOODMAN, SCARECROW and WOOT.

MRS. YOOP
Changing things is what I do,
And I will change you too,

2_10_27k 2391-2652
MRS. YOOP
No matter what you might say.

2_10_27l 2653-2914
MRS. YOOP
I am Mrs. Yoop,
And I'm lonely,
I 've been cooped up in this castle all day.

2_10_27m 2915-3176
MRS. YOOP
Won't you be my friends?
Until the time comes it ends,

2_10_27n 3177-3438
MRS. YOOP
I have no one here to play with.

2_10_27o 3439-3700
MRS. YOOP
I am Mrs. Yoop,
And I'm lonely,
But I won't be,
I won't be for that long.

2_10_27p 3701-3962
MRS. YOOP
You'll be the company I need,
to satisfy all my greed,

2_10_27q 3963-4224
MRS. YOOP
Until Mr. Yoop comes home one day.

2_10_27r 4225-4500
MRS. YOOP does one last ballet turn.

2_10_28
SCARECROW
189 Uh… Love to talk But w-w-w-w-e c-c-can't stay long…

2_10_29
MRS. YOOP
190 Oh, but I disagree.

MRS. YOOP becomes huge again. As she speaks she picks WOOT up in the palm of her gigantic hand.

MRS. YOOP
190-01 I mean to keep you here as long as I live, to amuse me when I get lonely To keep me company

2_10_30
TIN WOODMAN
191 T-t-t-that is outrageous… d-d-do you k-k-know, ma’am, who we a-a-are?

2_10_31
MRS. YOOP is once again a normal, homey-looking mother-type.

MRS. YOOP
192 Mmmmm… Well, lets see a straw man… a tin man… and a meat boy…

TIN WOODMAN, SCARECROW, and WOOT shrink back as her baleful eye falls upon them.

2_10_33
MRS. YOOP
192-01 How unstimulating you are. So plain I know- I will change you all into new forms… formsss farrr moreee interesting….

2_10_34
SCARECROW
193 Y-y-you.. you can’t d-do that! You We We’re very important p-p-eople

2_10_35
MRS. YOOP is huge again. TIN WOODMAN, SCARECROW, and WOOT huddle together in terror.

MRS. YOOP
194 So much the better! I shall enjoy you all the more!

2_10_36
TIN WOODMAN, SCARECROW, and WOOT stare up in terror at MRS. YOOP.

MRS. YOOP
195 Meet bravely what you cannot avoid

MRS. YOOP turns to TIN WOODMAN.

2_10_38
TIN WOODMAN
S-s-stay away from me

MRS. YOOP points an enormous, gnarled finger at TIN WOODMAN. A maelstrom of terrifying ENERGY transforms TIN WOODMAN transforms TIN OWL.

TIN OWL hoots in despair.

2_10_39
MRS. YOOP’S baleful eye fixes on him.

2_10_40
TIN OWL flies to the back of a chair and perches upon it, his tin feathers rattle against one another in a tinny chatter.

2_10_41
SCARECROW attempts to assume a commanding posture. WOOT hides behind him.

SCARECROW
197 Eh Eh Eh N-n-now s-s-see here, m-m-madam, I c-c-consider this action very impolite…. it may even be called rude

2_10_41b
SCARECROW
C-c-considering we are your g-g-guests…

2_10_42
MRS. YOOP
198 Guests, straw man… At whose invitation?

MRS. YOOP opens her immense mouth in a hideous laugh.

2_10_43
SCARECROW shudders violently.

SCARECROW
Look I I've got a f-f-few Em Uh, ah Oh

In a maelstrom of energy, SCARECROW changes into STRAW BEAR.

2_10_44
STRAW BEAR shuffles awkwardly across the floor, whimpering.

STRAW BEAR (confused)
Eh I don't like this I don't like this at all No This isn't right This isn't right at all No, Wrong

2_10_47
WOOT trembles in terror as MRS. YOOP tussles his hair. MRS. YOOP assumes a grotesquely innocent air as she studies the terrified WOOT.

MRS. YOOP
198-01 Ah Now What to do with you, little cuddle-kins? I have something very, very special in mind for you.

2_10_50
MRS. YOOP wiggles her fingers.

2_10_51
WOOT, in a flash of energy, becomes GREEN MONKEY.

2_10_52
MRS. YOOP laughs hideously

2_10_53
GREEN MONKEY chatters as he bounds to the seat of a giant chair, and then to its back.

Yes I do believe Perrrrrfect. (maniacal laughter)

TIN OWL, BEAR and GREEN MONKEY cringe as MRS. YOOP looms above them. She looms over each in turn, then she shrinks back down to near-human proportions, and yawns.

MRS. YOOP
201 Oh Such a day Such a day Well, enjoy yourselves, my pets. We’ll play again… very soon.

2_10_56
MRS. YOOP faces DOOR.

MRS. YOOP
202 Open!

DOOR bursts open with a bang, and MRS. YOOP hobbles out.

DOOR begins closing.

Sequence 2 10

2007-11-14T22:35:25Z

Ssappington:

SEQUENCE 2_10 - "MEET THE YOOKOOHOO"

2_10_01
TIN WOODMAN
180-02 Oh my

2_10_02
INT. GOLDEN CHAMBER
In the center of the CHAMBER is a huge table, at which sits MRS. YOOP. She has her back toward them and does not turn around. She is turning the pages by simply motioning her hand.

MRS. YOOP (menacing)
181 You’re causing a draft... And I shall catch cold... And sneeze.

2_10_04
TIN WOODMAN, SCARECROW, and WOOT tremble. They look around. There’s no way out. There are shadows moving on the walls.

MRS. YOOP
181-01 And when I sneeze, I become cross… Very, very nasty.

2_10_06
MRS. YOOP
And when I become cross, I’m liable to do something… wicked! (chuckles) Mmmm. Come in, you foolish strangers. Come in!

2_10_08
TIN WOODMAN, SCARECROW, and WOOT run, screaming in fright.

2_10_09
MRS. YOOP points a finger at a fireplace SCREEN which becomes a fence surrounding them.

2_10_10
WOOT, TIN WOODMAN, and SCARECROW cower behind the SCREEN.

2_10_11
MRS. YOOP (chuckling)
181-02 What have we here…?

2_10_12
TIN WOODMAN, SCARECROW, and WOOT shrink back as MRS. YOOP bends close to examine them.

2_10_13
MRS. YOOP changes size, shape and appearance at whim.

MRS. YOOP
181-03 Speak!!!

2_10_14
The CHAMBER reverberates with the sound of MRS. YOOP'S voice. TIN WOODMAN, SCARECROW, and WOOT fall to the ground, almost insensible with terror.

2_10_15
When the echoes have died away, SCARECROW raises his head, terrified.

SCARECROW
183 W-we d-didn’t know anyone l-lived here, M-Madam, s-so, b-being travelers and strangers in these p-parts, and w-w-wishing to find a p-place for our young c-companion to s-sleep—w-we v-ventured t-to enter your lovely c-c-astle.

2_10_16
MRS. YOOP crouches above, leers.

MRS. YOOP
184 You have found much more than you bargained for!!!

2_10_17
OS: Mrs. Yoop laughing. TIN WOODMAN, SCARECROW, and WOOT bury their faces in their hands, shaking.

2_10_18
MRS. YOOP walks around the cowering TIN WOODMAN, SCARECROW, and WOOT: sometimes huge and horrible, other times normal and motherly-looking.

2_10_19
WOOT peeks between his fingers.

WOOT (fearful)
185 A-a-are you a w-w-witch?

2_10_20
MRS. YOOP
185-01 Witch?! Witch!!! Why, I Witch this!

2_10_21
TIN WOODMAN, SCARECROW, and WOOT cringe in terror as all manner of foul ENTITIES surround them.

2_10_23
MRS. YOOP laughs pleasantly.

MRS. YOOP
186 More- an artist of transformation. A Yookoohoo. Much more clever than a witch.

2_10_24
MRS. YOOP shrinks down, suddenly holding a plate of cookies. She offers them to her guests.

MRS. YOOP
Perhaps you’ve heard of me… Mrs. Yoop?

2_10_26
SCARECROW
187 A-are w-we to c-consider you our f-friend, M-M-Mrs. Yoop?

2_10_27
MRS. YOOP
I have never had any friends—

2_10_27a 0000-0038
Zoom into MRS. YOOP's EYES.

Bunny playing drum.

2_10_27b 0039-0294
Transition into Mrs. Yoop, dressed in skirt, dancing with bunnys in top hats..

2_10_27c 0295-0556
MRS. YOOP
I am Mrs. Yoop,
And I'm lonely,
I am lonely since they put my man away,

2_10_27d 0557-0818
COWJOHN in a cage hanging from a rope that drops down from ceiling. MRS. YOOP reaches through cage bars and pats his head.

MRS. YOOP
Ozma put him in a cage,

Minature OZMA TOY appears in MRS. YOOP's hand.

MRS. YOOP
But Someday she'll feel my rage,

MRS. YOOP squeezes OZMA TOY in her hand.

2_10_27e 0819-1080
MRS. YOOP
I just want someone to play with.

TIN WOODMAN, SCARECROW and WOOT, seated on the floor, look at each other, frightened.

MRS. YOOP kneels down in front of TIN WOODMAN, SCARECROW and WOOT, scooping them up in her hands.

2_10_27f 1081-1342
MRS. YOOP stands (costume change) holding TIN WOODMAN and WOOT in one hand and SCARECROW in the other.

MRS. YOOP
I am Mrs. Yoop
And I'm lonely,
For my husband, the giant, Mr. Yoop.

MRS. YOOP hugs TIN WOODMAN, SCARECROW and WOOT tightly to her bosum.

2_10_27g 1343-1604
MRS. YOOP throws TIN WOODMAN, SCARECROW and WOOT over her shoulder.

MRS. YOOP
Don't call me a witch,
And don't you think that I'm a gritch,

MRS. YOOP dances with DEMONS.

2_10_27h 1605-1866
MRS. YOOP
This is me and my way.

2_10_27i 1867-2128
MRS. YOOP costume change.

MRS. YOOP
I am Mrs. Yoop,
And I'm lonely,
Because I'm a Yookoohoo,

2_10_27j 2129-2390
MRS. YOOP stands in front of TIN WOODMAN, SCARECROW and WOOT.

MRS. YOOP
Changing things is what I do,
And I will change you too,

2_10_27k 2391-2652
MRS. YOOP
No matter what you might say.

2_10_27l 2653-2914
MRS. YOOP
I am Mrs. Yoop,
And I'm lonely,
I 've been cooped up in this castle all day.

2_10_27m 2915-3176
MRS. YOOP
Won't you be my friends?
Until the time comes it ends,

2_10_27n 3177-3438
MRS. YOOP
I have no one here to play with.

2_10_27o 3439-3700
MRS. YOOP
I am Mrs. Yoop,
And I'm lonely,
But I won't be,
I won't be for that long.

2_10_27p 3701-3962
MRS. YOOP
You'll be the company I need,
to satisfy all my greed,

2_10_27q 3963-4224
MRS. YOOP
Until Mr. Yoop comes home one day.

2_10_27r 4225-4500
MRS. YOOP does one last ballet turn.

2_10_28
SCARECROW
189 Uh… Love to talk But w-w-w-w-e c-c-can't stay long…

2_10_29
MRS. YOOP
190 Oh, but I disagree.

MRS. YOOP becomes huge again. As she speaks she picks WOOT up in the palm of her gigantic hand.

MRS. YOOP
190-01 I mean to keep you here as long as I live, to amuse me when I get lonely To keep me company

2_10_30
TIN WOODMAN
191 T-t-t-that is outrageous… d-d-do you k-k-know, ma’am, who we a-a-are?

2_10_31
MRS. YOOP is once again a normal, homey-looking mother-type.

MRS. YOOP
192 Mmmmm… Well, lets see a straw man… a tin man… and a meat boy…

TIN WOODMAN, SCARECROW, and WOOT shrink back as her baleful eye falls upon them.

2_10_33
MRS. YOOP
192-01 How unstimulating you are. So plain I know- I will change you all into new forms… formsss farrr moreee interesting….

2_10_34
SCARECROW
193 Y-y-you.. you can’t d-do that! You We We’re very important p-p-eople

2_10_35
MRS. YOOP is huge again. TIN WOODMAN, SCARECROW, and WOOT huddle together in terror.

MRS. YOOP
194 So much the better! I shall enjoy you all the more!

2_10_36
TIN WOODMAN, SCARECROW, and WOOT stare up in terror at MRS. YOOP.

MRS. YOOP
195 Meet bravely what you cannot avoid

MRS. YOOP turns to TIN WOODMAN.

2_10_38
TIN WOODMAN
S-s-stay away from me

MRS. YOOP points an enormous, gnarled finger at TIN WOODMAN. A maelstrom of terrifying ENERGY transforms TIN WOODMAN transforms TIN OWL.

TIN OWL hoots in despair.

2_10_39
MRS. YOOP’S baleful eye fixes on him.

2_10_40
TIN OWL flies to the back of a chair and perches upon it, his tin feathers rattle against one another in a tinny chatter.

2_10_41
SCARECROW attempts to assume a commanding posture. WOOT hides behind him.

SCARECROW
197 Eh Eh Eh N-n-now s-s-see here, m-m-madam, I c-c-consider this action very impolite…. it may even be called rude

2_10_41b
SCARECROW
C-c-considering we are your g-g-guests…

2_10_42
MRS. YOOP
198 Guests, straw man… At whose invitation?

MRS. YOOP opens her immense mouth in a hideous laugh.

2_10_43
SCARECROW shudders violently.

SCARECROW
Look I I've got a f-f-few Em Uh, ah Oh

In a maelstrom of energy, SCARECROW changes into STRAW BEAR.

2_10_44
STRAW BEAR shuffles awkwardly across the floor, whimpering.

STRAW BEAR (confused)
Eh I don't like this I don't like this at all No This isn't right This isn't right at all No, Wrong

2_10_47
WOOT trembles in terror as MRS. YOOP tussles his hair. MRS. YOOP assumes a grotesquely innocent air as she studies the terrified WOOT.

MRS. YOOP
198-01 Ah Now What to do with you, little cuddle-kins? I have something very, very special in mind for you.

2_10_50
MRS. YOOP wiggles her fingers.

2_10_51
WOOT, in a flash of energy, becomes GREEN MONKEY.

2_10_52
MRS. YOOP laughs hideously

2_10_53
GREEN MONKEY chatters as he bounds to the seat of a giant chair, and then to its back.

MRS. YOOP’S maniacal laughter echoes through the castle.

2_10_54
MRS. YOOP
Yes I do believe (cackles) Perrrrrfect.

TIN OWL, BEAR and GREEN MONKEY cringe as MRS. YOOP looms above them. She looms over each in turn, then she shrinks back down to near-human proportions, and yawns.

MRS. YOOP
201 Oh Such a day Such a day Well, enjoy yourselves, my pets. We’ll play again… very soon.

2_10_56
MRS. YOOP faces DOOR.

MRS. YOOP
202 Open!

DOOR bursts open with a bang, and MRS. YOOP hobbles out.

DOOR begins closing.

Sequence 2 8

2007-11-06T19:09:31Z

Ssappington:

SEQUENCE 2_08 ⿿ ⿿NIMMIE⿿S HOUSE⿝

2_08_02
EXT. PATH TO NIMMIE AMEE’S HOUSE - DAY

TIN WOODMAN, SCARECROW, and WOOT look onto to Nimmie Amee's House (OS).

SCARECROW
133 Well... From what we have been told: this is Nimmie Amee's house.

2_08_03
WOOT and SCARECROW look at TIN WOODMAN. He is tense.

TIN WOODMAN (plaintive)
134 So far, but no farther. I am now close to Nimmie Amee, whom I have come ever so far to seek. My cracked heart is aflutter.

2_08_04
SCARECROW nods.

SCARECROW
I can almost hear it fluttering.

2_08_05
WOOT
135 Are you okay, Sire? Does love affect you so?

2_08_06
TIN WOODMAN
136 I don't know. I will tell you when Nimmie Amee marries me.

2_08_08
TIN WOODMAN starts off deliberately.

2_08_09
SCARECROW and WOOT run to catch up.

2_08_09a
SCARECROW, WOOT, and TIN WOODMAN walk together towards NIMMIE AMEE'S HOUSE.

2_08_10
As do a few belligerent GEESE, who honk and nip at TIN WOODMAN.

2_08_11
TIN WOODMAN waves his arms at the GEESE, trying to shoo them away.

TIN WOODMAN
Oh... Be quiet. Be quiet, you!

2_08_12
SCARECROW and WOOT watch.

SCARECROW
Oh-oh... This'll make for a bad entrance...

2_08_13
TIN WOODMAN
Oh, be quiet. Quiet! Quiet, you!

TIN WOODMAN struggles with the GEESE. SCARECROW and WOOT rush to his aid, but fare no better is shooing away the GEESE.

NIMMIE AMEE (OS)
137 Who’s there?

It’s a soft, innocent voice… but one that all but knocks TIN WOODMAN back off his feet. SCARECROW and WOOT barely manage to catch him in time to steady him.

2_08_15
WOOT
138 Uh... It is us... Ma'am.

2_08_16
NIMMIE AMEE peer out around the edge of the door.

NIMMIE AMEE
139 Are you friends, or foes?

2_08_17
SCARECROW and WOOT grip TIN WOODMAN in support.

ALL (in unison)
140 Friends!

2_08_18
TIN WOODMAN stares in awe.

TIN WOODMAN
141 Nimmie Amee…

2_08_19
NIMMIE AMEE
142 That's my name, but who can you be?

2_08_20
TIN WOODMAN
143 Nimmie… Do you? Do you not remember me? I am your old sweetheart.

2_08_21
NIMMIE AMEE is blank for a moment then she smiles.

NIMMIE AMEE
144 Well... Come in. Even sweethearts are forgotten after a time.

2_08_23
NIMMIE AMEE (OS)
But you and your friends are welcome.

TIN WOODMAN moves for the door, and the others follow.

2_08_27
The GEESE crash into the door.

2_08_28
INT. NIMMIE AMEE’S HOUSE - DAY

TIN WOODMAN, SCARECROW, and WOOT enter cozy and comfortable NIMMIE AMEE⿿S ROOM, neatly furnished and well swept and dusted. CHOPFYT is seated in a chair before a fireplace.

2_08_29
CHOPFYT stares at them.

2_08_30
TIN WOODMAN stares back, angry.

2_08_31
CU: CHOPFYT

2_08_32
TIN WOODMAN points.

TIN WOODMAN
145 Impostor!

2_08_33
CHOPFYT frowns and looks angry.

2_08_34
TIN WOODMAN starts forward, but SCARECROW and WOOT hold him back.

SCARECROW
146 Gently, gently! Don’t be rude to strangers.

TIN WOODMAN
147 Rude?! Why that villain is wearing my own head!

2_08_35
CHOPFYT jumps up out of the armchair.

CHOPFYT
Just a minute, tin can...

2_08_36
SCARECROW and WOOT struggle to hold TIN WOODMAN back.

WOOT
148 Sire... Sire... Wait... Don’t...

2_08_37
CHOPFYT and TIN WOODMAN confront each other nose-to-nose.

CHOPFYT
149 What’s the meaning of this? Who are you?

TIN WOODMAN
149-01 Who are we! Who are you?

2_08_38
NIMMIE AMEE
150 I must insist you be more respectful to my husband.

2_08_39
TIN WOODMAN
151 Your… husband?

2_08_40
NIMMIE AMEE goes to CHOPFYT and puts her arms around him.

NIMMIE AMEE
152 Yes. I married Chopfyt a long time ago.

2_08_41
TIN WOODMAN
152-01 But I...

2_08_42
NIMMIE AMEE
152-02 Left… Without a word.

2_08_43
TIN WOODMAN
153 But he is me!

SCARECROW (laughing)
154 Uh-uh, oh, you're quite wrong, old friend. You are yourself, and so Chopfyt must be someone else.

2_08_44

CHOPFYT
154-01 Now see here, you lot, what is this all about? If you’re looking to make trouble...

2_08_45
TIN WOODMAN
154-02 N-N-Nimmie is my—

2_08_46
NIMMIE AMEE
154-03 No I’m not!

2_08_47
TIN WOODMAN looks at NIMMIE AMEE in shock.

NIMMIE AMEE
155 I won't say he is a husband to be proud of, because he isn't always an agreeable companion. There are times when I have to chide him gently, both with my tongue and with my broomstick. But he is my husband...

2_08_50
NIMMIE AMEE
155-01 ... and I must make the best of him. He’s trained to draw water, and carry wood,

2_08_48
TIN WOODMAN recoils, in anguish.

2_08_49
SCARECROW and WOOT watch, not knowing what to anticipate.

2_08_51
CHOPFYT smiles smugly, picks up a mug of ale, and drinks. He belches.

NIMMIE AMEE (OS)
155-01 and hoe the cabbages and weed the flower-beds and dust the furniture…

2_08_52
TIN WOODMAN is aghast.

TIN WOODMAN
156 But... Wuh-wuh-wouldn’t you like to be... Empress of the Winkies?

2_08_53
NIMMIE AMEE looks at TIN WOODMAN. She puts a broom into CHOPFYT⿿S hands and he starts sweeping.

NIMMIE AMEE
157 Mercy, no. That would be a lot of bother… Wouldn't it? I mean... A new husband would have to be scolded... And gently chided until he learns my ways.

2_08_54
NIMMIE AMEE gently but firmly nudges CHOPFYT along as he sweeps the floor.

NIMMIE AMEE
And I don’t care for society, or pomp, or posing. All I ask is to be left alone and not to be annoyed by visitors.

2_08_55
SCARECROW and WOOT shift their feet, uncomfortably.

SCARECROW
158 Oh. Eh... Sounds like it is time for us to go...

2_08_57
SCARECROW and WOOT exit. TIN WOODMAN remains a moment. SCARECROW comes back, takes TIN WOODMAN’S arm.

2_08_58
SCARECROW pushes TIN WOODMAN out the door.

SCARECROW
Well… So long, Mister Henpeck... Eh, Mister Chopfyt.

SCARECROW exits.

2_08_59
CHOPFYT takes a swig of ale.

CHOPFYT
Huh! Good riddance to bad rubbish, I say.

The door slams shut.

2_08_60
EXT. NIMMIE AMEE’S HOUSE - DAY

The GEESE immediately swarm around TIN WOODMAN, SCARECROW, and WOOT, honking.

2_08_61
TIN WOODMAN looks back at NIMMIE AMEE⿿S house.

TIN WOODMAN (forlorn)
160 Nimmie Amee... does not love me.

2_08_62
SCARECROW
161 Huh! Well... Be thankful it is not your fate to hoe cabbages and sweep the floors.

2_08_63
There’s a loud cracking sound inside TIN WOODMAN’S chest. He gasps, opens his chest door, and pulls out two halves of his HEART, now broken in two.

2_08_64
TIN WOODMAN
162 But my heart! I fear there is no end to this ache.

2_08_66
SCARECROW
163 Oh... Well, we are not wanted here… and we dare not go back through Loonville⿦ I say we travel on.

2_08_67
TIN WOODMAN suddenly hurls his AXE.

2_08_68
The AXE embeds itself in a tree.

2_08_69
The GEESE retreat OS.

2_08_70
TIN WOODMAN slumps down under a tree.

TIN WOODMAN (sorrowful)
164 Ohhh... Do what you will. I will lay here... And never move again.

2_08_71
SCARECROW and WOOT look at each other, alarmed.

2_08_86
TIN WOODMAN leans heavily against a TREE.

My heart is broken,
My body too,
My joints are stuck tight,
I'll just stay like this forever.

2_08_87
Transition to sad flower.

My heart is broken,
Can you feel my pain?
It radiates out like moonbeams,
To darken everything it touches.

2_08_88
TIN WOODMAN sitting under tree/Nimme Aimee in the Moon

My heart is broken,
Life means nothing to me,
Take me off your guest list,
I won't be visiting anymore.

2_08_89
Lighting flash across the moon. It starts to rain.

My heart is broken,
Who cares what happens to me,
Just leave me here to rust,
No one loves me anymore.

2_08_90
The rain is falling very hard on TIN WOODMAN so that he is barely visible.

My heart is broken,
My spirit too?
Nimmie Amee has struck my life away,
Leave me be.

2_08_72
SCARECROW
165 Well… that’s a fine way to behave! It makes me very glad I have a brain and not a heart. At least my brain leaves me with dignity!

2_08_73
TIN WOODMAN looks sadly at SCARECROW.

2_08_74
SCARECROW frowns.

SCARECROW
165-01 It seems to me I remember a time when we were in similar straits… and the only thing that kept us going…

2_08_75
TIN WOODMAN
165-02 I know… was faith… and companionship. I remember…

2_08_76
WOOT hangs on the AXE, trying to pull it out of the tree trunk.

WOOT
166 I’ve never been in love, but someday I might be. Tell me what it feels like?

2_08_77
TIN WOODMAN signs heavily, looks up to WOOT⿿S dangling feet.

TIN WOODMAN
167 Ah... Young Woot, you will be sorry when I do, but if you insist?

2_08_78

WOOT (taken aback)
168 Uh, I don't really insist.

2_08_79
TIN WOODMAN gets up, easily pulls the axe, with WOOT hanging on it, from the tree.

TIN WOODMAN
169 Come, boy... I have so much heartache to pass on to you.

2_08_80
WOOT (ruefully)
170 Ohhhh… I... Uh...

2_08_81
TIN WOODMAN holds the axe aloft a moment, looks WOOT in the eye.

2_08_82
WOOT sighs, resigned to his fate.

2_08_83
WOOT, TIN WOODMAN, and SCARECROW walk down the trail into the sunset.

TIN WOODMAN
170-01 It begins with a yearning deep within your soul, and then there is a kind of murmuring, as though all your joints need oil, and cry out for it; yet you can still move! Alas, that is even worse…

2_08_84
SCARECROW rolls his eyes heavenward.

2_08_85
TIN WOODMAN, SCARECROW, and WOOT continue into the forest.

Sequence 2 8

2007-11-01T22:48:22Z

Ssappington:

SEQUENCE 2_08 ⿿ ⿿NIMMIE⿿S HOUSE⿝

2_08_02
EXT. PATH TO NIMMIE AMEE’S HOUSE - DAY

TIN WOODMAN, SCARECROW, and WOOT look onto to Nimmie Amee's House (OS).

SCARECROW
133 Well... From what we have been told: this is Nimmie Amee's house.

2_08_03
WOOT and SCARECROW look at TIN WOODMAN. He is tense.

TIN WOODMAN (plaintive)
134 So far, but no farther. I am now close to Nimmie Amee, whom I have come ever so far to seek. My cracked heart is aflutter.

2_08_04
SCARECROW nods.

SCARECROW
I can almost hear it fluttering.

2_08_05
WOOT
135 Are you okay, Sire? Does love affect you so?

2_08_06
TIN WOODMAN
136 I don't know. I will tell you when Nimmie Amee marries me.

2_08_08
TIN WOODMAN starts off deliberately.

2_08_09
SCARECROW and WOOT run to catch up.

2_08_09a
SCARECROW, WOOT, and TIN WOODMAN walk together towards NIMMIE AMEE'S HOUSE.

2_08_10
As do a few belligerent GEESE, who honk and nip at TIN WOODMAN.

2_08_11
TIN WOODMAN waves his arms at the GEESE, trying to shoo them away.

TIN WOODMAN
Oh... Be quiet. Be quiet, you!

2_08_12
SCARECROW and WOOT watch.

SCARECROW
Oh-oh... This'll make for a bad entrance...

2_08_13
TIN WOODMAN
Oh, be quiet. Quiet! Quiet, you!

TIN WOODMAN struggles with the GEESE. SCARECROW and WOOT rush to his aid, but fare no better is shooing away the GEESE.

NIMMIE AMEE (OS)
137 Who’s there?

It’s a soft, innocent voice… but one that all but knocks TIN WOODMAN back off his feet. SCARECROW and WOOT barely manage to catch him in time to steady him.

2_08_15
WOOT
138 Uh... It is us... Ma'am.

2_08_16
NIMMIE AMEE peer out around the edge of the door.

NIMMIE AMEE
139 Are you friends, or foes?

2_08_17
SCARECROW and WOOT grip TIN WOODMAN in support.

ALL (in unison)
140 Friends!

2_08_18
TIN WOODMAN stares in awe.

TIN WOODMAN
141 Nimmie Amee…

2_08_19
NIMMIE AMEE
142 That's my name, but who can you be?

2_08_20
TIN WOODMAN
143 Nimmie… Do you? Do you not remember me? I am your old sweetheart.

2_08_21
NIMMIE AMEE is blank for a moment then she smiles.

NIMMIE AMEE
144 Well... Come in. Even sweethearts are forgotten after a time.

2_08_23
NIMMIE AMEE (OS)
But you and your friends are welcome.

TIN WOODMAN moves for the door, and the others follow.

2_08_27
The GEESE crash into the door.

2_08_28
INT. NIMMIE AMEE’S HOUSE - DAY

TIN WOODMAN, SCARECROW, and WOOT enter cozy and comfortable NIMMIE AMEE⿿S ROOM, neatly furnished and well swept and dusted. CHOPFYT is seated in a chair before a fireplace.

2_08_29
CHOPFYT stares at them.

2_08_30
TIN WOODMAN stares back, angry.

2_08_31
CU: CHOPFYT

2_08_32
TIN WOODMAN points.

TIN WOODMAN
145 Impostor!

2_08_33
CHOPFYT frowns and looks angry.

2_08_34
TIN WOODMAN starts forward, but SCARECROW and WOOT hold him back.

SCARECROW
146 Gently, gently! Don’t be rude to strangers.

TIN WOODMAN
147 Rude?! Why that villain is wearing my own head!

2_08_35
CHOPFYT jumps up out of the armchair.

CHOPFYT
Just a minute, tin can...

2_08_36
SCARECROW and WOOT struggle to hold TIN WOODMAN back.

WOOT
148 Sire... Sire... Wait... Don’t...

2_08_37
CHOPFYT and TIN WOODMAN confront each other nose-to-nose.

CHOPFYT
149 What’s the meaning of this? Who are you?

TIN WOODMAN
149-01 Who are we! Who are you?

2_08_38
NIMMIE AMEE
150 I must insist you be more respectful to my husband.

2_08_39
TIN WOODMAN
151 Your… husband?

2_08_40
NIMMIE AMEE goes to CHOPFYT and puts her arms around him.

NIMMIE AMEE
152 Yes. I married Chopfyt a long time ago.

2_08_41
TIN WOODMAN
152-01 But I...

2_08_42
NIMMIE AMEE
152-02 Left… Without a word.

2_08_43
TIN WOODMAN
153 But he is me!

SCARECROW (laughing)
154 Uh-uh, oh, you're quite wrong, old friend. You are yourself, and so Chopfyt must be someone else.

2_08_44

CHOPFYT
154-01 Now see here, you lot, what is this all about? If you’re looking to make trouble...

2_08_45
TIN WOODMAN
154-02 N-N-Nimmie is my—

2_08_46
NIMMIE AMEE
154-03 No I’m not!

2_08_47
TIN WOODMAN looks at NIMMIE AMEE in shock.

NIMMIE AMEE
155 I won't say he is a husband to be proud of, because he isn't always an agreeable companion. There are times when I have to chide him gently, both with my tongue and with my broomstick. But he is my husband...

2_08_48
TIN WOODMAN recoils, in anguish.

2_08_49
SCARECROW and WOOT watch, not knowing what to anticipate.

2_08_50
NIMMIE AMEE
155-01 ... and I must make the best of him. He’s trained to draw water, and carry wood,

2_08_51
CHOPFYT smiles smugly, picks up a mug of ale, and drinks. He belches.

NIMMIE AMEE (OS)
155-01 and hoe the cabbages and weed the flower-beds and dust the furniture…

2_08_52
TIN WOODMAN is aghast.

TIN WOODMAN
156 But... Wuh-wuh-wouldn’t you like to be... Empress of the Winkies?

2_08_53
NIMMIE AMEE looks at TIN WOODMAN. She puts a broom into CHOPFYT⿿S hands and he starts sweeping.

NIMMIE AMEE
157 Mercy, no. That would be a lot of bother… Wouldn't it? I mean... A new husband would have to be scolded... And gently chided until he learns my ways.

2_08_54
NIMMIE AMEE gently but firmly nudges CHOPFYT along as he sweeps the floor.

NIMMIE AMEE
And I don’t care for society, or pomp, or posing. All I ask is to be left alone and not to be annoyed by visitors.

2_08_55
SCARECROW and WOOT shift their feet, uncomfortably.

SCARECROW
158 Oh. Eh... Sounds like it is time for us to go...

2_08_56
TIN WOODMAN starts to say something… but NIMMIE turns.

2_08_57
SCARECROW and WOOT exit. TIN WOODMAN remains a moment. SCARECROW comes back, takes TIN WOODMAN’S arm.

2_08_58
SCARECROW pushes TIN WOODMAN out the door.

SCARECROW
Well… So long, Mister Henpeck... Eh, Mister Chopfyt.

SCARECROW exits.

2_08_59
CHOPFYT takes a swig of ale.

CHOPFYT
Huh! Good riddance to bad rubbish, I say.

The door slams shut.

2_08_60
EXT. NIMMIE AMEE’S HOUSE - DAY

The GEESE immediately swarm around TIN WOODMAN, SCARECROW, and WOOT, honking.

2_08_61
TIN WOODMAN looks back at NIMMIE AMEE⿿S house.

TIN WOODMAN (forlorn)
160 Nimmie Amee... does not love me.

2_08_62
SCARECROW
161 Huh! Well... Be thankful it is not your fate to hoe cabbages and sweep the floors.

2_08_63
There’s a loud cracking sound inside TIN WOODMAN’S chest. He gasps, opens his chest door, and pulls out two halves of his HEART, now broken in two.

2_08_64
TIN WOODMAN
162 But my heart! I fear there is no end to this ache.

2_08_66
SCARECROW
163 Oh... Well, we are not wanted here… and we dare not go back through Loonville⿦ I say we travel on.

2_08_67
TIN WOODMAN suddenly hurls his AXE.

2_08_68
The AXE embeds itself in a tree.

2_08_69
The GEESE retreat OS.

2_08_70
TIN WOODMAN slumps down under a tree.

TIN WOODMAN (sorrowful)
164 Ohhh... Do what you will. I will lay here... And never move again.

2_08_71
SCARECROW and WOOT look at each other, alarmed.

2_08_86
TIN WOODMAN leans heavily against a TREE.

My heart is broken,
My body too,
My joints are stuck tight,
I'll just stay like this forever.

2_08_87
Transition to sad flower.

My heart is broken,
Can you feel my pain?
It radiates out like moonbeams,
To darken everything it touches.

2_08_88
TIN WOODMAN sitting under tree/Nimme Aimee in the Moon

My heart is broken,
Life means nothing to me,
Take me off your guest list,
I won't be visiting anymore.

2_08_89
Lighting flash across the moon. It starts to rain.

My heart is broken,
Who cares what happens to me,
Just leave me here to rust,
No one loves me anymore.

2_08_90
The rain is falling very hard on TIN WOODMAN so that he is barely visible.

My heart is broken,
My spirit too?
Nimmie Amee has struck my life away,
Leave me be.

2_08_72
SCARECROW
165 Well… that’s a fine way to behave! It makes me very glad I have a brain and not a heart. At least my brain leaves me with dignity!

2_08_73
TIN WOODMAN looks sadly at SCARECROW.

2_08_74
SCARECROW frowns.

SCARECROW
165-01 It seems to me I remember a time when we were in similar straits… and the only thing that kept us going…

2_08_75
TIN WOODMAN
165-02 I know… was faith… and companionship. I remember…

2_08_76
WOOT hangs on the AXE, trying to pull it out of the tree trunk.

WOOT
166 I’ve never been in love, but someday I might be. Tell me what it feels like?

2_08_77
TIN WOODMAN signs heavily, looks up to WOOT⿿S dangling feet.

TIN WOODMAN
167 Ah... Young Woot, you will be sorry when I do, but if you insist?

2_08_78

WOOT (taken aback)
168 Uh, I don't really insist.

2_08_79
TIN WOODMAN gets up, easily pulls the axe, with WOOT hanging on it, from the tree.

TIN WOODMAN
169 Come, boy... I have so much heartache to pass on to you.

2_08_80
WOOT (ruefully)
170 Ohhhh… I... Uh...

2_08_81
TIN WOODMAN holds the axe aloft a moment, looks WOOT in the eye.

2_08_82
WOOT sighs, resigned to his fate.

2_08_83
WOOT, TIN WOODMAN, and SCARECROW walk down the trail into the sunset.

TIN WOODMAN
170-01 It begins with a yearning deep within your soul, and then there is a kind of murmuring, as though all your joints need oil, and cry out for it; yet you can still move! Alas, that is even worse…

2_08_84
SCARECROW rolls his eyes heavenward.

2_08_85
TIN WOODMAN, SCARECROW, and WOOT continue into the forest.

Sequence 2 7

2007-10-30T23:27:35Z

Ssappington:

SEQUENCE 2_07 - "KU-KLIP"

2_07_001
Ku-Klip's WORKSHOP sits at the edge of the forest.

TIN WOODMAN, SCARECROW, and WOOT approach the workshop.

TIN WOODMAN (awed)
Well, there it is...

2_07_002
TIN WOODMAN, SCARECROW, and WOOT climb the wooden steps.

TIN WOODMAN
This is where my life began.

For a moment, TIN WOODMAN stands, looks at the wooden door. Then he reaches out, hesitantly... Knocks on the door.

TIN WOODMAN
Ku-Klip? Ku-Klip? You in there?

2_07_003
TIN WOODMAN peers in through one of the windows.

SCARECROW (OS)
Eh, he's probably off, snipping something... Eh, welding... Or something?

2_07_004
The door creaks open

TIN WOODMAN, SCARECROW, and WOOT look at each other.

SCARECROW
Well... Let's go in... It's cold out here...

TIN WOODMAN
Eh... I... Suppose he wouldn't mind... Since the door's open...

2_07_005
TIN WOODMAN, SCARECROW, and WOOT peer in around the doorframe.

2_07_006
INT. KU-KLIP’S WORKSHOP - DAY
KU-KLIP'S WORKSHOP is filled full of mechanical paraphernalia.

TIN WOODMAN sighs.

2_07_007
TIN WOODMAN
092 The first time I came here… I remember old Ku-Klip carefully put my leg into that cupboard over yonder…

2_07_007b
Against the wall is a CUPBOARD.

2_07_008
WOOT and SCARECROW glance at the indicated cupboard. WOOT shudders slightly.

WOOT
093 So… Do you think... Uh... Maybe we should wait for him outside?

SCARECROW (nervous laugh)
096 Sounds very good to me. Let's go.

SCARECROW and WOOT turn to leave.

2_07_009
TIN WOODMAN
097 No, wait. Wait…

They stop, nervous.

2_07_010
TIN WOODMAN stands, focused, listening. WOOT and SCARECROW exchange a nervous look. TIN WOODMAN walks over to the CUPBOARDS.

2_07_011
TIN WOODMAN reaches to open cupboard door.

WOOT looks on eagerly.

2_07_011b
SCARECROW
097-01 Uh, wait. Uh, may... Maybe we shouldn’t… Uh?

SCARECROW flinches.

2_07_012
TIN WOODMAN pulls open the doors of the cupboard. Inside are shelves… and upon one shelf is TIN HEAD.

2_07_013
TIN WOODMAN
GAHHH!

TIN WOODMAN into SCARECROW's arms

2_07_013b
Woot reaches up to...

2_07_014
...tap on TIN HEAD

TIN HEAD’S left eye opens, looks at Woot.

2_07_015
Woot draws back

WOOT
Ewww…

2_07_015b
TIN HEAD's other eye pops open, stares at crowd.

2_07_016
TIN WOODMAN
098 What? Oh, dear me! I… Uh… Good morning! You seem rather… familiar.

TIN WOODMAN takes off his crown.

2_07_017
TIN HEAD looks them over with supercilious disinterest.

TIN HEAD
099 Do I? Then you clearly have the advantage. I’ve never seen you before in by life.

2_07_017b
TIN WOODMAN
100 Well, that’s… we do seem to… resemble each other.

2_07_018
TIN HEAD
101 We—what monumental nerve! For my part, I’m not anxious to claim kinship

2_07_018a
TIN HEAD
to a common, manufactured article, like you.

2_07_019
TIN WOODMAN
101-01 Oh, is that so? Why, you dusty, old...

TIN WOODMAN raises his axe.

2_07_020
SCARECROW clears his throat.

2_07_021
TIN WOODMAN shoots him a dark look, then composes himself.

TIN WOODMAN
102 Yes, well, I… hmm. How long have you been… living in this cupboard?

2_07_034
TIN HEAD
103 I’m sure I don’t know.

2_07_035
TIN WOODMAN
104 Do you… eh, do have a name?

2_07_036
TIN HEAD
105 Not that I am aware of.

2_07_037
TIN WOODMAN bridles, but calms himself with an effort.

TIN WOODMAN
106 What do you do in that cupboard?

2_07_038
TIN HEAD
107 A little intelligent reflection

2_07_039
TIN HEAD
would lead you to realize that I’ve absolutely nothing to do!

2_07_040
TIN WOODMAN
108 Are you… happy in there?

2_07_041
TIN HEAD
109 Happy? What's that?

2_07_042
WOOT
110 You mean, you don’t know what happiness is?

2_07_043
TIN HEAD
111 I haven't the faintest idea whether it's round or square, or black or white,

2_07_044
TIN HEAD
or whatever it is. And, if you will pardon my

2_07_045
TIN HEAD
lack of interest in it, I will say that I don't care.

2_07_047
SCARECROW and WOOT gather around the cupboard behind TIN WOODMAN.

TIN HEAD
I’ll thank you to close the door on your way out.

2_07_048
TIN WOODMAN
112-01 I don’t

2_07_049
TIN HEAD
112-02 No, I don’t suppose you would. Good day.

2_07_050
TIN HEAD shuts his eyes.

TIN WOODMAN sighs… closes and latches the CUPBOARD door. He turns away, and gasps.

2_07_051
KU-KLIP the tinsmith stands in the doorway. He’s short, stout, his sleeves rolled up to show muscular arms. He wears a long leather apron, has a long gray beard and is bald. His ears stick out like two fans. Over his bright eyes he wears big spectacles.

KU-KLIP and TIN WOODMAN stare at each other… then KU-KLIP smiles… chuckles… laughs heartily.

KU-KLIP (chuckles)
113 Oh-ho! Who would have thought… here’s

2_07_052
KU-KLIP
my Tin Man… come to visit me. Oh, and with friends!

2_07_054
KU-KLIP rushes forward and hugs TIN WOODMAN warmly. TIN WOODMAN doesn’t respond, somewhat at a loss. KU-KLIP holds him at arm’s length, looks at him.

KU-KLIP
113-01 Marvelous! Simply marvelous! You are so perfect…

2_07_054a
KU-KLIP
You’re the ultimate proof of my skills!

2_07_055
KU-KLIP starts to walk down a circular staircase. After a few moments of looking at each other, TIN WOODMAN shrugs to SCARECROW and WOOT, and the three of them follow down the stairs.

2_07_055a
TIN WOODMAN, SCARECROW and WOOT enter the bottom half of the workshop. Odd MACHINERY is scattered around, and there is a FURNACE. They follow KU-KLIP to stand next to a workbench.

2_07_056
KU-KLIP
Oh, but I forget myself… sit down. Sit, all of you and tell me why you've come!

2_07_057
KU-KLIP turns SCARECROW, examines him curiously, pats him on all sides.

KU-KLIP
114 You are truly marvelous, my friend…

2_07_058
KU-KLIP
But you would be far more durable if you were made of tin!

2_07_059
KU-KLIP
Would you like me to?

SCARECROW
115 What?! No.

2_7_060
No, indeed!

2_07_061
KU-KLIP warmly embraces WOOT.

KU-KLIP
116 Ah. Then it is this unfortunate boy you wish me to help?

KU-KLIP snips with some sissors.

2_07_061a
KU-KLIP
If we begin immediately, I can

2_07_062
WOOT reacts, startled, pulls free.

WOOT
117 Wait! Wait! Hold on, we’re not here for me.

2_07_063
KU-KLIP
Oh, are you sure? 'Cuz, I could... Ya' know...

2_07_064
KU-KLIP
A little snip here and there.

2_07_065
KU-KLIP
"Snip, Snip" song.

2_07_066
SCARECROW (impatient)
117-01 We’re not here to... We’re seeking information.

2_07_067
KU-KLIP is thinking.

TIN WOODMAN (OS)
118 Ku-Klip! Do you know what

2_07_068
TIN WOODMAN
become of Nimmie Amee?

2_07_069
KU-KLIP looks at TIN WOODMAN, startled. For a long moment he thinks, then he sighs.

KU-KLIP
119 Uh, no… No, I don’t… But!

2_07_070
KU-KLIP (OS)
I remember… She wept… bitterly

2_07_071
KU-KLIP
when you did not come back to her as you promised…

2_07_072
SCARECROW listens with interest.

KU-KLIP (OS)
120 She… went away…

2_07_073
WOOT listens to Ku-Klip. GLUE on a workbench catches his eye and he stands up on his toes to get a better look.

KU-KLIP (OS)
With some people… To Mount Munch, I believe.

2_07_074
WOOT takes the GLUE off the workbench.

KU-KLIP
I haven't seen her since.

2_07_075
TIN WOODMAN
121 Do you know their names? The people she went away with?

2_07_076
KU-KLIP shrugs his shoulders.

KU-KLIP
122 All that she left was a bottle of Magic Glue…

2_07_077
WOOT holds the MAGIC GLUE.

KU-KLIP (OS)
Taken from the Witch.

WOOT
123 What’s Magic Glue?

2_07_078
KU-KLIP
124 Oh! It’s a preparation with which to mend people when they cut themselves.

2_07_079
KU-KLIP
Very handy.

2_07_080
TIN WOODMAN (suspiciously)
125 Ku-KLIP. What happened to the parts of my meat body?

2_07_081
KU-KLIP
126 Eh... Parts, Eh... Oh.

2_07_082
KU-KLIP
It occurred to me to piece them together, using the Magic Glue.

2_07_083
KU-KLIP
I thought I could… make a man out of them.

2_07_084

KU-KLIP
126-01 First, I pieced together the body,

TIN WOODMAN and SCARECROW look up surprised.

KU-KLIP
which worked perfectly. You would have been. Ah...

2_07_086
TIN WOODMAN becomes preturbed.

KU-KLIP (OS)
Oh…

2_07_087
KU-KLIP
126-02 Well, it wasn’t easy… Some of the pieces didn’t match up well…

2_07_090
Still no acknowledgement from TIN WOODMAN.

KU-KLIP (OS)
126-04 When the glue… dried, well, he was quite an interesting fellow!

2_07_091
KU-KLIP is fiddling at a WORKBENCH.

KU-KLIP
I called him Chopfyt. He… was interesting… but not very agreeable, I'm afraid.

2_07_092
SCARECROW and WOOT listen, facinated.

KU-KLIP (OS)
126-05 He complained… constantly… was a thoughtless assistant…

2_07_093
KU-KLIP
So, when he proposed, one day, to go off and seek adventures… I was happy to see him go.

2_07_094
SCARECROW

What became of him?

2_07_095
KU-KLIP

He… started off toward the east… Into the plains of Munchkin Country

2_07_096
TIN WOODMAN listens, facinated.

KU-KLIP (OS)
And that was the last I saw of him.

TIN WOODMAN
129 It seems to me

2_07_097
TIN WOODMAN
that you had absolutely no business making another man out of my cast-off parts!

2_07_098
TIN WOODMAN (OS)
After all...

TIN WOODMAN⿿S vehemence surprises KU-KLIP, who falls back into the fireplace. He seems unaware that his ample posterior has caught fire.

KU-KLIP (flustered)
130 It’s not likely that you’ll ever… meet the fellow…

2_07_099
KU-KLIP
130-01 He doesn’t know who he is.

2_07_100
TIN WOODMAN turns away from KU-KLIP.

KU-KLIP
I never told him…

TIN WOODMAN
131-01 It appears that we need to travel on to Mount Munch.

2_07_101
TIN WOODMAN
But we'll will visit you again... Another day.

2_07_102
TIN WOODMAN squares his shoulders and marches out resolutely. SCARECROW and WOOT linger a moment, unsure what to do, then they follow.

KU-KLIP (OS)
Okay... Pretty short visit...

2_07_103
KU-KLIP
You're sure I can't... Snip. Snip. Take a little tuck, or nip... or something?

KU-KLIP looks hopefully at WOOT, clacks his TIN SHEARS.

2_07_104
WOOT cringes.

WOOT
No.. No, thank you... Mister, eh, Klip.

WOOT hurries after Tin Woodman and Scarecrow OS.

Sequence 2 7

2007-10-24T17:03:54Z

Ssappington:

SEQUENCE 2_07 - "KU-KLIP"

2_07_001
Ku-Klip's WORKSHOP sits at the edge of the forest.

TIN WOODMAN, SCARECROW, and WOOT approach the workshop.

TIN WOODMAN (awed)
Well, there it is...

2_07_002
TIN WOODMAN, SCARECROW, and WOOT climb the wooden steps.

TIN WOODMAN
This is where my life began.

For a moment, TIN WOODMAN stands, looks at the wooden door. Then he reaches out, hesitantly... Knocks on the door.

TIN WOODMAN
Ku-Klip? Ku-Klip? You in there?

2_07_003
TIN WOODMAN peers in through one of the windows.

SCARECROW (OS)
Eh, he's probably off, snipping something... Eh, welding... Or something?

2_07_004
The door creaks open

TIN WOODMAN, SCARECROW, and WOOT look at each other.

SCARECROW
Well... Let's go in... It's cold out here...

TIN WOODMAN
Eh... I... Suppose he wouldn't mind... Since the door's open...

2_07_005
TIN WOODMAN, SCARECROW, and WOOT peer in around the doorframe.

2_07_006
INT. KU-KLIP’S WORKSHOP - DAY
KU-KLIP'S WORKSHOP is filled full of mechanical paraphernalia.

TIN WOODMAN sighs.

2_07_007
TIN WOODMAN
092 The first time I came here… I remember old Ku-Klip carefully put my leg into that cupboard over yonder…

2_07_007b
Against the wall is a CUPBOARD.

2_07_008
WOOT and SCARECROW glance at the indicated cupboard. WOOT shudders slightly.

WOOT
093 So… Do you think... Uh... Maybe we should wait for him outside?

SCARECROW (nervous laugh)
096 Sounds very good to me. Let's go.

SCARECROW and WOOT turn to leave.

2_07_009
TIN WOODMAN
097 No, wait. Wait…

They stop, nervous.

2_07_010
TIN WOODMAN stands, focused, listening. WOOT and SCARECROW exchange a nervous look. TIN WOODMAN walks over to the CUPBOARDS.

2_07_011
TIN WOODMAN reaches to open cupboard door.

WOOT looks on eagerly.

2_07_011b
SCARECROW
097-01 Uh, wait. Uh, may... Maybe we shouldn’t… Uh?

SCARECROW flinches.

2_07_012
TIN WOODMAN pulls open the doors of the cupboard. Inside are shelves… and upon one shelf is TIN HEAD.

2_07_013
TIN WOODMAN
GAHHH!

TIN WOODMAN into SCARECROW's arms

2_07_013b
Woot reaches up to...

2_07_014
...tap on TIN HEAD

TIN HEAD’S left eye opens, looks at Woot.

2_07_015
Woot draws back

WOOT
Ewww…

2_07_015b
TIN HEAD's other eye pops open, stares at crowd.

2_07_016
TIN WOODMAN
098 What? Oh, dear me! I… Uh… Good morning! You seem rather… familiar.

TIN WOODMAN takes off his crown.

2_07_017
TIN HEAD looks them over with supercilious disinterest.

TIN HEAD
099 Do I? Then you clearly have the advantage. I’ve never seen you before in by life.

2_07_017b
TIN WOODMAN
100 Well, that’s… we do seem to… resemble each other.

2_07_018
TIN HEAD
101 We—what monumental nerve! For my part, I’m not anxious to claim kinship

2_07_018a
TIN HEAD
to a common, manufactured article, like you.

2_07_019
TIN WOODMAN
101-01 Oh, is that so? Why, you dusty, old...

TIN WOODMAN raises his axe.

2_07_020
SCARECROW clears his throat.

2_07_021
TIN WOODMAN shoots him a dark look, then composes himself.

TIN WOODMAN
102 Yes, well, I… hmm. How long have you been… living in this cupboard?

2_07_034
TIN HEAD
103 I’m sure I don’t know.

2_07_035
TIN WOODMAN
104 Do you… eh, do have a name?

2_07_036
TIN HEAD
105 Not that I am aware of.

2_07_037
TIN WOODMAN bridles, but calms himself with an effort.

TIN WOODMAN
106 What do you do in that cupboard?

2_07_038
TIN HEAD
107 A little intelligent reflection

2_07_039
TIN HEAD
would lead you to realize that I’ve absolutely nothing to do!

2_07_040
TIN WOODMAN
108 Are you… happy in there?

2_07_041
TIN HEAD
109 Happy? What's that?

2_07_042
WOOT
110 You mean, you don’t know what happiness is?

2_07_043
TIN HEAD
111 I haven't the faintest idea whether it's round or square, or black or white,

2_07_044
TIN HEAD
or whatever it is. And, if you will pardon my

2_07_045
TIN HEAD
lack of interest in it, I will say that I don't care.

2_07_047
SCARECROW and WOOT gather around the cupboard behind TIN WOODMAN.

TIN HEAD
I’ll thank you to close the door on your way out.

2_07_048
TIN WOODMAN
112-01 I don’t

2_07_049
TIN HEAD
112-02 No, I don’t suppose you would. Good day.

2_07_050
TIN HEAD shuts his eyes.

TIN WOODMAN sighs… closes and latches the CUPBOARD door. He turns away, and gasps.

2_07_051
KU-KLIP the tinsmith stands in the doorway. He’s short, stout, his sleeves rolled up to show muscular arms. He wears a long leather apron, has a long gray beard and is bald. His ears stick out like two fans. Over his bright eyes he wears big spectacles.

KU-KLIP and TIN WOODMAN stare at each other… then KU-KLIP smiles… chuckles… laughs heartily.

KU-KLIP (chuckles)
113 Oh-ho! Who would have thought… here’s

2_07_052
KU-KLIP
my Tin Man… come to visit me. Oh, and with friends!

2_07_054
KU-KLIP rushes forward and hugs TIN WOODMAN warmly. TIN WOODMAN doesn’t respond, somewhat at a loss. KU-KLIP holds him at arm’s length, looks at him.

KU-KLIP
113-01 Marvelous! Simply marvelous! You are so perfect…

2_07_054a
KU-KLIP
You’re the ultimate proof of my skills!

2_07_055
KU-KLIP starts to walk down a circular staircase. After a few moments of looking at each other, TIN WOODMAN shrugs to SCARECROW and WOOT, and the three of them follow down the stairs.

2_07_055a
TIN WOODMAN, SCARECROW and WOOT enter the bottom half of the workshop. Odd MACHINERY is scattered around, and there is a FURNACE. They follow KU-KLIP to stand next to a workbench.

2_07_056
KU-KLIP
Oh, but I forget myself… sit down. Sit, all of you and tell me why you've come!

2_07_057
KU-KLIP turns SCARECROW, examines him curiously, pats him on all sides.

KU-KLIP
114 You are truly marvelous, my friend…

2_07_058
KU-KLIP
But you would be far more durable if you were made of tin!

2_07_059
KU-KLIP
Would you like me to?

SCARECROW
115 What?! No.

2_7_060
No, indeed!

2_07_061
KU-KLIP warmly embraces WOOT.

KU-KLIP
116 Ah. Then it is this unfortunate boy you wish me to help?

KU-KLIP snips with some sissors.

2_07_061a
KU-KLIP
If we begin immediately, I can

2_07_062
WOOT reacts, startled, pulls free.

WOOT
117 Wait! Wait! Hold on, we’re not here for me.

2_07_063
KU-KLIP
Oh, are you sure? 'Cuz, I could... Ya' know...

2_07_064
KU-KLIP
A little snip here and there.

2_07_065
KU-KLIP
"Snip, Snip" song.

2_07_066
SCARECROW (impatient)
117-01 We’re not here to... We’re seeking information.

2_07_067
KU-KLIP is thinking.

TIN WOODMAN (OS)
118 Ku-Klip! Do you know what

2_07_068
TIN WOODMAN
become of Nimmie Amee?

2_07_069
KU-KLIP looks at TIN WOODMAN, startled. For a long moment he thinks, then he sighs.

KU-KLIP
119 Uh, no… No, I don’t… But!

2_07_070
KU-KLIP (OS)
I remember… She wept… bitterly

2_07_071
KU-KLIP
when you did not come back to her as you promised…

2_07_072
SCARECROW listens with interest.

KU-KLIP (OS)
120 She… went away…

2_07_073
WOOT listens to Ku-Klip. GLUE on a workbench catches his eye and he stands up on his toes to get a better look.

KU-KLIP (OS)
With some people… To Mount Munch, I believe.

2_07_074
WOOT takes the GLUE off the workbench.

KU-KLIP
I haven't seen her since.

2_07_075
TIN WOODMAN
121 Do you know their names? The people she went away with?

2_07_076
KU-KLIP shrugs his shoulders.

KU-KLIP
122 All that she left was a bottle of Magic Glue…

2_07_077
WOOT holds the MAGIC GLUE.

KU-KLIP (OS)
Taken from the Witch.

WOOT
123 What’s Magic Glue?

2_07_078
KU-KLIP
124 Oh! It’s a preparation with which to mend people when they cut themselves.

2_07_079
KU-KLIP
Very handy.

2_07_080
TIN WOODMAN (suspiciously)
125 Ku-KLIP. What happened to the parts of my meat body?

2_07_081
KU-KLIP
126 Eh... Parts, Eh... Oh.

2_07_082
KU-KLIP
It occurred to me to piece them together, using the Magic Glue.

2_07_083
KU-KLIP
I thought I could… make a man out of them.

2_07_084

KU-KLIP
126-01 First, I pieced together the body,

TIN WOODMAN and SCARECROW look up surprised.

KU-KLIP
which worked perfectly. You would have been. Ah...

2_07_086
TIN WOODMAN becomes preturbed.

KU-KLIP (OS)
Oh…

2_07_087
KU-KLIP
126-02 Well, it wasn’t easy… Some of the pieces didn’t match up well…

2_07_090
Still no acknowledgement from TIN WOODMAN.

KU-KLIP (OS)
126-04 When the glue… dried, well, he was quite an interesting fellow!

2_07_091
KU-KLIP is fiddling at a WORKBENCH.

KU-KLIP
I called him Chopfyt. He… was interesting… but not very agreeable, I'm afraid.

2_07_092
SCARECROW and WOOT listen, facinated.

KU-KLIP (OS)
126-05 He complained… constantly… was a thoughtless assistant…

2_07_093
KU-KLIP
So, when he proposed, one day, to go off and seek adventures… I was happy to see him go.

2_07_094
SCARECROW

What became of him?

2_07_095
KU-KLIP

He… started off toward the east… Into the plains of Munchkin Country

2_07_096
TIN WOODMAN listens, facinated.

KU-KLIP (OS)
And that was the last I saw of him.

TIN WOODMAN
129 It seems to me

2_07_097
TIN WOODMAN
that you had absolutely no business making another man out of my cast-off parts!

2_07_098
TIN WOODMAN (OS)
After all...

TIN WOODMAN⿿S vehemence surprises KU-KLIP, who falls back into the fireplace. He seems unaware that his ample posterior has caught fire.

KU-KLIP (flustered)
130 It’s not likely that you’ll ever… meet the fellow…

2_07_099
KU-KLIP
130-01 He doesn’t know who he is.

2_07_100
TIN WOODMAN turns away from KU-KLIP.

KU-KLIP
I never told him…

TIN WOODMAN
131-01 It appears that we need to travel on to Mount Munch.

2_07_101
TIN WOODMAN
But we'll will visit you again... Another day.

2_07_102
TIN WOODMAN squares his shoulders and marches out resolutely. SCARECROW and WOOT linger a moment, unsure what to do, then they follow.

KU-KLIP (OS)
Okay... Pretty short visit...

2_07_103
KU-KLIP
You're sure I can't... Snip. Snip. Take a little tuck, or nip... or something?

KU-KLIP looks hopefully at WOOT, clacks his TIN SHEARS.

2_07_104
WOOT cringes.

WOOT
No.. No, thank you... Mister, eh, Cut-Klip.

WOOT hurries after Tin Woodman and Scarecrow OS.

2_07_105
KU-KLIP watches sadly. Then raises his head. Sniffs. Realizes that there's something burning. He looks around and finally realized that it's the seat of his pants! With a good deal of noise, he races around frantically, finally ending up with his posterior struck in a large, oaken bucket of water. As steams rises, KU-KLIP sighs contentedly.

Sequence 5

2007-09-21T20:30:57Z

Ssappington:

SEQUENCE 1_05

1_05_01
DISSOLVE TO:

INT. THRONE ROOM - NIGHT

TIN WOODMAN leans back on his THRONE, quite proud of himself.

TIN WOODMAN
In fact, I only needed to be oiled and polished.

1_05_02
WOOT (enthralled)
And did you marry Nimmie Amee?

1_05_05
A single oily tear runs down TIN WOODMAN'S cheek. TIN WOODMAN sighs. He shakes his head. His voice is barely audible.

TIN WOODMAN
No…

1_05_06
SCARECROW
What is it, my good friend?

1_05_07
TIN WOODMAN
Since I was made of tin, I had no heart, and could not return Nimmie’s love... But then I went with Dorothy and Scarecrow to the Emerald city, and the Wizard gave me a heart.

1_05_09
SCARECROW, concerned, walks towards his old friend.

1_05_10
TIN WOODMAN, head bowed, is lost in thought., but he pushes back the feelings with an effort. SCARECROW approaches him, oilcan in hand.

1_05_11
SCARECROW carefully oils the joints in TIN WOODMAN’S neck.

1_05_12
TIN WOODMAN (forlorn)
I have not thought of Nimmie Amee's love again until now...

1_05_12a
SCARECROW returns to his seat.

TIN WOODMAN (OS)
And I am overwhelmed.

1_05_13
TIN WOODMAN puts his face in his hands.

TIN WOODMAN
I'm sorry. I do not know what has come over me.

1_05_14
SCARECROW
Can it be love?

1_05_15
TIN WOODMAN is startled at the sound of a breaking sound from his chest. He oens his chest plate and takes out his HEART.

1_05_15a
The HEART is cracked.

1_05_19
SCARECROW
Your heart is breaking as we speak.

1_05_20
TIN WOODMAN puts the HEART back into his chest.

TIN WOODMAN
To think that her memory could affect me so?

1_05_22
SCARECROW is seated on his stool.

SCARECROW
I think… we must prepare to make a journey!

1_05_23
SCARECROW walks towards TIN WOODMAN.

SCARECROW
Above all else, a heart is made to feel.

1_05_23a
SCARECROW
Yours calls you to Nimmie Amee.

1_05_24
TIN WOODMAN
Nimmie Amee declared she would marry me. Despite my being made of tin. Could I do no better than complete my promise to marry her.

1_05_25
WOOT looks at them hopefully.

WOOT
I'll help you too... Sire.

1_05_26
TIN WOODMAN smiles. TIN WOODMAN looks down at WOOT, stands.

1_05_27
TIN WOODMAN
I will find Nimmie!

1_05_28
TIN WOODMAN
I will tell her that I still love her!

1_05_29
TIN WOODMAN walks out onto a balcony. It is nighttime. He walks to a railing.

TIN WOODMAN
I shall bring her here—and make her Empress!

1_05_30
SCARECROW and WOOT join TIN WOODMAN on the balcony.

TIN WOODMAN
She will have a tin gown—with ruffles and tucks—and slippers and earrings and bracelets, and a tin crown! A glorious, magnificent tin crown!

1_05_31
The TIN CASTLE can be seen at night in the distance. Stars twinkle in the night sky.

SCARECROW (OS)
I’m sure she’ll be delighted.

Sequence 5

2007-09-21T20:30:10Z

Ssappington:

SEQUENCE 1_05

1_05_01
DISSOLVE TO:

INT. THRONE ROOM - NIGHT

TIN WOODMAN leans back on his THRONE, quite proud of himself.

TIN WOODMAN
In fact, I only needed to be oiled and polished.

1_05_02
WOOT (enthralled)
And did you marry Nimmie Amee?

1_05_05
A single oily tear runs down TIN WOODMAN'S cheek. TIN WOODMAN sighs. He shakes his head. His voice is barely audible.

TIN WOODMAN
No…

1_05_06
SCARECROW
What is it, my good friend?

1_05_07
TIN WOODMAN
Since I was made of tin, I had no heart, and could not return Nimmie’s love... But then I went with Dorothy and Scarecrow to the Emerald city, and the Wizard gave me a heart.

1_05_09
SCARECROW, concerned, walks towards his old friend.

1_05_10
TIN WOODMAN, head bowed, is lost in thought., but he pushes back the feelings with an effort. SCARECROW approaches him, oilcan in hand.

1_05_11
SCARECROW carefully oils the joints in TIN WOODMAN’S neck.

1_05_12
TIN WOODMAN (forlorn)
I have not thought of Nimmie Amee's love again until now...

1_05_12a
SCARECROW returns to his seat.

TIN WOODMAN (OS)
And I am overwhelmed.

1_05_13
TIN WOODMAN puts his face in his hands.

TIN WOODMAN
I'm sorry. I do not know what has come over me.

1_05_14
SCARECROW
Can it be love?

1_05_15
TIN WOODMAN is startled at the sound of a breaking sound from his chest. He oens his chest plate and takes out his HEART.

1_05_15a
The HEART is cracked.

1_05_19
SCARECROW
Your heart is breaking as we speak.

1_05_20
TIN WOODMAN puts the HEART back into his chest.

TIN WOODMAN
To think that her memory could affect me so?

1_05_22
SCARECROW is seated on his stool.

SCARECROW
I think… we must prepare to make a journey!

1_05_23
SCARECROW walks towards TIN WOODMAN.

SCARECROW
Above all else, a heart is made to feel.

1_05_23a
SCARECROW
Yours calls you to Nimmie Amee.

1_05_24
TIN WOODMAN
Nimmie Amee declared she would marry me. Despite my being made of tin. Could I do no better than complete my promise to marry her.

1_05_25
WOOT looks at them hopefully.

WOOT
038-02 I'll help you too... Sire.

1_05_26
TIN WOODMAN smiles. TIN WOODMAN looks down at WOOT, stands.

1_05_27
TIN WOODMAN
I will find Nimmie!

1_05_28
TIN WOODMAN
I will tell her that I still love her!

1_05_29
TIN WOODMAN walks out onto a balcony. It is nighttime. He walks to a railing.

TIN WOODMAN
I shall bring her here—and make her Empress!

1_05_30
SCARECROW and WOOT join TIN WOODMAN on the balcony.

TIN WOODMAN
She will have a tin gown—with ruffles and tucks—and slippers and earrings and bracelets, and a tin crown! A glorious, magnificent tin crown!

1_05_31
The TIN CASTLE can be seen at night in the distance. Stars twinkle in the night sky.

SCARECROW (OS)
I’m sure she’ll be delighted.

Sequence 5

2007-09-21T20:28:04Z

Ssappington:

SEQUENCE 1_05

1_05_01
DISSOLVE TO:

INT. THRONE ROOM - NIGHT

TIN WOODMAN leans back on his THRONE, quite proud of himself.

TIN WOODMAN
In fact, I only needed to be oiled and polished.

1_05_02
WOOT (enthralled)
And did you marry Nimmie Amee?

1_05_05
A single oily tear runs down TIN WOODMAN'S cheek. TIN WOODMAN sighs. He shakes his head. His voice is barely audible.

TIN WOODMAN
No…

1_05_06
SCARECROW
What is it, my good friend?

1_05_07
TIN WOODMAN Since I was made of tin, I had no heart, and could not return Nimmie’s love... But then I went with Dorothy and Scarecrow to the Emerald city, and the Wizard gave me a heart.

1_05_09
SCARECROW, concerned, walks towards his old friend.

1_05_10
TIN WOODMAN, head bowed, is lost in thought., but he pushes back the feelings with an effort. SCARECROW approaches him, oilcan in hand.

1_05_11
SCARECROW carefully oils the joints in TIN WOODMAN’S neck.

1_05_12
TIN WOODMAN (forlorn)
I have not thought of Nimmie Amee's love again until now...

1_05_12a
SCARECROW returns to his seat.

TIN WOODMAN (OS)
And I am overwhelmed.

1_05_13
TIN WOODMAN puts his face in his hands.

TIN WOODMAN
I'm sorry. I do not know what has come over me.

1_05_14
SCARECROW Can it be love?

1_05_15
TIN WOODMAN is startled at the sound of a breaking sound from his chest. He oens his chest plate and takes out his HEART.

1_05_15a
The HEART is cracked.

1_05_19
SCARECROW Your heart is breaking as we speak.

1_05_20
TIN WOODMAN puts the HEART back into his chest.

TIN WOODMAN To think that her memory could affect me so?

1_05_22
SCARECROW is seated on his stool.

SCARECROW I think… we must prepare to make a journey!

1_05_23
SCARECROW walks towards TIN WOODMAN.

SCARECROW Above all else, a heart is made to feel.

1_05_23a
SCARECROW
Yours calls you to Nimmie Amee.

1_05_24
TIN WOODMAN
Nimmie Amee declared she would marry me. Despite my being made of tin. Could I do no better than complete my promise to marry her.

1_05_25
WOOT looks at them hopefully.

WOOT
038-02 I'll help you too... Sire.

1_05_26
TIN WOODMAN smiles. TIN WOODMAN looks down at WOOT, stands.

1_05_27
TIN WOODMAN
038-03 I will find Nimmie!

1_05_28
TIN WOODMAN
I will tell her that I still love her!

1_05_29
TIN WOODMAN walks out onto a balcony. It is nighttime. He walks to a railing.

TIN WOODMAN
038-04 I shall bring her here—and make her Empress!

1_05_30
SCARECROW and WOOT join TIN WOODMAN on the balcony.

TIN WOODMAN
038-05 She will have a tin gown—with ruffles and tucks—and slippers and earrings and bracelets, and a tin crown! A glorious, magnificent tin crown!

1_05_31
The TIN CASTLE can be seen at night in the distance. Stars twinkle in the night sky.

SCARECROW (OS)
038-06 I’m sure she’ll be delighted.

Sequence 5

2007-09-21T20:26:59Z

Ssappington:

SEQUENCE 1_05

1_05_01
DISSOLVE TO:

INT. THRONE ROOM - NIGHT

TIN WOODMAN leans back on his THRONE, quite proud of himself.

TIN WOODMAN
In fact, I only needed to be oiled and polished.

1_05_02
WOOT (enthralled)
028 And did you marry Nimmie Amee?

1_05_05
A single oily tear runs down TIN WOODMAN'S cheek. TIN WOODMAN sighs. He shakes his head. His voice is barely audible.

TIN WOODMAN No…

1_05_06
SCARECROW What is it, my good friend?

1_05_07
TIN WOODMAN Since I was made of tin, I had no heart, and could not return Nimmie’s love... But then I went with Dorothy and Scarecrow to the Emerald city, and the Wizard gave me a heart.

1_05_09
SCARECROW, concerned, walks towards his old friend.

1_05_10
TIN WOODMAN, head bowed, is lost in thought., but he pushes back the feelings with an effort. SCARECROW approaches him, oilcan in hand.

1_05_11
SCARECROW carefully oils the joints in TIN WOODMAN’S neck.

1_05_12
TIN WOODMAN (forlorn)
I have not thought of Nimmie Amee's love again until now...

1_05_12a
SCARECROW returns to his seat.

TIN WOODMAN (OS)
And I am overwhelmed.

1_05_13
TIN WOODMAN puts his face in his hands.

TIN WOODMAN
I'm sorry. I do not know what has come over me.

1_05_14
SCARECROW Can it be love?

1_05_15
TIN WOODMAN is startled at the sound of a breaking sound from his chest. He oens his chest plate and takes out his HEART.

1_05_15a
The HEART is cracked.

1_05_19
SCARECROW Your heart is breaking as we speak.

1_05_20
TIN WOODMAN puts the HEART back into his chest.

TIN WOODMAN To think that her memory could affect me so?

1_05_22
SCARECROW is seated on his stool.

SCARECROW I think… we must prepare to make a journey!

1_05_23
SCARECROW walks towards TIN WOODMAN.

SCARECROW Above all else, a heart is made to feel.

1_05_23a
SCARECROW
Yours calls you to Nimmie Amee.

1_05_24
TIN WOODMAN
Nimmie Amee declared she would marry me. Despite my being made of tin. Could I do no better than complete my promise to marry her.

1_05_25
WOOT looks at them hopefully.

WOOT
038-02 I'll help you too... Sire.

1_05_26
TIN WOODMAN smiles. TIN WOODMAN looks down at WOOT, stands.

1_05_27
TIN WOODMAN
038-03 I will find Nimmie!

1_05_28
TIN WOODMAN
I will tell her that I still love her!

1_05_29
TIN WOODMAN walks out onto a balcony. It is nighttime. He walks to a railing.

TIN WOODMAN
038-04 I shall bring her here—and make her Empress!

1_05_30
SCARECROW and WOOT join TIN WOODMAN on the balcony.

TIN WOODMAN
038-05 She will have a tin gown—with ruffles and tucks—and slippers and earrings and bracelets, and a tin crown! A glorious, magnificent tin crown!

1_05_31
The TIN CASTLE can be seen at night in the distance. Stars twinkle in the night sky.

SCARECROW (OS)
038-06 I’m sure she’ll be delighted.

Sequence 5

2007-09-20T00:08:25Z

Ssappington:

SEQUENCE 1_05

1_05_01
DISSOLVE TO:

INT. THRONE ROOM - NIGHT

TIN WOODMAN leans back on his THRONE, quite proud of himself.

TIN WOODMAN
In fact, I only needed to be oiled and polished.

1_05_02
WOOT (enthralled)
028 And did you marry Nimmie Amee?

1_05_03
Slowly, as TIN WOODMAN is thinking, he begins to look sad.

1_05_04
SCARECROW looks towards TIN WOODMAN.

1_05_05
A single oily tear runs down TIN WOODMAN'S cheek. TIN WOODMAN sighs. He shakes his head. His voice is barely audible.

TIN WOODMAN
029 No…

1_05_06
SCARECROW
029-01 What is it, my good friend?

1_05_07
TIN WOODMAN
031 Since I was made of tin, I had no heart, and could not return Nimmie’s love... But then I went with Dorothy and Scarecrow to the Emerald city, and the Wizard gave me a heart.

1_05_09
SCARECROW, concerned, walks towards his old friend.

1_05_10
TIN WOODMAN, head bowed, is lost in thought., but he pushes back the feelings with an effort. SCARECROW approaches him, oilcan in hand.

1_05_11
SCARECROW carefully oils the joints in TIN WOODMAN’S neck.

1_05_12
TIN WOODMAN (forlorn)
I have not thought of Nimmie Amee's love again until now...

1_05_12a
SCARECROW returns to his seat.

TIN WOODMAN (OS)
And I am overwhelmed.

1_05_13
TIN WOODMAN puts his face in his hands.

TIN WOODMAN
I'm sorry. I do not know what has come over me.

1_05_14
SCARECROW
032 Can it be love?

1_05_15
TIN WOODMAN is startled at the sound of a breaking sound from his chest. He oens his chest plate and takes out his HEART.

1_05_15a
The HEART is cracked.

1_05_19
SCARECROW
Your heart is breaking as we speak.

1_05_20
TIN WOODMAN puts the HEART back into his chest.

TIN WOODMAN
To think that her memory could affect me so?

1_05_22
SCARECROW is seated on his stool.

SCARECROW
036 I think… we must prepare to make a journey!

1_05_23
SCARECROW walks towards TIN WOODMAN.

SCARECROW
Above all else, a heart is made to feel.

1_05_23a
SCARECROW
Yours calls you to Nimmie Amee.

1_05_24
TIN WOODMAN
Nimmie Amee declared she would marry me. Despite my being made of tin. Could I do no better than complete my promise to marry her.

1_05_25
WOOT looks at them hopefully.

WOOT
038-02 I'll help you too... Sire.

1_05_26
TIN WOODMAN smiles. TIN WOODMAN looks down at WOOT, stands.

1_05_27
TIN WOODMAN
038-03 I will find Nimmie!

1_05_28
TIN WOODMAN
I will tell her that I still love her!

1_05_29
TIN WOODMAN walks out onto a balcony. It is nighttime. He walks to a railing.

TIN WOODMAN
038-04 I shall bring her here—and make her Empress!

1_05_30
SCARECROW and WOOT join TIN WOODMAN on the balcony.

TIN WOODMAN
038-05 She will have a tin gown—with ruffles and tucks—and slippers and earrings and bracelets, and a tin crown! A glorious, magnificent tin crown!

1_05_31
The TIN CASTLE can be seen at night in the distance. Stars twinkle in the night sky.

SCARECROW (OS)
038-06 I’m sure she’ll be delighted.

Sequence 5

2007-09-20T00:07:59Z

Ssappington:

SEQUENCE 1_05

1_05_01
DISSOLVE TO:

INT. THRONE ROOM - NIGHT

TIN WOODMAN leans back on his THRONE, quite proud of himself.

TIN WOODMAN
In fact, I only needed to be oiled and polished.

1_05_02
WOOT (enthralled)
028 And did you marry Nimmie Amee?

1_05_03
Slowly, as TIN WOODMAN is thinking, he begins to look sad.

1_05_04
SCARECROW looks towards TIN WOODMAN.

1_05_05
A single oily tear runs down TIN WOODMAN'S cheek. TIN WOODMAN sighs. He shakes his head. His voice is barely audible.

TIN WOODMAN
029 No…

1_05_06
SCARECROW
029-01 What is it, my good friend?

1_05_07
TIN WOODMAN
031 Since I was made of tin, I had no heart, and could not return Nimmie’s love... But then I went with Dorothy and Scarecrow to the Emerald city, and the Wizard gave me a heart.

1_05_09
SCARECROW, concerned, walks towards his old friend.

1_05_10
TIN WOODMAN, head bowed, is lost in thought., but he pushes back the feelings with an effort. SCARECROW approaches him, oilcan in hand.

1_05_11
SCARECROW carefully oils the joints in TIN WOODMAN’S neck.

1_05_12
TIN WOODMAN (forlorn)
I have not thought of Nimmie Amee's love again until now...
1_05_12a
SCARECROW returns to his seat.

TIN WOODMAN (OS)
And I am overwhelmed.

1_05_13
TIN WOODMAN puts his face in his hands.

TIN WOODMAN
I'm sorry. I do not know what has come over me.

1_05_14
SCARECROW
032 Can it be love?

1_05_15
TIN WOODMAN is startled at the sound of a breaking sound from his chest. He oens his chest plate and takes out his HEART.

1_05_15a
The HEART is cracked.

1_05_19
SCARECROW
Your heart is breaking as we speak.

1_05_20
TIN WOODMAN puts the HEART back into his chest.

TIN WOODMAN
To think that her memory could affect me so?

1_05_22
SCARECROW is seated on his stool.

SCARECROW
036 I think… we must prepare to make a journey!

1_05_23
SCARECROW walks towards TIN WOODMAN.

SCARECROW
Above all else, a heart is made to feel.

1_05_23a
SCARECROW
Yours calls you to Nimmie Amee.

1_05_24
TIN WOODMAN
Nimmie Amee declared she would marry me. Despite my being made of tin. Could I do no better than complete my promise to marry her.

1_05_25
WOOT looks at them hopefully.

WOOT
038-02 I'll help you too... Sire.

1_05_26
TIN WOODMAN smiles. TIN WOODMAN looks down at WOOT, stands.

1_05_27
TIN WOODMAN
038-03 I will find Nimmie!

1_05_28
TIN WOODMAN
I will tell her that I still love her!

1_05_29
TIN WOODMAN walks out onto a balcony. It is nighttime. He walks to a railing.

TIN WOODMAN
038-04 I shall bring her here—and make her Empress!

1_05_30
SCARECROW and WOOT join TIN WOODMAN on the balcony.

TIN WOODMAN
038-05 She will have a tin gown—with ruffles and tucks—and slippers and earrings and bracelets, and a tin crown! A glorious, magnificent tin crown!

1_05_31
The TIN CASTLE can be seen at night in the distance. Stars twinkle in the night sky.

SCARECROW (OS)
038-06 I’m sure she’ll be delighted.

Sequence 5

2007-09-19T18:12:09Z

Ssappington:

SEQUENCE 1_05

1_05_01
DISSOLVE TO:

INT. THRONE ROOM - NIGHT

TIN WOODMAN leans back on his THRONE, quite proud of himself.

TIN WOODMAN
In fact, I only needed to be oiled and polished.

1_05_02
WOOT (enthralled)
028 And did you marry Nimmie Amee?

1_05_03
Slowly, as TIN WOODMAN is thinking, he begins to look sad.

1_05_04
SCARECROW looks towards TIN WOODMAN.

1_05_05
A single oily tear runs down TIN WOODMAN'S cheek. TIN WOODMAN sighs. He shakes his head. His voice is barely audible.

TIN WOODMAN
029 No…

1_05_06
SCARECROW
029-01 What is it, my good friend?

1_05_07
TIN WOODMAN
031 Since I was made of tin, I had no heart, and could not return Nimmie’s love... But then I went with Dorothy and Scarecrow to the Emerald city, and the Wizard gave me a heart.

1_05_09
SCARECROW, concerned, walks towards his old friend.

1_05_10
TIN WOODMAN, head bowed, is lost in thought., but he pushes back the feelings with an effort. SCARECROW approaches him, oilcan in hand.

1_05_11
SCARECROW carefully oils the joints in TIN WOODMAN’S neck.

1_05_12
TIN WOODMAN (forlorn)
031-02 I have not thought of Nimmie Amee's love again until now... And I am overwhelmed.

1_05_12a
SCARECROW returns to his seat.

1_05_13
TIN WOODMAN puts his face in his hands.

TIN WOODMAN
I'm sorry. I do not know what has come over me.

1_05_14
SCARECROW
032 Can it be love?

1_05_15
TIN WOODMAN is startled at the sound of a breaking sound from his chest. He oens his chest plate and takes out his HEART.

1_05_15a
The HEART is cracked.

1_05_19
SCARECROW
Your heart is breaking as we speak.

1_05_20
TIN WOODMAN puts the HEART back into his chest.

TIN WOODMAN
To think that her memory could affect me so?

1_05_22
SCARECROW is seated on his stool.

SCARECROW
036 I think… we must prepare to make a journey!

1_05_23
SCARECROW walks towards TIN WOODMAN.

SCARECROW
Above all else, a heart is made to feel.

1_05_23a
SCARECROW
Yours calls you to Nimmie Amee.

1_05_24
TIN WOODMAN
Nimmie Amee declared she would marry me. Despite my being made of tin. Could I do no better than complete my promise to marry her.

1_05_25
WOOT looks at them hopefully.

WOOT
038-02 I'll help you too... Sire.

1_05_26
TIN WOODMAN smiles. TIN WOODMAN looks down at WOOT, stands.

1_05_27
TIN WOODMAN
038-03 I will find Nimmie!

1_05_28
TIN WOODMAN
I will tell her that I still love her!

1_05_29
TIN WOODMAN walks out onto a balcony. It is nighttime. He walks to a railing.

TIN WOODMAN
038-04 I shall bring her here—and make her Empress!

1_05_30
SCARECROW and WOOT join TIN WOODMAN on the balcony.

TIN WOODMAN
038-05 She will have a tin gown—with ruffles and tucks—and slippers and earrings and bracelets, and a tin crown! A glorious, magnificent tin crown!

1_05_31
The TIN CASTLE can be seen at night in the distance. Stars twinkle in the night sky.

SCARECROW (OS)
038-06 I’m sure she’ll be delighted.

Sequence 2 11

2007-08-23T23:43:44Z

Ssappington:

SEQUENCE 2_11 - "BREAKOUT"

2_11_01
STRAW BEAR ambles toward the opening, desperate, but he’s too late and bumps his nose as the DOOR slams shut.

STRAW BEAR
Open!

Nothing happens.

STRAW BEAR (desperate)
Open!

Still, nothing happens.

STRAW BEAR (terrified)
I-I-I said open!

2_11_02
STRAW BEAR slumps down.

STRAW BEAR
Ohhhhh.

2_11_03
TIN OWL
It’s just as well.

2_11_04
GREEN MONKEY
Just as—what—what are you talking about!

GREEN MONKEY leaps up onto the FIREPLACE SCREEN with TIN OWL.

2_11_05
TIN OWL sighs.

TIN OWL
It makes no difference. What am I without Nimmie Amee?

2_11_06
STRAW BEAR (outraged)
Eh... Eh?! What? You're a lovesick buffoon!

2_11_07
GREEN MONKEY (alarmed)
We must escape! We must! Oh my!

GREEN MONKEY jumps down from FIREPLACE SCREEN.

2_11_08
TIN OWL, STRAW BEAR, and GREEN MONKEY look around. The ceiling’s high and there are no windows.

2_11_09
STRAW BEAR
Your majesty... Eh, who is now a tin owl...

2_11_10
TIN OWL looks up forlornly from his perch, sighs heavily.

2_11_11
STRAW BEAR
It is time for you to show some fortitude.

2_11_12
TIN OWL
What good would it do?

2_11_13
STRAW BEAR
If not for us, then how about for Woot?!

2_11_14
TIN OWL looks at GREEN MONKEY, who looks back. GREEN MONKEY looks very despondent.

TIN OWL
What... Eh. Oh. All... Hump.

2_11_15
Slowly, TIN OWL extends his wings, flexes them, then takes to the air. He flies around clumsily.

2_11_16
TIN OWL rises to the ceiling and circles round and round looking for an opening with no success.

2_11_17
TIN OWL
No way out... It's windowless... Tighter than a tin box. We're captured.

2_11_18
TIN OWL loses control of his flight and zooms dangerously close to STRAW BEAR.

STRAW BEAR
Eh... Eh... Eh... E-e-emergency landing... Eh, uh... Pull up! Pull up, pull up... Eh, Sire. Duck and cover!

2_11_19
TIN OWL barely manages to come to an undignified landing near STRAW BEAR. He settles into a heap, shivers. He heaves and sigh of relief, and looks around.

TIN OWL
It’s hopeless... It's... Uh... W-w-we can’t... Get out.

2_11_20
TIN OWL sees his axe lying on the floor.

TIN OWL
My... axe! W-we can hack our way out with my axe!

2_11_21
TIN OWL flutters noisily to the floor beside the axe. His hope turns to frustration.

TIN OWL
But I have no arms... One of you must do it.

2_11_22
STRAW BEAR spits on his puffy hands and strides to the axe and tries to lift it but his straw arms have no strength and he loses his grip and falls backwards.

2_11_23
GREEN MONKEY strides in and pushes STRAW BEAR aside.

GREEN MONKEY
Move aside, big guy...

GREEN MONKEY tries to lift the axe, but it’s heavy, and as he lifts it over his head, he loses his balance and weaves across the floor.

2_11_24
TIN OWL and STRAW BEAR watch.

TIN OWL
Easy now... Easy... Easy.

2_11_25
GREEN MONKEY wavers and totters crazily across the room.

2_11_26
When GREEN MONKEY gets to the wall, he manages to swing the axe with all his might and chops the wall, barely managing to avoid hitting STRAW BEAR.

TIN OWL and STRAW BEAR scatter.

2_11_27
TIN OWL
The boy's out of control...

2_11_28
The wall remains undamaged and GREEN MONKEY is catapulted into the air to hang precariously from a chandelier.

2_11_29
The axe rattles in a circle to settle back on the ground.

2_11_30
TIN OWL, STRAW BEAR, and GREEN MONKEY stare morosely at the axe as it finally settles to a stop.

TIN OWL (losing hope)
There’s no way out of here... There’s just no way...

2_11_31
STRAW BEAR stands in front of the chamber door.

STRAW BEAR
Ah... Ah... Open. Open! Open!!!

Sequence 2 6

2007-08-17T22:34:21Z

Ssappington:

SEQUENCE 2_06 - "THE FIGHT"

2_06_01
EXT. MUNCHKIN COUNTY WOODS - DAY

TIN WOODMAN, SCARECROW, and WOOT walk along a path through the colorful countryside.

TIN WOODMAN sighs.

2_06_02
TIN WOODMAN
084 I was born in this grand forest.

2_06_03
Pan through the forest trees.

SCARECROW (OS)
084-01 It must feel wonderful to come back home.

2_06_06
TIN WOODMAN peers into the distance.

TIN WOODMAN
084-04 At the other edge of the forest stands the workshop of my friend…

2_06_07
Distance shot of TIN WOODMAN.

TIN WOODMAN
Ku-Klip. The cleverest tinsmith.

2_06_08
SCARECROW
088 Mmm. Well, if you wish to meet with real cleverness, you should visit the Munchkin farmer who first made me.

2_06_09
SCARECROW
You’re not bad...

2_06_10
TIN WOODMAN, SCARECROW, and WOOT walk through the arched roots of a giant tree.

SCARECROW (OS)
but any judge of beauty
2_06_11
SCARECROW
can see that a scarecrow’s far more

2_06_12
SCARECROW bows.

SCARECROW
artistic and refined.

2_06_13
TIN WOODMAN (irritated)
Refined?

2_06_14
TIN WOODMAN looks offended, then pokes SCARECROW in the chest.

TIN WOODMAN
089 Hah! Anyone can see that you’re far too soft and flimsy.

2_06_15
SCARECROW
090 Oh, is that so?

2_06_16
TIN WOOMAN, SCARECROW, and WOOT continue walking.

SCARECROW
Well… the same anyone can see that you’re… eh…

2_06_17
SCARECROW taps on TIN WOODMAN'S chest.

SCARECROW
far too hard and

2_06_18
SCARECROW
stiff.

2_06_19
TIN WOODMAN (snarling)
Don't be tapping me.

TIN WOODMAN pushes SCARECROW.

2_06_20
WOOT holds TIN WOODMAN and SCARECROW apart.

SCARECROW
Don't push me. Oh, yeah!

2_06_21
SCARECROW winds up a haymaker.

SCARECROW dances around in a circle boxing the air.

SCARECROW circles around TIN WOODMAN, still making threatening gestures.

2_06_22
WOOT looks on, surprised, then disgusted.

2_06_24
SCARECROW takes a big swing, misses grandly, and twists, falling into TIN WOODMAN'S arms. SCARECROW smiles, embarrassed.

SCARECROW
I may have thrown my back out.

2_06_24a
TIN WOODMAN
That's ridiculous! You're made of mush.

2_06_25
SCARECROW stands back, annoyed.

SCARECROW
Is that so?

2_06_25a
TIN WOODMAN and SCARECROW both look to WOOT for his opinion.

2_06_26
WOOT
090-1 Don't look at me...

2_06_27
WOOT
I should have left you both with the loons.

2_06_28
TIN WOODMAN and SCARECROW bump hips.

SCARECROW (childishly)
You watch it.

TIN WOODMAN (childishly)
You watch it.

2_06_30
Forrest animals watch the travelers pass.

TIN WOODMAN (OS)
You smell like mildew.

SCARECROW (OS)
How do you think you smell in that suit?

TIN WOODMAN (OS)
I don't fall apart at the first rain.

SCARECROW (OS)
At least I don't squeak while I'm blinking.

2_06_31
Back view of TIN WOODMAN, SCARECROW, and WOOT continuing on their journey.

WOOT
Will you two stop it!

There is a hesitation for a moment, then...

SCARECROW (whispering)
Too hard!

TIN WOODMAN (whispering)
Too soft!

Sequence 2 6

2007-08-17T22:33:59Z

Ssappington:

SEQUENCE 2_06 - "THE FIGHT"

2_06_01
EXT. MUNCHKIN COUNTY WOODS - DAY

TIN WOODMAN, SCARECROW, and WOOT walk along a path through the colorful countryside.

TIN WOODMAN sighs.

2_06_02
TIN WOODMAN
084 I was born in this grand forest.

2_06_03
Pan through the forest trees.

SCARECROW (OS)
084-01 It must feel wonderful to come back home.

2_06_06
TIN WOODMAN peers into the distance.

TIN WOODMAN
084-04 At the other edge of the forest stands the workshop of my friend…

2_06_07
Distance shot of TIN WOODMAN.

TIN WOODMAN
Ku-Klip. The cleverest tinsmith.

2_06_08
SCARECROW
088 Mmm. Well, if you wish to meet with real cleverness, you should visit the Munchkin farmer who first made me.

2_06_09
SCARECROW
You’re not bad...

2_06_10
TIN WOODMAN, SCARECROW, and WOOT walk through the arched roots of a giant tree.
SCARECROW (OS)
but any judge of beauty
2_06_11
SCARECROW
can see that a scarecrow’s far more

2_06_12
SCARECROW bows.

SCARECROW
artistic and refined.

2_06_13
TIN WOODMAN (irritated)
Refined?

2_06_14
TIN WOODMAN looks offended, then pokes SCARECROW in the chest.

TIN WOODMAN
089 Hah! Anyone can see that you’re far too soft and flimsy.

2_06_15
SCARECROW
090 Oh, is that so?

2_06_16
TIN WOOMAN, SCARECROW, and WOOT continue walking.

SCARECROW
Well… the same anyone can see that you’re… eh…

2_06_17
SCARECROW taps on TIN WOODMAN'S chest.

SCARECROW
far too hard and

2_06_18
SCARECROW
stiff.

2_06_19
TIN WOODMAN (snarling)
Don't be tapping me.

TIN WOODMAN pushes SCARECROW.

2_06_20
WOOT holds TIN WOODMAN and SCARECROW apart.

SCARECROW
Don't push me. Oh, yeah!

2_06_21
SCARECROW winds up a haymaker.

SCARECROW dances around in a circle boxing the air.

SCARECROW circles around TIN WOODMAN, still making threatening gestures.

2_06_22
WOOT looks on, surprised, then disgusted.

2_06_24
SCARECROW takes a big swing, misses grandly, and twists, falling into TIN WOODMAN'S arms. SCARECROW smiles, embarrassed.

SCARECROW
I may have thrown my back out.

2_06_24a
TIN WOODMAN
That's ridiculous! You're made of mush.

2_06_25
SCARECROW stands back, annoyed.

SCARECROW
Is that so?

2_06_25a
TIN WOODMAN and SCARECROW both look to WOOT for his opinion.

2_06_26
WOOT
090-1 Don't look at me...

2_06_27
WOOT
I should have left you both with the loons.

2_06_28
TIN WOODMAN and SCARECROW bump hips.

SCARECROW (childishly)
You watch it.

TIN WOODMAN (childishly)
You watch it.

2_06_30
Forrest animals watch the travelers pass.

TIN WOODMAN (OS)
You smell like mildew.

SCARECROW (OS)
How do you think you smell in that suit?

TIN WOODMAN (OS)
I don't fall apart at the first rain.

SCARECROW (OS)
At least I don't squeak while I'm blinking.

2_06_31
Back view of TIN WOODMAN, SCARECROW, and WOOT continuing on their journey.

WOOT
Will you two stop it!

There is a hesitation for a moment, then...

SCARECROW (whispering)
Too hard!

TIN WOODMAN (whispering)
Too soft!

Sequence 2 6

2007-08-17T22:13:16Z

Ssappington: cut scenes 04, 05, 23, 29

SEQUENCE 2_06 - "THE FIGHT"

2_06_01
EXT. MUNCHKIN COUNTY WOODS - DAY

TIN WOODMAN, SCARECROW, and WOOT walk along a path through the colorful countryside.

TIN WOODMAN sighs.

2_06_02
TIN WOODMAN
084 I was born in this grand forest.

2_06_03
Pan through the forest trees.

SCARECROW (OS)
084-01 It must feel wonderful to come back home.

2_06_06
TIN WOODMAN peers into the distance.

TIN WOODMAN
084-04 At the other edge of the forest stands the workshop of my friend…

2_06_07
Distance shot of TIN WOODMAN.

TIN WOODMAN
Ku-Klip. The cleverest tinsmith.

2_06_08
SCARECROW
088 Mmm. Well, if you wish to meet with real cleverness, you should visit the Munchkin farmer who first made me.

2_06_09
SCARECROW
You’re not bad...

2_06_10
TIN WOODMAN, SCARECROW, and WOOT walk through the arched roots of a giant tree.

2_06_11
SCARECROW
088-01 but any judge of beauty can see that a scarecrow’s far more

2_06_12
SCARECROW bows.

SCARECROW
artistic and refined.

2_06_13
TIN WOODMAN (irritated)
Refined?

2_06_14
TIN WOODMAN looks offended, then pokes SCARECROW in the chest.

TIN WOODMAN
089 Hah! Anyone can see that you’re far too soft and flimsy.

2_06_15
SCARECROW
090 Oh, is that so?

2_06_16
TIN WOOMAN, SCARECROW, and WOOT continue walking.

SCARECROW
Well… the same anyone can see that you’re… eh…

2_06_17
SCARECROW taps on TIN WOODMAN'S chest.

SCARECROW
far too hard and

2_06_18
SCARECROW
stiff.

2_06_19
TIN WOODMAN (snarling)
Don't be tapping me.

TIN WOODMAN pushes SCARECROW.

2_06_20
WOOT holds TIN WOODMAN and SCARECROW apart.

SCARECROW
Don't push me. Oh, yeah!

2_06_21
SCARECROW winds up a haymaker.

SCARECROW dances around in a circle boxing the air.

SCARECROW circles around TIN WOODMAN, still making threatening gestures.

2_06_22
WOOT looks on, surprised, then disgusted.

2_06_24
SCARECROW takes a big swing, misses grandly, and twists, falling into TIN WOODMAN'S arms. SCARECROW smiles, embarrassed.

SCARECROW
I may have thrown my back out.

2_06_24a
TIN WOODMAN
That's ridiculous! You're made of mush.

2_06_25
SCARECROW stands back, annoyed.

SCARECROW
Is that so?

2_06_25a
TIN WOODMAN and SCARECROW both look to WOOT for his opinion.

2_06_26
WOOT
090-1 Don't look at me...

2_06_27
WOOT
I should have left you both with the loons.

2_06_28
TIN WOODMAN and SCARECROW bump hips.

SCARECROW (childishly)
You watch it.

TIN WOODMAN (childishly)
You watch it.

2_06_30
Forrest animals watch the travelers pass.

TIN WOODMAN (OS)
You smell like mildew.

SCARECROW (OS)
How do you think you smell in that suit?

TIN WOODMAN (OS)
I don't fall apart at the first rain.

SCARECROW (OS)
At least I don't squeak while I'm blinking.

2_06_31
Back view of TIN WOODMAN, SCARECROW, and WOOT continuing on their journey.

WOOT
Will you two stop it!

There is a hesitation for a moment, then...

SCARECROW (whispering)
Too hard!

TIN WOODMAN (whispering)
Too soft!

WIP

2007-08-08T22:26:22Z

Ssappington: Replacing page with ' [http://www.hash.com/ftp/TWO WIPS] category:TWO'

[http://www.hash.com/ftp/TWO WIPS]

[[category:TWO]]

Sequence 1

2007-07-30T19:00:06Z

Ssappington:

SEQUENCE 1.

FADE IN:
1_01_01
EXT. SKY - MORNING

GOOSE flies through the clouds.

1_01_01a
EXT. WINKIE COUNTRY OF OZ - MORNING

Spread out on the rolling hills and manicured valleys is a WINKIE VILLAGE.

1_01_02
A herd of spotted cows graze in a lush meadow. A CART piled high with HAY and drawn by an OSTRICH goes by.

Ad lib mutters and asides from the various FOLK present.

1_01_03
WOOT'S MOM is a plump, appealing, apple-cheeked little woman in an apron, her hair tied up in a bun. She waves, smiling, after her OS son.

WOOT (OS)
Bye Momma!

1_01_03a
CU: WOOT'S MOM puts flowers in a basket.

1_01_04
WOOT waves, walks away.

1_01_06
WOOT grabs a battered shovel leaning against the side of a building.

1_01_12
WOOT bounces along, scattering ducks.

"I Wanna Be An Adventurer" song starts.

1_01_10
WOOT'S bouncing scatters indignant neighbors.

1_01_09
RABBIT pops out from behind a tree: watches, listens to the OS sounds of WOOT'S progress, wiggles its whiskers.

1_01_13
Startled COW looks up, eyes wide.

1_01_14
WOOT approaches, still bouncing on the shovel. The COW attempts to walk away, increase its pace as WOOT get's nearer and nearer. COW begins a frantic walk.

1_01_15
WOOT launches off the shovel, flies through the air, lands on COW'S back. COW begins running. WOOT clings to it: the wind whips through his hair and clothes; his eyes are closed in rapture.

1_01_17
WOOT stands on the back of the cow.

1_01_18
The CART is ahead.

1_01_19
WOOT leaps.

1_01_20
WOOT lands in the haystack in the back of the CART.

1_01_21
WOOT laughs delightedly.

1_01_23
FAT FARMHAND and THIN FARMHAND watch.

1_01_24
WOOT laughs. He looks up... Rubs his hands together.

1_01_25
There's a tree on the patch, a thick LIMB overhangs the road.

1_01_26
WOOT leaps, grabs a hold of the LIMB, spins around it.

1_01_27
WOOT perches on the LIMB, wobbly. He waves at the cart.

1_01_29
SONG ends.

The sound of the cart fades. WOOT sighs, satisfied. His eyes catch sight of something poking just above the clouds - way in the distance.

1_01_30b
WOOT jumps to the ground.

1_01_30c
WOOT sets off toward to investigate. RABBIT hops out of the brush, looks at WOOT a moment, then hops off after him.

1_01_30
EXT. TIN CASTLE - SUNSET

It gleams in the setting sun.

1_01_33
WOOT walks facing into the TIN CASTLE. RABBIT follows.

Sequence 5

2007-06-26T23:52:23Z

Ssappington: cutting sc16 (per Dylan's Edit)

SEQUENCE 1_05

1_05_01
DISSOLVE TO:

INT. THRONE ROOM - NIGHT

TIN WOODMAN leans back on his THRONE, quite proud of himself.

TIN WOODMAN
In fact, I only needed to be oiled and polished.

1_05_02
WOOT (enthralled)
028 And did you marry Nimmie Amee?

1_05_03
Slowly, as TIN WOODMAN is thinking, he begins to look sad.

1_05_04
SCARECROW looks towards TIN WOODMAN.

1_05_05
A single oily tear runs down TIN WOODMAN'S cheek. TIN WOODMAN sighs. He shakes his head. His voice is barely audible.

TIN WOODMAN
029 No…

1_05_06
SCARECROW
029-01 What is it, my good friend?

1_05_07
TIN WOODMAN
031 Since I was made of tin, I had no heart, and could not return Nimmie’s love... But then I went with Dorothy and Scarecrow to the Emerald city, and the Wizard gave me a heart.

1_05_09
SCARECROW, concerned, walks towards his old friend.

1_05_10
TIN WOODMAN, head bowed, is lost in thought., but he pushes back the feelings with an effort. SCARECROW approaches him, oilcan in hand.

1_05_11
SCARECROW carefully oils the joints in TIN WOODMAN’S neck.

1_05_12
TIN WOODMAN (forlorn)
031-02 I have not thought of Nimmie Amee's love again until now... And I am overwhelmed.

1_05_12a
SCARECROW returns to his seat.

1_05_13
TIN WOODMAN puts his face in his hands.

TIN WOODMAN
I'm sorry. I do not know what has come over me.

1_05_14
SCARECROW
032 Can it be love?

1_05_15
TIN WOODMAN is startled at the sound of a breaking sound from his chest. He oens his chest plate and takes out his HEART.

1_05_15a
The HEART is cracked.

1_05_19
SCARECROW
Your heart is breaking as we speak.

1_05_20
TIN WOODMAN puts the HEART back into his chest.

TIN WOODMAN
To think that her memory could affect me so?

1_05_22
SCARECROW is seated on his stool.

SCARECROW
036 I think… we must prepare to make a journey!

1_05_23
SCARECROW walks towards TIN WOODMAN.

SCARECROW
Above all else, a heart is made to feel.

1_05_23a
SCARECROW
Yours calls you to Nimmie Amee.

1_05_24
TIN WOODMAN
Nimmie Amee declared she would marry me. Despite my being made of tin. Could I do no better than complete my promise to marry her.

1_05_25
WOOT looks at them hopefully.

WOOT
038-02 I'll help you too... Sire.

1_05_26
TIN WOODMAN smiles. TIN WOODMAN looks down at WOOT, stands.

1_05_27
TIN WOODMAN
038-03 I will find Nimmie!

1_05_28
TIN WOODMAN
I will tell her that I still love her!

1_05_29
TIN WOODMAN walks out onto a balcony. It is nighttime. He walks to a railing.

TIN WOODMAN
038-04 I shall bring her here—and make her Empress!

1_05_30
SCARECROW and WOOT join TIN WOODMAN on the balcony.

TIN WOODMAN
038-05 She will have a tin gown—with ruffles and tucks—and slippers and earrings and bracelets, and a tin crown!

1_05_31
The TIN CASTLE can be seen at night in the distance. Stars twinkle in the night sky.

TIN WOODMAN (OS)
A glorious tin crown—magnificent…

SCARECROW (OS)
038-06 I’m sure she’ll be delighted.

Sequence 2 10

2007-05-30T16:35:06Z

Ssappington:

SEQUENCE 2_10 - "MEET THE YOOKOOHOO"

2_10_01

TIN WOODMAN
180-02 Oh my

2_10_02
INT. GOLDEN CHAMBER

In the center of the CHAMBER is a huge table, at which sits MRS. YOOP. She has her back toward them and does not turn around. She is turning the pages by simply motioning her hand.

2_10_03
MRS. YOOP (menacing)
181 You’re causing a draft... And I shall catch cold... And sneeze.

2_10_04
TIN WOODMAN, SCARECROW, and WOOT tremble. They look around. There’s no way out. There are shadows moving on the walls.

MRS. YOOP
181-01 And when I sneeze, I become cross… Very, very nasty.

2_10_06
MRS. YOOP
And when I become cross, I’m liable to do something… wicked! (chuckles) Mmmm. Come in, you foolish strangers. Come in!

2_10_07
MRS. YOOP slowly turns around. Her gargantuan figure towers over TIN WOODMAN, SCARECROW, and WOOT. She’s an immense woman, hideous and terrifying… clad in silver robes embroidered with floral designs.

2_10_08
TIN WOODMAN, SCARECROW, and WOOT run, screaming in fright.

2_10_09
MRS. YOOP points a finger at a fireplace SCREEN which becomes a fence surrounding them.

2_10_10
WOOT, TIN WOODMAN, and SCARECROW cower behind the SCREEN.

2_10_11

MRS. YOOP (chuckling)
181-02 What have we here…?

2_10_12
TIN WOODMAN, SCARECROW, and WOOT shrink back as MRS. YOOP bends close to examine them.

2_10_13
MRS. YOOP changes size, shape and appearance at whim.

MRS. YOOP
181-03 Speak!!!

2_10_14
The CHAMBER reverberates with the sound of MRS. YOOP'S voice. TIN WOODMAN, SCARECROW, and WOOT fall to the ground, almost insensible with terror.

2_10_15
When the echoes have died away, SCARECROW raises his head, terrified.

SCARECROW
183 W-we d-didn’t know anyone l-lived here, M-Madam, s-so, b-being travelers and strangers in these p-parts, and w-w-wishing to find a p-place for our young c-companion to s-sleep—w-we v-ventured t-to enter your lovely c-c-astle.

2_10_16
MRS. YOOP crouches above, leers.

MRS. YOOP
184 You have found much more than you bargained for!!!

2_10_17
OS: Mrs. Yoop laughing. TIN WOODMAN, SCARECROW, and WOOT bury their faces in their hands, shaking.

2_10_18
MRS. YOOP walks around the cowering TIN WOODMAN, SCARECROW, and WOOT: sometimes huge and horrible, other times normal and motherly-looking.

2_10_19
WOOT peeks between his fingers.

WOOT (fearful)
185 A-a-are you a w-w-witch?

2_10_20

MRS. YOOP
185-01 Witch?! Witch!!! Why, I Witch this!

2_10_21
TIN WOODMAN, SCARECROW, and WOOT cringe in terror as all manner of foul ENTITIES surround them.

2_10_22
MRS. YOOP is suddenly a sweet, harmless-looking mother-figure again. WOOT looks up at her fearfully.

2_10_23
MRS. YOOP laughs pleasantly.

MRS. YOOP
186 More- an artist of transformation. A Yookoohoo. Much more clever than a witch.

2_10_24
MRS. YOOP shrinks down, suddenly holding a plate of cookies. She offers them to her guests.

MRS. YOOP
Perhaps you’ve heard of me… Mrs. Yoop?

2_10_25
TIN WOODMAN, SCARECROW, and WOOT look at each other, scared witless, unwilling to admit they haven’t.

2_10_26

SCARECROW
187 A-are w-we to c-consider you our f-friend, M-M-Mrs. Yoop?

2_10_27

MRS. YOOP
188 I never have friends—

MRS. YOOP again turns into a giant—but quickly becomes normal again.

MRS. YOOP
188-01 Eh, uh Well Ah.. I, I am glad you’ve come, dearies, for my life here is rather lonely. I’ve had no one… to talk to.

2_10_27a

-YOOP SONG-

2_10_28

SCARECROW
189 Uh… Love to talk But w-w-w-w-e c-c-can't stay long…

2_10_29

MRS. YOOP
190 Oh, but I disagree.

MRS. YOOP becomes huge again. As she speaks she picks WOOT up in the palm of her gigantic hand.

MRS. YOOP
190-01 I mean to keep you here as long as I live, to amuse me when I get lonely To keep me company

2_10_30

TIN WOODMAN
191 T-t-t-that is outrageous… d-d-do you k-k-know, ma’am, who we a-a-are?

2_10_31
MRS. YOOP is once again a normal, homey-looking mother-type.

MRS. YOOP
192 Mmmmm… Well, lets see a straw man… a tin man… and a meat boy…

2_10_32
TIN WOODMAN, SCARECROW, and WOOT shrink back as her baleful eye falls upon them.

2_10_33

MRS. YOOP
192-01 How unstimulating you are. So plain I know- I will change you all into new forms… formsss farrr moreee interesting….

2_10_34

SCARECROW
193 Y-y-you.. you can’t d-do that! You We We’re very important p-p-eople

2_10_35
MRS. YOOP is huge again. TIN WOODMAN, SCARECROW, and WOOT huddle together in terror.

MRS. YOOP
194 So much the better! I shall enjoy you all the more!

2_10_36
TIN WOODMAN, SCARECROW, and WOOT stare up in terror at MRS. YOOP.

MRS. YOOP
195 Meet bravely what you cannot avoid

MRS. YOOP turns to TIN WOODMAN.

2_10_37
TIN WOODMAN
S-s-stay away from me

2_10_38
MRS. YOOP points an enormous, gnarled finger at TIN WOODMAN. A maelstrom of terrifying ENERGY transforms TIN WOODMAN transforms TIN OWL.

TIN OWL hoots in despair.

2_10_39
MRS. YOOP’S baleful eye fixes on him.

2_10_40
TIN OWL flies to the back of a chair and perches upon it, his tin feathers rattle against one another in a tinny chatter.

2_10_41
SCARECROW and WOOT look up at the immense, terrifying form of MRS. YOOP. SCARECROW attempts to assume a commanding posture. WOOT hides behind him.

SCARECROW
197 Eh Eh Eh N-n-now s-s-see here, m-m-madam, I c-c-consider this action very impolite…. it may even be called rude c-c-considering we are your g-g-guests…

2_10_42

MRS. YOOP
198 Guests, straw man… At whose invitation?

MRS. YOOP opens her immense mouth in a hideous laugh.

2_10_43
SCARECROW shudders violently.

SCARECROW
Look I I've got a f-f-few Em Uh, ah Oh

In a maelstrom of energy, SCARECROW changes into STRAW BEAR.

2_10_44
STRAW BEAR shuffles awkwardly across the floor, whimpering.

STRAW BEAR (confused)
Eh I don't like this I don't like this at all No This isn't right This isn't right at all No, Wrong

2_10_45
WOOT looks out in horror… then at MRS. YOOP.

2_10_46
MRS. YOOP is once again normal-sized, though grotesquely-proportioned.

2_10_47
WOOT trembles in terror as MRS. YOOP tussles his hair. MRS. YOOP assumes a grotesquely innocent air as she studies the terrified WOOT.

MRS. YOOP
198-01 Ah Now What to do with you, little cuddle-kins? I have something very, very special in mind for you.

2_10_48
WOOT runs for it.

2_10_49
Suddenly—MRS. YOOP is in front of him, her hair streaming as if alive—her eyes huge and blazing—WOOT screams.

2_10_50
MRS. YOOP wiggles her fingers.

2_10_51
WOOT, in a flash of energy, becomes GREEN MONKEY.

2_10_52
MRS. YOOP laughs hideously

2_10_53
GREEN MONKEY chatters as he bounds to the seat of a giant chair, and then to its back.

MRS. YOOP’S maniacal laughter echoes through the castle.

2_10_54

MRS. YOOP
Yes I do believe (cackles) Perrrrrfect.

TIN OWL, BEAR and GREEN MONKEY cringe as MRS. YOOP looms above them. She looms over each in turn, then she shrinks back down to near-human proportions, and yawns.

MRS. YOOP
201 Oh Such a day Such a day Well, enjoy yourselves, my pets. We’ll play again… very soon.

2_10_55
MRS. YOOP cackles madly. Still laughing, she faces the DOOR.

MRS. YOOP
202 Open!

2_10_56
The DOOR bursts open with a bang, and MRS. YOOP hobbles out.

The DOOR begins to close.

Script

2007-05-30T16:32:37Z

Ssappington:

=TWO Movie Project Wiki Script=

'''Act I'''

[[Sequence 1]] “Opening” 29 scenes

[[Sequence 2]] “Bridge” 40 scenes

[[Sequence 3]] “Throne” 39 scenes

[[Sequence 4]] “Love” 39 scenes

[[Sequence 5]] “The Plan” 22 scenes

'''Act II'''

[[Sequence 2_1]] “Morning” 24 scenes

[[Sequence 2_2]] “Thicket” 49 scenes

[[Sequence 2_3]] “Loons” 107 scenes

[[Sequence 2_4]] “Song” 33 scenes

[[Sequence 2_5]] “Fireside” 6 scenes

[[Sequence 2_6]] “The Fight” 32 scenes

[[Sequence 2_7]] “Ku-Klip” 83 scenes

[[Sequence 2_8]] “Nimmie’s House” 85 scenes

[[Sequence 2_9]] “Yoop Castle” 29 scenes

[[Sequence 2_10]] “Meet The Yookoohoo” 57 scenes

[[Sequence 2_11]] “Breakout” 32 scenes

[[Sequence 2_12]] “Tin Girl” 31 scenes

[[Sequence 2_13]] “The Breakin” 21 scenes

[[Sequence 2_14]] “Games” 17 scenes

[[Sequence 2_15]] “Escape” 51 scenes

'''Act III'''

[[Sequence 3_01]] “Medallion” 37 scenes

[[Sequence 3_02]] “Mountain” 33 scenes

Sequence 3_03 “Dragons” not currently in movie

[[Sequence 3_04]] “Invisible” 46 scenes

[[Sequence 3_05]] “Ozma” 67 scenes

[[Sequence 3_06]] “Home” 7 scenes

The End

[[category:TWO]]

Script

2007-05-30T16:31:00Z

Ssappington: removing links to extra copies of script by act- the "by sequence" script is the most current!

=TWO Movie Project Wiki Script=

'''Act I'''

[[Sequence 1]] “Opening” 29 scenes // edited 11/11/06 to match WIP

[[Sequence 2]] “Bridge” 40 scenes // edited 3/12/06 for Paul

[[Sequence 3]] “Throne” 39 scenes // edited 11/11/06 to match WIP

[[Sequence 4]] “Love” 39 scenes // edited 11/11/06 to match WIP

[[Sequence 5]] “The Plan” 22 scenes // edited 11/11/06 to match WIP

'''Act II'''

[[Sequence 2_1]] “Morning” 24 scenes

[[Sequence 2_2]] “Thicket” 49 scenes

[[Sequence 2_3]] “Loons” 107 scenes

[[Sequence 2_4]] “Song” 33 scenes

[[Sequence 2_5]] “Fireside” 6 scenes

[[Sequence 2_6]] “The Fight” 32 scenes

[[Sequence 2_7]] “Ku-Klip” 83 scenes

[[Sequence 2_8]] “Nimmie’s House” 85 scenes

[[Sequence 2_9]] “Yoop Castle” 29 scenes

[[Sequence 2_10]] “Meet The Yookoohoo” 57 scenes

[[Sequence 2_11]] “Breakout” 32 scenes

[[Sequence 2_12]] “Tin Girl” 31 scenes

[[Sequence 2_13]] “The Breakin” 21 scenes

[[Sequence 2_14]] “Games” 17 scenes

[[Sequence 2_15]] “Escape” 51 scenes

'''Act III'''

[[Sequence 3_01]] “Medallion” 37 scenes

[[Sequence 3_02]] “Mountain” 33 scenes

Sequence 3_03 “Dragons” not currently in movie

[[Sequence 3_04]] “Invisible” 46 scenes

[[Sequence 3_05]] “Ozma” 67 scenes

[[Sequence 3_06]] “Home” 7 scenes

The End

[[Old V5.4 Script]]

[[Old V6.1 Script]]

[[category:TWO]]

Script

2007-05-30T16:29:24Z

Ssappington:

=TWO Movie Project Wiki Script=

[Act I]

[[Sequence 1]] “Opening” 29 scenes // edited 11/11/06 to match WIP

[[Sequence 2]] “Bridge” 40 scenes // edited 3/12/06 for Paul

[[Sequence 3]] “Throne” 39 scenes // edited 11/11/06 to match WIP

[[Sequence 4]] “Love” 39 scenes // edited 11/11/06 to match WIP

[[Sequence 5]] “The Plan” 22 scenes // edited 11/11/06 to match WIP

'''[[Act II]]'''

[[Sequence 2_1]] “Morning” 24 scenes

[[Sequence 2_2]] “Thicket” 49 scenes

[[Sequence 2_3]] “Loons” 107 scenes

[[Sequence 2_4]] “Song” 33 scenes

[[Sequence 2_5]] “Fireside” 6 scenes

[[Sequence 2_6]] “The Fight” 32 scenes

[[Sequence 2_7]] “Ku-Klip” 83 scenes

[[Sequence 2_8]] “Nimmie’s House” 85 scenes

[[Sequence 2_9]] “Yoop Castle” 29 scenes

[[Sequence 2_10]] “Meet The Yookoohoo” 57 scenes

[[Sequence 2_11]] “Breakout” 32 scenes

[[Sequence 2_12]] “Tin Girl” 31 scenes

[[Sequence 2_13]] “The Breakin” 21 scenes

[[Sequence 2_14]] “Games” 17 scenes

[[Sequence 2_15]] “Escape” 51 scenes

'''[[Act III]]'''

[[Sequence 3_01]] “Medallion” 37 scenes

[[Sequence 3_02]] “Mountain” 33 scenes

Sequence 3_03 “Dragons” not currently in movie

[[Sequence 3_04]] “Invisible” 46 scenes

[[Sequence 3_05]] “Ozma” 67 scenes

[[Sequence 3_06]] “Home” 7 scenes

The End

[[Old V5.4 Script]]

[[Old V6.1 Script]]

[[category:TWO]]

Sequence 2 10

2007-04-27T19:37:16Z

Ssappington:

SEQUENCE 2_10 - "MEET THE YOOKOOHOO"

2_10_01

TIN WOODMAN
180-02 Oh my

2_10_02
INT. GOLDEN CHAMBER

In the center of the CHAMBER is a huge table, at which sits MRS. YOOP. She has her back toward them and does not turn around. She is turning the pages by simply motioning her hand.

2_10_03
MRS. YOOP (menacing)
181 You’re causing a draft... And I shall catch cold... And sneeze.

2_10_04
TIN WOODMAN, SCARECROW, and WOOT tremble. They look around. There’s no way out. There are shadows moving on the walls.

MRS. YOOP
181-01 And when I sneeze, I become cross… Very, very nasty.

2_10_06
MRS. YOOP
And when I become cross, I’m liable to do something… wicked! (chuckles) Mmmm. Come in, you foolish strangers. Come in!

2_10_07
MRS. YOOP slowly turns around. Her gargantuan figure towers over TIN WOODMAN, SCARECROW, and WOOT. She’s an immense woman, hideous and terrifying… clad in silver robes embroidered with floral designs.

2_10_08
TIN WOODMAN, SCARECROW, and WOOT run, screaming in fright.

2_10_09
MRS. YOOP points a finger at a fireplace SCREEN which becomes a fence surrounding them.

2_10_10
WOOT, TIN WOODMAN, and SCARECROW cower behind the SCREEN.

2_10_11

MRS. YOOP (chuckling)
181-02 What have we here…?

2_10_12
TIN WOODMAN, SCARECROW, and WOOT shrink back as MRS. YOOP bends close to examine them.

2_10_13
MRS. YOOP changes size, shape and appearance at whim.

MRS. YOOP
181-03 Speak!!!

2_10_14
The CHAMBER reverberates with the sound of MRS. YOOP'S voice. TIN WOODMAN, SCARECROW, and WOOT fall to the ground, almost insensible with terror.

2_10_15
When the echoes have died away, SCARECROW raises his head, terrified.

SCARECROW
183 W-we d-didn’t know anyone l-lived here, M-Madam, s-so, b-being travelers and strangers in these p-parts, and w-w-wishing to find a p-place for our young c-companion to s-sleep—w-we v-ventured t-to enter your lovely c-c-astle.

2_10_16
MRS. YOOP crouches above, leers.

MRS. YOOP
184 You have found much more than you bargained for!!!

2_10_17
OS: Mrs. Yoop laughing. TIN WOODMAN, SCARECROW, and WOOT bury their faces in their hands, shaking.

2_10_18
MRS. YOOP walks around the cowering TIN WOODMAN, SCARECROW, and WOOT: sometimes huge and horrible, other times normal and motherly-looking.

2_10_19
WOOT peeks between his fingers.

WOOT (fearful)
185 A-a-are you a w-w-witch?

2_10_20

MRS. YOOP
185-01 Witch?! Witch!!! Why, I Witch this!

2_10_21
TIN WOODMAN, SCARECROW, and WOOT cringe in terror as all manner of foul ENTITIES surround them.

2_10_22
MRS. YOOP is suddenly a sweet, harmless-looking mother-figure again. WOOT looks up at her fearfully.

2_10_23
MRS. YOOP laughs pleasantly.

MRS. YOOP
186 More- an artist of transformation. A Yookoohoo. Much more clever than a witch.

2_10_24
MRS. YOOP shrinks down, suddenly holding a plate of cookies. She offers them to her guests.

MRS. YOOP
Perhaps you’ve heard of me… Mrs. Yoop?

2_10_25
TIN WOODMAN, SCARECROW, and WOOT look at each other, scared witless, unwilling to admit they haven’t.

2_10_26

SCARECROW
187 A-are w-we to c-consider you our f-friend, M-M-Mrs. Yoop?

2_10_27

MRS. YOOP
188 I never have friends—

MRS. YOOP again turns into a giant—but quickly becomes normal again.

MRS. YOOP
188-01 Eh, uh Well Ah.. I, I am glad you’ve come, dearies, for my life here is rather lonely. I’ve had no one… to talk to.

2_10_27a

-YOOP SONG-

2_10_28

SCARECROW
189 Uh… Love to talk But w-w-w-w-e c-c-can't stay long…

2_10_29

MRS. YOOP
190 Oh, but I disagree.

MRS. YOOP becomes huge again. As she speaks she picks WOOT up in the palm of her gigantic hand.

MRS. YOOP
190-01 I mean to keep you here as long as I live, to amuse me when I get lonely To keep me company

2_10_30

TIN WOODMAN
191 T-t-t-that is outrageous… d-d-do you k-k-know, ma’am, who we a-a-are?

2_10_31
MRS. YOOP is once again a normal, homey-looking mother-type.

MRS. YOOP
192 Mmmmm… Well, lets see a straw man… a tin man… and a meat boy…

2_10_32
TIN WOODMAN, SCARECROW, and WOOT shrink back as her baleful eye falls upon them.

2_10_33

MRS. YOOP
192-01 How unstimulating you are. So plain I know- I will change you all into new forms… formsss farrr moreee interesting….

2_10_34

SCARECROW
193 Y-y-you.. you can’t d-do that! You We We’re very important p-p-eople

2_10_35
MRS. YOOP is huge again. TIN WOODMAN, SCARECROW, and WOOT huddle together in terror.

MRS. YOOP
194 So much the better! I shall enjoy you all the more!

2_10_36
TIN WOODMAN, SCARECROW, and WOOT stare up in terror at MRS. YOOP.

MRS. YOOP
195 Meet bravely what you cannot avoid

MRS. YOOP turns to TIN WOODMAN.

2_10_37

TIN WOODMAN
S-s-stay away from me

MRS. YOOP points an enormous, gnarled finger at TIN WOODMAN.

2_10_38
A maelstrom of terrifying ENERGY transforms TIN WOODMAN transforms TIN OWL.

TIN OWL hoots in despair.

2_10_39
MRS. YOOP’S baleful eye fixes on him.

2_10_40
TIN OWL flies to the back of a chair and perches upon it, his tin feathers rattle against one another in a tinny chatter.

2_10_41
SCARECROW and WOOT look up at the immense, terrifying form of MRS. YOOP. SCARECROW attempts to assume a commanding posture. WOOT hides behind him.

SCARECROW
197 Eh Eh Eh N-n-now s-s-see here, m-m-madam, I c-c-consider this action very impolite…. it may even be called rude c-c-considering we are your g-g-guests…

2_10_42

MRS. YOOP
198 Guests, straw man… At whose invitation?

MRS. YOOP opens her immense mouth in a hideous laugh.

2_10_43
SCARECROW shudders violently.

SCARECROW
Look I I've got a f-f-few Em Uh, ah Oh

In a maelstrom of energy, SCARECROW changes into STRAW BEAR.

2_10_44
STRAW BEAR shuffles awkwardly across the floor, whimpering.

STRAW BEAR (confused)
Eh I don't like this I don't like this at all No This isn't right This isn't right at all No, Wrong

2_10_45
WOOT looks out in horror… then at MRS. YOOP.

2_10_46
MRS. YOOP is once again normal-sized, though grotesquely-proportioned.

2_10_47
WOOT trembles in terror as MRS. YOOP tussles his hair. MRS. YOOP assumes a grotesquely innocent air as she studies the terrified WOOT.

MRS. YOOP
198-01 Ah Now What to do with you, little cuddle-kins? I have something very, very special in mind for you.

2_10_48
WOOT runs for it.

2_10_49
Suddenly—MRS. YOOP is in front of him, her hair streaming as if alive—her eyes huge and blazing—WOOT screams.

2_10_50
MRS. YOOP wiggles her fingers.

2_10_51
WOOT, in a flash of energy, becomes GREEN MONKEY.

2_10_52
MRS. YOOP laughs hideously

2_10_53
GREEN MONKEY chatters as he bounds to the seat of a giant chair, and then to its back.

MRS. YOOP’S maniacal laughter echoes through the castle.

2_10_54

MRS. YOOP
Yes I do believe (cackles) Perrrrrfect.

TIN OWL, BEAR and GREEN MONKEY cringe as MRS. YOOP looms above them. She looms over each in turn, then she shrinks back down to near-human proportions, and yawns.

MRS. YOOP
201 Oh Such a day Such a day Well, enjoy yourselves, my pets. We’ll play again… very soon.

2_10_55
MRS. YOOP cackles madly. Still laughing, she faces the DOOR.

MRS. YOOP
202 Open!

2_10_56
The DOOR bursts open with a bang, and MRS. YOOP hobbles out.

2_10_57
The DOOR begins to close.

Sequence 2 10

2007-04-27T19:36:27Z

Ssappington:

SEQUENCE 2_10 - "MEET THE YOOKOOHOO"

2_10_01

TIN WOODMAN
180-02 Oh my

2_10_02
INT. GOLDEN CHAMBER

In the center of the CHAMBER is a huge table, at which sits MRS. YOOP. She has her back toward them and does not turn around. She is turning the pages by simply motioning her hand.

2_10_03
MRS. YOOP (menacing)
181 You’re causing a draft... And I shall catch cold... And sneeze.

2_10_04
TIN WOODMAN, SCARECROW, and WOOT tremble. They look around. There’s no way out. There are shadows moving on the walls.

MRS. YOOP
181-01 And when I sneeze, I become cross… Very, very nasty.

2_10_06
MRS. YOOP
And when I become cross, I’m liable to do something… wicked! (chuckles) Mmmm. Come in, you foolish strangers. Come in!

2_10_07
MRS. YOOP slowly turns around. Her gargantuan figure towers over TIN WOODMAN, SCARECROW, and WOOT. She’s an immense woman, hideous and terrifying… clad in silver robes embroidered with floral designs.

2_10_08
TIN WOODMAN, SCARECROW, and WOOT run, screaming in fright.

2_10_09
MRS. YOOP points a finger at a fireplace SCREEN which becomes a fence surrounding them.

2_10_10
WOOT, TIN WOODMAN, and SCARECROW cower behind the SCREEN.

2_10_11

MRS. YOOP (chuckling)
181-02 What have we here…?

2_10_12
TIN WOODMAN, SCARECROW, and WOOT shrink back as MRS. YOOP bends close to examine them.

2_10_13
MRS. YOOP changes size, shape and appearance at whim.

MRS. YOOP
181-03 Speak!!!

2_10_14
The CHAMBER reverberates with the sound of MRS. YOOP'S voice. TIN WOODMAN, SCARECROW, and WOOT fall to the ground, almost insensible with terror.

2_10_15
When the echoes have died away, SCARECROW raises his head, terrified.

SCARECROW
183 W-we d-didn’t know anyone l-lived here, M-Madam, s-so, b-being travelers and strangers in these p-parts, and w-w-wishing to find a p-place for our young c-companion to s-sleep—w-we v-ventured t-to enter your lovely c-c-astle.

2_10_16
MRS. YOOP crouches above, leers.

MRS. YOOP
184 You have found much more than you bargained for!!!

2_10_17
OS: Mrs. Yoop laughing. TIN WOODMAN, SCARECROW, and WOOT bury their faces in their hands, shaking.

2_10_18
MRS. YOOP walks around the cowering TIN WOODMAN, SCARECROW, and WOOT: sometimes huge and horrible, other times normal and motherly-looking.

2_10_19
WOOT peeks between his fingers.

WOOT (fearful)
185 A-a-are you a w-w-witch?

2_10_20

MRS. YOOP
185-01 Witch?! Witch!!! Why, I Witch this!

2_10_21
TIN WOODMAN, SCARECROW, and WOOT cringe in terror as all manner of foul ENTITIES surround them.

2_10_22
MRS. YOOP is suddenly a sweet, harmless-looking mother-figure again. WOOT looks up at her fearfully.

2_10_23
MRS. YOOP laughs pleasantly.

MRS. YOOP
186 More- an artist of transformation. A Yookoohoo. Much more clever than a witch.

2_10_24
MRS. YOOP shrinks down, suddenly holding a plate of cookies. She offers them to her guests.

MRS. YOOP
Perhaps you’ve heard of me… Mrs. Yoop?

2_10_25
TIN WOODMAN, SCARECROW, and WOOT look at each other, scared witless, unwilling to admit they haven’t.

2_10_26

SCARECROW
187 A-are w-we to c-consider you our f-friend, M-M-Mrs. Yoop?

2_10_27

MRS. YOOP
188 I never have friends—

MRS. YOOP again turns into a giant—but quickly becomes normal again.

MRS. YOOP
188-01 Eh, uh Well Ah.. I, I am glad you’ve come, dearies, for my life here is rather lonely. I’ve had no one… to talk to.

2_10_27a
Yoop Song

2_10_28

SCARECROW
189 Uh… Love to talk But w-w-w-w-e c-c-can't stay long…

2_10_29

MRS. YOOP
190 Oh, but I disagree.

MRS. YOOP becomes huge again. As she speaks she picks WOOT up in the palm of her gigantic hand.

MRS. YOOP
190-01 I mean to keep you here as long as I live, to amuse me when I get lonely To keep me company

2_10_30

TIN WOODMAN
191 T-t-t-that is outrageous… d-d-do you k-k-know, ma’am, who we a-a-are?

2_10_31
MRS. YOOP is once again a normal, homey-looking mother-type.

MRS. YOOP
192 Mmmmm… Well, lets see a straw man… a tin man… and a meat boy…

2_10_32
TIN WOODMAN, SCARECROW, and WOOT shrink back as her baleful eye falls upon them.

2_10_33

MRS. YOOP
192-01 How unstimulating you are. So plain I know- I will change you all into new forms… formsss farrr moreee interesting….

2_10_34

SCARECROW
193 Y-y-you.. you can’t d-do that! You We We’re very important p-p-eople

2_10_35
MRS. YOOP is huge again. TIN WOODMAN, SCARECROW, and WOOT huddle together in terror.

MRS. YOOP
194 So much the better! I shall enjoy you all the more!

2_10_36
TIN WOODMAN, SCARECROW, and WOOT stare up in terror at MRS. YOOP.

MRS. YOOP
195 Meet bravely what you cannot avoid

MRS. YOOP turns to TIN WOODMAN.

2_10_37

TIN WOODMAN
S-s-stay away from me

MRS. YOOP points an enormous, gnarled finger at TIN WOODMAN.

2_10_38
A maelstrom of terrifying ENERGY transforms TIN WOODMAN transforms TIN OWL.

TIN OWL hoots in despair.

2_10_39
MRS. YOOP’S baleful eye fixes on him.

2_10_40
TIN OWL flies to the back of a chair and perches upon it, his tin feathers rattle against one another in a tinny chatter.

2_10_41
SCARECROW and WOOT look up at the immense, terrifying form of MRS. YOOP. SCARECROW attempts to assume a commanding posture. WOOT hides behind him.

SCARECROW
197 Eh Eh Eh N-n-now s-s-see here, m-m-madam, I c-c-consider this action very impolite…. it may even be called rude c-c-considering we are your g-g-guests…

2_10_42

MRS. YOOP
198 Guests, straw man… At whose invitation?

MRS. YOOP opens her immense mouth in a hideous laugh.

2_10_43
SCARECROW shudders violently.

SCARECROW
Look I I've got a f-f-few Em Uh, ah Oh

In a maelstrom of energy, SCARECROW changes into STRAW BEAR.

2_10_44
STRAW BEAR shuffles awkwardly across the floor, whimpering.

STRAW BEAR (confused)
Eh I don't like this I don't like this at all No This isn't right This isn't right at all No, Wrong

2_10_45
WOOT looks out in horror… then at MRS. YOOP.

2_10_46
MRS. YOOP is once again normal-sized, though grotesquely-proportioned.

2_10_47
WOOT trembles in terror as MRS. YOOP tussles his hair. MRS. YOOP assumes a grotesquely innocent air as she studies the terrified WOOT.

MRS. YOOP
198-01 Ah Now What to do with you, little cuddle-kins? I have something very, very special in mind for you.

2_10_48
WOOT runs for it.

2_10_49
Suddenly—MRS. YOOP is in front of him, her hair streaming as if alive—her eyes huge and blazing—WOOT screams.

2_10_50
MRS. YOOP wiggles her fingers.

2_10_51
WOOT, in a flash of energy, becomes GREEN MONKEY.

2_10_52
MRS. YOOP laughs hideously

2_10_53
GREEN MONKEY chatters as he bounds to the seat of a giant chair, and then to its back.

MRS. YOOP’S maniacal laughter echoes through the castle.

2_10_54

MRS. YOOP
Yes I do believe (cackles) Perrrrrfect.

TIN OWL, BEAR and GREEN MONKEY cringe as MRS. YOOP looms above them. She looms over each in turn, then she shrinks back down to near-human proportions, and yawns.

MRS. YOOP
201 Oh Such a day Such a day Well, enjoy yourselves, my pets. We’ll play again… very soon.

2_10_55
MRS. YOOP cackles madly. Still laughing, she faces the DOOR.

MRS. YOOP
202 Open!

2_10_56
The DOOR bursts open with a bang, and MRS. YOOP hobbles out.

2_10_57
The DOOR begins to close.

Sequence 3

2007-03-30T18:56:49Z

Ssappington:

SEQUENCE 1_03 THRONE

//MH modified 3/9/06 for Ed

//MH modified 4/11/06 : formatting

//MH modified 11/11/06 to match SVN directory names

1_03_00a
WOOT and TIN SERVANT into the courtyard of the TIN CASTLE.

1_03_00b
WOOT looks around as he walks beside TIN SERVANT past a TIN FOUNTAIN towards a TIN GARDEN.

1_03_00c
WOOT follows TIN SERVANT walks out of a TIN GARDEN.

1_03_00d
WOOT follows TIN SERVANT over a catwalk.

1_03_00e
WOOT walks through a dark hallway towards and opening.

1_03_01
WOOT looks around distracted, and is surprised by what is in front of him.

1_03_02
WOOT looks around a gigantic THROWN ROOM of ornate workmanship — all in tin.

1_03_03
WOOT walks down steps into the THRONE ROOM.

1_03_04
TIN SERVANT leads WOOT across THRONE ROOM.

1_03_05
TIN SERVANT halts, so does WOOT. They are both looking forward.

1_03_06
TIN WOODMAN is balancing his axe on his chin.

1_03_07
Balanced on the head of the axe is a settee.

1_03_11
Beside TIN WOODMAN’S throne, SCARECROW sits on a stool playing chess on a small table. He ponders the game, then smiles and moves a piece triumpfully.

1_03_09
WOOT goggles up at them as he approaches the throne. SERVANT clears his throat. WOOT bows politely.

WOOT
007 Oh, uh… I salute your... Illustrious, Tin Majesty.

1_03_10
TIN WOODMAN seems to not take any notice while he juggles his axe on his chin. TIN WOODMAN toss the axe into the air and deftly catches it on his foot.

1_03_08
SCARECROW glances up then goes back to his game.

1_03_12
TIN WOODMAN finally looks over at WOOT, still distracted by his axe juggling.

TIN WOODMAN
008 Um... Oh, you're welcome, young man. Welcome.

1_03_13
TIN WOODMAN holds the axe balancing the sette in one hand.

1_03_14
Tin Woodman's axe and Woot's stool fly in a big arc near the ceiling of the throne room.

1_03_17
WOOT sees something above him, ducks.

1_03_17a
TIN WOODMAN looks into the air, reaches out...

1_03_17b
The settee lands on the axe near WOOT.

1_03_18
TIN WOODMAN
Won't you have a seat?

1_03_19
WOOT
Thank you sire.

1_03_20
WOOT sits down, smiles.

1_03_21
TIN WOODMAN
Now tell me: who are you, and from where have you come?

1_03_21a
SCARECROW
Do, tell.

1_03_22
WOOT stands up to announce his story.

WOOT
009 If it pleases your majesty. I am Woot... The wanderer... And I’ve come through my travels to see you.

1_03_23
SCARECROW is unconvinced.

SCARECROW
009-01 Hmm? A traveler? Very interesting…

1_03_24
TIN WOODMAN
009-02 Uh? What is?

SCARECROW (OS)
010 Well… to find somebody in

1_03_25
SCARECROW suspects WOOT is exaggerating the truth.

SCARECROW
Oz who loves to travel, especially with all of the dangers and hardships about.

1_03_27
TIN WOODMAN
Oh, of course. Interesting, indeed.

1_03_28
SCARECROW gives Woot the opportunity to tell whatever story it is he has come to tell.

SCARECROW
So tell me young Woot, what grand wonders have you encountered in your many travels?

1_03_29
WOOT has no story prepared to prove himself and adventurer.

WOOT
Yes... You see... I came to...

1_03_30
SCARECROW regards WOOT quizically.

WOOT (OS)
Ah...

1_03_31
Embarrassed, TIN WOODMAN turns his attention back to WOOT.

TIN WOODMAN (OS)
012 Well

1_03_32
TIN WOODMAN
I suppose in your travels that you have become very wise.

1_03_33
WOOT
013 No, Sire… In fact, the more I know, the less I realize that I know.

1_03_34
SCARECROW
014 Ah, yes. Well, if it’s any help… I’ve found that… learning is easy, young Woot. Begin with is asking questions.

1_03_35
WOOT
015 Oh, I do ask questions! Constantly, Sire!

1_03_36
TIN WOODMAN stands listening.

WOOT (OS)
I’ve learned people don't like having them asked.

TIN WOODMAN waves dismissively, then does a handstand on his axe.

TIN WOODMAN
016 Personally, I make it a rule to answer any civil question that is asked.

1_03_37
SCARECROW, seeing the virtuoso juggling exhibition, applauds vigorously.

SCARECROW
Oh, well, done. Very nice indeed.

1_03_38
With a flourish, TIN WOODMAN dismounts then leans on his axe.

1_03_39
TIN WOODMAN
016-03 So, ask Woot. Whatever you should wish to.

1_03_40
WOOT
018 Well, sir, if you wouldn’t mind… I should very much like to know

1_03_41
TIN WOODMAN, tossing and catching his axe, is surprised.

WOOT (OS)
how did you become made of tin?

1_03_41a
WOOT
and yet remain alive?

1_03_41b
TIN WOODMAN
019 That, I’m afraid, is a rather long story.

1_03_42
SCARECROW rolls his yes.

SCARECROW
I'll say

1_03_43
WOOT looks from SCARECROW to TIN WOODMAN to SCARECROW.

WOOT
020 If it pleases his Majesty, I should like to hear it.

1_03_44
TIN WOODMAN climbs the dias to his THRONE.

TIN WOODMAN
021 Well, then… I have not always been made of tin.

1_03_45
WOOT’S surprised. He shakes his head, settles in, his hands support his chin as he listens.

TIN WOODMAN (OS)
Indeed, in the beginning I was flesh and

1_03_46
TIN WOODMAN sit on his THRONE, leans back, crosses his legs. His expression becomes dreamy.

TIN WOODMAN
021-01 bone and blood… just like you… and I lived in the Munchkin Country of Oz…

Sequence 2 7

2007-03-26T21:03:13Z

Ssappington:

SEQUENCE 2_07 - "KU-KLIP"

2_07_001
Ku-Klip's WORKSHOP sits at the edge of the forest.

TIN WOODMAN, SCARECROW, and WOOT approach the workshop.

TIN WOODMAN (awed)
Well, there it is...

2_07_002
TIN WOODMAN, SCARECROW, and WOOT climb the wooden steps.

TIN WOODMAN
This is where my life began.

For a moment, TIN WOODMAN stands, looks at the wooden door. Then he reaches out, hesitantly... Knocks on the door.

TIN WOODMAN
Ku-Klip? Ku-Klip? You in there?

2_07_003
TIN WOODMAN peers in through one of the windows.

SCARECROW (OS)
Eh, he's probably off, snipping something... Eh, welding... Or something?

2_07_004
The door creaks open

TIN WOODMAN, SCARECROW, and WOOT look at each other.

SCARECROW
Well... Let's go in... It's cold out here...

TIN WOODMAN
Eh... I... Suppose he wouldn't mind... Since the door's open...

2_07_005
TIN WOODMAN, SCARECROW, and WOOT peer in around the doorframe.

2_07_006
INT. KU-KLIP’S WORKSHOP - DAY
KU-KLIP'S WORKSHOP is filled full of mechanical paraphernalia.

TIN WOODMAN sighs.

2_07_007
TIN WOODMAN
092 The first time I came here… I remember old Ku-Klip carefully put my leg into that cupboard over yonder…

2_07_007b
Against the wall is a CUPBOARD.

2_07_008
WOOT and SCARECROW glance at the indicated cupboard. WOOT shudders slightly.

WOOT
093 So… Do you think... Uh... Maybe we should wait for him outside?

SCARECROW (nervous laugh)
096 Sounds very good to me. Let's go.

SCARECROW and WOOT turn to leave.

2_07_009
TIN WOODMAN
097 No, wait. Wait…

They stop, nervous.

2_07_010
TIN WOODMAN stands, focused, listening. WOOT and SCARECROW exchange a nervous look. TIN WOODMAN walks over to the CUPBOARDS.

2_07_011
TIN WOODMAN reaches to open cupboard door.

WOOT looks on eagerly.

2_07_011b
SCARECROW
097-01 Uh, wait. Uh, may... Maybe we shouldn’t… Uh?

SCARECROW flinches.

2_07_012
TIN WOODMAN pulls open the doors of the cupboard. Inside are shelves… and upon one shelf is TIN HEAD.

2_07_013
TIN WOODMAN
GAHHH!

TIN WOODMAN into SCARECROW's arms

2_07_013b
Woot reaches up to...

2_07_014
...tap on TIN HEAD

TIN HEAD’S left eye opens, looks at Woot.

2_07_015
Woot draws back

WOOT
Ewww…

2_07_015b
TIN HEAD's other eye pops open, stares at crowd.

2_07_015c
SCARECROW looks back and forth comparing TIN WOODMAN and TINHEAD

2_07_016
TIN WOODMAN
098 What? Oh, dear me! I… Uh… Good morning! You seem rather… familiar.

TIN WOODMAN takes off his crown.

2_07_017
TIN HEAD looks them over with supercilious disinterest.

TIN HEAD
099 Do I? Then you clearly have the advantage. I’ve never seen you before in by life.

2_07_017b
TIN WOODMAN
100 Well, that’s… we do seem to… resemble each other.

2_07_018
TIN HEAD
101 We—what monumental nerve! For my part, I’m not anxious to claim kinship

2_07_018a
TIN HEAD
to a common, manufactured article, like you.

2_07_019
TIN WOODMAN
101-01 Oh, is that so? Why, you dusty, old...

TIN WOODMAN raises his axe.

2_07_020
SCARECROW clears his throat.

2_07_021
TIN WOODMAN shoots him a dark look, then composes himself.

TIN WOODMAN
102 Yes, well, I… hmm. How long have you been… living in this cupboard?

2_07_034
TIN HEAD
103 I’m sure I don’t know.

2_07_035
TIN WOODMAN
104 Do you… eh, do have a name?

2_07_036
TIN HEAD
105 Not that I am aware of.

2_07_037
TIN WOODMAN bridles, but calms himself with an effort.

TIN WOODMAN
106 What do you do in that cupboard?

2_07_038
TIN HEAD
107 A little intelligent reflection

2_07_039
TIN HEAD
would lead you to realize that I’ve absolutely nothing to do!

2_07_040
TIN WOODMAN
108 Are you… happy in there?

2_07_041
TIN HEAD
109 Happy? What's that?

2_07_042
WOOT
110 You mean, you don’t know what happiness is?

2_07_043
TIN HEAD
111 I haven't the faintest idea whether it's round or square, or black or white,

2_07_044
TIN HEAD
or whatever it is. And, if you will pardon my

2_07_045
TIN HEAD
lack of interest in it, I will say that I don't care.

2_07_047
SCARECROW and WOOT gather around the cupboard behind TIN WOODMAN.

TIN HEAD
I’ll thank you to close the door on your way out.

2_07_048
TIN WOODMAN
112-01 I don’t

2_07_049
TIN HEAD
112-02 No, I don’t suppose you would. Good day.

2_07_050
TIN HEAD shuts his eyes.

TIN WOODMAN sighs… closes and latches the CUPBOARD door. He turns away, and gasps.

2_07_051
KU-KLIP the tinsmith stands in the doorway. He’s short, stout, his sleeves rolled up to show muscular arms. He wears a long leather apron, has a long gray beard and is bald. His ears stick out like two fans. Over his bright eyes he wears big spectacles.

KU-KLIP and TIN WOODMAN stare at each other… then KU-KLIP smiles… chuckles… laughs heartily.

KU-KLIP (chuckles)
113 Oh-ho! Who would have thought… here’s

2_07_052
KU-KLIP
my Tin Man… come to visit me. Oh, and with friends!

2_07_053
KU-KLIP
Oh, Welcome. Welcome indeed!

2_07_054
KU-KLIP rushes forward and hugs TIN WOODMAN warmly. TIN WOODMAN doesn’t respond, somewhat at a loss. KU-KLIP holds him at arm’s length, looks at him.

KU-KLIP
113-01 Marvelous! Simply marvelous! You are so perfect…

2_07_054a
KU-KLIP
You’re the ultimate proof of my skills!

2_07_055
KU-KLIP starts to walk down a circular staircase. After a few moments of looking at each other, TIN WOODMAN shrugs to SCARECROW and WOOT, and the three of them follow down the stairs.

2_07_055a
TIN WOODMAN, SCARECROW and WOOT enter the bottom half of the workshop. Odd MACHINERY is scattered around, and there is a FURNACE. They follow KU-KLIP to stand next to a workbench.

2_07_056
KU-KLIP
Oh, but I forget myself… sit down. Sit, all of you and tell me why you've come!

2_07_057
KU-KLIP turns SCARECROW, examines him curiously, pats him on all sides.

KU-KLIP
114 You are truly marvelous, my friend…

2_07_058
KU-KLIP
But you would be far more durable if you were made of tin!

2_07_059
KU-KLIP
Would you like me to?

SCARECROW
115 What?! No.

2_7_060
No, indeed!

2_07_061
KU-KLIP warmly embraces WOOT.

KU-KLIP
116 Ah. Then it is this unfortunate boy you wish me to help?

KU-KLIP snips with some sissors.

2_07_061a
KU-KLIP
If we begin immediately, I can

2_07_062
WOOT reacts, startled, pulls free.

WOOT
117 Wait! Wait! Hold on, we’re not here for me.

2_07_063
KU-KLIP
Oh, are you sure? 'Cuz, I could... Ya' know...

2_07_064
KU-KLIP
A little snip here and there.

2_07_065
KU-KLIP
"Snip, Snip" song.

2_07_066
SCARECROW (impatient)
117-01 We’re not here to... We’re seeking information.

2_07_067
KU-KLIP is thinking.

TIN WOODMAN (OS)
118 Ku-Klip! Do you know what

2_07_068
TIN WOODMAN
become of Nimmie Amee?

2_07_069
KU-KLIP looks at TIN WOODMAN, startled. For a long moment he thinks, then he sighs.

KU-KLIP
119 Uh, no… No, I don’t… But!

2_07_070
KU-KLIP (OS)
I remember… She wept… bitterly

2_07_071
KU-KLIP
when you did not come back to her as you promised…

2_07_072
SCARECROW listens with interest.

KU-KLIP (OS)
120 She… went away…

2_07_073
WOOT listens to Ku-Klip. GLUE on a workbench catches his eye and he stands up on his toes to get a better look.

KU-KLIP (OS)
With some people… To Mount Munch, I believe.

2_07_074
WOOT takes the GLUE off the workbench.

KU-KLIP
I haven't seen her since.

2_07_075
TIN WOODMAN
121 Do you know their names? The people she went away with?

2_07_076
KU-KLIP shrugs his shoulders.

KU-KLIP
122 All that she left was a bottle of Magic Glue…

2_07_077
WOOT holds the MAGIC GLUE.

KU-KLIP (OS)
Taken from the Witch.

WOOT
123 What’s Magic Glue?

2_07_078
KU-KLIP
124 Oh! It’s a preparation with which to mend people when they cut themselves.

2_07_079
KU-KLIP
Very handy.

2_07_080
TIN WOODMAN (suspiciously)
125 Ku-KLIP. What happened to the parts of my meat body?

2_07_081
KU-KLIP
126 Eh... Parts, Eh... Oh.

2_07_082
KU-KLIP
It occurred to me to piece them together, using the Magic Glue.

2_07_083
KU-KLIP
I thought I could… make a man out of them.

2_07_084

KU-KLIP
126-01 First, I pieced together the body,

TIN WOODMAN and SCARECROW look up surprised.

KU-KLIP
which worked perfectly. You would have been. Ah...

2_07_086
TIN WOODMAN becomes preturbed.

KU-KLIP (OS)
Oh…

2_07_087
KU-KLIP
126-02 Well, it wasn’t easy… Some of the pieces didn’t match up well…

2_07_090
Still no acknowledgement from TIN WOODMAN.

KU-KLIP (OS)
126-04 When the glue… dried, well, he was quite an interesting fellow!

2_07_091
KU-KLIP is fiddling at a WORKBENCH.

KU-KLIP
I called him Chopfyt. He… was interesting… but not very agreeable, I'm afraid.

2_07_092
SCARECROW and WOOT listen, facinated.

KU-KLIP (OS)
126-05 He complained… constantly… was a thoughtless assistant…

2_07_093
KU-KLIP
So, when he proposed, one day, to go off and seek adventures… I was happy to see him go.

2_07_094
SCARECROW

What became of him?

2_07_095
KU-KLIP

He… started off toward the east… Into the plains of Munchkin Country

2_07_096
TIN WOODMAN listens, facinated.

KU-KLIP (OS)
And that was the last I saw of him.

TIN WOODMAN
129 It seems to me

2_07_097
TIN WOODMAN
that you had absolutely no business making another man out of my cast-off parts!

2_07_098
TIN WOODMAN (OS)
After all...

TIN WOODMAN⿿S vehemence surprises KU-KLIP, who falls back into the fireplace. He seems unaware that his ample posterior has caught fire.

KU-KLIP (flustered)
130 It’s not likely that you’ll ever… meet the fellow…

2_07_099
KU-KLIP
130-01 He doesn’t know who he is.

2_07_100
TIN WOODMAN turns away from KU-KLIP.

KU-KLIP
I never told him…

TIN WOODMAN
131-01 It appears that we need to travel on to Mount Munch.

2_07_101
TIN WOODMAN
But we'll will visit you again... Another day.

2_07_102
TIN WOODMAN squares his shoulders and marches out resolutely. SCARECROW and WOOT linger a moment, unsure what to do, then they follow.

KU-KLIP
Okay... Pretty short visit...

2_07_103
KU-KLIP
You're sure I can't... Snip. Snip. Take a little tuck, or nip... or something?

KU-KLIP looks hopefully at WOOT, clacks his TIN SHEARS.

2_07_104
WOOT cringes.

WOOT
No.. No, thank you... Mister, eh, Cut-Klip.

WOOT hurries after Tin Woodman and Scarecrow OS.

2_07_105
KU-KLIP watches sadly. Then raises his head. Sniffs. Realizes that there's something burning. He looks around and finally realized that it's the seat of his pants! With a good deal of noise, he races around frantically, finally ending up with his posterior struck in a large, oaken bucket of water. As steams rises, KU-KLIP sighs contentedly.

Sequence 2 7

2007-03-21T18:08:49Z

Ssappington:

SEQUENCE 2_07 - "KU-KLIP"

2_07_001
Ku-Klip's WORKSHOP sits at the edge of the forest.

TIN WOODMAN, SCARECROW, and WOOT approach the workshop.

TIN WOODMAN (awed)
Well, there it is...

2_07_002
TIN WOODMAN, SCARECROW, and WOOT climb the wooden steps.

TIN WOODMAN
This is where my life began.

For a moment, TIN WOODMAN stands, looks at the wooden door. Then he reaches out, hesitantly... Knocks on the door.

TIN WOODMAN
Ku-Klip? Ku-Klip? You in there?

2_07_003
TIN WOODMAN peers in through one of the windows.

SCARECROW (OS)
Eh, he's probably off, snipping something... Eh, welding... Or something?

2_07_004
The door creaks open

TIN WOODMAN, SCARECROW, and WOOT look at each other.

SCARECROW
Well... Let's go in... It's cold out here...

TIN WOODMAN
Eh... I... Suppose he wouldn't mind... Since the door's open...

2_07_005
TIN WOODMAN, SCARECROW, and WOOT peer in around the doorframe.

2_07_006
INT. KU-KLIP’S WORKSHOP - DAY
KU-KLIP'S WORKSHOP is filled full of mechanical paraphernalia.

TIN WOODMAN sighs.

2_07_007
TIN WOODMAN
092 The first time I came here… I remember old Ku-Klip carefully put my leg into that cupboard over yonder…

2_07_007b
Against the wall is a CUPBOARD.

2_07_008
WOOT and SCARECROW glance at the indicated cupboard. WOOT shudders slightly.

WOOT
093 So… Do you think... Uh... Maybe we should wait for him outside?

SCARECROW (nervous laugh)
096 Sounds very good to me. Let's go.

SCARECROW and WOOT turn to leave.

2_07_009
TIN WOODMAN
097 No, wait. Wait…

They stop, nervous.

2_07_010
TIN WOODMAN stands, focused, listening. WOOT and SCARECROW exchange a nervous look. TIN WOODMAN walks over to the CUPBOARDS.

2_07_011
TIN WOODMAN reaches to open cupboard door.

WOOT looks on eagerly.

2_07_011b
SCARECROW
097-01 Uh, wait. Uh, may... Maybe we shouldn’t… Uh?

SCARECROW flinches.

2_07_012
TIN WOODMAN pulls open the doors of the cupboard. Inside are shelves… and upon one shelf is TIN HEAD.

2_07_013
TIN WOODMAN
GAHHH!

TIN WOODMAN into SCARECROW's arms

2_07_013b
Woot reaches up to...

2_07_014
...tap on TIN HEAD

TIN HEAD’S left eye opens, looks at Woot.

2_07_015
Woot draws back

WOOT
Ewww…

2_07_015b
TIN HEAD's other eye pops open, stares at crowd.

2_07_015c
SCARECROW looks back and forth comparing TIN WOODMAN and TINHEAD

2_07_016
TIN WOODMAN
098 What? Oh, dear me! I… Uh… Good morning! You seem rather… familiar.

TIN WOODMAN takes off his crown.

2_07_017
TIN HEAD looks them over with supercilious disinterest.

TIN HEAD
099 Do I? Then you clearly have the advantage. I’ve never seen you before in by life.

2_07_017b
TIN WOODMAN
100 Well, that’s… we do seem to… resemble each other.

2_07_018
TIN HEAD
101 We—what monumental nerve! For my part, I’m not anxious to claim kinship

2_07_018a
TIN HEAD
to a common, manufactured article, like you.

2_07_019
TIN WOODMAN
101-01 Oh, is that so? Why, you dusty, old...

TIN WOODMAN raises his axe.

2_07_020
SCARECROW clears his throat.

2_07_021
TIN WOODMAN shoots him a dark look, then composes himself.

TIN WOODMAN
102 Yes, well, I… hmm. How long have you been… living in this cupboard?

2_07_034
TIN HEAD
103 I’m sure I don’t know.

2_07_035
TIN WOODMAN
104 Do you… eh, do have a name?

2_07_036
TIN HEAD
105 Not that I am aware of.

2_07_037
TIN WOODMAN bridles, but calms himself with an effort.

TIN WOODMAN
106 What do you do in that cupboard?

2_07_038
TIN HEAD
107 A little intelligent reflection

2_07_039
TIN HEAD
would lead you to realize that I’ve absolutely nothing to do!

2_07_040
TIN WOODMAN
108 Are you… happy in there?

2_07_041
TIN HEAD
109 Happy? What's that?

2_07_042
WOOT
110 You mean, you don’t know what happiness is?

2_07_043
TIN HEAD
111 I haven't the faintest idea whether it's round or square, or black or white,

2_07_044
TIN HEAD
or whatever it is. And, if you will pardon my

2_07_045
TIN HEAD
lack of interest in it, I will say that I don't care.

2_07_047
SCARECROW and WOOT gather around the cupboard behind TIN WOODMAN.

TIN HEAD
I’ll thank you to close the door on your way out.

2_07_048
TIN WOODMAN
112-01 I don’t

2_07_049
TIN HEAD
112-02 No, I don’t suppose you would. Good day.

2_07_050
TIN HEAD shuts his eyes.

TIN WOODMAN sighs… closes and latches the CUPBOARD door. He turns away, and gasps.

2_07_051
KU-KLIP the tinsmith stands in the doorway. He’s short, stout, his sleeves rolled up to show muscular arms. He wears a long leather apron, has a long gray beard and is bald. His ears stick out like two fans. Over his bright eyes he wears big spectacles.

KU-KLIP and TIN WOODMAN stare at each other… then KU-KLIP smiles… chuckles… laughs heartily.

KU-KLIP (chuckles)
113 Oh-ho! Who would have thought… here’s

2_07_052
KU-KLIP
my Tin Man… come to visit me. Oh, and with friends!

2_07_053
KU-KLIP
Oh, Welcome. Welcome indeed!

2_07_054
KU-KLIP rushes forward and hugs TIN WOODMAN warmly. TIN WOODMAN doesn’t respond, somewhat at a loss. KU-KLIP holds him at arm’s length, looks at him.

KU-KLIP
113-01 Marvelous! Simply marvelous! You are so perfect…

2_07_054a
KU-KLIP
You’re the ultimate proof of my skills!

2_07_055
KU-KLIP starts to walk down a circular staircase. After a few moments of looking at each other, TIN WOODMAN shrugs to SCARECROW and WOOT, and the three of them follow down the stairs.

2_07_055a
TIN WOODMAN, SCARECROW and WOOT enter the bottom half of the workshop. Odd MACHINERY is scattered around, and there is a FURNACE. They follow KU-KLIP to stand next to a workbench.

2_07_056
KU-KLIP
Oh, but I forget myself… sit down. Sit, all of you and tell me why you've come!

2_07_057
KU-KLIP turns SCARECROW, examines him curiously, pats him on all sides.

KU-KLIP
114 You are truly marvelous, my friend…

2_07_058
KU-KLIP
But you would be far more durable if you were made of tin!

2_07_059
KU-KLIP
Would you like me to?

SCARECROW
115 What?! No.

2_7_060
No, indeed!

2_07_061
KU-KLIP warmly embraces WOOT.

KU-KLIP
116 Ah. Then it is this unfortunate boy you wish me to help?

KU-KLIP snips with some sissors.

2_07_061a
KU-KLIP
If we begin immediately, I can

2_07_062
WOOT reacts, startled, pulls free.

WOOT
117 Wait! Wait! Hold on, we’re not here for me.

2_07_063
KU-KLIP
Oh, are you sure? 'Cuz, I could... Ya' know...

2_07_064
KU-KLIP
A little snip here and there.

2_07_065
KU-KLIP
"Snip, Snip" song.

2_07_066
SCARECROW (impatient)
117-01 We’re not here to... We’re seeking information.

2_07_067
KU-KLIP is thinking.

TIN WOODMAN (OS)
118 Ku-Klip! Do you know what

2_07_068
TIN WOODMAN
become of Nimmie Amee?

2_07_069
KU-KLIP looks at TIN WOODMAN, startled. For a long moment he thinks, then he sighs.

KU-KLIP
119 Uh, no… No, I don’t… But!

2_07_070
KU-KLIP (OS)
I remember… She wept… bitterly

2_07_071
KU-KLIP
when you did not come back to her as you promised…

2_07_072
SCARECROW listens with interest.

KU-KLIP (OS)
120 She… went away…

2_07_073
WOOT listens to Ku-Klip. GLUE on a workbench catches his eye and he stands up on his toes to get a better look.

KU-KLIP (OS)
With some people… To Mount Munch, I believe.

2_07_074
WOOT takes the GLUE off the workbench.

KU-KLIP
I haven't seen her since.

2_07_075
TIN WOODMAN
121 Do you know their names? The people she went away with?

2_07_076
KU-KLIP shrugs his shoulders.

KU-KLIP
122 All that she left was a bottle of Magic Glue…

2_07_077
WOOT holds the MAGIC GLUE.

KU-KLIP (OS)
Taken from the Witch.

WOOT
123 What’s Magic Glue?

2_07_078
KU-KLIP
124 Oh! It’s a preparation with which to mend people when they cut themselves.

2_07_079
KU-KLIP
Very handy.

2_07_080
TIN WOODMAN (suspiciously)
125 Ku-KLIP. What happened to the parts of my meat body?

2_07_081
KU-KLIP
126 Eh... Parts, Eh... Oh.

2_07_082
KU-KLIP
It occurred to me to piece them together, using the Magic Glue.

2_07_083
KU-KLIP
I thought I could… make a man out of them.

2_07_084

KU-KLIP
126-01 First, I pieced together the body,

TIN WOODMAN and SCARECROW look up surprised.

KU-KLIP
which worked perfectly. You would have been. Ah...

2_07_086
TIN WOODMAN becomes preturbed.

KU-KLIP (OS)
Oh…

2_07_087
KU-KLIP
126-02 Well, it wasn’t easy… Some of the pieces didn’t match up well…

2_07_090
Still no acknowledgement from TIN WOODMAN.

KU-KLIP (OS)
126-04 When the glue… dried, well, he was quite an interesting fellow!

2_07_091
KU-KLIP is fiddling at a WORKBENCH.

KU-KLIP
I called him Chopfyt. He… was interesting… but not very agreeable, I'm afraid.

2_07_092
SCARECROW and WOOT listen, facinated.

KU-KLIP (OS)
126-05 He complained… constantly… was a thoughtless assistant…

2_07_093
KU-KLIP
So, when he proposed, one day, to go off and seek adventures… I was happy to see him go.

2_07_094
SCARECROW
127 What became of him?

2_07_095
He… started off toward the east…

2_07_095a
Into the plains of Munchkin Country.

2_07_096
TIN WOODMAN listens, facinated.

KU-KLIP (OS)
And that was the last I saw of him.

TIN WOODMAN
129 It seems to me

2_07_097
TIN WOODMAN
that you had absolutely no business making another man out of my cast-off parts!

2_07_098
TIN WOODMAN (OS)
After all...

TIN WOODMAN⿿S vehemence surprises KU-KLIP, who falls back into the fireplace. He seems unaware that his ample posterior has caught fire.

KU-KLIP (flustered)
130 It’s not likely that you’ll ever… meet the fellow…

2_07_099
KU-KLIP
130-01 He doesn’t know who he is.

2_07_100
TIN WOODMAN turns away from KU-KLIP.

KU-KLIP
I never told him…

TIN WOODMAN
131-01 It appears that we need to travel on to Mount Munch.

2_07_101
TIN WOODMAN
But we'll will visit you again... Another day.

2_07_102
TIN WOODMAN squares his shoulders and marches out resolutely. SCARECROW and WOOT linger a moment, unsure what to do, then they follow.

KU-KLIP
Okay... Pretty short visit...

2_07_103
KU-KLIP
You're sure I can't... Snip. Snip. Take a little tuck, or nip... or something?

KU-KLIP looks hopefully at WOOT, clacks his TIN SHEARS.

2_07_104
WOOT cringes.

WOOT
No.. No, thank you... Mister, eh, Cut-Klip.

WOOT hurries after Tin Woodman and Scarecrow OS.

2_07_105
KU-KLIP watches sadly. Then raises his head. Sniffs. Realizes that there's something burning. He looks around and finally realized that it's the seat of his pants! With a good deal of noise, he races around frantically, finally ending up with his posterior struck in a large, oaken bucket of water. As steams rises, KU-KLIP sighs contentedly.

Sequence 2 7

2007-03-21T18:06:53Z

Ssappington:

SEQUENCE 2_07 - "KU-KLIP"

2_07_001
Ku-Klip's WORKSHOP sits at the edge of the forest.

TIN WOODMAN, SCARECROW, and WOOT approach the workshop.

TIN WOODMAN (awed)
Well, there it is...

2_07_002
TIN WOODMAN, SCARECROW, and WOOT climb the wooden steps.

TIN WOODMAN
This is where my life began.

For a moment, TIN WOODMAN stands, looks at the wooden door. Then he reaches out, hesitantly... Knocks on the door.

TIN WOODMAN
Ku-Klip? Ku-Klip? You in there?

2_07_003
TIN WOODMAN peers in through one of the windows.

SCARECROW (OS)
Eh, he's probably off, snipping something... Eh, welding... Or something?

2_07_004
The door creaks open

TIN WOODMAN, SCARECROW, and WOOT look at each other.

SCARECROW
Well... Let's go in... It's cold out here...

TIN WOODMAN
Eh... I... Suppose he wouldn't mind... Since the door's open...

2_07_005
TIN WOODMAN, SCARECROW, and WOOT peer in around the doorframe.

2_07_006
INT. KU-KLIP’S WORKSHOP - DAY
KU-KLIP'S WORKSHOP is filled full of mechanical paraphernalia.

TIN WOODMAN sighs.

2_07_007
TIN WOODMAN
092 The first time I came here… I remember old Ku-Klip carefully put my leg into that cupboard over yonder…

2_07_007b
Against the wall is a CUPBOARD.

2_07_008
WOOT and SCARECROW glance at the indicated cupboard. WOOT shudders slightly.

WOOT
093 So… Do you think... Uh... Maybe we should wait for him outside?

SCARECROW (nervous laugh)
096 Sounds very good to me. Let's go.

SCARECROW and WOOT turn to leave.

2_07_009
TIN WOODMAN
097 No, wait. Wait…

They stop, nervous.

2_07_010
TIN WOODMAN stands, focused, listening. WOOT and SCARECROW exchange a nervous look. TIN WOODMAN walks over to the CUPBOARDS.

2_07_011
TIN WOODMAN reaches to open cupboard door.

WOOT looks on eagerly.

2_07_011b
SCARECROW
097-01 Uh, wait. Uh, may... Maybe we shouldn’t… Uh?

SCARECROW flinches.

2_07_012
TIN WOODMAN pulls open the doors of the cupboard. Inside are shelves… and upon one shelf is TIN HEAD.

2_07_013
TIN WOODMAN
GAHHH!

TIN WOODMAN into SCARECROW's arms

2_07_013b
Woot reaches up to...

2_07_014
...tap on TIN HEAD

TIN HEAD’S left eye opens, looks at Woot.

2_07_015
Woot draws back

WOOT
Ewww…

2_07_015b
TIN HEAD's other eye pops open, stares at crowd.

2_07_015c
SCARECROW looks back and forth comparing TIN WOODMAN and TINHEAD

2_07_016
TIN WOODMAN
098 What? Oh, dear me! I… Uh… Good morning! You seem rather… familiar.

TIN WOODMAN takes off his crown.

2_07_017
TIN HEAD looks them over with supercilious disinterest.

TIN HEAD
099 Do I? Then you clearly have the advantage. I’ve never seen you before in by life.

2_07_017b
TIN WOODMAN
100 Well, that’s… we do seem to… resemble each other.

2_07_018
TIN HEAD
101 We—what monumental nerve! For my part, I’m not anxious to claim kinship

2_07_018a
TIN HEAD
to a common, manufactured article, like you.

2_07_019
TIN WOODMAN
101-01 Oh, is that so? Why, you dusty, old...

TIN WOODMAN raises his axe.

2_07_020
SCARECROW clears his throat.

2_07_021
TIN WOODMAN shoots him a dark look, then composes himself.

TIN WOODMAN
102 Yes, well, I… hmm. How long have you been… living in this cupboard?

2_07_034
TIN HEAD
103 I’m sure I don’t know.

2_07_035
TIN WOODMAN
104 Do you… eh, do have a name?

2_07_036
TIN HEAD
105 Not that I am aware of.

2_07_037
TIN WOODMAN bridles, but calms himself with an effort.

TIN WOODMAN
106 What do you do in that cupboard?

2_07_038
TIN HEAD
107 A little intelligent reflection

2_07_039
TIN HEAD
would lead you to realize that I’ve absolutely nothing to do!

2_07_040
TIN WOODMAN
108 Are you… happy in there?

2_07_041
TIN HEAD
109 Happy? What's that?

2_07_042
WOOT
110 You mean, you don’t know what happiness is?

2_07_043
TIN HEAD
111 I haven't the faintest idea whether it's round or square, or black or white,

2_07_044
TIN HEAD
or whatever it is. And, if you will pardon my

2_07_045
TIN HEAD
lack of interest in it, I will say that I don't care.

2_07_047
SCARECROW and WOOT gather around the cupboard behind TIN WOODMAN.
TIN HEAD
I’ll thank you to close the door on your way out.

2_07_048
TIN WOODMAN
112-01 I don’t

2_07_049
TIN HEAD
112-02 No, I don’t suppose you would. Good day.

2_07_050
TIN HEAD shuts his eyes.

TIN WOODMAN sighs… closes and latches the CUPBOARD door. He turns away, and gasps.

2_07_051
KU-KLIP the tinsmith stands in the doorway. He’s short, stout, his sleeves rolled up to show muscular arms. He wears a long leather apron, has a long gray beard and is bald. His ears stick out like two fans. Over his bright eyes he wears big spectacles.

KU-KLIP and TIN WOODMAN stare at each other… then KU-KLIP smiles… chuckles… laughs heartily.

KU-KLIP (chuckles)
113 Oh-ho! Who would have thought… here’s

2_07_052
KU-KLIP
my Tin Man… come to visit me. Oh, and with friends!

2_07_053
KU-KLIP
Oh, Welcome. Welcome indeed!

2_07_054
KU-KLIP rushes forward and hugs TIN WOODMAN warmly. TIN WOODMAN doesn’t respond, somewhat at a loss. KU-KLIP holds him at arm’s length, looks at him.

KU-KLIP
113-01 Marvelous! Simply marvelous! You are so perfect…

2_07_054a
KU-KLIP
You’re the ultimate proof of my skills!

2_07_055
KU-KLIP starts to walk down a circular staircase. After a few moments of looking at each other, TIN WOODMAN shrugs to SCARECROW and WOOT, and the three of them follow down the stairs.

2_07_055a
TIN WOODMAN, SCARECROW and WOOT enter the bottom half of the workshop. Odd MACHINERY is scattered around, and there is a FURNACE. They follow KU-KLIP to stand next to a workbench.

2_07_056
KU-KLIP
Oh, but I forget myself… sit down. Sit, all of you and tell me why you've come!

2_07_057
KU-KLIP turns SCARECROW, examines him curiously, pats him on all sides.

KU-KLIP
114 You are truly marvelous, my friend…

2_07_058
KU-KLIP
But you would be far more durable if you were made of tin!

2_07_059
KU-KLIP
Would you like me to?

SCARECROW
115 What?! No.

2_7_060
No, indeed!

2_07_061
KU-KLIP warmly embraces WOOT.

KU-KLIP
116 Ah. Then it is this unfortunate boy you wish me to help?

KU-KLIP snips with some sissors.

2_07_061a
KU-KLIP
If we begin immediately, I can

2_07_062
WOOT reacts, startled, pulls free.

WOOT
117 Wait! Wait! Hold on, we’re not here for me.

2_07_063
KU-KLIP
Oh, are you sure? 'Cuz, I could... Ya' know...

2_07_064
KU-KLIP
A little snip here and there.

2_07_065
KU-KLIP
"Snip, Snip" song.

2_07_066
SCARECROW (impatient)
117-01 We’re not here to... We’re seeking information.

2_07_067
KU-KLIP is thinking.

TIN WOODMAN (OS)
118 Ku-Klip! Do you know what

2_07_068
TIN WOODMAN
become of Nimmie Amee?

2_07_069
KU-KLIP looks at TIN WOODMAN, startled. For a long moment he thinks, then he sighs.

KU-KLIP
119 Uh, no… No, I don’t… But!

2_07_070
KU-KLIP (OS)
I remember… She wept… bitterly

2_07_071
KU-KLIP
when you did not come back to her as you promised…

2_07_072
SCARECROW listens with interest.

KU-KLIP (OS)
120 She… went away…

2_07_073
WOOT listens to Ku-Klip. GLUE on a workbench catches his eye and he stands up on his toes to get a better look.

KU-KLIP (OS)
With some people… To Mount Munch, I believe.

2_07_074
WOOT takes the GLUE off the workbench.

KU-KLIP
I haven't seen her since.

2_07_075
TIN WOODMAN
121 Do you know their names? The people she went away with?

2_07_076
KU-KLIP shrugs his shoulders.

KU-KLIP
122 All that she left was a bottle of Magic Glue…

2_07_077
WOOT holds the MAGIC GLUE.

KU-KLIP (OS)
Taken from the Witch.

WOOT
123 What’s Magic Glue?

2_07_078
KU-KLIP
124 Oh! It’s a preparation with which to mend people when they cut themselves.

2_07_079
KU-KLIP
Very handy.

2_07_080
TIN WOODMAN (suspiciously)
125 Ku-KLIP. What happened to the parts of my meat body?

2_07_081
KU-KLIP
126 Eh... Parts, Eh... Oh.

2_07_082
KU-KLIP
It occurred to me to piece them together, using the Magic Glue.

2_07_083
KU-KLIP
I thought I could… make a man out of them.

2_07_084

KU-KLIP
126-01 First, I pieced together the body,

TIN WOODMAN and SCARECROW look up surprised.

KU-KLIP
which worked perfectly. You would have been. Ah...

2_07_086
TIN WOODMAN becomes preturbed.

KU-KLIP (OS)
Oh…

2_07_087
KU-KLIP
126-02 Well, it wasn’t easy… Some of the pieces didn’t match up well…

2_07_090
Still no acknowledgement from TIN WOODMAN.

KU-KLIP (OS)
126-04 When the glue… dried, well, he was quite an interesting fellow!

2_07_091
KU-KLIP is fiddling at a WORKBENCH.

KU-KLIP
I called him Chopfyt. He… was interesting… but not very agreeable, I'm afraid.

2_07_092
SCARECROW and WOOT listen, facinated.

KU-KLIP (OS)
126-05 He complained… constantly… was a thoughtless assistant…

2_07_093
KU-KLIP
So, when he proposed, one day, to go off and seek adventures… I was happy to see him go.

2_07_094
SCARECROW
127 What became of him?

2_07_095
He… started off toward the east…

2_07_095a
Into the plains of Munchkin Country.

2_07_096
TIN WOODMAN listens, facinated.

KU-KLIP (OS)
And that was the last I saw of him.

TIN WOODMAN
129 It seems to me

2_07_097
TIN WOODMAN
that you had absolutely no business making another man out of my cast-off parts!

2_07_098
TIN WOODMAN (OS)
After all...

TIN WOODMAN⿿S vehemence surprises KU-KLIP, who falls back into the fireplace. He seems unaware that his ample posterior has caught fire.

KU-KLIP (flustered)
130 It’s not likely that you’ll ever… meet the fellow…

2_07_099
KU-KLIP
130-01 He doesn’t know who he is.

2_07_100
TIN WOODMAN turns away from KU-KLIP.

KU-KLIP
I never told him…

TIN WOODMAN
131-01 It appears that we need to travel on to Mount Munch.

2_07_101
TIN WOODMAN
But we'll will visit you again... Another day.

2_07_102
TIN WOODMAN squares his shoulders and marches out resolutely. SCARECROW and WOOT linger a moment, unsure what to do, then they follow.

KU-KLIP
Okay... Pretty short visit...

2_07_103
KU-KLIP
You're sure I can't... Snip. Snip. Take a little tuck, or nip... or something?

KU-KLIP looks hopefully at WOOT, clacks his TIN SHEARS.

2_07_104
WOOT cringes.

WOOT
No.. No, thank you... Mister, eh, Cut-Klip.

WOOT hurries after Tin Woodman and Scarecrow OS.

2_07_105
KU-KLIP watches sadly. Then raises his head. Sniffs. Realizes that there's something burning. He looks around and finally realized that it's the seat of his pants! With a good deal of noise, he races around frantically, finally ending up with his posterior struck in a large, oaken bucket of water. As steams rises, KU-KLIP sighs contentedly.

Teacher Resources

2007-03-19T16:14:43Z

Ssappington:

= Welcome to the Hash Inc. Teacher Resources Wiki =

This is a place for teachers to share and colaborate tips and lesson plans
and helpful teacher related links.

[[Teacher Resources Wiki Guidelines]]

[[Teacher Resources How To Wiki|How to add to this wiki]]

=== Testimonials ===
''Using Animation: Master software in the classroom has been a phenomenal experience. It allows students to use their higher critical thinking skills while they are working on software that they enjoy using. From the first tutorial to the very last, they get excited every time they learn a new feature about an action, or model among other things. This software continues to motivate the students to think creatively while also allowing them to experience personal success as they work their way through the easily accessible on-line tutorials. As a teacher, I have also integrated basic art lessons into the animation classroom. It allows the student to appreciate the value of the early animators and the accomplishments they made in animation with their hand drawings. Lesson plans, videos and tutorials are included with the software, therefore making the transition to teaching a subject I had never taught before a smooth one. I would recommend Animation:Master to anyone who wants a head start in furthering their students’ careers in animation.''

'''Stacy Walker - Animation Teacher - Roach Middle School - Frisco, Texas'''

=== Lesson Plans ===
* [http://www.hash.com/vm Hash Inc. Course Materials]

=== Tips ===

* [[Teacher Resources FAQ|FAQ]]
* [[Teacher Resources Hasp|Hasps]] Many schools choose to use the network hasp instead of having cds for each seat.

=== Links ===

* [http://www.hash.com/forums/index.php?showforum=54 Hash Inc. Teachers Resources Forum]
Usefull teaching info from the forum can be compiled into this wiki.

Teacher Resources

2007-03-19T16:14:26Z

Ssappington:

= Welcome to the Hash Inc. Teacher Resources Wiki =

This is a place for teachers to share and colaborate tips and lesson plans
and helpful teacher related links.

[[Teacher Resources Wiki Guidelines]]

[[Teacher Resources How To Wiki|How to add to this wiki]]

=== Testimonials ===
''Using Animation: Master software in the classroom has been a phenomenal experience. It allows students to use their higher critical thinking skills while they are working on software that they enjoy using. From the first tutorial to the very last, they get excited every time they learn a new feature about an action, or model among other things. This software continues to motivate the students to think creatively while also allowing them to experience personal success as they work their way through the easily accessible on-line tutorials. As a teacher, I have also integrated basic art lessons into the animation classroom. It allows the student to appreciate the value of the early animators and the accomplishments they made in animation with their hand drawings. Lesson plans, videos and tutorials are included with the software, therefore making the transition to teaching a subject I had never taught before a smooth one. I would recommend Animation:Master to anyone who wants a head start in furthering their students’ careers in animation.''
'''Stacy Walker - Animation Teacher - Roach Middle School - Frisco, Texas'''

=== Lesson Plans ===
* [http://www.hash.com/vm Hash Inc. Course Materials]

=== Tips ===

* [[Teacher Resources FAQ|FAQ]]
* [[Teacher Resources Hasp|Hasps]] Many schools choose to use the network hasp instead of having cds for each seat.

=== Links ===

* [http://www.hash.com/forums/index.php?showforum=54 Hash Inc. Teachers Resources Forum]
Usefull teaching info from the forum can be compiled into this wiki.

Teacher Resources

2007-03-19T16:13:29Z

Ssappington:

= Welcome to the Hash Inc. Teacher Resources Wiki =

This is a place for teachers to share and colaborate tips and lesson plans
and helpful teacher related links.

[[Teacher Resources Wiki Guidelines]]

[[Teacher Resources How To Wiki|How to add to this wiki]]

=== Testimonials ===
''Using Animation: Master software in the classroom has been a phenomenal experience. It allows students to use their higher critical thinking skills while they are working on software that they enjoy using. From the first tutorial to the very last, they get excited every time they learn a new feature about an action, or model among other things. This software continues to motivate the students to think creatively while also allowing them to experience personal success as they work their way through the easily accessible on-line tutorials. As a teacher, I have also integrated basic art lessons into the animation classroom. It allows the student to appreciate the value of the early animators and the accomplishments they made in animation with their hand drawings. Lesson plans, videos and tutorials are included with the software, therefore making the transition to teaching a subject I had never taught before a smooth one. I would recommend Animation:Master to anyone who wants a head start in furthering their students’ careers in animation.''

'''Stacy Walker
Animation Teacher
Roach Middle School Frisco, Texas'''

=== Lesson Plans ===
* [http://www.hash.com/vm Hash Inc. Course Materials]

=== Tips ===

* [[Teacher Resources FAQ|FAQ]]
* [[Teacher Resources Hasp|Hasps]] Many schools choose to use the network hasp instead of having cds for each seat.

=== Links ===

* [http://www.hash.com/forums/index.php?showforum=54 Hash Inc. Teachers Resources Forum]
Usefull teaching info from the forum can be compiled into this wiki.

Teacher Resources

2007-03-19T16:12:47Z

Ssappington:

= Welcome to the Hash Inc. Teacher Resources Wiki =

This is a place for teachers to share and colaborate tips and lesson plans
and helpful teacher related links.

[[Teacher Resources Wiki Guidelines]]

[[Teacher Resources How To Wiki|How to add to this wiki]]

=== Testimonials ===
Using Animation: Master software in the classroom has been a phenomenal experience. It allows students to use their higher critical thinking skills while they are working on software that they enjoy using. From the first tutorial to the very last, they get excited every time they learn a new feature about an action, or model among other things. This software continues to motivate the students to think creatively while also allowing them to experience personal success as they work their way through the easily accessible on-line tutorials. As a teacher, I have also integrated basic art lessons into the animation classroom. It allows the student to appreciate the value of the early animators and the accomplishments they made in animation with their hand drawings. Lesson plans, videos and tutorials are included with the software, therefore making the transition to teaching a subject I had never taught before a smooth one. I would recommend Animation:Master to anyone who wants a head start in furthering their students’ careers in animation.

Stacy Walker

Animation Teacher

Roach Middle School Frisco, Texas

=== Lesson Plans ===
* [http://www.hash.com/vm Hash Inc. Course Materials]

=== Tips ===

* [[Teacher Resources FAQ|FAQ]]
* [[Teacher Resources Hasp|Hasps]] Many schools choose to use the network hasp instead of having cds for each seat.

=== Links ===

* [http://www.hash.com/forums/index.php?showforum=54 Hash Inc. Teachers Resources Forum]
Usefull teaching info from the forum can be compiled into this wiki.

Sequence 2 7

2007-03-16T18:05:22Z

Ssappington:

SEQUENCE 2_07 - "KU-KLIP"

2_07_001
Ku-Klip's WORKSHOP sits at the edge of the forest.

TIN WOODMAN, SCARECROW, and WOOT approach the workshop.

TIN WOODMAN (awed)
Well, there it is...

2_07_002
TIN WOODMAN, SCARECROW, and WOOT climb the wooden steps.

TIN WOODMAN
This is where my life began.

For a moment, TIN WOODMAN stands, looks at the wooden door. Then he reaches out, hesitantly... Knocks on the door.

TIN WOODMAN
Ku-Klip? Ku-Klip? You in there?

2_07_003
TIN WOODMAN peers in through one of the windows.

SCARECROW (OS)
Eh, he's probably off, snipping something... Eh, welding... Or something?

2_07_004
The door creaks open

TIN WOODMAN, SCARECROW, and WOOT look at each other.

SCARECROW
Well... Let's go in... It's cold out here...

TIN WOODMAN
Eh... I... Suppose he wouldn't mind... Since the door's open...

2_07_005
TIN WOODMAN, SCARECROW, and WOOT peer in around the doorframe.

2_07_006
INT. KU-KLIP’S WORKSHOP - DAY
KU-KLIP'S WORKSHOP is filled full of mechanical paraphernalia.

TIN WOODMAN sighs.

2_07_007
TIN WOODMAN
092 The first time I came here… I remember old Ku-Klip carefully put my leg into that cupboard over yonder…

2_07_007b
Against the wall is a CUPBOARD.

2_07_008
WOOT and SCARECROW glance at the indicated cupboard. WOOT shudders slightly.

WOOT
093 So… Do you think... Uh... Maybe we should wait for him outside?

SCARECROW (nervous laugh)
096 Sounds very good to me. Let's go.

SCARECROW and WOOT turn to leave.

2_07_009
TIN WOODMAN
097 No, wait. Wait…

They stop, nervous.

2_07_010
TIN WOODMAN stands, focused, listening. WOOT and SCARECROW exchange a nervous look. TIN WOODMAN walks over to the CUPBOARDS.

2_07_011
TIN WOODMAN reaches to open cupboard door.

WOOT looks on eagerly.

2_07_011b
SCARECROW
097-01 Uh, wait. Uh, may... Maybe we shouldn’t… Uh?

SCARECROW flinches.

2_07_012
TIN WOODMAN pulls open the doors of the cupboard. Inside are shelves… and upon one shelf is TIN HEAD.

2_07_013
TIN WOODMAN
GAHHH!

TIN WOODMAN into SCARECROW's arms

2_07_013b
Woot reaches up to...

2_07_014
...tap on TIN HEAD

TIN HEAD’S left eye opens, looks at Woot.

2_07_015
Woot draws back

WOOT
Ewww…

2_07_015b
TIN HEAD's other eye pops open, stares at crowd.

2_07_015c
SCARECROW looks back and forth comparing TIN WOODMAN and TINHEAD

2_07_016
TIN WOODMAN
098 What? Oh, dear me! I… Uh… Good morning! You seem rather… familiar.

TIN WOODMAN takes off his crown.

2_07_017
TIN HEAD looks them over with supercilious disinterest.

TIN HEAD
099 Do I? Then you clearly have the advantage. I’ve never seen you before in by life.

2_07_017b
TIN WOODMAN
100 Well, that’s… we do seem to… resemble each other.

2_07_018
TIN HEAD
101 We—what monumental nerve! For my part, I’m not anxious to claim kinship

2_07_018a
TIN HEAD
to a common, manufactured article, like you.

2_07_019
TIN WOODMAN
101-01 Oh, is that so? Why, you dusty, old...

TIN WOODMAN raises his axe.

2_07_020
SCARECROW clears his throat.

2_07_021
TIN WOODMAN shoots him a dark look, then composes himself.

TIN WOODMAN
102 Yes, well, I… hmm. How long have you been… living in this cupboard?

2_07_034
TIN HEAD
103 I’m sure I don’t know.

2_07_035
TIN WOODMAN
104 Do you… eh, do have a name?

2_07_036
TIN HEAD
105 Not that I am aware of.

2_07_037
TIN WOODMAN bridles, but calms himself with an effort.

TIN WOODMAN
106 What do you do in that cupboard?

2_07_038
TIN HEAD
107 A little intelligent reflection

2_07_039
TIN HEAD
would lead you to realize that I’ve absolutely nothing to do!

2_07_040
TIN WOODMAN
108 Are you… happy in there?

2_07_041
TIN HEAD
109 Happy? What's that?

2_07_042
WOOT
110 You mean, you don’t know what happiness is?

2_07_043
TIN HEAD
111 I haven't the faintest idea whether it's round or square, or black or white,

2_07_044
TIN HEAD
or whatever it is. And, if you will pardon my

2_07_045
TIN HEAD
lack of interest in it, I will say that I don't care.

2_07_046
SCARECROW and WOOT gather around the cupboard behind TIN WOODMAN.

TIN HEAD
112 I’ll thank you to close the door

2_07_047
TIN HEAD
on your way out.

2_07_048
TIN WOODMAN
112-01 I don’t

2_07_049
TIN HEAD
112-02 No, I don’t suppose you would. Good day.

2_07_050
TIN HEAD shuts his eyes.

TIN WOODMAN sighs… closes and latches the CUPBOARD door. He turns away, and gasps.

2_07_051
KU-KLIP the tinsmith stands in the doorway. He’s short, stout, his sleeves rolled up to show muscular arms. He wears a long leather apron, has a long gray beard and is bald. His ears stick out like two fans. Over his bright eyes he wears big spectacles.

KU-KLIP and TIN WOODMAN stare at each other… then KU-KLIP smiles… chuckles… laughs heartily.

KU-KLIP (chuckles)
113 Oh-ho! Who would have thought… here’s

2_07_052
KU-KLIP
my Tin Man… come to visit me. Oh, and with friends!

2_07_053
KU-KLIP
Oh, Welcome. Welcome indeed!

2_07_054
KU-KLIP rushes forward and hugs TIN WOODMAN warmly. TIN WOODMAN doesn’t respond, somewhat at a loss. KU-KLIP holds him at arm’s length, looks at him.

KU-KLIP
113-01 Marvelous! Simply marvelous! You are so perfect…

2_07_054a
KU-KLIP
You’re the ultimate proof of my skills!

2_07_055
KU-KLIP starts to walk down a circular staircase. After a few moments of looking at each other, TIN WOODMAN shrugs to SCARECROW and WOOT, and the three of them follow down the stairs.

2_07_055a
TIN WOODMAN, SCARECROW and WOOT enter the bottom half of the workshop. Odd MACHINERY is scattered around, and there is a FURNACE. They follow KU-KLIP to stand next to a workbench.

2_07_056
KU-KLIP
Oh, but I forget myself… sit down. Sit, all of you and tell me why you've come!

2_07_057
KU-KLIP turns SCARECROW, examines him curiously, pats him on all sides.

KU-KLIP
114 You are truly marvelous, my friend…

2_07_058
KU-KLIP
But you would be far more durable if you were made of tin!

2_07_059
KU-KLIP
Would you like me to?

SCARECROW
115 What?! No.

2_7_060
No, indeed!

2_07_061
KU-KLIP warmly embraces WOOT.

KU-KLIP
116 Ah. Then it is this unfortunate boy you wish me to help?

KU-KLIP snips with some sissors.

2_07_061a
KU-KLIP
If we begin immediately, I can

2_07_062
WOOT reacts, startled, pulls free.

WOOT
117 Wait! Wait! Hold on, we’re not here for me.

2_07_063
KU-KLIP
Oh, are you sure? 'Cuz, I could... Ya' know...

2_07_064
KU-KLIP
A little snip here and there.

2_07_065
KU-KLIP
"Snip, Snip" song.

2_07_066
SCARECROW (impatient)
117-01 We’re not here to... We’re seeking information.

2_07_067
KU-KLIP is thinking.

TIN WOODMAN (OS)
118 Ku-Klip! Do you know what

2_07_068
TIN WOODMAN
become of Nimmie Amee?

2_07_069
KU-KLIP looks at TIN WOODMAN, startled. For a long moment he thinks, then he sighs.

KU-KLIP
119 Uh, no… No, I don’t… But!

2_07_070
KU-KLIP (OS)
I remember… She wept… bitterly

2_07_071
KU-KLIP
when you did not come back to her as you promised…

2_07_072
SCARECROW listens with interest.

KU-KLIP (OS)
120 She… went away…

2_07_073
WOOT listens to Ku-Klip. GLUE on a workbench catches his eye and he stands up on his toes to get a better look.

KU-KLIP (OS)
With some people… To Mount Munch, I believe.

2_07_074
WOOT takes the GLUE off the workbench.

KU-KLIP
I haven't seen her since.

2_07_075
TIN WOODMAN
121 Do you know their names? The people she went away with?

2_07_076
KU-KLIP shrugs his shoulders.

KU-KLIP
122 All that she left was a bottle of Magic Glue…

2_07_077
WOOT holds the MAGIC GLUE.

KU-KLIP (OS)
Taken from the Witch.

WOOT
123 What’s Magic Glue?

2_07_078
KU-KLIP
124 Oh! It’s a preparation with which to mend people when they cut themselves.

2_07_079
KU-KLIP
Very handy.

2_07_080
TIN WOODMAN (suspiciously)
125 Ku-KLIP. What happened to the parts of my meat body?

2_07_081
KU-KLIP
126 Eh... Parts, Eh... Oh.

2_07_082
KU-KLIP
It occurred to me to piece them together, using the Magic Glue.

2_07_083
KU-KLIP
I thought I could… make a man out of them.

2_07_084

KU-KLIP
126-01 First, I pieced together the body,

TIN WOODMAN and SCARECROW look up surprised.

KU-KLIP
which worked perfectly. You would have been. Ah...

2_07_086
TIN WOODMAN becomes preturbed.

KU-KLIP (OS)
Oh…

2_07_087
KU-KLIP
126-02 Well, it wasn’t easy… Some of the pieces didn’t match up well…

2_07_090
Still no acknowledgement from TIN WOODMAN.

KU-KLIP (OS)
126-04 When the glue… dried, well, he was quite an interesting fellow!

2_07_091
KU-KLIP (OS)
I called him Chopfyt. He… was interesting… but not very agreeable, I'm afraid.

2_07_092
SCARECROW and WOOT listen, facinated.

KU-KLIP (OS)
126-05 He complained… constantly… was a thoughtless assistant…

2_07_093
KU-KLIP
So, when he proposed, one day, to go off and seek adventures… I was happy to see him go.

2_07_094
SCARECROW
127 What became of him?

2_07_095
He… started off toward the east…

2_07_095a
Into the plains of Munchkin Country.

2_07_096
TIN WOODMAN listens, facinated.

KU-KLIP (OS)
And that was the last I saw of him.

TIN WOODMAN
129 It seems to me

2_07_097
TIN WOODMAN
that you had absolutely no business making another man out of my cast-off parts!

2_07_098
TIN WOODMAN (OS)
After all...

TIN WOODMAN⿿S vehemence surprises KU-KLIP, who falls back into the fireplace. He seems unaware that his ample posterior has caught fire.

KU-KLIP (flustered)
130 It’s not likely that you’ll ever… meet the fellow…

2_07_099
KU-KLIP
130-01 He doesn’t know who he is.

2_07_100
TIN WOODMAN turns away from KU-KLIP.

KU-KLIP
I never told him…

TIN WOODMAN
131-01 It appears that we need to travel on to Mount Munch.

2_07_101
TIN WOODMAN
But we'll will visit you again... Another day.

2_07_102
TIN WOODMAN squares his shoulders and marches out resolutely. SCARECROW and WOOT linger a moment, unsure what to do, then they follow.

KU-KLIP
Okay... Pretty short visit...

2_07_103
KU-KLIP
You're sure I can't... Snip. Snip. Take a little tuck, or nip... or something?

KU-KLIP looks hopefully at WOOT, clacks his TIN SHEARS.

2_07_104
WOOT cringes.

WOOT
No.. No, thank you... Mister, eh, Cut-Klip.

WOOT hurries after Tin Woodman and Scarecrow OS.

2_07_105
KU-KLIP watches sadly. Then raises his head. Sniffs. Realizes that there's something burning. He looks around and finally realized that it's the seat of his pants! With a good deal of noise, he races around frantically, finally ending up with his posterior struck in a large, oaken bucket of water. As steams rises, KU-KLIP sighs contentedly.

Teacher Resources

2007-03-08T18:02:07Z

Ssappington:

Teacher Resources

2007-03-08T17:58:20Z

Ssappington: